Tag Archive for: #DetectiveParrottMysteryseries

Work Life Balance

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Work Life Balance

by Saralyn Richard

Photo by Thought Catalog on Unsplash

 

I was recently asked in a video interview what my work-life balance looked like. I had to laugh. I’m sorry to say I’ve never perfected work-life balance, and I’ve never really tried. While I’m a perfectionist in many things, anything that requires me to pay attention to time is a lost cause.

As a disclaimer, writing, for me, is not actually work. Being a writer is a long-deferred dream come true, so now that I have dedicated myself to telling stories, the work is joyous. When I’m working, I give my all to my work. If I’m writing a scene, I am lost in the zone of that scene so thoroughly that I don’t notice where I am or what time it is in the real world. This quirk has gotten me into many difficulties when I start writing close to times of appointments, meetings, or social engagements. I have to restrain myself from sitting down to work within an hour of any of the above.

The same is true when I’m spending time with friends or family. I give my full attention to them and strive to cherish every moment. Having been deprived of social interactions for so long, due to the pandemic, I appreciate in-person get-togethers more than ever. I don’t check my phone for messages or daydream about possible plot twists. I don’t lurk on the fringes; I jump into the middle with my whole heart.  I listen, I share, I laugh, I cry. I try to emulate my sheepdog Nana, who gives herself over to her people, completely.

If work and life end up being balanced, that’s a happy coincidence. So how about you? I’d love to hear how you address work-life balance.

Saralyn Richard is an educator and author of five award-winning mystery novels and a children’s book. Visit her at http://saralynrichard.com and sign up for her monthly newsletter.

Fences
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by Saralyn Richard

 

Do good fences make good neighbors? In the past few months, I’ve gained new neighbors on either side of my house. There’s a brand-spanking-new fence between my yard and that of the neighbor to the north. There’s no fence between my yard and that of the neighbor to the south. I love both sets of neighbors. We’ve shared lots of visits in our front yards, several barbecues and parties, baked goods, pets, children, home improvement advice, and more. They may be pine, and I, apple orchard, but I enjoy spending time with them and being part of their community.

Robert Frost’s MENDING WALL is one of my favorite poems. His last line is the source for my opening question. I find a lot of wisdom in this poem:

Something there is that doesn’t love a wall,

That sends the frozen-ground-swell under it,

And spills the upper boulders in the sun;

And makes gaps even two can pass abreast.

The work of hunters is another thing:

I have come after them and made repair

Where they have left not one stone on a stone,

But they would have the rabbit out of hiding,

To please the yelping dogs. The gaps I mean,

No one has seen them made or heard them made,

But at spring mending-time we find them there.

I let my neighbor know beyond the hill;

And on a day we meet to walk the line

And set the wall between us once again.

We keep the wall between us as we go.

To each the boulders that have fallen to each.

And some are loaves and some so nearly balls

We have to use a spell to make them balance:

‘Stay where you are until our backs are turned!’

We wear our fingers rough with handling them.

Oh, just another kind of out-door game,

One on a side. It comes to little more:

There where it is we do not need the wall:

He is all pine and I am apple orchard.

My apple trees will never get across

And eat the cones under his pines, I tell him.

He only says, ‘Good fences make good neighbors.’

The same analogy applies to my relationships with fellow authors in The Stiletto Gang. I may be police procedural and they cozy writers, but we have much in common, and we can help each other every time we meet to walk the line and re-build the wall (which might just be the website). I’m grateful for my neighbors, my Stiletto Gang colleagues, and everyone who reads this post. May all your walls be mended, and may all your neighbors be good.

Galveston Author Saralyn Richard

Award-winning author and educator, Saralyn Richard writes about people in settings as diverse as elite country manor houses and disadvantaged urban high schools. She loves beaches, reading, sheepdogs, the arts, libraries, parties, nature, cooking, and connecting with readers.

Visit Saralyn and subscribe to her monthly newsletter here, or on her Amazon page here.

 

Always the Season for Kindness

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By Saralyn Richard

Photo courtesy of Jasper Garratt and Unsplash Free Photos

When I was an English I teacher, I assigned my students a “Day of Kindness” paper, based on the Shirley Jackson short story, “One Ordinary Day, With Peanuts.” The resulting papers and speeches led to a powerful discussion of good and evil, and how doing good deeds made the world a better place, even for the giving party.

That same concept of good vs. evil is basic to most mystery novels, including the Detective Parrott mysteries. Parrott, like most real-life law enforcement officers I know, chose the profession because he wanted to seek truths, right wrongs, administer justice, and bring a measure of peace and closure to victims and their families.

Sometimes his is a thankless job. The person most grateful for Parrott’s solving a crime might be the deceased victim. But Parrott finds satisfaction in his role, whether he is turning up evidence to prove someone’s guilt or someone’s innocence. In either case, he is protecting the community.

Parrott can be tough when he needs to, but underneath it all, he’s a kind and caring human being. Over and over again, readers see the kindness and compassion he shows to his wife, his mother, his boss, and even his suspects.

Fortunately, we don’t have to be detectives to follow Parrott’s example. We can show kindness at this season, and in every season. Anyone who’d like some fresh ideas for acts of kindness to perform might check out this list.

If you’re inspired to do a good deed by this blogpost, I’ll ask you, as I asked my students, what did you do, whom did you help, what reaction did you receive, and how did the experience make you feel? I hope you agree—it’s always the season for kindness.

Saralyn Richard writes the Detective Parrott Mystery Series, two standalone mysteries, and a children’s book narrated by her Old English sheepdog, Nana. To learn more about her, click here.

WHICH IS MY FAVORITE?

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I’m often asked which of my books is my favorite, and I can never answer directly. It’s like picking one of your children over the others. I love every book for its unique qualities, its characters, its relationship to my own life. BAD BLOOD SISTERS is my first book set in my hometown, on an island on the Gulf Coast. The main character, Quinn McFarland, struggles with issues of identity, friendship, and betrayal. The whole story is told through Quinn’s point of view, so we get to know and care about her deeply. Also, I wrote the book during Covid lockdown. Quinn’s story occupied my whole life, day and night, for almost a year, and I still think of her often. Quinn might be my Scarlett O’Hara.

NAUGHTY NANA, a children’s picture book, is narrated by my real-live Old English sheepdog, Nana, whose puppyhood was fraught with mishaps in the extreme. My first foray into the world of writing, NAUGHTY NANA introduced me to an illustrator, an audience, public appearances, and all the joys of connecting with readers. Having Nana by my side throughout this adventure has been a spectacular privilege. Nana could be my Curious George—in the book and in real life.

 

A MURDER OF PRINCIPAL might be my most personal novel, since it is set in an urban high school in the Midwest. I served as an educator in several such schools—they were my homes away from home. I do a lot of research for all of my books, but I did the least amount of research for this one, because my own experience and expertise carried me through most of the story. Assistant Principal, Sally Pierce, who resembles me in a few ways (but is overall purely fictional), is a fascinating amateur sleuth, and R.J. Stoker, the renegade principal who brings unwanted changes to Lincoln High School, is one of my favorite all-time characters.

 

And then I must consider the three books in the Detective Parrott Mystery Series. MURDER IN THE ONE PERCENT, A PALETTE FOR LOVE AND MURDER, and CRYSTAL BLUE MURDER. Each of these is also my favorite. Set in the elite countryside of Brandywine Valley, where many of America’s wealthiest and most powerful live, each story is different (and can be read as a standalone), but each brings a new slant on human nature, particularly as it’s affected by money and material things. The main character, Detective Oliver Parrott, is an outsider in the community, which gives him the unique ability to see through the roadblocks thrown at him by the one percenters, who protect their secrets and their turf at all costs. Detective Parrott, despite being young and inexperienced, is a fully-realized agent for truth and justice, and his personal life, including relationship with fiancée (and later wife) Tonya, adds depth and humanity to the stories.  Parrott is a wonderful human being, someone who whispers in my ear, commenting on social issues, even at times when I’m not writing him. Parrott is my Hercule Poirot, Sherlock Holmes, or Harry Bosch.

Is there a book you’ve read (or written) where you felt galvanized by the main character?

 

Galveston Author Saralyn Richard

Visit my website here for more information, to order autographed books, and to subscribe to my monthly newsletter,

Untitled Post

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Write What You Know

by Saralyn Richard

Back in the day, there were certain rules a writer had
to observe. Show, don’t tell. Always use complete sentences. Write what you
know.

The logic behind these rules was impeccable, and, all
innovation to the contrary, most writers still observe them today, at least
most of the time.

When my Detective Parrott Mystery series, including
MURDER IN THE ONE PERCENT, and A PALETTE FOR LOVE AND MURDER, was published,
readers assumed I was a part of the country’s top one percent. Otherwise, how
did I know so many of the details surrounding how the rich and powerful
dressed, ate, drank, and partied?

Truthfully, I did attend an elegant party in Brandywine
Valley, and that inspired the party in MURDER IN THE ONE PERCENT, but all of
the details about the one percent came from research. (Sorry to disappoint,
but, no, I do not have fifty pairs of Christian Louboutin heels in my closet.)


Image by <a href=”https://pixabay.com/users/clker-free-vector-images-3736/?utm_source=link-attribution&amp;utm_medium=referral&amp;utm_campaign=image&amp;utm_content=295093″>Clker-Free-Vector-Images</a> from <a href=”https://pixabay.com/?utm_source=link-attribution&amp;utm_medium=referral&amp;utm_campaign=image&amp;utm_content=295093″>Pixabay</a>


How did I portray all of the books’ characters and
home interiors so authentically? I observed, I asked questions, and I shopped
online at all of the most exclusive stores (without spending a dime).

I’ve been asked many times how I was able to depict
Detective Oliver Parrott so genuinely, since I am neither young, male, nor
African-American. That must have been a real departure from writing what you
know, right? Wrong.

As an urban high school educator, I’ve known hundreds,
maybe thousands, of young African-American males, many of them as intelligent,
ambitious, hard-working, and down-to-earth as Detective Parrott. I’ve known
their struggles, their families, and their dreams. I’ve celebrated their joys
and grieved their sorrows. I’ve listened to them speak and watched them perform.



Detective Parrott is an amalgamation of many fine
young men who have taken their places in society and who strive to make a
difference with their lives. He is definitely an example of writing what I
know.

Similarly, I drew from my experiences as a teacher,
administrator, and school improvement consultant in urban high schools to write
the upcoming release, A MURDER OF PRINCIPAL. Although the story is fictional,
it pulls back the curtain on the joys and challenges within a large school
community, and the issues of gangs, grievances, sexual harassment, and race are
ever-so relevant today.

Whether I’m writing about billionaire playboys or disadvantaged
football players, whether I researched or remembered, I’m writing what I know. And
I hope my characters will resonate with you, too.

What
books have you read that transported you out of your own experience?

 

Award-winning mystery and children’s book author, Saralyn Richard has
drawn from her experiences as an urban high school educator to write A Murder of Principal. Her previous
books, Naughty Nana, Murder in the One Percent, and A Palette for Love and Murder, have
delighted children and adults, alike. An active member of International
Thriller Writers and Mystery Writers of America, Saralyn teaches creative
writing at the Osher Lifelong Learning Institute, and continues to write
mysteries. Reviews, media, and tour schedule may be found at http://saralynrichard.com.



A maverick principal comes to Lincoln High School with a student-centered agenda. Trouble ensues, and killing the principal is just the beginning. A MURDER OF PRINCIPAL is available for pre-order at https://www.amazon.com/Murder-Principal-Saralyn-Richard-ebook/dp/B08KWLZ9JP/ref=

 

 

What Makes Excellent Writing?

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What
Makes Excellent Writing?
by
Saralyn Richard

I’ve taught creative
writing off and on for years. It was an elective for upper class students in a
large suburban Chicago high school. Part of our curriculum was to produce a
literary magazine each year, and we entered our work in a National Council of
Teachers of English contest. Oftentimes we won awards for our content or
layout, and quite a few of my students went on to become successful writers.
Now I teach creative
writing to adults aged 55 or older at the Osher Lifelong Learning Institute.
I’m finding the learners to be extremely motivated. The problem for them is not
choosing what to write about, but choosing which of many ideas and experiences
to write about first. My learners are serious, thoughtful, observant,
experienced, and well-read. Their responses to assignments are creative and
clever, worthy of being submitted for contests or publication.
I’m often asked what
makes excellent creative writing, and when I consider possible replies, I find
the same things apply to both high school writers and adult writers.




The first element of fine
writing, in my opinion, is the ability to imagine and bring to life one or more
relatable characters. These characters do not have to be alter-egos of the
author who creates them. They don’t even need to be the same gender, race,
creed, or age. They don’t need to be perfect; in fact, perfection would be a
detriment to being relatable for readers.
How do authors come out
of themselves enough to paint a realistic word-portrait of characters who are
unlike them? The process for me is similar to what an actor does in assuming a
role for a play. When I’m writing about a character, I immerse myself into the
body and mind of that person. I lose my own identity as I write the scenes
where my character speaks and thinks and acts.


Another fine point of
excellent writing is awareness of theme. I use the term “theme” to mean the
overall purpose for the story. When the author consciously crafts the writing
based on a specific purpose, all of the narration, exposition, description, and
dialogue fall into place, unifying the readers’ experience. I’ve read many sagas
that took me across generations and geographical locations without tying the
chapters and sections together, and they’ve left me wondering about the
author’s intent. My favorite tales lead me to some truth, some higher awareness
about life or people.
Of course there are many
other important strategies and methods in a writer’s toolkit. As a creative
writing teacher, I encourage my students to practice them all. As a writer,
myself, I strive to do the same. The two books in the Detective Oliver Parrott Mystery
series, Murder in the One Percent and
A Palette for Love and Murder, have
thoroughly imagined characters and (hopefully) articulated themes.

I’m excited to discuss
these and other topics with the Stiletto Gang readers. Whatever questions you
have about creative writing, I’m interested. 



 


Award-winning mystery and children’s book author, Saralyn Richard, is a
writer who teaches on the side. Her books, Naughty
Nana, Murder in the One Percent,
and A Palette for Love and Murder,
have delighted children and adults, alike. A member of International Thriller
Writers and Mystery Writers of America, Saralyn teaches creative writing at the
Osher Lifelong Learning Institute, and continues to write mysteries. Reviews,
media, and tour schedule may be found at http://saralynrichard.com.

Follow Saralyn at:


 “A compelling story of worlds in collision, A Palette for Love and Murder plumbs the depths of love and the
human heart.”

                                                         —William
Kent Krueger, author
of This Tender Land

“Delightful! Saralyn Richard weaves a deeply twisty mystery around
vibrant characters that will leave readers looking forward to more.” —LynDee
Walker, Agatha Award-nominated author of Front
Page Fatality

“Smart, stylish and sexy, this art world caper
delights with its verve and wit. The character studies are wonderful, and
Oliver and Tonya Parrott are an irresistible pair.”                                           – Ausma Zehanat Khan,
author of A Deadly Divide