Tag Archive for: crafting mysteries

On Birthdays and Bucket Lists

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By Lois Winston

Have you ever noticed the older we get, the swifter the years go by? I can remember walking home from school and bemoaning the fact that summer vacation was still six weeks away. Six weeks seemed like an eternity to eight-year-old me. Now six weeks often flies by at warp speed.

I bring this up because my birthday month is approaching, and I’m wondering how I ever got this old. Wasn’t it just yesterday that I gave birth to my first son? I remember the day as if it were yesterday. Yet now he’s the father of three, the oldest of whom is in his first year of college.

Who knows where the time goes?

Judy Collins once asked that question in a song. I’m asking it a lot lately. Back in the sixties the Boomer Generation suggested no one should trust anyone over thirty. Now we’re confronted by the derisive insult of “OK, Boomer” by the generations that have followed behind us. To paraphrase a quote from another songwriter of my generation, the times they are a-changin’.

Once upon a time birthdays were something we looked forward to—parties, gifts, cake and ice cream! Yea! So many of those birthdays connoted milestones we looked forward to—Sweet Sixteens, getting a driver’s license, voting, ordering that first legal glass of wine. Wishes were often fulfilled on birthdays, the one other day of the year besides Christmas or Hanukkah when you might receive that new bicycle or pair of skates.

Now at this point in our lives, if we want something, we buy it for ourselves. Most of us have too much stuff already. When we moved nearly two years ago, we got rid of those things we hadn’t used in decades. Why on earth did I keep a soup tureen I received for Christmas more than thirty years ago but never used? Does anyone ever use soup tureens? And I haven’t a clue as to the last time I used the fondue pot we received as a wedding gift. 1980-something? Those items and much more wound up at the donation center. Hopefully, someone will put that soup tureen and fondue pot to good use.

Bucket Lists are now more important than soup tureens and fondue pots. Whittling down the Bucket List had taken priority prior to the pandemic. Now we’re once again thinking about venturing out into the world. I still haven’t gotten to Scandinavia or Great Britain, and I really would love to see the Terra Cotta Warriors in China.

What about you? What’s on your Bucket List?

In celebration of my birthday, I’m giving away several promo codes for a free download of the audiobook version of Death by Killer Mop Doll, the second book in my Anastasia Pollack Crafting Mystery Series. Post a comment for a chance to win.

 

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry.

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They Can’t All Be Red Herrings, Right?

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By Lois Winston

I’m currently writing my 12th Anastasia Pollack Crafting Mystery. This one is tentatively titled A Crafty Collage of Crime. As some of you may remember, I moved from New Jersey to Tennessee a year and a half ago. Since then, many people have asked if Anastasia will eventually make the move south. My answer is an emphatic, “No!” Anastasia is a diehard Jersey Girl and will remain firmly planted in the Garden State.

However, I have decided that in this book, Anastasia and Zack will take a trip to Middle Tennessee wine country. Yes, there are wineries in Tennessee. Who knew? Certainly not me until I moved here, but it turns out that there were quite a few wineries in the area before Prohibition, and after Prohibition ended, the wine industry slowly began to revitalize. It’s now once again thriving.

Anastasia and Zack find themselves in Tennessee because Zack has accepted an assignment to photograph the local wineries for a spread in a national wine publication. Anastasia travels to Tennessee with him. Of course, she immediately discovers a dead body. (Doesn’t she always?)

Now, here’s my dilemma: I have a basic plot and characters fleshed out, but I have so many potential suspects, that I’m finding it difficult to choose which will be the killer. Any one of them would work. I’m thinking I may have to write the book several ways, with a different killer for each version, before I settle on the real killer. That’s a lot of extra work. So I’m hoping that as I continue to work on chapters, the killer will eventually reveal himself to me.

If you’re a reader, have you ever read a mystery where you thought one of the other characters should have been the killer? If you’re an author, do you always know right away who your killer will be, or does the killer sometimes change as you write the book?

Death by Killer Mop Doll, the second book in my Anastasia Pollack Crafting Mysteries, is now available as an audiobook through Audible, iTunes, and Amazon. If you’d like a chance to win a promo code for a free download, post a comment.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

No Fur or Feather Babies

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By Lois Winston

When I was asked to write a cozy mystery series, I knew I should include a pet. Cozy readers love books with pets, especially dogs or cats. Sometimes the pet is even an integral part of helping to solve the mystery. I also have many friends who write cozy mysteries, and most of them are pet owners.

I’m the outlier. I don’t have a fur baby. Instead, I have allergies. Allergies to just about all pets. At least the kind you can pet, cuddle, and play with. Tropical fish would probably be safe, but I consider those pretty things to watch swimming around rather than pets. If it has fur or feathers, I need to steer clear, and chances are, I’d probably also have issues with amphibians and reptiles. I’m even allergic to certain people—or at least to some of the grooming products they use.

I used to have pets. When I was a teenager, we had a dog. I walked around sneezing and coughing and suffering with horrible sinus headaches for several years until I left for college. Once I had my own apartment, I tried kittens. What was I thinking? The headaches, sneezing, and coughing returned with a vengeance.

When my kids were young, we got them a pair of gerbils. Even though I stayed far away from the cage, I still suffered.

So, unfortunately, I remain petless. My protagonist in the Anastasia Pollack Crafting Mysteries is far from petless, though. Not only does Anastasia’s household include her mother-in-law’s French bulldog Mephisto and occasionally Catherine the Great, her mother’s Persian cat, but Anastasia has also inherited her great-aunt Penelope Periwinkle’s African Grey parrot.

However, Ralph is no ordinary parrot. Having spent most of his life in Great-aunt Penelope’s classroom, listening to lectures on the works of William Shakespeare, Ralph possesses a unique talent. He has the uncanny ability to squawk situation-appropriate quotes from the Bard of Avon.

Is this even possible? Some African Greys do have huge vocabularies, but even though I’ve read up on the species, I’m no parrot expert. It doesn’t matter, though. I write fiction, humorous fiction. If readers can suspend their disbelief enough to accept a protagonist who stumbles across more murders than the average cop in an entire law enforcement career, why not a Shakespeare-quoting parrot?

Ralph is also very protective of his adoptive family. I hope you’ll check out how he proves his worth in Guilty as Framed, the 11th book in my humorous Anastasia Pollack Crafting Mystery Series.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Writing as Catharsis

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Who would think this cute baby would grow up to be the inspiration
for the woman who makes the Wicked Witch of the West look like
Rebecca of Sunnybrook Farm?

By Lois Winston 

During an interview recently, the interviewer told me she loves Anastasia Pollack, my reluctant amateur sleuth, but the character she really, really loves is Anastasia’s communist mother-in-law. “You write the best antagonists!” she said, then asked me where I came up with the idea of giving my protagonist a communist mother-in-law.

 

This is a conversation I’ve had many times since Assault with a Deadly Glue Gun, the first book in my Anastasia Pollack Crafting Mystery Series, debuted in 2011. Lucille Pollack is the character my readers love to hate. Is it because so many of my readers have mother-in-law issues? Perhaps. 


Or maybe it’s because Lucille is such an over-the-top unbelievable character. I’m sure many readers think so, but here’s a little secret: Unlike all my other characters, Lucille didn’t spring from my imagination. The woman who makes the Wicked Witch of the West look like Rebecca of Sunnybrook Farm is based almost entirely on my own communist mother-in-law.

 

Yes, you read that correctly. My mother-in-law was a card-carrying commie. Beyond that, though, she was nasty, really nasty, especially if you dared to have an opinion that differed from hers. This was a woman who always knew everything, an expert on every subject. And she was always right—according to her. No one else’s opinions mattered because everyone else was always wrong. You didn’t have conversations with my mother-in-law; you were subjected to lectures—on every subject under the sun. She wasn’t perfect, though. She did fail at things, but when she did, it was always someone or something else’s fault. Never hers.

 

A couple I knew and whom my father-in-law had befriended, once called me the day after they had dinner with my in-laws. They wanted to know how I put up with “that woman.” This was a pattern throughout the years I knew my mother-in-law. Friends never lasted long because she was so insufferable.

 

Even my father-in-law, who had always seen his wife through rose-colored glasses, eventually woke up to her true nature. When he needed her most, she was too selfish and self-centered to be bothered.

 

The thing about antagonistic people, though, is that although they’re insufferable in real life, they make for great antagonists on the page. My mother-in-law grew increasingly nastier the older she got. However, instead of letting her get to me, I brought her doppelganger to life in the form of Anastasia’s mother-in-law Lucille Pollack. Whether it’s a matter of “don’t get mad, get even” or turning lemons into lemonade, all those years of putting up with my mother-in-law paid off in the end when I created the characters my readers love to hate. 

 

My one regret? My mother-in-law didn’t live to see my literary revenge, but it wouldn’t have mattered. She was too highbrow to waste her time reading fiction and certainly wouldn’t have read anything written by her stupid (her word) daughter-in-law. Twenty novels, five novellas, and a children’s book later, revenge is sweet.


Meanwhile, Anastasia’s mother-in-law Lucille winds up wreaking havoc yet again in Guilty as Framed, the 11th book in the Anastasia Pollack Crafting Mysteries, now available for preorder.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website where you can also sign up for her newsletter and follow her on various social media sites.

My Tweaking Obsession

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By Lois Winston


No, that title does not have a typo. I’m neither obsessed with Twitter nor with twerking. However, I am a compulsive tweaker.

 

Every author has her own process for writing a novel. The two most talked about are whether you’re a pantser or a plotter. Pantsers write by the seat of their pants. They sit down at their computers and start typing. Maybe they have an idea for the beginning of a novel or a main character. They may know how they want to start a book and how it will end. But they fly by the seat of their pants between “Once upon a time” and “The End.”

 

Plotters painstakingly outline their books. Some write copious synopses. Others use an outlining method that spells out what will happen in each chapter or even in each scene in the book.

 

When it comes to the actual writing of the book, some authors write numerous drafts before they’re satisfied with the end result. Sometimes the finished product bears little resemblance to the first draft, especially if you’re a pantser but rarely if you’re a plotter. 

 

I have a friend who’s a New York Times bestselling author. Between the typos, grammar, punctuation, and spelling errors, not to mention the run-on sentences that would make even William Faulkner cringe, if you read her first drafts, you’d think she never made it past third grade. She doesn’t worry about any of it. Her process is to get her thoughts down on paper, to keep typing, unfiltered words flying onto the page without fear of sabotage by her inner editor.

 

With each subsequent draft, she concentrates on refining a different aspect of her work. The final version she turns into her editor, more often than not, lands her on that coveted NYT list.

 

Then there’s me…uhm, I. (You’ll understand that grammatical correction momentarily.) I’m an obsessive tweaker. I will spend half an hour staring at a blinking cursor, searching for the exact word or phrase. I’m incapable of moving on to the next sentence, let alone the next scene, until I’m happy with the results. But if that weren’t enough, I constantly go back and reread what I’ve written previously and continue to tweak. In other words, I edit as I write. I can’t help it. 

 

Then my critique partner reads what I’ve written, offers some suggestions, and I go back and tweak some more. The end result being that by the time I type The End, I’ve really only written one draft, one thoroughly edited first draft, but a first draft, nonetheless. Of course, the book will then go through beta reads and proofreading that will result in additional tweaking because there’s always a missed typo or some other finetuning that’s needed. Essentially, though, from the first word on the page to the last, I’ve written only one complete draft. That’s my process—and my compulsion. I wouldn’t know any other way.


What’s yours?

 

Stitch, Bake, Die!

An Anastasia Pollack Crafting Mystery, Book 10

 

With massive debt, a communist mother-in-law, a Shakespeare-quoting parrot, and a photojournalist boyfriend who may or may not be a spy, crafts editor Anastasia Pollack already juggles too much in her life. So she’s not thrilled when her magazine volunteers her to present workshops and judge a needlework contest at the inaugural conference of the NJ chapter of the Stitch and Bake Society, a national organization of retired professional women. At least her best friend and cooking editor Cloris McWerther has also been roped into similar duties for the culinary side of the 3-day event taking place on the grounds of the exclusive Beckwith Chateau Country Club.

 

The sweet little old ladies Anastasia is expecting to find are definitely old, and some of them are little, but all are anything but sweet. She’s stepped into a vipers’ den that starts with bribery and ends with murder. When an ice storm forces Anastasia and Cloris to spend the night at the Chateau, Anastasia discovers evidence of insurance scams, medical fraud, an opioid ring, long-buried family secrets, and a bevy of suspects. Can she piece together the various clues before she becomes the killer’s next target?

 

Crafting tips included.

 

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry.

 

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Toilet Paper Origami and Absolutely No Wastepaper Baskets Allowed!

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My Curated Bookcases

By Lois Winston 

Last month I blogged about how my husband and I were getting ready to move from New Jersey to Nashville to be closer to family. We’ve since taken another step toward that goal—our home for the last twenty-three years is now on the market.

 

In the course of my married life I’ve lived in four different houses. However, the last time we moved HGTV wasn’t part of the American consciousness. No flippers, renovators, or stagers brainwashed the public about the necessity of open-concept, tray ceilings, and hardscaped yards with outdoor kitchens. Hardwood floors aren’t enough. They have to be wide-planked hardwood. And of course, the cardinal sin these days is the dreaded popcorn ceiling. Buyers have been conditioned to take one look and immediately do an about-face, as if a popcorn ceiling is in the same category as termites and radon.

 

We’ve always lived in older homes. We love the charm of Victorian and Craftsman architecture. The oldest house we’ve lived in was built in 1891, the youngest in 1939. Our current house is a 1935 Craftsman Bungalow. It isn’t open-concept with twelve-foot ceilings. It doesn’t have a Carrera marble waterfall island in the kitchen.

 

There are forty-four photos online along with floor plans and room sizes. Any interested buyer has the ability to see the house from top to bottom and inside out from the comfort of their own home before deciding whether they want to see it in person. No one looking for a new home with an open concept plan, spa bathrooms, and huge walk-in closets would even consider an in person trip to our house. Or so you would think. Yet by some of the feedback we’ve received, that’s exactly what is happening. I would imagine the realtors are not happy with having their time wasted in this manner.

 

Nor am I happy, because each time a tour is scheduled, I have to race through my house, hiding wastepaper baskets, toiletries, bathroom floormats, and dishtowels. I have to make sure there are full rolls of toilet paper in each bathroom dispenser and that the top sheet is folded into a point a la upscale hotels. Nothing can be left on kitchen and bathroom countertops. No shampoo bottles and soap in the showers.

 

All of this and more was on orders of the house stager hired by the realtor. She walked through our home before it went on the market and handed us a homework list. Then she returned to make sure we had complied. Now, I’m all in favor of making my house as presentable as possible to secure a sale. A cluttered house doesn’t show well, but I don’t like clutter. So my house was not in need of lots of work prior to going on the market. 

 

Not according to the stager, though. She insisted I buy lemons to float in a clear pitcher of water to be put on the picnic table on the deck. She insisted the flowers I had planned to place on the dining room and kitchen tables were only white and in clear vases. She even insisted I curate my bookcases, getting rid of ninety percent of my books. I’m an author. I have a lot of bookcases throughout my house, and they hold a lot of books, most of which are now squirreled away in cartons hidden in the back of closets—along with the wastepaper baskets. (It’s spring allergy season. Do you know what a pain it is to dig through the back of a closet for a wastepaper basket every time you need to discard a tissue?)

 

I’m wondering if buyers are that gullible. Will they not make an offer on a house because there are too many books in the bookcases? Or because I forgot to fold the toilet paper into a point for one showing? Time will tell. Meanwhile, I now have all sorts of plots rolling around in my head for future mysteries. Want to guess the identity of the victim in many of those plots? So maybe all that work is worth it, whether it increases the price someone is willing to pay for our house or not. At least I now have ideas for future books.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry.

 

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