Believe in your Story and Never Give Up
By Donnell Ann Bell
I do not consider myself a vain person. Uncertainty follows me on a daily basis. And like most authors insecurity has me on speed dial. But if I write something that corresponds with the vision in my head, then I develop a strong belief in my project. It doesn’t happen with every manuscript. I have a drawerful of attempted projects that haven’t quite measured up.
My debut book, however, the unpublished title Walk Away Joe, earned me a Golden Heart nod and agent representation. Afterward, I set to work on book two. Based on the plot, the title Deadly Recall came to me almost immediately. The story was a romantic suspense spinning off from my elementary Catholic school days and my court reporting legal experience.
The characters in Deadly Recall came to me equally fast. I was so confident in that book, I almost ignored the advice offered by Donald Maass, renowned literary agent and author of Writing the Breakout Novel. I attended a seminar in which Maass warned writers that if they knew who the killer was throughout the book, the reader would too.
What did he know? I remained steadfast in my belief I’d chosen the right antagonist for my story. Yet as my page count increased, reality intruded on my pipedream. I was a brand-new author; Donald Maass was an expert. I remember the precise moment I flipped the script and changed my killer’s identity. It was near the end of the book. To this day, I credit Donald Maass’s advice. Thanks to him Deadly Recall became a more cohesive and suspenseful story.
After I finished the novel, I entered writing contests but didn’t send it to my agent just yet. She hadn’t sold Walk Away Joe, and if Deadly Recall did well, I hoped to convince her I wasn’t a “one-book wonder.” Deadly Recall won several contests, one of which included agents and editors as the final round judges. I confess my head was the size of a pinata when one contest coordinator wrote, “This is so good. Can’t wait to see it in print.”
I was still flying high until weeks later I opened my entry to learn I’d received an honorable mention. Obviously, my writing peer judges liked the story, New York professionals, not so much. Needless to say, I was disheartened. Still, I believed in that book. So, when a well-known editor from a respected house announced she was accepting on-line pitches, I participated. Her response to my pitch? “Nice idea. But Catholic stories don’t sell. Put it under your bed and never get it out again.”
I don’t have to tell you that left a mark! At the same time, I was smarting from that rejection, my agent wrote me about Deadly Recall. She said she’d shared the book with her team, and they all agreed with her that it “wasn’t my best work.” At that, I sent her a 30-day termination notice and cancelled our agency agreement.

Along with the Deadly Recall rejections I was receiving, I was still hopeful for Walk Away Joe. At a writer’s conference, I pitched the book to an acquiring editor of a major house, and she asked me to send it. I sent it, knowing I was engaging in a proverbial longshot as New York publishers rarely, if ever, accepted unagented submissions.
About this time, RWA’s 2010 Golden Heart calls went out, and I was both happy and stunned to learn that Deadly Recall was a finalist in the organization’s largest and most respected contest. This was my second Golden Heart final, so some (not all) of my confidence was restored as I felt it gave me some street creds.
A short time later, I queried BelleBooks/Bell Bridge Books about Walk Away Joe and Vice President Deborah Smith wrote me back saying, “Send it. Send
Deadly Recall while you’re at it.” I’ll never forget when BelleBooks sent me an offer letter for both books. I had huge respect for Debra Dixon and Deborah Smith, both legends in publishing, and decided to accept. As a courtesy I wrote the New York editor with whom I’d submitted Walk Away Joe. All my rejection bruises seemed to fade when she wrote back, “Congratulations. This is our loss. I love Melanie and Joe.” FYI, Melanie and Joe are characters from the WAJ manuscript that BelleBooks/Bell Bridge Books subsequently renamed The Past Came Hunting.
In the early days of my publishing career, Amazon, had a marketing tool called Deal of the Day on Kindle. Both The Past Came Hunting and Deadly Recall hit the top ten of the overall paid deals. I was on my way to Santa Fe when Deborah Smith messaged me to tell me Deadly Recall had hit #1 in the overall paid category! For a brief time, my book was listed alongside John Grisham and Clive Custler. Typically, I couldn’t get a signal to capture a screen shot but did manage one a couple days later in which the book still held the #1 spot in three genre categories.


I tell you this long drawn-out story to remind you that while others may not believe in your work, if you’re passionate about it, never give up. Deadly Recall remains my bestselling book. Imagine if I had done what that editor suggested and put it under my bed. Deadly Recall is one of the books in The Stiletto Gang’s Summer Bonanza. The log line is: A terrifying memory is locked deep inside her. A Killer wants to keep it that way. https://donnellannbell.net/books/romantic-suspense-thrillers/deadly-recall/ Now that you know its history, I hope you’ll give it a try. And remember this business is subjective. Whatever you’re passionate about, it’s important to believe! Happy Reading!





What does it do? The MX908 mass spectrometer is capable of detecting real time chemical identification (such as explosives, HazMat operations and priority drugs such as fentanyl, methamphetamine, cocaine and more). 



For the past few months, I’ve been busy updating my books to become a hybrid author. What I thought would be tedious has turned into a fun opportunity for me to correct, tighten, and the best part is, I get to reconnect with my characters.
By Donnell Ann Bell



In Citizens Academies, I’ve studied pictures of blood spatter and the grotesque coverage of mattresses, headboards, additional furniture, floors and walls. So much goes into an investigation and the crime scene is just the beginning. Detectives and crime scene analysts must decipher and analyze these scenes to determine the timeline, how the suspect entered, where they stood in the attack, what type of weapon was used, e.g.(baseball bat, knife, gun, etc.) and so much more. Particularly when families demand justice, and the victim(s) aren’t alive to share. Here’s a website I found that provides a good explanation.