Just Be Professional

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Every once in a while I like to revisit one of my articles that I believe has a timeless message. If I had a superpower and could change the world I would fight against bullying.

By Donnell Ann Bell

Years ago, I had the opportunity to participate in my local sheriff’s office citizens’ academy. After sitting through six weeks of law enforcement opinion and demonstration, I believe the experience brought realism to my writing. Out of all the personnel I met during this time, there was one sergeant who impressed me above anyone else. Her words still resonate with me to this day.

Just be professional, it’s not that hard.

Sadly, I can’t remember her name, but I took note of her words. She was a beautiful Hispanic woman and when she stood before the class and explained that she worked in the jail—unarmed—among male inmates, I thought, Holy cow, this lady won’t live long. My mistake. She’d worked among them for years. What’s more, she was required to turn her back on this criminal element— often.

For anyone who’s been in a jail, you know there’s intense security and surveillance, and the deputies can call upon immediate assistance. But knowing this didn’t make me feel better. I kept thinking she could be injured or dead before help could arrive.

Turns out she hadn’t made sergeant for nothing and understood the risks. What’s more, she carried herself with amazing grace and an even more amazing sense of who she was. She didn’t look tough on the outside, but as she called one six-foot naysayer to the front and brought him down with such ease, she filled me with a whole new appreciation and respect for who she was and what she did for a living.

After she dropped my classmate to his knees, she modestly helped him up and shook his hand. Then she turned to the class and said, “Just be professional, it’s not that hard.”

She also went on to explain that as a Hispanic female charged with watching over incarcerated inmates, it oftentimes presented problems. Particularly, when many of those inmates were Hispanic and grew up in households in which men did not take orders from women. So not only did the sergeant face an authority issue, she encountered a cultural barrier.

Source: Daniel Vanderkin, Pixabay

How did she handle it? By treating everyone with respect. “Those men don’t know me,” she said. “Their slurs and insults can’t reach me. When my shift ends I go home to my family whose opinions do count.”

So why do I tell you this story? Because today I’m seeing exactly what she talked about — a reduction in professionalism. Worse, we are not inmates. I’m seeing dry wit replaced by so-called snark (I have another term for it). What’s more, this type of behavior is applauded. In an on-line society, where we are faceless individuals behind a computer screen, it’s so easy to react and push send and forget there’s a real live, flesh and blood human being on the other side.

I once heard a radio ad in which two actors portrayed school-aged girls, one of whom said the most horrible things to her peer. I sat back stunned. Then at the end of the message, the voice over said, “You wouldn’t say it to their face, why would you say it on line?”

I don’t know about you, but for anyone to even feel the need to air such a public service announcement made me incredibly sad. As for me, I think I’ll follow the sergeant’s example. I’ll take her words to heart. I’ll strive for professionalism. I learned from the very best that it’s not that hard.

About the Author:  Donnell Ann Bell writes both romantic suspense and multi-jurisdictional task force plots, keeping close tabs on her theme SUSPENSE TOO CLOSE TO HOME. Her single-title romantic suspense novels, The Past Came Hunting, Deadly Recall, Betrayed, and Buried Agendas, have all been Amazon e-book best sellers.

Black Pearl, a Cold Case Suspense was her first mainstream suspense and book one of a series, and a Colorado Book Award finalist. Her second book in the series, Until Dead, A Cold Case Suspense, was voted best thriller in 2023 at the Imaginarium Conference in Louisville, Kentucky.  Sign up for her newsletter or follow her blog at https://www.donnellannbell.com

 

 

 

Clicking Our Heels – Our Favorite Lines from Books

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Clicking Our Heels – Our Favorite Lines from Books

The words authors write are often called “Darlings.” Most of the members of the Stiletto Gang have written several books, stories, or reviews. Have you ever wondered what line we’ve written that is our favorite or what line we’ve read that we wished we wrote? We’re letting you in on our secret favorites:

 Lois Winston – A first line should be a tease that makes the reader want to continue reading the first paragraph, which for me is more important than the first line. One of my favorites is from A Stitch to Die For, the fifth book in my Anastasia Pollack Crafting Mystery Series:

Two weeks ago my mother, Flora Sudberry Periwinkle Ramirez Scoffield Goldberg O’Keefe, took her sixth trip down the aisle to become Flora Sudberry Periwinkle Ramirez Scoffield Goldberg O’Keefe Tuttnauer. The groom’s daughter was a no-show. At the time of the ceremony her body was being fished out of the Delaware and Raritan Canal in Lambertville, New Jersey.

Gay Yellen – The current favorite is in my newest release, The Body in the News, when Samantha Newman says, “There’s a big difference between working in the news business and being in the news, and right now I wouldn’t give a dime for either one.”

Donnell Ann Bell – What a timely question. I read two great lines today from The Forgotten Man: An Elvis Cole and Joe Pike Novel.  One scene involves fourteen-year-old runaway Elvis Cole, who is hellbent on finding his father. The lines that struck me are: “Parents should come with a license.” Then one with stellar foreshadowing: “You have a knack for this, I gotta give you that. Here you are, a kid, and you track these bastards down like a professional. You’d make a helluva detective.”

Mary Lee Ashford (1/2 of Sparkle Abbey)- This was a hard question, but I’m going to go with the first line from Desperate Housedogs. “I don’t normally break into people’s home, but today I was making an exception.”  It will come as no surprise to my fellow writers that this wasn’t the original first line, but one that came after many passes through the story.

Debra Sennefelder – My favorite line so far is from my newest release, A CORPSE AT THE WITCHING HOUR, when Drew sees Hope’s ugly Halloween sweater.

“Oh. My. Ghouls.”

T.K. Thorne – I actually have two favorite lines, both from Na’amah, a young girl in my historical novel, Noah’s Wife. She is on the spectrum and wants only to be a shepherdess in her beloved hills. She begins her story with this: “My name, Na’amah, means beautiful or pleasant. I am not always beautiful, but I am pleasant.”

Na’amah was amazing with her sheep, but very bad at traditional women’s work. After an intense scene and having sex for the first time, she made a comment to herself that was true to her character but one I wasn’t expecting: “Maybe I will be better at this than sewing.”

Dru Ann Love – “And there she is,” I say, a moment later, “the Cyclone, standing tall for ninety-five years. Isn’t she majestic?” From “Ticket To Ride” from the Happiness Is a Warm Gun-Crime Fiction Inspired by the Songs of The Beatles anthology.

Saralyn Richard – Quinn’s family always joked about death, but that summer death stopped being funny. —from Bad Blood Sisters.

Bethany Maines – Well, I find myself hilarious, so that’s a tough call.  I’ve had some lines that I love, but oddly I’m probably most proud when I really get it right on my marketing materials.  Writing in a novel, while difficult, is like painting a wall sized mural –there’s a lot of space to work. Getting a line write in a marketing piece where you get maybe 5 seconds to catch someone’s attention is a lot more difficult to do.  So probably, I’m most proud of the line from my San Juan Island Mystery Series, “This island is full of private little wars. And murder.”

Barbara J. Eikmeier – It’s so hard to choose, so I’ll just say that I always love the line, in any book, that explains the title of the book.

Anita Carter (1/2 of Sparkle Abbey) – I can’t think of a specific line, but there have been times when I’ve reread a passage during edits and I’ve thought, hey that was pretty good.

Debra H. Goldstein – “Last night I dreamt I went to Manderley again.” (Rebecca)

One Word

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by Paula Gail Benson

This year, I received a gift that has me thinking differently about New Year’s resolutions. The gift is a book entitled One Word that Will Change Your Life (Expanded Edition), written by Jon Gordon (a leadership speaker with a training/consulting company), Dan Britton (a speaker, writer, coach, and trainer who serves as the Chief Field Officer with the Fellowship of Christian Athletes), and Jimmy Page (author, speaker, and leadership coach). It was given to me and other members of our church’s congregational council to encourage team spirit and help establish and focus on “relationships” (the word selected for our council members this year).

So, what is the “one word” method? How does it work and how do you determine your word?

The authors explain in the Introduction: “One Word that Will Change Your Life is a proven way to create clarity, passion, power, and life change. Each year, resolutions are rarely kept, and goals are often easily forgotten. But One Word sticks. By living a single word that is meant for you, you’ll find renewed purpose and meaning throughout the year and achieve laserlike focus and power for your life.” (One Word, p. x)

According to the authors, while 87 percent of people make new resolutions and goals each year, 50 percent of those folks keep their resolutions and goals only through January. The authors contend, with resolutions and goals, “[s]uccess is measured by what we accomplish instead of who we become.” (One Word, p. 2) They said, “By embracing, owning, and living a single word for 365 days, our lives changed. Instead of being weighed down with unrealistic resolutions and unmet goals, One Word provides an entirely new perspective on how we approach our year. It frees us up. One Word gives us renewed purpose and meaning.” (pp. 5-6)

The authors recommend a three-step process for finding your word: (1) prepare your heart by removing yourself from “busyness” and contemplating in “silence”; (2) ask God what word is right for you and listen for an answer; and (3) keep your mind on the word as you face life and consider how its perspective changes how you view and react to events.

You can start the process at any time and concentrate on a single word for any amount of time you choose, but don’t repeat a word—select a new one for the year or time-period.

The book itself takes about 49 minutes to read. It is available in audio format. At the end of the book is an “action plan” that provides questions and exercises to help discover your word and think about how to use it. Also, there is a website: GetOneWord.com, and X and Facebook accounts.

In addition, these authors have collaborated on a One Word book for children and a book called Life Word, about finding your passion and creating a legacy.

If you went with a single word instead of a list of resolutions or goals, what would your word be?

Following a Character into a Book

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Following a Character into a Book by Linda Rodriguez

Lately, I’ve been intensely writing a new book. That’s a fairly common thing around here. Several times a year I follow a character into a short story or book. After the first draft is finished, I still refer to the much more I know about that character from writing that first draft as I revise and edit and edit, still following those characters as I chip away whatever doesn’t matter to them or what doesn’t fit. In a way, you could say that I spend most of my professional time chasing after characters, and you’d be correct.

Some people have the idea that plot is the be-all and end-all of the mystery writer, but I see it as story. I can write a book based on a clever plot with all kinds of surprises and twists, but if the reader doesn’t care about the characters or if the actions taking place don’t ring true for the characters, it’s no good. And yes, I know there are books like this that are published and sometimes very successful, but I still think it’s really story we need in the mystery, a story where the actions rise organically out of the characters and their motivations, where we care about the characters and what they’re trying to do because we know why it’s so important to them to succeed in their attempts.

When I’m looking for story, I start with character. As I start to know that character better, she or he leads me directly into story. A nice complex, twisty narrative with surprises and suspense comes from following all the major characters as they lead me on their path toward their goals in the story and come into conflict with each other or help each other or, sometimes, both.

When I run into problems with story as I’m writing a book, I go back to the characters involved with the aspect of the story that’s giving me a hard time. I sit down and have them write their situation, feelings, and problems with the story’s direction in first person as if they were writing diary entries or letters to me to tell me why they won’t do what I think they should do. Always I find that there’s something I’ve overlooked with that (those) character(s). I’ve been trying to steer the plot in a direction that’s false to the character(s), and I have to learn more about each character in order to find out the direction the story needs to go.

I’ve always been glad I take the time to do this, even as I whine about taking that time in the middle of a book with a deadline facing me. Often it leads to big changes—once I even had to change the villain into a possible love interest—but it always makes for a stronger, more vital story. And that’s what I’m after.

Right now, I’m chasing another set of characters into a book that I’ve tentatively set up to go one way, but I know that, as I get deeper into this story following these characters, I may find we’ve gone a different way into a whole different and much richer story. It’s the ultimate adventure, following a character into a book.

 

It’s World Hello Day!

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There are lots of things to love about November. Cool, crisp mornings. Warm, cuddly clothes. A lovely fire in the hearth. And hints of cinnamon spice everywhere.

I recently learned that today, November 21, is annual World Hello Day. At first it seemed like a made-up trifle akin to National Pickle Day (which was actually last Tuesday). But after researching the origins and purpose of this holiday, I realized I couldn’t have been more wrong.

World Hello Day

World Hello Day was created in 1973 by two young brothers, Brian and Michael McCormack, as a panacea for the Arab-Israeli war known as the Yom Kippur War. Gathering all the money they had at the time, these two bought postage and sent out letters to as many world leaders as they could and asked them to support this new holiday.

from Pete Seeger

Within the first 12 months of their campaign, the results were overwhelming. World leaders, educators, Nobel Laureates, show biz celebrities and other luminaries responded. And in the last 50 years, they have managed to gather the support of 180 countries.

It’s interesting to read the thoughts of people like James Michener, Colin Powell, Desmond Tutu, Mother Teresa, and Whoopi Goldberg on the subject. My favorite replies are the little ditty that Pete Seeger offered, a wacky postcard from David Sedaris, and a heartfelt letter from the Idyllwilde Elementary School in Florida.

You can read more of these interesting letters here: https://worldhelloday.org/letters/

How to Celebrate

World Hello Day is a good opportunity to express our concern for world peace. According to the organization’s website, anyone can celebrate simply by saying hello to at least ten people. Friends and family count. Extra points if you greet a stranger, or say hello in a different language. And if you’re inspired to encourage a world or community leader to settle a conflict, go for it.

It seems a bit Pollyanna-ish to think that the simple act of saying hello can lead to world peace. And, we may feel silly saying hello to a perfect stranger. But we can start by greeting the nearly invisible people we encounter in an ordinary day: the checkout clerk at the grocery store, the people we pass on the sidewalk, someone we’re sharing an elevator with or sitting next to at the theater.

Acknowledging another human being’s existence can go a long way toward recognizing that we’re all in this crazy world together. At any rate, that’s the philosophy of the McCormack brothers, and they’re trying to make a difference. Why not try it, too?

And while you’re at it, say hello to Book #3 in the Samantha Newman Series, The Body in the News. I’m overjoyed (and relieved) that it’s finally out there!

Who have you said hello to today?

Gay Yellen‘s award-winning Samantha Newman Mysteries include The Body Business, The Body Next Door, and The Body in the News!  Now available on Amazon.

Writing Discoveries

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by Paula Gail Benson

Book by J.K. Rowling

The first weekend in November, the South Carolina Writers Association (SCWA) held its annual conference. Entitled “Storyfest,” it featured a day of master classes followed by two days of panels, guest speakers, readings, and pitch sessions. The entire event was invigorating—truly a great opportunity to connect with other writers, improve craft skills, and find inspiration.

I attended one of the master classes. Called “Before Fade-In: Pre-Writing to Help You Conquer Page One” and taught by Geoffrey Gunn,* a filmmaker who now lives in upstate South Carolina, it provided excellent story techniques that were transferable from working on screenplays to other writing mediums.

One exercise that resonated with me was in the category “Choosing to Do.” Geoff had us list our top five favorite films or novels. We could choose to list particular works or the authors/directors who created them.

The exercise helped to examine what we gravitate toward as readers or viewers. We were asked to think not about what we wanted to write, but about what we wanted as entertainment.

I decided to list movies that I found particularly interesting and could view multiple times. As Geoff pointed out, my five might have been the most eclectic of the class. They were: (1) Harry Potter and the Prisoner of Azkaban (the third book in the series and I think the most involving storyline), (2) To Kill a Mockingbird (such a simple, yet inspiring premise—how important it is to be able to walk around in another person’s shoes), (3) Shakespeare in Love (I love Shakespeare’s plays, but find his biography fascinating—to be able to combine his stories in a contemporary piece that helps a new generation discover him is fabulous), (4) Murder on the Orient Express (Agatha Christie’s classic with its unique ending), and (5) School of Rock (well, that seems out of the blue, but its structure and plot are just really neat, and it taught me a lot about rock and roll appreciation).

After we came up with our lists, Geoff asked us to evaluate the common elements, to understand where we got our ideas so we could keep the reservoir full. He suggested we could invite inspiration into our own creative process by reviewing our top five list when we didn’t know what to write next.

When I reviewed my diverse list of five, I found at least two appealed to the YA market, all five had aspects of legal elements (which ranged from living under a society’s customs or rules to actual criminal offenses to courtroom action or justice delivered outside lawful processes), and all five had realistic, if not always perfectly happy solutions.

Here is what I decided “connected” my list of five:

(1) They all dealt with a person who needed to fit in but didn’t within their societal structure. (Harry, Scout, Shakespeare and Viola, all the suspects in Murder, and Dewey Finn)

(2) The person(s) needing to fit in take(s) an unconventional journey to find belonging.

(3) In the end, the person(s) discover(s) “home”—the place he or she or they need to be.

The exercise has given me a lot to think about and has provided greater insight into my own writing.

Why don’t you try it? See what it tells you about your work.

Very best wishes for a wonderful Thanksgiving!

______________

*Geoffrey Gunn is a terrific instructor. Here is his bio from the SCWA Storyfest event: “Geoffrey Gunn is a writer, producer and director specializing in independent film. His past writing and co-writing credits include anime legend ‘Mamoru Oshii’s Garm Wars: The Last Druid’ and the dark comedy ‘Dirty Weekend,’ both of which enjoyed international film festival runs before finding their way to theaters, home video and streaming services. Additional writing credits include the Lionsgate release ‘Siren,’ micro-budget darling ‘Cinema Purgatorio’ and the Lifetime thriller ‘Fatal Family Reunion.’ He made his directorial debut with the award-winning short film ‘Last Night at the Ellington,’ which was the recipient of a South Carolina Indie Grant. With over 15 years of experience in the business of independent film, Gunn also routinely works as a panelist, teacher and consultant on screenwriting and filmmaking.”

Clicking Our Heels – When We Know Our Writing is Good

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Lynn McPherson – If it makes me laugh, I like to think it could make someone else laugh, too.

Gay Yellen – If it makes me laugh, or feel sad, or touches me in the way I want it to touch readers, I’m guessing it will work.

Lois Winston – Having previously spent more than a decade working for a literary agency, I will be the first to admit that not only does it take a lot to impress me, but that I’m my own harshest critic. It’s obvious to me when I’m coasting in my writing, whether it’s a sentence, a scene, or an entire chapter, and I’ll work on it until I consider it fixed. That which can’t be fixed gets ditched.

Kathryn Lane – I write, edit, re-edit. Then I leave it for a month or so and read it again. That’s when I know whether it’s good or not, but the ultimate proof is when readers like my work.

Dru Ann Love – If something I read is good, I shout it out on social media.

Donnell Ann Bell – If it moves me and propels me further in the story. If I keep tweaking it, the words probably aren’t the best fit.

Anita Carter – If I still find it interesting after setting it aside for a few weeks and rereading it with fresh eyes.

T.K. Thorne – I don’t like the word “good.” I focus on whether it “works.” That is happening if it moves me in some way, makes me laugh, cry, reveals character, moves the plot ahead, etc.,  and if the writing itself enhances these things or at least doesn’t get in the way

Shari Randall/Meri Allen – I ask myself, does it elicit emotion? Laughter? Surprise?  If it does, even after several readings, then I’m satisfied.

Mary Lee Ashford –  don’t think I’m a very good judge of whether something I write is good. It’s so difficult to have perspective on your own work. If it’s making sense to me and I think it’s moving along, I’ll keep going. Then if it still makes sense or the scene/chapter seems to work when reread a day or two later, I decide that it’s good enough for my critique group and beta readers to read. After that it’s ready for the editor and off on its journey on to readers. Then when I hear from readers: that they enjoyed the book, that it made them laugh (or cry), or that something in the story resonated with them. I guess, it’s then that I decide maybe that the writing was okay.

Debra H. Goldstein – If the text writes smoothly from the zone rather than me struggling for a concept, I know the piece should be good, but I won’t know for sure until I get reader feedback.

Linda Rodriguez – Every once in a while, I’ll be immersed in writing something, and when I emerge, I’ll read it over and feel this little zing inside that tells me I’ve struck pay dirt. Doesn’t mean I won’t wind up doing a good bit of editing and polishing, but I know the heart of it is good. Usually, however, I don’t know until I’ve set it aside for a little while and come back to it with that cold editor’s eye.

Bethany Maines – I think there are two different kinds of good.  Is the writing itself—sentence structure, word choice, etc—of a high quality? For that, I can usually tell by how many junk words I have or haven’t used (very, really, just) and whether or not it makes me have an emotional reaction every time I read it. The second kind of good is whether or not the story itself is good. I have had ideas that are wonderful, but I don’t always have the skill to execute them to their fullest. Sometimes I have to wait until I feel confident to tackle those. I usually feel like those ideas are the ones that make me excited. But at the end of the day, I always feel like my writing probably could have been better, so maybe this isn’t my best question.

Barbara Eikmeier – My husband is often my first reader. He’s a tough critic so if he tells me he thinks it’s good I feel like it must be good.

Saralyn Richard – I need to have a vague sense that I have accomplished what I set out to do in each chapter that I write, but I don’t really know that it’s good until a reader tells me so.

Robin Hillyer-Miles – I think something is good if, after having it rest a bit and reading it, I feel emotional.

The Arts Are For Everyone!

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The Arts Are For Everyone! by Linda Rodriguez

A few years ago, I was giving writing workshops at a local high school on the wrong side of the tracks. These kids had already been through lots of trauma and stress, though they were only in their teens. These particular twenty kids, however, fell in love with writing, and it offered them a way to deal with broken families, broken hearts, and broken promises. They learned that on their own without me.

I was there to show them that writing can offer them even more. It wasn’t easy at first. Some of them started out prickly. It’s natural when life’s been a hostile environment to be always on guard. It took patience, but we got past that, and they wrote some phenomenal poems.

In the last workshop I had the joy of telling them that their work would be published in an anthology of Kansas City student writing and that they would give a public reading at The Writers Place, the city’s stand-alone center for writers and literature. They were pretty excited. This was a kind of validation that they almost never get. And since the poems to be published were from a workshop we did around identity and specific imagery, it was a special kind of validation. They opened their hearts on the page about the good and bad things in their families and their lives, and society said, “You are great just as you are!”

Out of the school population of 348, these twenty kids are winners. They may not be the only ones, of course, and they may not all go on to college. However, they have learned to use language to help themselves through tough times. They have learned to use language to form images of who they are and where they want to go, and that’s a prize of incomparable worth.

 

Linda Rodriguez’s 13th book, Unpapered: Writers Consider Native American Identity and Cultural Belonging, was published in May 2023. She also edited Woven Voices: 3 Generations of Puertorriqueña Poets Look at Their American Lives, The World Is One Place: Native American Poets Visit the Middle East, The Fish That Got Away: The Sixth Guppy Anthology, Fishy Business: The Fifth Guppy Anthology, and other anthologies.

Dark Sister: Poems was a finalist for the Oklahoma Book Award. Her three earlier Skeet Bannion mystery novels—Every Hidden Fear, Every Broken Trust, Every Last Secret—and earlier books of poetry—Skin Hunger and Heart’s Migration—received critical recognition and awards, such as St. Martin’s Press/Malice Domestic Best First Novel, International Latino Book Award, Latina Book Club Best Book of 2014, Midwest Voices & Visions, Elvira Cordero Cisneros Award, Thorpe Menn Award, and Ragdale and Macondo fellowships. She also published Plotting the Character-Driven Novel, based on her popular workshop.  Her short story, “The Good Neighbor,” published in Kansas City Noir, was optioned for film.

Rodriguez is past chair of the AWP Indigenous Writer’s Caucus, past president of Border Crimes chapter of Sisters in Crime, founding board member of Latino Writers Collective and The Writers Place, and a member of International Thriller Writers, Native Writers Circle of the Americas, Wordcraft Circle of Native American Writers and Storytellers, and Kansas City Cherokee Community. Learn more about her at http://lindarodriguezwrites.blogspot.com or follow her on Twitter at https://twitter.com/rodriguez_linda  or on Mastodon at https://mastodon.social/rodriguez_linda.

My Days as a Poet

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Like so many people before me, I wanted to write. I’d left my corporate job in international finance and moved to Texas, enrolled in a creative writing course at a local college, and on the first day of class, I sat on the front row, anxious to discover the art of writing.

Much to my surprise, the class would cover poetry for the first six weeks. The first assignment was to create a poem. That night I stressed so much I could not sleep. About three in the morning, rhyming lines about a young horse and an old stallion flowed through my mind. I got out of bed and wrote the entire poem. I later earned $25.00 when I sold that poem, despite its rhyming scheme, to a nature magazine. I became a regular contributor to that magazine.

The professor had reasons to start with poetry. Poems often have a strong narrative voice; they are filled with expressive power and do so with a few carefully chosen words. By the end of the six weeks, I loved writing them and I continue to do so on occasion.

It took my friend Ann McKennis’s inquiry about my poems on the Rothko Chapel to prompt me to look back at poetry I’d written. The Rothko Chapel in Houston is non-denominational, and it also serves as a lecture hall, a meditative space, and a major work of modern art by Mark Rothko who also influenced the architecture of the building. His paintings, in various hues of black, inspired me to write several poems, such as this one:

Red and Black

Painting is about thinking,

not merely spreading paint on a canvass—

not until the idea germinates, sprouts,

spreads like lips, hot lips covered in red lipstick,

fondling every thread of primed cloth,

like a woman arousing her lover,

her tongue licking nectar from his body.

Apply paint with controlled strokes,

drawing out emotions,

pulling passion with color.

 

Allow wet paint to slosh

from surface to edge, leave it

fuzzy so the eye adjusts before

the brain sees the artist’s inspiration.

Take red, like rage, then black,

which contains it all, and white,

as Melville said, the most fearful color—

for it is the abyss, the infinity of

death. But it is black that

swallows the red.

***

The Rothko Chapel was placed on the National Register of Historic Places in September 2000.

Kathryn Lane writes mystery and suspense novels set in foreign countries. In her award-winning Nikki Garcia Mystery Series, her protagonist is a private investigator currently based in Miami. Her latest publication is Stolen Diary, a story about a socially awkward math genius.

Kathryn’s own early work life started out as a painter in oils. To earn a living, she became a certified public accountant and embarked on a career in international finance with Johnson & Johnson.

Two decades later, she left the corporate world to create mystery and suspense thrillers, drawing inspiration from her Mexican background as well as her travels in over ninety countries.

She also dabbles in poetry, an activity she pursues during snippets of creative renewal. During the summer months, Kathryn and her husband, Bob Hurt, escape to the mountains of northern New Mexico to avoid the Texas heat.

Rothko Chapel Pictures: Public domain

The Letter I’ll Never Forget

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Here it is again, a new year. A fresh start, and yet, a hint of gloom still permeates the air. We’ve all had to navigate through and adjust to new realities. How are you managing?

Whenever I’m struggling, I lean on the philosophy of someone I fell in love with years ago:

Vincent Van Gogh.

I was in my twenties and slightly adrift when I picked up Dear Theo, a compilation of Vincent’s letters to his brother. A few years earlier, I had visited the museum in Amsterdam dedicated to him. Though he wasn’t my favorite painter at the time, his spirit spoke to me through his art and grabbed onto something deep inside.

Van Gogh’s letters are an almost-daily account of his struggles. They vividly detail his miserable existence. Yet through it all, he kept working to be better.

The one I’ll never forget

A letter he wrote in 1884 has kept me going through rough moments in my personal and my writing life. Here’s a bit of it, lightly paraphrased and edited for brevity:

One mustn’t be afraid to do something wrong sometimes… You don’t know how paralyzing it is, the idiotic stare from a blank canvas that says you can’t do anything. Many painters are afraid of the blank canvas. But the blank canvas is afraid of the truly passionate painter who dares…

Life itself likewise turns toward us an infinitely idiotic and meaningless blank side. But however meaningless life appears, the person of faith, of energy, of warmth, doesn’t get discouraged. He steps in and builds up…

Substitute an author’s blank page for the painter’s canvas, and this is my daily inspiration.

Did you know that Vincent was also a book lover? Here’s this: It is with the reading of books the same as with looking at art. One should, with assurance, admire what is beautiful.

And this: So often, a visit to a bookshop has cheered me and reminded me that there are good things in the world.

And on another subject, this: A woman is not old so long as she loves and is loved.

Yes, he led a tragic, troubled life. Worse than most of us can imagine. But he never stopped wanting to capture truth and beauty in his art and his life.

Perhaps we all could take a lesson from Vincent, dare to face the blank canvas that is 2023, and choose to make this year into our own work of art.

Wishing you a year full of love and good health. And good books!

 

Gay Yellen writes the award-winning

Samantha Newman Mystery Series:

The Body Business, The Body Next Door,

and coming soon in 2023: Body in the News!