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Write What You Know

by Saralyn Richard

Back in the day, there were certain rules a writer had
to observe. Show, don’t tell. Always use complete sentences. Write what you
know.

The logic behind these rules was impeccable, and, all
innovation to the contrary, most writers still observe them today, at least
most of the time.

When my Detective Parrott Mystery series, including
MURDER IN THE ONE PERCENT, and A PALETTE FOR LOVE AND MURDER, was published,
readers assumed I was a part of the country’s top one percent. Otherwise, how
did I know so many of the details surrounding how the rich and powerful
dressed, ate, drank, and partied?

Truthfully, I did attend an elegant party in Brandywine
Valley, and that inspired the party in MURDER IN THE ONE PERCENT, but all of
the details about the one percent came from research. (Sorry to disappoint,
but, no, I do not have fifty pairs of Christian Louboutin heels in my closet.)



How did I portray all of the books’ characters and
home interiors so authentically? I observed, I asked questions, and I shopped
online at all of the most exclusive stores (without spending a dime).

I’ve been asked many times how I was able to depict
Detective Oliver Parrott so genuinely, since I am neither young, male, nor
African-American. That must have been a real departure from writing what you
know, right? Wrong.

As an urban high school educator, I’ve known hundreds,
maybe thousands, of young African-American males, many of them as intelligent,
ambitious, hard-working, and down-to-earth as Detective Parrott. I’ve known
their struggles, their families, and their dreams. I’ve celebrated their joys
and grieved their sorrows. I’ve listened to them speak and watched them perform.



Detective Parrott is an amalgamation of many fine
young men who have taken their places in society and who strive to make a
difference with their lives. He is definitely an example of writing what I
know.

Similarly, I drew from my experiences as a teacher,
administrator, and school improvement consultant in urban high schools to write
the upcoming release, A MURDER OF PRINCIPAL. Although the story is fictional,
it pulls back the curtain on the joys and challenges within a large school
community, and the issues of gangs, grievances, sexual harassment, and race are
ever-so relevant today.

Whether I’m writing about billionaire playboys or disadvantaged
football players, whether I researched or remembered, I’m writing what I know. And
I hope my characters will resonate with you, too.

What
books have you read that transported you out of your own experience?

 

Award-winning mystery and children’s book author, Saralyn Richard has
drawn from her experiences as an urban high school educator to write A Murder of Principal. Her previous
books, Naughty Nana, Murder in the One Percent, and A Palette for Love and Murder, have
delighted children and adults, alike. An active member of International
Thriller Writers and Mystery Writers of America, Saralyn teaches creative
writing at the Osher Lifelong Learning Institute, and continues to write
mysteries. Reviews, media, and tour schedule may be found at http://saralynrichard.com.



A maverick principal comes to Lincoln High School with a student-centered agenda. Trouble ensues, and killing the principal is just the beginning. A MURDER OF PRINCIPAL is available for pre-order at https://www.amazon.com/Murder-Principal-Saralyn-Richard-ebook/dp/B08KWLZ9JP/ref=

 

 

5 replies
  1. Lynn McPherson
    Lynn McPherson says:

    Great post, Saralyn. Shopping online at exclusive boutiques (even without buying a thing) sounds like a lot of fun!

    • Saralyn
      Saralyn says:

      Thanks, Lynn. Virtual shopping is a lot of fun, sort of like dressing up paper dolls. And you don't have to worry if the styles change before you have a chance to wear the clothes. Be aware, though, you'll leave cookies with each shopping excursion, and you'll receive ads for ages afterwards. 🙂

  2. Mark Baker
    Mark Baker says:

    I've long change it to "write what you are willing to learn." And just observing people in a wonderful way to do that.

    • Saralyn
      Saralyn says:

      That's so true, Mark. I remember a Chicago author, Stuart Kaminsky, who chose the topic of his next novel based on whatever he wanted to learn about.

  3. Gay Yellen
    Gay Yellen says:

    I agree with Mark. If a writer only wrote what she knew, she'd run out subjects after a while. I don't know any writers who don't do some amount of research to make their fiction more authentic. Imagination is also key for any writer of fiction.

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