Tag Archive for: #DetectiveParrottMysteryseries

A Big, Happy Announcement

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A Big, Happy Announcement!

By Saralyn Richard

Winning a Silver Falchion award is a big deal! Like the Edgar from Mystery Writers of America, and the International Thriller Writers award, the Killer Nashville silver falchion contest is an annual international competition that draws hundreds of entries from the finest mystery writers in the industry. The contest is judged by a panel of professional authors whose expertise and experience give them insights as to what makes high quality mystery fiction.

Becoming a Top Pick or a Finalist for a Silver Falchion is celebration-worthy, but capturing the actual award, becoming the number one ranked novel in its category for the year—that is a pinnacle.

So when Murder Outside the Box was named the Silver Falchion winner in the category of Best Investigator for 2025, I was overjoyed. The fact that an unexpected five-day stay in the hospital prevented me from accepting the award in person was a bit of a disappointment, but I watched the awards ceremony on You Tube and screamed with delight.

I didn’t get to give an acceptance speech or hear the applause of my peers in person, but I’ve thought about what I might have said had I been there, and it’s all about Detective Parrott. In the past seven years and through four books in the series, Detective Parrott has resonated with readers, and he’s become as real to me as a friend, a family member. He lives in my home and in my dreams. And now he’s the best investigator in the world of mystery writing.

Ironically, Parrott began as an afterthought. When I plotted the first book in the series, Murder in the One Percent, I was so focused on the victim, the perpetrator, the characters with motives—the detective wasn’t even on my radar until after the murder took place. As I continued to write about him, Parrott grew more and more compelling, and I realized he was actually the protagonist of the book. I rewrote the beginning to put him front and center, and from then on, he commanded the story.

The book’s early reviews created an unexpected clamor for “more Parrott.” I think what resonated with readers was Parrott’s “everyman” nature that distinguished him from the ultra-rich and powerful community he served. A true outsider in every way, he remained unimpressed and undaunted by the ways of the one percenters he was investigating. At the same time, his own personal issues kept him grounded and relatable to readers. That’s how the series was born.

Now, after four books: Murder in the One Percent, A Palette for Love and Murder, Crystal Blue Murder, and Murder Outside the Box, Parrott is world-famous as the Best Investigator of 2025. It couldn’t have happened to a nicer guy!

I’d love to hear the names of some of your favorite investigators. Do you go for police procedurals or amateur sleuths? What makes them your favorites?

 

 

Libations Fit for a King

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Libations Fit for a King by Saralyn Richard

Who’s up for some amazing libations at an exclusive party?

The dictionary definition of “libation” is “a drink poured out as a ritual offering to a deity.” (Oxford Dictionary, Oxford University Press). Sometimes libations were given as an offering to a god or spirit, often in memory of those who have passed on. Pouring libations was a common practice in many religions of antiquity, and it continues to be performed in various cultures today.

This is very likely where the ceremony of toasting before drinking alcoholic beverages derives from.

In Murder in the One Percent, the characters attend a birthday party at a mansion in the horse country of Pennsylvania. That Saturday night, they dine from an elegant nine-course menu with wines selected for their best years and perfectly matched to each course.

We would expect nothing less from the wealthy and powerful hosts in the one percent, right?

Just for fun, I priced the wines being served, using 2018 and 2024 market quotes. Following are the prices per bottle:

Champagne Krug, 2000  $225 /$597

Chablis Grand Cru Les Clos, 1990  $350 /$1929

Sauternes Chateau d’Yquem, 1990   $265 /$511

Corton Charlemagne Grand Cru, 2006  $125 /$235

Richebourg Leroy, 1991                  $3122 /$7957

Chateau Lafitte Rothschild, 1982    $2400 /$3625

Graham’s Vintage Port                     $139 /$159

Hennessy Paradia Cognac               $693 /$1360

 

That adds up to a hefty $7319 /$16,373 for just one bottle of each. Knowing these characters as I do, they would consume at least two and probably three bottles during the party, bringing the cost of libations to a whopping $21,957 /$49,119.

No wonder the guests had such a fun time at that dinner party! They ate and drank like royalty and went to bed happy. Too bad the next day, one of them woke up dead.

 

Saralyn Richard writes about the one percent in the Detective Parrott mystery series:  MURDER IN THE ONE PERCENT, A PALETTE FOR LOVE AND MURDER, CRYSTAL BLUE MURDER, and MURDER OUTSIDE THE BOX. Neither she nor Detective Parrott occupy a place in the one percent, however.

 

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Book Trailers

By Saralyn Richard

 

I’m not sure when book trailers became “a thing,” but now the internet is flooded with video teasers that make prospective readers want to buy books in all genres. Some are professionally done; others are created with easy-to-use software, such as Canva, MovieMaker, and VistaCreate.

What I like about successful book trailers is that they crystallize the essence of the book into short, pithy artistic statements. The selected text, graphics, and video make the book description come alive with aesthetics, movement, action, sound, and emotional appeals.

The cover is hot, but the trailer is even hotter.

The advertising potential is vast, and, assuming the trailer is widely viewed, it becomes a valuable marketing tool for the book.

A lesser realized, but no less important outcome is what the trailer does for the author. In writing seven novels and one children’s book, I’ve found it easier to write a hundred-thousand-word work of fiction than to write a book description or blurb. Condensing the book into its essential parts and highlighting its purpose is extremely difficult and frustrating. What to include? What to leave out, because it’s a spoiler? What to emphasize?

Brevity may be the soul of wit, but for a novelist, brevity can suffocate. Figuring out what to put into a book trailer, both in images and words, simplifies the task. While writing is a left-brain activity, movie-making is right-brain.

Even if the trailer is “hired out,” the author must give the artist the basic information: characters, setting, and plot. If the book is a mystery, the trailer needs to capture the elements of suspense, suspects, clues, and mood, all provided by the author

. The trailer requires a script and storyboard, and a great hook at the beginning.

The video for my book, CRYSTAL BLUE MURDER, is an example of a trailer that helps the audience get a feel for the book. It also helps me clarify the important plot points and messages of the book. You can currently view the trailer here:

Crystal Blue Murder Book Trailer v2

Does it make you want to read the book? Do book trailers in general appeal to you when you are deciding what to read next? I love hearing from you!

Saralyn

Reading the Same Book Twice

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Reading the Same Book Twice

by Saralyn Richard

 

 

I’m always surprised when a reader tells me he’s read one of my books multiple times. As a voracious lifelong reader, I find myself muttering, “So many books, so little time.” I’m on a personal mission to read as many new books as I can, and I don’t take the time to re-read any of them.

I feel the same way about movies. I’m stunned by the number of times my husband can watch a classic movie favorite. I recently asked him how many times he thought he’d seen “Casablanca,” and he estimated more than 100. “Do you continue to see new things in it each time?” I asked. “Absolutely,” he said, and, as a viewer, he is moved by the story in different ways each time, too.

 

That thought gave me pause. I wonder if I re-read Gone with the Wind today, would I have a whole different take on it than I did when I read it at the age of sixteen? Or how about Catcher in the Rye, or To Kill a Mockingbird?

One of my loyal readers, a dear friend, makes it a point to read my books three times. I’m honored that she spends so much time with my characters, and I’m intrigued, too. I asked her over lunch if she would elaborate as to why she does this, and what she gets out of it. Her answer was enlightening.

She said, “The first reading is a light, quick skip through the story, mainly following the plot. The second reading is more intense. That’s where I pay close attention to the clues and the path on which they are leading me. The second reading is more process oriented. The third reading is more holistic. By this time, I’m able to enjoy the whole package of the story. I can see how the setting, characters, plot, and theme work together to form a perfect whole.”

“Wow,” I said, flattered that she has taken the time to analyze, synthesize, and evaluate each of my books. Her higher-level thinking makes my heart sing.

And it makes me re-think what it means to be a reader, rather than a consumer of books. For many years I taught a literature course entitled, “Literary Tapas.” The class read short pieces of literature and analyzed them using Socratic questioning. Through the questioning, we were able to get at some incredible insights and meanings, no matter what genre or time period the literature came from. And we always read it twice.

Now that I think about it, I might enjoy reading a few favorite books again, savoring the journey as I go. How about you? Are there any books you’ve read or would like to read twice?

 

Saralyn Richard writes award-winning humor- and romance-tinged mysteries that pull back the curtain on people in settings as diverse as elite country manor houses and disadvantaged urban high schools. Her works include the Detective Parrott mystery series, two standalone mysteries, a children’s book, and various short stories published in anthologies. She also edited the nonfiction book, Burn Survivors. An active member of International Thriller Writers and Mystery Writers of America, Saralyn teaches creative writing and literature. Her favorite thing about being an author is interacting with readers like you. If you would like to subscribe to Saralyn’s monthly newsletter and receive information, giveaways, opportunities, surveys, freebies, and more, sign up at https://saralynrichard.com.

 

Detective Parrott Mystery Series by Saralyn Richard

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My introduction to Brandywine Valley, Pennsylvania, was at a weekend retreat in one of the country mansions there. I was invited to a birthday party for one of the elite one-percenters who owned a gentleman’s farm. The thirteen guests were treated to three days of luxurious meals and accommodations, fit for royalty. That Saturday night we enjoyed a gourmet nine-course meal with wine pairings for each course. It was over the top, but tasteful at the same time. The conversation was intelligent and witty, and everyone had a wonderful time, especially the birthday celebrant, who beamed at his friends and family members the entire time.

After the elaborate dinner on Saturday night, our bellies and spirits equally full, we sat around near the fireplace in the den and talked about many things. The gathering reminded me of an Agatha Christie locked room mystery, where someone died, and the rest of the guests were suspects. I was struck by the idea that this would be the last place you’d expect a murder to occur. I turned to the person next to me and said, “This would be the perfect setting for a murder mystery.”

From that moment on, I wanted to write about these rich and powerful people, this setting, and the elements of social class that distinguish the ultra-wealthy from those who serve them. That was the beginning of MURDER IN THE ONE PERCENT.

Since that time, I’ve traveled all over the country, talking about Brandywine Valley. The Detective Parrott mystery series has become popular, and it’s grown from a single mystery to four, the latest of which is being released January 5, 2024, MURDER OUTSIDE THE BOX. In each of the books, Detective Parrott learns and grows, while his cases intertwine with his real life.

The series, along with two standalone novels set in less opulent environments, has won numerous awards, favorable reviews, and loyal fans. I’ve conducted extensive research on various aspects of the Brandywine community, and I’ve acquired many first-hand sources who are happy to fill me in on details about the topography, history, architecture, artistry, equestrian activities, artistic endeavors, gardens, museums, shopping areas, bank barns, funeral customs, wildlife conservancy, and other aspects of the community.

The area has turned out to be a second home for me and a favorite escape for my readers. I love the less posh settings of my other books, too, but that long-ago birthday celebration in Brandywine Valley has turned out to be a seminal event in my writing life, and my fascination with the Brandywine culture continues to grow.

Do you have a favorite setting, either fictional or real, that holds you with its magic? Tell me about it!

 

 

IT’S A MATTER OF BIRTH AND DEATH.

The serene Brandywine Valley wakes up to an intoxicating double shock: a baby abandoned on the porch of a caretaker’s cottage, and a young post-partum woman lying dead on the estate of a billionaire scotch whiskey magnate. Detective Parrott’s instincts tell him the two crimes are connected, but the evidence points him in directions that are both baffling and personal. Parrott searches for answers in high and low places, including his own office.  As he races to find the truth about the baby’s origin and best placement, he untangles chilling murder clues that implicate people who harbor secrets that even their positions of power and trust can’t protect. Once again, Parrott may have to risk his reputation—and even his life—to uncover the real story.

A compulsive and compelling police procedural with relatable characters who remain in your heart. If you like detectives from Louisa Scarr, Clare Mackintosh, and Michael Connelly, you’ll love Detective Oliver Parrott. Purchase at your favorite bookstore or here.

Parrott and Tonya Sitting in a Tree by Saralyn Richard

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Literary detectives rarely work alone. Sherlock had Watson. Nero Wolfe had Archie Goodwin. Poirot had Captain Hastings. Then there are Nick and Nora Charles, Tommy and Tuppence Beresford, Lincoln Rhyme and Amelia Sachs, and Lord Peter Wimsey and Harriet Vane.

Authors make good use of the sidekicks throughout the series. The sidekick provides a sounding board for the detective, someone to help with collecting evidence and processing clues. Sometimes the sidekick offers an insight that might turn out to be a red herring—or not. The dialogue and interaction between the detective and his sidekick add interest and humanity to the story.

The Detective Parrott mystery series features Detective Oliver Parrott, a young, smart, organized person who’s well-grounded and dedicated to finding the truth. An outsider in the wealthy community he serves, he has a sixth sense about sniffing through subterfuge and barriers, and he’s undaunted by rich and powerful people. He just wants to do the right thing and make way for justice to be served.

That’s a big job for one guy to do, and the work can become frustrating and lonely. That’s why Parrott has a sidekick—his lovely fiancée (and then wife) Tonya.  College sweethearts, Parrott and Tonya have similar backgrounds. Both come from single parent homes in underprivileged neighborhoods. They had scholarships to Syracuse, where Parrott was a football star. Tonya majored in political science, while Parrott majored in criminal justice.

When the series opens in MURDER IN THE ONE PERCENT, Tonya is on a tour of duty in Afghanistan with the Navy. Parrott visits with her on Skype, and, while she can’t tell him much about her work, and he can’t tell her much about his, they both provide significant encouragement and support for each other.

By the time of the second book, A PALETTE FOR LOVE AND MURDER, the Parrotts are married and living in Parrott’s small house with their pet cockatiel, Horace. They have a loving marriage, but from the start, their lives are complicated by Tonya’s PTSD. Without spoiling the plot of this and subsequent books, I’ll say that Tonya’s story becomes inextricably entwined with Parrott’s investigation, and from then on, the Parrotts’ personal lives and the detective’s professional life cross paths.

The pattern continues in CRYSTAL BLUE MURDER and MURDER OUTSIDE THE BOX. At times the elements of humor and romance tip the plots into scenes unusual for a police procedural. Readers and reviewers apparently enjoy the dynamics between the two characters, and I’ve been present at many book clubs where people remark about it. One reader stopped me at the theater to plead with me never to let Parrott and Tonya divorce.

I doubt that will ever happen, although the Parrotts have to go through rough times, just like the rest of us. Right now, Parrott and his lovely wife are getting ready for the holiday celebration in their home, and they’ve asked me to wish each and every one of you the best of the season, and a happy new year. Let me echo those chirpy good wishes. May you have good health, friendship, love, peace, and happy reading!

 

MURDER OUTSIDE THE BOX will be available January 5. For other books, check out Saralyn Richard’s website here or Amazon page here.

Love-Hate Relationship with English Grammar by Saralyn Richard

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Love-Hate Relationship with English Grammar

by Saralyn Richard

Photo by Brett Jordan on Unsplash

 

 

I taught high school English for many years in the days when students had to write ten mandatory papers per quarter, or forty papers per year. According to my estimates, I’ve graded over seven thousand papers, not counting major assignments, where I graded several drafts of the same paper. I graded papers day and night in every location you can imagine. With all that practice, I became a walking encyclopedia of grammar, able to recite every rule, chapter and verse.

Here are a few of the most common mistakes my students made:

  • Run-on sentences or comma splice
  • Pronoun disagreement
  • Mistakes in apostrophe usage, especially possessives
  • Lack of subject-verb agreement
  • Misplaced modifiers
  • Sentence fragments
  • Verb tense inconsistency
  • No clear antecedent for a pronoun

 

When my son was in ninth grade, his English teacher offered five points extra credit whenever a student could find a mistake in the “real world,” take a photo of it, get the person in charge to change it, and photograph the correction. You wouldn’t believe how many errors came to light. My son even had the local park district take down and redo a huge sign at the entrance to a nearby subdivision, costing taxpayers approximately nine hundred dollars.

Today we have online (AI-based) grammar tutors, and we are still plagued with grammar infractions everywhere we go, including in edited and published media. As a reader, I find mistakes distracting, but I no longer carry the weight of responsibility for marking each one in red ink and making sure the writer knows better for next time.

As a writer and editor, I’m not let off the hook so easily. While I recognize there is no such thing as a perfect piece of writing, I can’t let go of wanting anything with my name on it to be as clean as possible. For me, an error-free, clearly stated, well-ordered paragraph practically sings from the page.

How about you? Do you have a love-hate relationship with English grammar, too?

 

Saralyn Richard is an educator and the writer of six mystery novels and a children’s book. Connect with her at http://saralynrichard.com and subscribe to her monthly newsletter for interesting and fun content and opportunities.

 

 

Writing a Series—It’s All in the Protagonist by Saralyn Richard

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Writing a Series—It’s All in the Protagonist

by Saralyn Richard

 

A man wearing a hat photo – Free On Image on Unsplash

 

I never planned to write a series. My first mystery novel, MURDER IN THE ONE PERCENT, set in the lush landscape of Brandywine Valley, Pennsylvania, centered around a birthday party where old college buddies were reunited for a weekend retreat. Old flames, old rivalries, old resentments resurfaced, and one of the party-goers ended up dead.

Enter Detective Oliver Parrott, young, ambitious, and Black, an outsider in this ritzy community—the better to see through the closed ranks and subterfuge. Undazzled by materialism, Parrott keeps a dogged focus on the people who have had it in for the victim, and readers have responded to Parrott’s character in ways that surprised me.

“We want more Parrott,” I kept hearing, and I found myself wanting to stay with the well-grounded detective, as well. Since that time, I have written a three more Detective Parrott books. I’ve seen Parrott mature and marry. He’s made a name for himself in Brandywine and beyond. He’s tackled challenging cases, faced dangers, stood up for the innocent, and hounded the guilty.

Parrott and Tonya, his fiancée and then wife, make a remarkable duo. Their relationship isn’t perfect (whose ever is?), but whenever one of them needs support and a listening ear, the other is there to give them.

One of my readers leaned over the space between her seat and mine at the theater and said, “Please, please don’t ever let Parrott and Tonya divorce.” Remarks like that let me know that others are invested in my series characters as much as I am. I love spending time with Parrott and his family, as well as the recurring characters in Brandywine Valley and in the West Brandywine police department. It’s like visiting old friends and catching up on their lives.

I’m pretty sure I’ll never run out of things for them to say or do, experiences they need to have, lessons they need to learn. As in real life, there are always surprises, secrets, challenges, and joys. There are always new issues to be confronted, new insights to be gained.

In the next few months, the fourth Detective Parrott book, MURDER OUTSIDE THE BOX, will launch. Parrott is sharper than ever as he deals with an abandoned baby and the murder of a postpartum woman. Parrott’s relationship with Tonya spills over into his case, and vice versa, until the two bits of life are woven into a single fabric.

After more than seven years and twelve hundred pages spent with Parrott and his wife, I’m not sure what path their lives will take next, but one thing I am sure of—they’ll never be bored. And with so much trouble going on in the world, it’s good to have good people like Detective Parrott around to find the truth and right the wrongs.

Who is your favorite fictional protagonist?

Award-winning author and educator, Saralyn Richard writes about people in settings as diverse as elite country manor houses and disadvantaged urban high schools. She loves beaches, reading, sheepdogs, the arts, libraries, parties, nature, cooking, and connecting with readers. Look for her latest Detective Parrott mystery, MURDER OUTSIDE THE BOX, coming soon.

Visit Saralyn at http://saralynrichard.com

Work Life Balance

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Work Life Balance

by Saralyn Richard

Photo by Thought Catalog on Unsplash

 

I was recently asked in a video interview what my work-life balance looked like. I had to laugh. I’m sorry to say I’ve never perfected work-life balance, and I’ve never really tried. While I’m a perfectionist in many things, anything that requires me to pay attention to time is a lost cause.

As a disclaimer, writing, for me, is not actually work. Being a writer is a long-deferred dream come true, so now that I have dedicated myself to telling stories, the work is joyous. When I’m working, I give my all to my work. If I’m writing a scene, I am lost in the zone of that scene so thoroughly that I don’t notice where I am or what time it is in the real world. This quirk has gotten me into many difficulties when I start writing close to times of appointments, meetings, or social engagements. I have to restrain myself from sitting down to work within an hour of any of the above.

The same is true when I’m spending time with friends or family. I give my full attention to them and strive to cherish every moment. Having been deprived of social interactions for so long, due to the pandemic, I appreciate in-person get-togethers more than ever. I don’t check my phone for messages or daydream about possible plot twists. I don’t lurk on the fringes; I jump into the middle with my whole heart.  I listen, I share, I laugh, I cry. I try to emulate my sheepdog Nana, who gives herself over to her people, completely.

If work and life end up being balanced, that’s a happy coincidence. So how about you? I’d love to hear how you address work-life balance.

Saralyn Richard is an educator and author of five award-winning mystery novels and a children’s book. Visit her at http://saralynrichard.com and sign up for her monthly newsletter.

Fences
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by Saralyn Richard

 

Do good fences make good neighbors? In the past few months, I’ve gained new neighbors on either side of my house. There’s a brand-spanking-new fence between my yard and that of the neighbor to the north. There’s no fence between my yard and that of the neighbor to the south. I love both sets of neighbors. We’ve shared lots of visits in our front yards, several barbecues and parties, baked goods, pets, children, home improvement advice, and more. They may be pine, and I, apple orchard, but I enjoy spending time with them and being part of their community.

Robert Frost’s MENDING WALL is one of my favorite poems. His last line is the source for my opening question. I find a lot of wisdom in this poem:

Something there is that doesn’t love a wall,

That sends the frozen-ground-swell under it,

And spills the upper boulders in the sun;

And makes gaps even two can pass abreast.

The work of hunters is another thing:

I have come after them and made repair

Where they have left not one stone on a stone,

But they would have the rabbit out of hiding,

To please the yelping dogs. The gaps I mean,

No one has seen them made or heard them made,

But at spring mending-time we find them there.

I let my neighbor know beyond the hill;

And on a day we meet to walk the line

And set the wall between us once again.

We keep the wall between us as we go.

To each the boulders that have fallen to each.

And some are loaves and some so nearly balls

We have to use a spell to make them balance:

‘Stay where you are until our backs are turned!’

We wear our fingers rough with handling them.

Oh, just another kind of out-door game,

One on a side. It comes to little more:

There where it is we do not need the wall:

He is all pine and I am apple orchard.

My apple trees will never get across

And eat the cones under his pines, I tell him.

He only says, ‘Good fences make good neighbors.’

The same analogy applies to my relationships with fellow authors in The Stiletto Gang. I may be police procedural and they cozy writers, but we have much in common, and we can help each other every time we meet to walk the line and re-build the wall (which might just be the website). I’m grateful for my neighbors, my Stiletto Gang colleagues, and everyone who reads this post. May all your walls be mended, and may all your neighbors be good.

Galveston Author Saralyn Richard

Award-winning author and educator, Saralyn Richard writes about people in settings as diverse as elite country manor houses and disadvantaged urban high schools. She loves beaches, reading, sheepdogs, the arts, libraries, parties, nature, cooking, and connecting with readers.

Visit Saralyn and subscribe to her monthly newsletter here, or on her Amazon page here.