Disruptive Forces: Politics and Publishing

Disruptive Forces: Politics and Publishing by Debra H. Goldstein

I should be writing my blog, but instead I’m glued to my television set. The New Hampshire results are coming in. This is anything but the end of the political campaign, but a commentator just used a phrase to describe one candidate that I think probably could be used for the entire process. He called the candidate “a disruptive force.”

During the past few weeks, I’ve been concerned about many issues: health care, terrorism, poverty, international relations, immigration, cultural diversity and criminal justice to name a few. Although no candidate and I could ever agree on solutions for all of these issues, my hope has been that I could identify one that either holds most of my views or has rational proposals I’ve never considered.

The fact is the rhetoric is different every day. Muddled, middle, disruptive, and changing are all words being used by the pundits to describe the campaigns and how the process will whittle down the number of candidates in the race. These same words can be applied to the writing arena.

During the past few years, the multitude of large publishing houses shrunk, as has the subsidiary banners these houses published under. Recently, the mystery world was hit by announcements that Berkley Prime and Cengage, the biggest textbook publisher, will be discontinuing mystery series/lines. For writers and readers in the cozy and traditional mystery world, these announcements translate to at least one hundred books a year that will probably never be published. Some authors may find homes for their works or derivatives of their series with smaller houses or may choose to self-publish, but unless they already have established followings, most will find their works reaching far less readers than they would have “the way things were.”

I’m not sure which candidate will become president, but I am certain this streamlining of the publishing world will mean corporate profits rising to the detriment of readers and writers. The “disruptive forces” at work here will result in readers having less books to choose from while writers, having less alternatives, will discover their earning and negotiation abilities compromised at the same time they are having to work harder to find homes for their works.

Do you think we could add the state of the publishing world to the next debate?

Equal Rights for Positives

by Bethany Maines

A funny thing happens when you read your own reviews – you start
thinking about them. 
I’m about a month away from completing the manuscript for Glossed Cause, the fourth book in the
Carrie Mae Mystery Series, and I made the mistake of checking out a few of the
reviews on High-Caliber
Concealer
(CM #3).  I knew it was
a bad idea.  It’s always a bad idea.  What happens when I get to a bad one,
hmmm?  It’s not like I can look the
reviewer up, knock on their door and explain how monumentally wrong they
are.  But you think, “I’ll just look at
the good ones.  Just one.  I can stop there.”
You know this a total lie, right? Reviews are like Pringles
for the eyes.  Like I can stop with just
one.  I open up Amazon, I’m looking and…
then I read this: “If you enjoy reading about
Stephanie Plum, you’ll love Nicki! Maines is getting better with each book.

And I thought, “Hell, yeah!”
<insert fist pump here>

Just one?  But I have popped – I cannot stop. I should
read more! 

Eventually, of course, I got
to one with a complaint. I’d spent too much time on Nikki’s personal life. Gah!
But, but, but… Glossed Cause is about
her FATHER (among other things).  What do
I dooooooo????

Now I’m stuck staring at the screen, half way through the
book, trying to figure out if I should turn the ship or stay the course.  “Stay the course!” my internal editor
yells.  But it’s hard to hear over the
crashing waves of doubt. 
I was complaining a negative comment on another project to
my husband he said, “Well, I think it was awesome and my vote counts more.”  <insert lightbulb going on here>

Why do the negatives get more votes?  Shouldn’t the positives get equal
rights?  Here’s what I and anyone else
who is stuck in this trap are going to do: 
We’re going to go back, we’re going to read the first positive review,
and we’re going to believe that one.  Because
Maines really is getting better with
every book.

Writing in a Genre I Never Thought I Would

Marjorie Brody

Things I don’t do: watch horror movies, watch horror tv, read horror novels.  When Kimberly Jayne, an author of romantic comedy, gave me the opportunity to read a prerelease edition of her dark fantasy, I thought, “Romantic comedy. Horror. Romantic comedy. Horror.” Surely a comedic author would write horror light enough I could force myself through reading it. Wrong. The voice in Demonesse was viscerally powerful. And, I didn’t have to force myself to read any of it. The story compelled me to continue reading. I expressed my surprise to Ms. Jayne about becoming engrossed in this genre. She could totally relate, as you will read in her guest post below. It’s my pleasure to introduce you to Ms. Kimberly Jayne.         

Writing in a Genre I Never Thought I Would

        by Kimberly Jayne

I don’t like horror.

Kimberly Jayne

When I was a kid, I reveled in telling chilling ghost stories in the dark that would scare the bejeezus out of my five younger brothers and sisters; but even I could only stand to watch Carrie and Halloween in the spaces between my fingers. I managed to read a number of horror novels with no problem as I got to be a teen, but a fateful matinee of The Exorcist scared the horror right out of me in two hours and two minutes flat. When you’re an impressionable 17-year-old, even the logical Mr. Spock disposition I was born with had a hard time rationalizing “It’s just a movie” against the theatrical terror of demonic possession and projectile pea soup that had been embedded into my psyche like a misplaced crucifix.

No, I’m not a horror fan.

And yet, here I am writing a dark fantasy series called Demonesse: Avarus. If you haven’t figured it out, “dark fantasy” is often a euphemism for horror. I didn’t know that until I was well into the writing, trying to find my story’s place among gazillions of other titles. I was running comps like a realtor, trying to land in an urban fantasy or paranormal neighborhood. But Amazon had different ideas. Nice try, cookie, they said, but we’re going to categorize Demonesse by your keywords as dark fantasy, horror, and occult.

What? But I don’t like horror!

Heh. Turns out I do. Enough to write an entire series. Compared to other works in the genre, Demonesse is more like the dark fantasy worlds of Underworld and Interview with a Vampire, which have deeper story lines and full character arcs, and far less gratuitous blood and gore. No sensible character of mine goes into the woodshed where everybody knows the bogeyman is lying in wait with a machete.

I think the horror moniker is harder for me to accept because I also write romantic comedy. That’s actually my first love, and the only reason it was easy to switch mindsets from sexy, spirited, and heartrending to sexy, dark, and dangerous was because the protagonist’s voice felt so natural. Maia’s shadowy journey drips from my fingers like honey from the hive—viscous, organic, and sticky sweet.

Maybe, sometimes, you can go home.

So, I accept my ominous genre. Mostly. It’s dark fantasy, all right. But I’m calling on my inner Pollyanna to remind me that lots of folks who like Anne Rice and Stephen King may also like my Demonesse series. And I’ll live in that neighborhood any day of the week.

Kimberly Jayne writes in multiple genres. She is the author of the dark fantasy series Demonesse: Avarus and the hilarious romantic comedy Take My Husband, Please. She has been making up stories since she was five, when she scribbled on her grandfather’s notepads her first tall tale about pigs flying. Yes, she started that shtick. Since then, she’s written just about everything and for various websites and clients, including humor features for Playgirl Magazine. She performed in the 2011 Listen to Your Mother Show in Austin, Texas, and her writing will appear in the forthcoming anthology, Feisty After 45: The Best Blogs from Midlife Women. Visit her at ReadKimberly.com.  


Demonesse: Avarus: In this compelling dark fantasy, empath Maia Kelly is the virtuous Catholic daughter of an excommunicated nun. After months of erotic fantasies, Maia awakens into her new life as a seductive killer powerless to resist the moon’s calling, and no one she loves will ever be safe again. With her pious island existence shattered, she must choose between the demon that made her or going it alone in a supernatural sphere of unseen dangers she can scarcely comprehend. Either way, her nightmare has only just begun. 


Take My Husband, Please: After Sophie files for divorce from Will, his unexpected financial apocalypse brings him back under her roof. Awkward! And if that’s not bad enough, Sophie’s new guy—a sexy and successful entrepreneur—is not keen on dating her without proof that Will is truly out of the picture. Sophie and her best friend concoct a brilliant bet to keep Will “occupied,” but things take a surprise turn for the crazy when Sophie gets roped into sending her ex on five blind dates!

It’s a 70s’ Thing

Of late, I’ve been trolling advertising from the 1970s. Call
it research. Call it the human tendency to slow down and gape at a disaster.
Seventies advertising, Mikie and his Life cereal excluded,
was not a high-point for Madison Avenue. Women were objectified and belittled.
Girls were sexualized.
The ads followed attitudes.

It was not until 1974 and the passage of the the Equal Credit Opportunity
Act, which made it illegal to discriminate against someone based on their
gender, race, religion and national origin, that a woman could have a credit
card independent of her husband.
Until
1978, a woman could be fired from her job for being pregnant.
Until
the mid-seventies, a could not refuse to have sex with her husband.
Thank
heavens, the times they were a changin’.
In
1974, Jackie Onassis got a job. A woman who didn’t have to work began a career
and suddenly the idea that women could find fulfillment outside the home went
mainstream.
Mary
Tyler Moore went to work as well.
Heck,
even Edith Bunker stood up to Archie.
What
I love about the seventies is the sea change. The shifts in attitude that took
hold and shaped the next decade, the one in which I came of age. Those shifts,
the struggle between the old and the new, inform the Country Club Murders far
more than memories of Watergate or Tickle deodorant.




 Julie Mulhern is the USA Today bestselling author of The Country Club Murders. 


She is a Kansas City native who grew up on a steady diet of Agatha Christie. She spends her spare time whipping up gourmet meals for her family, working out at the gym and finding new ways to keep her house spotlessly clean–and she’s got an active imagination. Truth is–she’s an expert at calling for take-out, she grumbles about walking the dog and the dust bunnies under the bed have grown into dust lions.


Clouds in my Coffee, book three of the Country Club Murders, will release May 10, 2016.

People Watching – A Writer’s Hobby

by Sparkle Abbey


If you haven’t heard, Iowa was quite a big deal this
week. According to the NBC evening news Monday night, the whole world watched
as we were the first state to caucus for the next president of the United
States. We’re not sure the whole world
was watching our state, but we were certainly watching the folks around us.

As writers we love people watch, looking for something
that might spark an idea for a character or storyline. The clothes someone is
wearing, a subtle hand gesture or facial expression, a speech pattern, any and
all of that can inspire our characters.
Photo: Laura Arenson

There’s no doubt about it, we hit the jackpot of people-watching
this week. At their core, people are fascinating. And we have to tell you, folks
are enthralling when they’re crammed in a hot, stuffy auditorium, passionately
trying to convince the room-at-large to vote for their candidate of choice.

There are a few people who literally thumped their
chest in emphasis, others who shared heartfelt stories of how a candidate had
personally helped them, moving listeners to tears. There were some who were so relieved
to be surrounded by like-minded people for the first time in months they
radiated relief.

There were a couple of young twenty-something girls who
caught our eye. Or more accurately, our ears. They chatted excitedly, heads
together, giggling about how there were so many good-looking single men in the
room. Men with jobs. They plotted how to snag a picture of a good-looking guy
on stage who was about to make a speech. Within seconds, the tall blonde pulled
out her cell phone to capture a quick photo of the “hot guy” under in the guise
of recording a woman’s impassioned speech. Somehow, those twenty-somethings
will make it into a story.

All thanks to the Iowa Caucus, we’ve collected details this past week and have refilled our pool of creative ideas. What about you? Where do you people watch?



Sparkle Abbey is the pseudonym of authors Mary Lee Woods and Anita Carter. They write a national bestselling pet-themed mystery series set in Laguna Beach. The first book in the series Desperate Housedogs, an Amazon Mystery Series bestseller and Barnes & Noble Nook #1 bestseller, was followed by several other “sassy and fun” books in the series. The most recent installment is Downton Tabby and up next is Raiders of the Lost Bark. www.SparkleAbbey.com

The Secrets Are All Out Now

Juliana at Red Canyon Falling On Churches, Colorado
February
3, 2016

The Secrets Are
All Out Now
by Juliana Aragón
Fatula

I promised my students that I would tell their story. The
secrets are all out now. In 2009 I taught teatro at Cesar Chavez Academy in
Pueblo, CO. My teatro students had been studying Los Vendidos by Luis Valdez and learning protest songs about the
Delano Grape Strike, like No Nos Moveran.  They were told by the principal that their
performance at Cesar Chavez Day was cancelled. The administration was afraid my
students political performance piece might offend some guests.

My students wrote a formal complaint and walked into
the principal’s office and told her, “Why did you hire Mama Fatula to teach us Chicano
History, if you’re not going to allow us to perform teatro?” I taught my
students what I had learned from El Centro Su Teatro Chicano Cultural Center in
Denver, CO in the 90s. I taught them how to make picket signs and protest
injustice with civil disobedience. Thank you, students, for being in my corner
when my administration tossed me under the bus. I was so proud, I cried.

The next year, I taught Language Arts in my hometown,
Klanyon City. I had come full circle. I taught in the same building I had
attended in the seventies. I gave my students a writing assignment: a biography
on our President of the United States, Barack Obama. I had no idea the chaos
that would ensue.

The class divided in half right down the second row.
One side of the room of students walked out of my classroom. Needless to say,
the parents were called, the complaint was filed and administration changed my
assignment to a biography on any famous person of the students’ choice. The
tragedy is that the students who didn’t walk out; the ones who had my back and
said it was an interesting assignment were going to write the bio on President
Obama and their parents praised me for giving the assignment, but the students
caved under peer pressure and instead wrote a biography on Dr. Seuss. I love
Dr. Seuss. Who doesn’t. But come on.

The principal told me, “You grew up here. You should
know better.” I answered, “I thought all of the Klan was dead.” But now I
know.  The first black President in the
U.S. is history, but in my hometown, when he was elected, the students did not
get to watch his inauguration on TV because a gun toting maniac decided to storm
the building and remove his children from school that day. The police were
called. No one was harmed. Well, not physically. Those students witnessed
racism in person and up close. I wrote a poem about it called “An Educated
Chicana.” I’d like to share it with you, but the profanity prevents me from
publishing it here.

It’s true that in my hometown, I’m known as a trouble
maker.  I stick out because I’m a
feminist Chicana badass that tells the truth; we’re rare here in Klanyon City,
oops, I meant Cañon City. Por ejemplo: in 1972, I led the first walk-out at my
junior high. We were protesting for the right to wear jeans to school. (Hard to
believe, but true.) The students won the privilege to wear jeans from that day
on. We made history.  I was a leader when
I didn’t even know what a leader was. I was only fourteen.

My students are now in their first year of college.
And I know my life lessons taught them more than what they could have learned
from a textbook because I taught Chicano History. I pulled a Louise. That’s
what my family calls it. My mom’s name was Louise and she was a badass, too. One
of my favorite quotes, “Well-behaved women rarely make history.”

I’ve learned so much from other writers. Much more
than I learned in the university. The master writers I’ve had the opportunity
to work with have taught me that as a writer I have a voice, something to say,
and an opportunity to speak my mind on issues that I care about. So, I offer my
readers a bit of my history, culture, language, wisdom.  I am an educated Chicana and teach my
students about social justice, to be proud, stand tall, continue on to higher
education. I taught those at-risk-youth how to think globally.

I was born and raised near the Chicana neighborhood
known as Tortilla Flats. It’s where the braceros lived when they migrated here
from New Mexico to work the orchards, fields, mines, farms, and ranches in what
is infamous as Klanyon City, CO, the KKK headquarters in the 1800s.

I come from a long line of storytellers.  I’ll never forget the story my father told me
about my hometown. As a child, my father and grandfather witnessed a black man
being hung in Chandler, Colorado, from an old cottonwood. The Klan was there in
their cheap sheets.  Dad wanted to help
him, but my grandfather said, “There’s nothing we can do to help him, if we go
down there, they’ll hang us too.”  It was
1927. My father was then ten years old.

That was my first glimpse into the racism in my
hometown. I knew we were different because we were dark skinned with dark hair,
dark eyes. Mexican Indians. My father was bullied in school for not speaking
English. His name was Julian Aragón, pronounced with the Spanish j
like Juan, Juanita, Julio, Juliana.  So they changed his name to Jack.

I was told by my kindergarten teacher, “we speak
English only, therefore you cannot be called: 
Juliana Aragón, you are now Julie
Ann Aragon, Jew Lee Air a Gone. They anglicized my name.  My identity, my culture and language wiped
away like dust on an old piano. It is a common story among my Chicano friends
from all over the country.

Well, all the secrets are out now.  I’m teaching social justice and using my gift
of writing to tell my father’s stories, to tell the real history of my
community, not just the white history but also the history of people of color. I
haven’t forgotten them. I write their stories. I share the truth, not the
facts, but the truth. My students learned from me to write poems and stories
that they care about, and they have made me extremely proud. You can read some
of their work in the anthology I edited and published by Conundrum Press, This Is How We Poet.

I’m indigenous. I’m Chicana. I’m proud of my heritage
both the Mexican and the Indian. If you don’t know the difference between Latina, Chicana, Mestiza,
Mexica, Mexican Indian, ask me some time and I’ll spell it out for you. I’m an
Educated Chicana and I’m a teacher.

One of My Favorite Places in California by Marilyn Meredith

This is a great shot of Morro Rock in Morro Bay. I’ve visited this area many times and always find something new to enjoy and love. Besides all the beautiful vistas, there are some great restaurants with fabulous seafood.

Here’s a photo taken through the window of one of the restaurants.

Because I love the area so much I decided to write a Deputy Tempe Crabtree mystery set in my favorite beach town. Most of the Crabtree mysteries are set in the mountains, much like where I live.
When her son who lives in Morro Bay plans his wedding there, of course Tempe and her husband, Hutch join in the festivities.

The tale spills over into the nearby towns including San Luis Obispo.

There is much Indian lore in the area–and of course much of it centers around the mystery itself.

Do any of the rest of you write about places that are special to your heart?

Marilyn