Tag Archive for: Paula Gail Benson

Check Out The Agatha Nominations

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by Paula Gail Benson

Whether or not you can attend the fabulous gathering of Malice Domestic at the end of this month, be sure to check out the marvelous novels, books, and stories that have received prestigious Agatha nominations. You’ll have some delightful reading. (NOTE: click on the short story for a link to the text.) Here’s a list:

Best Contemporary Novel

WINED AND DIED IN NEW ORLEANS, Ellen Byron

HELPLESS, Annette Dashofy

THE WEEKEND RETREAT, Tara Laskowski

A CASE OF THE BLEUS, Korina Moss

THE RAVEN THIEF, Gigi Pandian

​Best Historical Novel

DEATH AMONG THE RUINS, Susanna Caulkins

ACT LIKE A LADY, THINK LIKE A LORD, Celeste Connally

I HEARD A FLY BUZZ WHEN I DIED, Amanda Flower

TIME’S UNDOING, Cheryl Head

THE MISTRESS OF BHATIA HOUSE, Sujata Massey

Best First Novel

GLORY BE, Danielle Arceneaux

THE HINT OF LIGHT, Kristin Kisska
DUTCH THREAT, Josh Pachter

CRIME AND PARCHMENT, Daphne Silver

MOTHER-DAUGHTER MURDER NIGHT, Nina Simon

​Best Short Story

“THE KNIFE SHARPENER”, Shelley Costa, Alfred Hitchcock Mystery Magazine, Jul/Aug 2023

“A GOOD JUDGE OF CHARACTER”, Tina de Bellegarde, Malice Domestic 17, Murder Most Traditional

“REAL COURAGE”, Barb Goffman, Black Cat Mystery Magazine #14

“TICKET TO RIDE”, Dru Ann Love and Kristopher Zgorski, Happiness is a Warm Gun

“SHAMU, WORLD’S GREATEST DETECTIVE”, Richie Narvaez, Time in San Diego, Bouchercon 2023

Best Non-Fiction

FINDERS: JUSTICE, FAITH AND IDENTITY IN IRISH CRIME FICTION, Anjili Babbar

PERPLEXING PLOTS: POPULAR STORYTELLING AND THE POETICS OF MURDER, David Bordwell

A MYSTERY OF MYSTERIES: THE DEATH AND LIFE OF EDGAR ALLAN POE, Mark Dawidziak

FALLEN ANGEL: THE LIFE OF EDGAR ALLAN POE, Robert Morgan

​Best Children’s/YA Mystery

MYRTLE, MEANS AND OPPORTUNITY, Elizabeth C. Bunce

THE SASQUATCH OF HAWTHOURNE ELEMENTARY, K. B. Jackson
ARANA AND SPIDERMAN, Alex Segura
THE MYSTERY OF THE RADCLIFFE RIDDLE, Taryn Souders

ENOLA HOLMES AND THE MARK OF THE MONGOOSE, Nancy Springer

 

New Short Story Anthologies

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by Paula Gail Benson

Three great new anthologies are on the horizon. Please add the following to your “to be read” lists:

Dark of the Day: Eclipse Stories, will be released on April 1 (in time for the April 8 total solar eclipse). The anthology is edited by Kaye George and published by Down and Out Books. Stories are by Eric Beckstrom, Paula Gail Benson, Michael Bracken, John Rogers Clark, IV, Bridges DelPonte, Cari Dublei, John M. Floyd, Kaye George, Debra H. Goldstein, Toni Goodyear, James A. Hearn, Laura Oles, Katherine Tomlinson, Joseph S. Walker, M.K. Waller, Carol L. Wright. (I’m very proud to be included with these terrific authors!)

Donna Andrews, Marcia Talley, and Barb Goffman edited Three Strikes—You’re Dead!, an anthology of sports mysteries coming out April 23 from Wildside Press. Every author in it is a member of the Chesapeake Chapter of Sisters in Crime. The authors are: William Ade, Kathryn Prater Bomey, Maddi Davidson (the pen name of authors Diane Davidson and Mary Ann Davidson), Lynne Ewing, Barb Goffman, Sherry Harris, Smita Harish Jain, Adam Meyer, Alan Orloff, Rosalie Spielman, Shannon Taft, F. J. Talley, Robin Templeton, and Joseph S. Walker.

Malice Domestic announces its 18th Malice Domestic anthology titled Mystery Most Devious, edited by John Betancourt, Michael Bracken, and Carla Coupe Malice Domestic and published by Wildside Press. The anthology will include stories by Mary Adler, Sue Anger, Ashley-Ruth M. Bernier, Susan Love Brown, Joslyn Chase, Leone Ciporin, P.A. De Voe, Christine Eskilson, Roberta Gibson, Hope Hodgkins, Smita Harish Jain, Jackie McMahon, Linda Norlander, Josh Pachter, Jill K. Quinn, Jennifer Slee, and Sarah Stephens. It’s due to be released with a book signing at Malice Domestic in April.

Happy reading!

 

The Difference Between a Shamrock and a Four-Leaf Clover

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by Paula Gail Benson

On March 1, Terrie Farley Moran, author of the Read Em and Eat mystery series and current author of the Jessica Fletcher novels including Murder She Wrote: Death on the Emerald Isle, posted the following on Facebook: “Welcome to March, the month of St. Patrick’s Day celebrations. Please remember that the SHAMROCK has THREE leaves and decorate accordingly. This is my annual public service announcement.”

 

I’ve thought a lot about Terrie’s PSA, particularly since noticing several companies offering jewelry that had four-leaf clovers instead of shamrocks.

For instance, Talbots features a pin with a lady-bug perched on a four-leaf clover:

Talbots Jewelry

 

Betsy Johnson has a necklace that has a four-leaf clover and horseshoe:

 

Betsey Johnson Jewelry

The shamrock, as Terrie mentioned, is associated with St. Patrick, who is said to have used it to demonstrate the concept of the Holy Trinity, three persons in one God, when teaching the Irish about Christianity.

According to his biography in Britannica, Patrick was born in Britain, captured, and sold into slavery. The six years he worked as a herdsman in Ireland made him turn strongly to his religion. In a dream, he saw a means of escape, but encountered more servitude before being reunited with his family. After his return to Britain, he received a letter asking that he come back to Ireland. Although concerned about his abilities and safety, he did go and is now recognized as Ireland’s patron saint and national apostle.

In her article, “Four Leaf Clover Symbolism and Good Luck Meaning,” Dani Rhys provides a quote from John Melton, written in 1620, as the first mention of how people viewed four-leaf clovers: “If a man walking in the fields find any four-leaved grass, he shall in a small while after find some good thing.”

Rhys also notes that the four-leaf clover is likely connected to the “luck of the Irish” because it grows more often there than in other countries. “Abundance in this case means there is about 1 four-leaf clover in every 5,000 regular three-leaf clovers in the European Island, whereas there is only 1 four-leaf clover in every 10,000 three-leaf ones outside Ireland.”

I’ve been fortunate to have kept a shamrock plant alive in my office for several years. It looks a bit straggly but continues to thrive.

Also, my uncle had an amazing capacity to find four-leaf clovers in a field of green grasses. When he passed away, his wallet contained a collection of many pressed four-leaf clovers.

Whether you seek luck or symbolism, may you have the clover that suits you best! Happy day after St. Patrick’s Day!

My Word for the Year: Communicate

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by Paula Gail Benson

Last month, I wrote about receiving the book One Word that Will Change Your Life, which advocates that you select a word to focus upon for the year instead of making resolutions. In the comments to that post, Saralyn Richards and Gay Yellen responded that “gratitude” and “kindness” were words that had significance for them. Debra H. Goldstein asked me, “have you found your one word and has it been sustainable?”

After a month’s delay, Debra, here’s my answer: “the word ‘communicate’ seemed to find me and keeps returning to my attention.”

From Google’s Oxford Languages Dictionary, the first definition of “communicate” is to “share or exchange information, news, or ideas.” The sentence illustrating this definition is “the prisoner was forbidden to communicate with his family.”

At my church, we are anticipating a visit from an Estonian pastor whose grandfather (also a pastor) spent years in a Soviet slave labor camp. I’ve read some of the book Grandfather Pastor Harri Haamer wrote about his prison experience, We Shall Live In Heaven. When he was housed with hardened criminals, one of them asked if he was a “smasher.” He did not know that meant “burglar.” He quickly learned that these inmates claimed fifty percent of any package received by someone in the cell. When a package came for Pastor Haamer, he demanded they give it to him, which earned him respect. Then, he proclaimed, “I’m sharing all the contents of my package to you.” Some protested, only fifty percent, but Pastor Haamer insisted they take all. The oldest criminal told him, “at least come and share with us.” That formed a bond between them.

Pastor Haamer also heard the odd terminology of calling one of the prisoners a “cow to be milked.” He learned this inmate was a spy for the prison officials, who withdrew him from time to time to “milk” him for information he heard in the cell.

The Google Oxford Languages Dictionary’s second definition of communicate is “to convey or transmit (an emotion or feeling) in a nonverbal way.” This reminded me that even when people speak different languages or have no language at all, they may be able to communicate through expressions or gestures. We humans sometimes receive our most delightful and useful nonverbal (at least not “spoken”) communications from our pets that purr in delight or bark in warning.

Communication also may falter if translation is missing. One of my former law clerks was blind. He loved science fiction and fantasy stories. I remember discussing the initial Star Wars (now known as Episode IV) with him and stopping myself after mentioning how I felt seeing one of the opening scenes as a space vessel seems to be traveling overhead. I apologized thinking I had intruded in an area he could not share, but he told me he knew exactly what I meant because a version for the blind had descriptions of the visual actions taking place.

What I have noticed in my own communications this year is that what may be clear in my mind is not always successfully conveyed by spoken or written word. Often, I’m in a rush and leave directions that indicate there are multiple steps, but don’t adequately spell out each one. I rely that someone else remembers as I do, which may or may not be the case.

Already, just by focusing on “communicate,” I’ve noticed areas where I can improve clarity. It’s a continuing process, but I do find myself stopping to ask, “did I make that understandable for the person who will be reading or hearing it?”

Debra, so far, the focus on “communicate” has been sustainable. I’ll keep you updated as the year progresses!

Writing Discoveries

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by Paula Gail Benson

Book by J.K. Rowling

The first weekend in November, the South Carolina Writers Association (SCWA) held its annual conference. Entitled “Storyfest,” it featured a day of master classes followed by two days of panels, guest speakers, readings, and pitch sessions. The entire event was invigorating—truly a great opportunity to connect with other writers, improve craft skills, and find inspiration.

I attended one of the master classes. Called “Before Fade-In: Pre-Writing to Help You Conquer Page One” and taught by Geoffrey Gunn,* a filmmaker who now lives in upstate South Carolina, it provided excellent story techniques that were transferable from working on screenplays to other writing mediums.

One exercise that resonated with me was in the category “Choosing to Do.” Geoff had us list our top five favorite films or novels. We could choose to list particular works or the authors/directors who created them.

The exercise helped to examine what we gravitate toward as readers or viewers. We were asked to think not about what we wanted to write, but about what we wanted as entertainment.

I decided to list movies that I found particularly interesting and could view multiple times. As Geoff pointed out, my five might have been the most eclectic of the class. They were: (1) Harry Potter and the Prisoner of Azkaban (the third book in the series and I think the most involving storyline), (2) To Kill a Mockingbird (such a simple, yet inspiring premise—how important it is to be able to walk around in another person’s shoes), (3) Shakespeare in Love (I love Shakespeare’s plays, but find his biography fascinating—to be able to combine his stories in a contemporary piece that helps a new generation discover him is fabulous), (4) Murder on the Orient Express (Agatha Christie’s classic with its unique ending), and (5) School of Rock (well, that seems out of the blue, but its structure and plot are just really neat, and it taught me a lot about rock and roll appreciation).

After we came up with our lists, Geoff asked us to evaluate the common elements, to understand where we got our ideas so we could keep the reservoir full. He suggested we could invite inspiration into our own creative process by reviewing our top five list when we didn’t know what to write next.

When I reviewed my diverse list of five, I found at least two appealed to the YA market, all five had aspects of legal elements (which ranged from living under a society’s customs or rules to actual criminal offenses to courtroom action or justice delivered outside lawful processes), and all five had realistic, if not always perfectly happy solutions.

Here is what I decided “connected” my list of five:

(1) They all dealt with a person who needed to fit in but didn’t within their societal structure. (Harry, Scout, Shakespeare and Viola, all the suspects in Murder, and Dewey Finn)

(2) The person(s) needing to fit in take(s) an unconventional journey to find belonging.

(3) In the end, the person(s) discover(s) “home”—the place he or she or they need to be.

The exercise has given me a lot to think about and has provided greater insight into my own writing.

Why don’t you try it? See what it tells you about your work.

Very best wishes for a wonderful Thanksgiving!

______________

*Geoffrey Gunn is a terrific instructor. Here is his bio from the SCWA Storyfest event: “Geoffrey Gunn is a writer, producer and director specializing in independent film. His past writing and co-writing credits include anime legend ‘Mamoru Oshii’s Garm Wars: The Last Druid’ and the dark comedy ‘Dirty Weekend,’ both of which enjoyed international film festival runs before finding their way to theaters, home video and streaming services. Additional writing credits include the Lionsgate release ‘Siren,’ micro-budget darling ‘Cinema Purgatorio’ and the Lifetime thriller ‘Fatal Family Reunion.’ He made his directorial debut with the award-winning short film ‘Last Night at the Ellington,’ which was the recipient of a South Carolina Indie Grant. With over 15 years of experience in the business of independent film, Gunn also routinely works as a panelist, teacher and consultant on screenwriting and filmmaking.”

The Many Versions of the Addams Family

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by Paula Gail Benson

Mural with Charles Addams from: The Addams Family Secret | The New Yorker

According to Wikipedia, Charles Samuel Addams (January 7, 1912-September 29, 1988) made a career as a cartoonist, first for his high school yearbook, then as a free-lancer for The New Yorker as well as a stint creating animated training films for the Army during World War II. He had a macabre outlook, was drawn to a Presbyterian Cemetery as a child, and, as inspiration for the Addams home, explored mansions in the town where he grew up (one of which he was accused of breaking and entering) and buildings at the colleges he attended.

From the 1964-66 ABC TV series

The cartoon characters with which he is most often identified remained nameless in the New Yorker until they became the basis of a situation comedy, The Addams Family, a television program filmed in black-and-white that initially aired from 1964-66. John Astin played the effusive Gomez Addams who passionately adored his beloved wife Morticia (Carolyn Jones), always moving incrementally in a black, tight-fitting, V-necked gown. Their butler, the deep-voiced, tall, and intimidating Lurch (Ted Cassidy) was originally written to be mute, but when Cassidy ad-libbed “You rang?”, the phrase was immediately adopted as the character’s signature line. Bald Uncle Fester (Jackie Coogan) was identified as Morticia’s uncle and Grandmama Addams (Blossom Rock) as Gomez’ mother. Pugsley (Ken Weatherwax) and Wednesday (Lisa Loring) were the two children. Charles Addams originally wanted to call Pugsley “Pubert,” but that name was rejected as being too sexual. Later, in the film Addams Family Values, the new baby and third child was called Pubert.

Several animated and live action series featured the family in the 1970s and 1990s. One of the animated series had Jodie Foster voicing Pugsley. In 2022, Netflix presented Wednesday, a supernatural coming of age series that had a teen aged Wednesday Addams solving a murder at her school.

From Barry Sonnenfeld’s The Addams Family movie (1991)

A number of films, both live action and animated, have focused on the family’s adventures. In 1991 and 1993, Barry Sonnenfeld directed The Addams Family and Addams Family Values. (Barry Sonnenfeld also appeared in Addams Family Values, as the father of Joel Glicker, Wednesday’s boyfriend at Camp Chippewa.) Raul Julia played Gomez Addams with Anjelica Huston as Morticia. Christopher Lloyd is Fester, who was identified as Gomez’ brother. Morticia referred to Grandmama (Judith Malina in the first film and Carol Kane in the second) as her mother (with a mention in the first film that Gomez’ parents were dead). Interestingly, in the Broadway musical, The Addams Family (2010), when Morticia said Grandmama was Gomez and Fester’s mother, Gomez (played by Nathan Lane) was surprised, saying he thought she was Morticia’s mother. Morticia (played by Bebe Neuwirth) later admitted that Grandmama might not be a member of the family. (Note, Nathan Lane appeared in the movie Addams Family Values, as a beleaguered police officer listening to Gomez demand an investigation of Debbie Jellinsky (played by Joan Cusack), who married Fester and established their home in the suburbs.)

Poster for Broadway musical The Addams Family

In the Sonnenfeld films, while Pugsley (Jimmy Workman) might be older, Wednesday (Christina Ricci) definitely showed greater malevolent initiative. In The Addams Family, when a Girl Scout (Mercedes McNab) asked if their lemonade was made with real lemons, Wednesday inquired if her cookies were made with real Girl Scouts. McNab returned in the role of Amanda Buckman in Addams Family Values, a camper who ridiculed and later was tormented by Wednesday and Joel Glicker (played by David Krumholtz, who went on to star in the TV show Numb3rs).

For the 2010 Broadway musical, The Addams Family, Wednesday (Krysta Rodriguez) is the older of the two siblings, pleading with her parents for “One Normal Night” for the family to meet her boyfriend (Wesley Taylor) and his parents (Terence Mann and Carolee Carmello).

The Penn State Library now displays a mural painted by Charles Addams for a Hamptons hotel. The mural was donated to the college when the hotel property changed hands. Entitled “An Addams Family Holiday,” it features the group at the beach, enjoying the waves that other vacationers are fleeing. Meanwhile, Lurch and Grandmama prepare a picnic lunch of bats and a mixed drink made with poison. All very appropriate for a Halloween celebration!

BTW, did you know that Charles Addams received an Edgar Award from the Mystery Writers of America?

Mural from: The Addams Family Secret | The New Yorker

A New Story

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by Paula Gail Benson

As I celebrate my birthday this week, I’m also partying about a new story being published in A DEATH IN THE NIGHT by Dragon Soul Press. The anthology, released on August 30, 2023, contains eleven tales of assassins, which, as described on Amazon, may be about persons who are well paid, who are paying a debt, or who are being blackmailed. Each hired gun faces a unique journey. Some need to be wary of becoming too close to their marks.

The following authors’ stories are featured in the anthology: Victoria Azzi, L.N. Hunter, Charles Kyffhausen, Barend Nieuwstraten III, Fulvio Gatti, Edgar Mahaffey, Gray Stanback, Hennifer Strassel, Douglas Allen Gohl, Frank Sawielijew, and myself.

My story, “Crossfire in the Crosshairs,” occurs in the pandemic and involves a single mother working as an assassin to support her pre-school aged, precocious daughter. As mentioned in the narrative, “Assassinations remain essential services during Covid.” Chelsea Lebouef, the mom, is tasked to slay a famous cellist, hopefully managing to spill some blood on his instrument to heighten its value. She learns there will be multiple shooters to handle the job, but not until she makes arrangements for her daughter’s care and arrives on the job does she realize her competitor is her ex-husband.

I hope you’ll check out my story and the others. Dragon Soul Press has been a great company to work with and has supplied a lot of beneficial materials for promotion. (Notice the great banner above!)

Here’s a link to purchase on Amazon. Happy my birthday, everyone!

Recognizing a Character’s Name in a Mystery Story

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by Paula Gail Benson

Barb Goffman, writer and editor extraordinaire

Barb Goffman, whose stories have been finalists for exactly forty national crime awards, will be celebrating two nominations at San Diego’s Bouchercon. Her story “Beauty and the Beyotch,” already the winner of the Agatha Award at Malice Domestic, is among those nominated for the Anthony and Macavity.

Originally written for a themed anthology about theatre, Barb liked the final version of the story so well that she decided to submit it to major publications where it might be seen by a larger readership. Published in Issue 29 of Sherlock Holmes Mystery Magazine, Barb describes the story as “a tale about three high school girls told from two perspectives about . . . the struggle to make their deepest desires come true. What happens when those dreams collide?”

The first time I read the story, I immediately recognized one of the character’s names: Elaine Naiman, who lives in Canada and is a friend I’ve met at Malice Domestic. When I approached Elaine about an interview, she mentioned that Barb had included another name in the story, that of Joni Jackson Langevoort.

Joni explained: “Both Elaine and I learned of this opportunity for a character name in one of Barb’s stories at the Malice Domestic live charity auction; Barb asked me for a donation to my favorite local animal charity (she knew my four rescue cats and one rescue pup!), and she would use my name in a story. I did that happily, to the rescue agency where I found my beloved pup Arthur. I said she was welcome to use my full name, but because so many in the mystery community know it, she might want to use my maiden name of Jackson. I didn’t ask for any input, I felt whatever Barb wrote would be fabulous! She is an amazing short story writer, truly. And I loved the story, was so excited when it won the Agatha and have voted for it for the Macavity and Anthony awards!”

Elaine also was delighted with the outcome. She said: “Barb had a ‘Name a Character’ in an auction at Malice. I bid, but didn’t win. When I spoke to her, she told me if I made a donation to an animal charity, she’d put my name in a story. I didn’t say not to use my last name, so she used both. I didn’t have any input about the character, but I loved the story and was glad to be the ‘Beyotch.’ Usually, I’m a good person when I’m in a book.”

Joni Jackson Langevoort

I had the opportunity to ask Barb some additional questions about her story. Here are her answers:

  • Did the story idea come first or did knowing the names of the characters help inspire it?

The story idea came first. When I name a character after someone who wins naming rights at an auction (or, in this case, when two people I’m friends with bid for naming rights at an auction but lost, and I offered to name characters after them if they’d make a charitable donation), I try to use the name for an important character in the story. If the character is going to be a bad guy or a victim, I make sure to ask first if the person would mind that. Some people shudder at the idea. Others relish it.

That said, sometimes the real life person influences the character. In this case, Joni the character and Joni the person both have blond hair. I could have sworn I remembered Joni the person once having a cute pixie cut, so I gave Joni the character that hairdo. The real Joni subsequently told me I’d never seen her with that haircut. It’s a good thing I write fiction.

Elaine Naiman with a figure of Chris Pine at Rock of Ages Quarry where a Star Trek movie was shot. Elaine has photos with everyone!

  • How difficult was it to balance multiple points of view in the story?

“Beauty and the Beyotch” is told from only two points of view: Joni, a shy introvert, and Meryl, her new and more outgoing friend who is best friends with Elaine. Elaine views Joni as a strong rival for the starring role in the school play, which Elaine thinks is her due.

At first I’d thought about writing the story from the points of view of all three main characters (switching POV when scenes change), but I realized it wouldn’t work for the story I wanted to tell. When writing a crime story, you want to keep some things secret from the reader for part of the story—motives or thoughts or actions. Sometimes you can achieve that by having something happen between scenes or by having a character think something in a scene in which she’s not the POV character so the reader doesn’t see those thoughts. In the end, with this story, I thought it best to keep Elaine more removed from the reader. What we know of her comes only from what we see her do and say and what other characters think about her. We don’t see her thoughts.

Getting back to balance, it was a little difficult. Although I went back and forth, scene by scene, for most of the story (the story opens with a Joni scene; it’s followed with a Meryl scene, then a Joni scene, etc.), when I neared the end, storytelling needs dictated that the last three scenes be from Meryl’s perspective. The part of me that likes consistency remains bothered I didn’t have a Joni scene between Meryl’s final two, but I’m probably the only person who noticed or cared. Thankfully, I don’t think the story feels too weighted toward Meryl. If it did, that would have been a problem.

Sherlock Holmes Mystery Magazine, Issue 29

  • In my previous interview with you for The Stiletto Gang, you mentioned that a key scene from the story is based on a real-life experience. Could you tell us more about that?

When I was in high school, a group of girls—whom I thought were my friends—snubbed me publicly, telling me that I couldn’t sit with them at lunch anymore. It was mean and humiliating. I like to build my stories from emotions that readers can tap into. That helps make the characters—their thoughts and actions—more real and relatable. So when I decided to write a story involving high school girls, this is the memory that popped into my head, and that’s why there’s a scene in “Beauty and the Beyotch” based on that incident. When I was plotting the story, I thought about why that incident could have come about—not why the real-life girls did what they did but why my characters might act as those girls did that day and how I could build a crime story (and a coming-of-age story) around that memory. And I did.

  • Are you pleased with the reception the story has received?

Wow, yes. How could I not be? Three major award nominations for this story with one win (so far at least—fingers crossed!). I’ve heard from a bunch of readers who said they really enjoyed the story. One reader even named it his story of the week. That’s everything. I write to be read, and I write to entertain and make an impact. With “Beauty and the Beyotch,” I’ve achieved all three things. And I’ve been given the chance to reach even more readers with interviews like this, so thank you, Paula, for inviting me to do this.

Barb, Elaine, and Joni, many thanks to you all for recounting your experiences with “Beauty and the Beyotch.” For readers, if you haven’t had a chance yet, here’s a link for the story. I know you will truly enjoy it!

Macavity, Shamus, and Silver Falchion Short Story (and Other) Award Nominations

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by Paula Gail Benson

The nominations for Macavity Awards, Shamus Awards, and Silver Falchion Awards have been announced for best short story or best short story collection or anthology.

The Macavity Award is named for the “mystery cat” of T.S. Eliot (Old Possum’s Book of Practical Cats). Each year the members of Mystery Readers International nominate and vote for their favorite mysteries in five categories: Best Mystery Novel, Best First Mystery, Best Mystery Short Story, Best Non-Fiction/Critical, and the Sue Feder Memorial Award for Best Historical Mystery. Here are the nominees for best short story:

Best Mystery Short Story:

  • Brendan DuBois: “The Landscaper’s Wife” (Mystery Tribune, Aug/Sep 2022)
  • Barb Goffman: “Beauty and the Beyotch” (Sherlock Holmes Mystery Magazine, Jan 2022)
  • Donna Moore: “First You Dream, Then You Die” (Black is the Night, Titan Books)
  • Anna Scotti: “Schrödinger, Cat” (Ellery Queen’s Mystery Magazine, Mar/Apr 2022)
  • Catherine Steadman: “Stockholm” (Amazon Original Stories)
  • Jess Walter: “The Angel of Rome” (in The Angel of Rome and Other Stories, Harper)
  • Melissa Yi: “My Two-Legs” (Alfred Hitchcock’s Mystery Magazine, Sep/Oct 2022)

Previously, Brendan DuBois’ short stories have won three Shamus awards.

Barb Goffman’s “Beauty and the Beyotch” has been nominated for the Agatha, Anthony, and Macavity. It won the Agatha.

Donna Moore’s “First You Dream, Then You Die” was nominated for an Edgar.

Anna Scotti is a former journalist whose stories regularly appear in Ellery Queen’s Mystery Magazine. “Schrödinger, Cat” received a third place Ellery Queen Readers’ Choice Award.

Catherine Steadman’s “Stockholm” won the Thriller for best short story.

Jess Walter’s “The Angel of Rome” comes from his collection of stories by that title.

Melissa Yi is an emergency room doctor who writes a medical crime series as well as romance and YA.

The Private Eye Writers of America, an association of fans, writers, and publishing professionals, is devoted to elevating the private eye story from a sub-genre of mystery to a genre of its own. It categorizes private eyes as private citizens paid to investigate crimes. Private eyes may include investigators, company employees, and reporters. Each year the Private Eye Writers of America presents Shamus awards in four categories: Best PI Hardcover, Best Original PI Paperback, Best First PI Novel, and Best PI Short Story. Here are the nominees for best short story:

Best PI Short Story:

  • Lori Armstrong: “No Place for a Dame” (Edgar & Shamus Go Golden, Down and Out Books)
  • Libby Cudmore: “Charlie’s Medicine” (Lawyers, Guns, and Money: Crime Fiction Inspired by the Music of Warren Zevon, Down and Out Books)
  • O’Neil DeNoux: “A Jelly of Intrigue” (Edgar & Shamus Go Golden, Down and Out Books)
  • Carolina Garcia-Aguilera: “The Pearl of the Antilles” (Edgar & Shamus Go Golden, Down and Out Books)
  • Elliot Sweeney: “Bad Actor” (Alfred Hitchcock’s Mystery Magazine, Nov/Dec 2022)

Lori Armstrong has won two Shamus awards for her novels.

Libby Cudmore writes the Martin Wade PI series for Ellery Queen’s Mystery Magazine.

O’Neil DeNoux won the 2020 Shamus award for his short story “Sac-a-lait Man” in Ellery Queen’s Mystery Magazine’s Sep/Oct 2019 issue.

Born in Cuba and based in Miami, Carolina Garcia-Aguilera has been a private investigator for twenty-five years. She is known for her Lupe Solano mystery series.

Elliot Sweeney, born in London, had his debut novel The Next to Die published in February 2023.

The Silver Falchion Awards are presented annually at Killer Nashville, which takes place August 17 through 20. (Note: there is still time to register to attend the conference. Also, online voting for the Readers Choice Awards continues until midnight Tuesday, July 25.)

Here are the nominees for best short story collection or anthology:

Best Short Story Collection or Anthology:

  • Chris Chan: Of Course He Pushed Him & Other Sherlock Holmes Stories: the Complete Collection (MX Publishing; 1st edition; September 2, 2022)
  • Marianne Donley, ed.: An Element of Mystery: Sweet, Funny, and Strange Tales of Intrigue (Bethlehem Writers Group; September 27, 2022)
  • Marissa Doyle: Countess of Shadows: The Ladies of Almack’s Omnibus No. 1 (978-1-63632-094-6; November 1, 2022)
  • Catherine Jordan, ed.: That Darkened Doorstep (Hellbender Books; September 21, 2022)
  • Lindy Ryan: Into the Forest: Tales of the Baba Yaga (Black Spot Books; November 8, 2022)
  • J.B. Stevens: A Therapeutic Death: Violent Short Stories (Shotgun Honey Books; February 16, 2022)
  • J.D. Webb: Incredible Witness (Wings ePress, Inc.; June 27, 2022)

I’m very proud to be a member of the Bethlehem Writers Group and to have a story in An Element of Mystery. Debra H. Goldstein has a story in it also. Two of our other members, Dianna Sinovic and Diane Sismour, have stories in An Element of Mystery as well as in That Darkened Doorstep.

While I’m mentioning Silver Falchion nominees, let me brag on several of my Stiletto Gang blogging partners whose books placed in other categories: Debra H. Goldstein’s Five Belles Too Many was nominated for Best Cozy and Saralyn Richard’s Crystal Blue Murder and Joyce Woollcott’s A Nice Place to Die were nominated for Best Investigator.

Many great stories, collections, anthologies, and novels for your reading pleasure. Please enjoy!

Out of the Past—Or, How Cell Phones Became the New Swiss Army Knives

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by Paula Gail Benson

Lately, I’ve been binge watching the 1980s “soap opera” series Dynasty and Falcon Crest. Not only is it interesting to see how the story arcs were developed and played out, but also it’s amusing to watch the use of establishing shots to indicate location. La Mirage is a hotel run by one of the characters on Dynasty. In the earlier episodes, when a scene occurred there, the same video appeared, showing the front of the hotel with its sign and two couples, one dressed in tennis whites exiting and the other wearing clothes for elegant dining entering. When the programs were viewed a week apart, I imagine people didn’t notice the duplication, but when seen back-to-back, it’s painfully obvious. Finally, in later episodes, only the hotel sign was used to designate the venue. Falcon Crest avoided the apparent duplication by showing only the exteriors of buildings without people in evidence. Of course, Falcon Crest featured several impressive architectural structures.

La Mirage Sign Photo from Amazon

Another dating aspect of those series is the absence of the cell phone. If characters were stranded, they had no way to communicate with loved ones or get help unless they had access to a pay phone. Do phone booths even exist now or have they become extinct?

This pondering has led me to focus on the modern utility of the cell phone. Some people trace its earliest model to the communicators used on the original Star Trek series or Dick Tracy’s wristwatch phone. While those wonders may have initiated progress toward the pocket devices upon which we are so reliant today, I think the current cell phone is more akin to the Swiss Army knife.

According to Wikipedia, the name “Swiss Army Knife” was coined by American soldiers who had difficulty pronouncing the German word “Offiziersmesser,” which meant “officer’s knife.” While the Swiss Army knife (now produced by Victorinox) has become lauded for its numerous applications and versatility, it “was not the first multi-use pocket knife. In 1851, in Moby Dick (chapter 107), Herman Melville mentions the ‘Sheffield contrivances, assuming the exterior—though a little swelled—of a common pocket knife; but containing, not only blades of various sizes, but also screw-drivers, cork-screws, tweezers, awls, pens, rulers, nail-filers and countersinkers.’”

Photo by Victorinox

While the current Swiss Army knives have many of those same features, they may also have scissors, saws, and bottle openers, as well as knives. Anything needed to survive in the wild or live more easily in domesticated settings.

In fact, the cell phone is the perfect accessory for the modern law enforcement officer (see episodes of Law and Order), private investigator, or amateur sleuth. Consider all the items packed into one small item: phone, texting, email, internet, clock, calculator, navigator, camera, notepad, flashlight, weather predictor, social media, shopping apps, and entertainment apps (to get one through those long stakeouts). Imagine how Sherlock Holmes might have functioned with a handy cell phone. Perhaps he wouldn’t have even needed a John Watson. He could have recorded his own adventures with Dragon Naturally Speaking Speech Recognition Software!