Pondering the Ctrl Alt Delete
By Bethany Maines
Date night this weekend involved going to see Star Trek:
Into Darkness. For those who have
managed to enjoy the inundation of movie previews, the original Jim Kirk era of
Star Trek was given a “reboot” a few years ago, and Into Darkness was the
sequel. I’m enjoying this iteration of Star Trek, but it got me to thinking
about the entire concept of reboots.
comic book world, where characters must evolve with changing times and changing
teams of writers and artists and no one person “owns” the character the way a
novelist owns their inventions. However, anytime the words “comic book” get
uttered, people seem to become dismissive of whatever information surrounds the
words in that sentence, so let’s look at the example of Sherlock Holmes. It’s
been estimated that he’s the most prolific character in the history of cinema.
He’s been old, he’s been young, he’s been a cucumber. (Yes, a cucumber – InVeggieTales of course.) The
character of Sherlock endures across the iterations and seeps into our
collective consciousness. But how
does it work? How can we, the
audience, accept a new Sherlock, or a new Spock?
version of our favorite characters is that we love them. It’s just that the original series of
Star Trek only lasted 3 years, and Sir Doyle only wrote four novels and a
handful of short stories about Sherlock. I think we all would like more about
our favorites, but “more” literally doesn’t exist. Of course, if you screw up the reboot we will hate you
forever for messing with our favorite characters. (Yes, I’m looking at you,
Halle Berry, worst Catwoman of all time.) At the end of the day, a reboot is only
successful if it stays true enough to the character to feel right to the
audience.
work in literature? Novels based
on the work of other authors has been not just panned, but hated. Nancy Drew, our favorite Titian-haired
heroine, with her rotating cast of Carolyn Keene’s has been rebooted a few
times, but I would say that she is the exception rather than the rule. Perhaps
reboots only work when a character belongs to a corporation or is transferred to
a new medium. Are there any novelists who have rebooted their own characters? What character from literature would
you like to see rebooted?