Tag Archive for: Character Development

Gay Yellen: Weeding and Wording

Just found out that today is National Weed Your Garden Day, which couldn’t be more appropriate for me at the moment, though instead of culling crabgrass, I’m weeding out words.

vecteezy.com

The most common offenders I’ve dug up so far are: just, seemed, felt, but, winced, smiled, and a few other crutches a writer too often leans on.

The good news is that this exercise signals my last round of self-editing for The Body in the News, Book 3 in my Samantha Newman Mystery Series. Once this task is completed, I’ll be sending the manuscript to my publisher.

The bad news is, I’ve been so focused on finishing the new book that I completely forgot to plan a subject for this, my monthly Stiletto Gang post. So, in honor of this “national” day, let’s talk about weeds… oops, I meant words.

I was surprised when a friend commented that she thought I consciously chose to use more common language in my books than I use in my natural speech. Well, yes, and no. The characters in my books are not me, and even though I write their dialogue, the way they express themselves is their own.

When the writing is going well, I’m listening to Samantha and Carter and their supporting cast as they dictate their words to me. Older people use different words than younger adults and children do. Sticklers for facts, such as my detective, Buron Washington, are more clipped and precise when they speak. And so on, down to a new character whose vocabulary is unique unto itself.

However, the weeds in this manuscript are entirely my fault, and I must get back to yanking them out, one by one. But before I go, here’s a question:

Does the way a person speaks reveal something unique about their mood or character? How so?

Gay Yellen writes the award-winning Samantha Newman Mysteries including The Body Business, The Body Next Door, and out later this summer, The Body in the News.

The Unpackables

By Barbara J Eikmeier

I was prepping a sheet pan for a dinner of oven roasted veggies when I ran out of non-stick spray. Shaking the container I didn’t hear or feel even a drop sloshing around in the can. In 38 years of marriage, I’ve rarely emptied a can of Pam. It isn’t that I don’t use it often, and it isn’t that the spray nozzle is notorious for breaking before it’s empty, although that has happened. It’s more about the amount in the can. It’s too much to use up in 2 years.

As a military family we moved often. When the crew came to pack our household goods and load the moving truck, they’d give us a list of things they wouldn’t pack. In the end there was a small cluster of bottles and cans left on the kitchen counter: Pam, vegetable oil, and Worcestershire sauce. Sometimes there was an opened bottle of tequila or whiskey among the unpackables. Hair spray and shaving cream were left in the bathroom. Charcoal lighter and briquettes were left on the patio. Sometimes we’d use the briquettes and throw some hot dogs on the grill to feed the movers. When they were gone, often after sunset, we would toast farewell to our former home with a margarita, or when lacking margarita mix, a shot of tequila, or when lacking a glass, we’d just pass the bottle. If our neighbors weren’t also moving (with their own box of unpackables to deal with) we would gift the last of our liquids to them. It is possible that the same bottle of Worcestershire sauce has been passed from house to house in the same neighborhood for many years. Maybe I should write a story from the Worcestershire bottle’s point of view! It could be my version of the Traveling Pants story!

In 2008 my husband retired from the Army. We haven’t moved since and recently celebrated 14 years in the same house where last winter I actually emptied a bottle of Worcestershire sauce – until then I didn’t know that it gets kind of icky near the bottom of the bottle. There were other unexpected things I learned when I stopped moving: Such as the need to wash curtains and clean the carpet every now and then.  And after a lifetime of absentee ballots I’ve been delighted to learn that the volunteers at my local polling station know me by name.

In a writing workshop an instructor taught a technique of zooming in on a small detail, then zooming back out to see what you can write about the detail.

While changing from a nomadic lifestyle to living in one place my perspective continues shifting – even 14 years later! As I’m zooming in, then zooming back out I notice small things in my environment – like the magnolia tree doesn’t bloom at the exact same time every year, and perennial flowers take years to get perfect – military wives prefer annuals because we don’t stay in one place long enough to see perennials mature. And an empty can of Pam doesn’t make any noise when you shake it.

In my writing I’m continuously working on character and point of view. Zooming in helps. If your character is moving, what’s left on their counter? What do the unpackables reveal about your character?

Barbara J. Eikmeier is a quilter, writer, student of quilt history, and lover of small-town America. Raised on a dairy farm in California, she enjoys placing her characters in rural communities.

Writing as Catharsis

Who would think this cute baby would grow up to be the inspiration
for the woman who makes the Wicked Witch of the West look like
Rebecca of Sunnybrook Farm?

By Lois Winston 

During an interview recently, the interviewer told me she loves Anastasia Pollack, my reluctant amateur sleuth, but the character she really, really loves is Anastasia’s communist mother-in-law. “You write the best antagonists!” she said, then asked me where I came up with the idea of giving my protagonist a communist mother-in-law.

 

This is a conversation I’ve had many times since Assault with a Deadly Glue Gun, the first book in my Anastasia Pollack Crafting Mystery Series, debuted in 2011. Lucille Pollack is the character my readers love to hate. Is it because so many of my readers have mother-in-law issues? Perhaps. 


Or maybe it’s because Lucille is such an over-the-top unbelievable character. I’m sure many readers think so, but here’s a little secret: Unlike all my other characters, Lucille didn’t spring from my imagination. The woman who makes the Wicked Witch of the West look like Rebecca of Sunnybrook Farm is based almost entirely on my own communist mother-in-law.

 

Yes, you read that correctly. My mother-in-law was a card-carrying commie. Beyond that, though, she was nasty, really nasty, especially if you dared to have an opinion that differed from hers. This was a woman who always knew everything, an expert on every subject. And she was always right—according to her. No one else’s opinions mattered because everyone else was always wrong. You didn’t have conversations with my mother-in-law; you were subjected to lectures—on every subject under the sun. She wasn’t perfect, though. She did fail at things, but when she did, it was always someone or something else’s fault. Never hers.

 

A couple I knew and whom my father-in-law had befriended, once called me the day after they had dinner with my in-laws. They wanted to know how I put up with “that woman.” This was a pattern throughout the years I knew my mother-in-law. Friends never lasted long because she was so insufferable.

 

Even my father-in-law, who had always seen his wife through rose-colored glasses, eventually woke up to her true nature. When he needed her most, she was too selfish and self-centered to be bothered.

 

The thing about antagonistic people, though, is that although they’re insufferable in real life, they make for great antagonists on the page. My mother-in-law grew increasingly nastier the older she got. However, instead of letting her get to me, I brought her doppelganger to life in the form of Anastasia’s mother-in-law Lucille Pollack. Whether it’s a matter of “don’t get mad, get even” or turning lemons into lemonade, all those years of putting up with my mother-in-law paid off in the end when I created the characters my readers love to hate. 

 

My one regret? My mother-in-law didn’t live to see my literary revenge, but it wouldn’t have mattered. She was too highbrow to waste her time reading fiction and certainly wouldn’t have read anything written by her stupid (her word) daughter-in-law. Twenty novels, five novellas, and a children’s book later, revenge is sweet.


Meanwhile, Anastasia’s mother-in-law Lucille winds up wreaking havoc yet again in Guilty as Framed, the 11th book in the Anastasia Pollack Crafting Mysteries, now available for preorder.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website where you can also sign up for her newsletter and follow her on various social media sites.

The Waffle House

by Bethany Maines

So, I forgot that I was supposed to blog today and instead used
my few minutes of writing time to write a scene where two of my characters go to
a Waffle House.  But as a west coast resident,
I’ve never actually been to a Waffle House. 
As a result, I spent way too much time looking at the Waffle House menu
on line and now I want hashbrowns and waffles. 
Sometimes we hear authors say that their characters speak to them.  My characters wouldn’t deign to do that.  They’re too busy talking to each other. And
honestly, if I left them to their own devices they would talk until my fingers
cramped up from trying to transcribe.  I
frequently have to cut off the conversations so that the story goes somewhere.  That’s part of the editing process, but these
conversations are excellent at helping me understand the characters.  When I discover what they find funny, what
they hate, what annoys them, and what their hard line stance is on Christmas
decorations after New Years, I can plunk them down in any situation and know
how they’ll react.  Which is how I know
that Jackson Deveraux would be quite happy at the Waffle House, but that he would
be shocked that his hoity toity grandmother Eleanor Deveraux knows to order Waffle
House hashbrowns scattered, smothered, and covered, but not chunked.  The Deveraux family is full of secrets and
surprises, but when I started writing about them I never would have thought
that hashbrowns would be one of the surprises.  The
Deveraux family, from my Deveraux Legacy, has become one of my favorite group of
characters.  They’re a very fractured
family that is struggling toward reconciliation while attempting to overcome the
periodic interruption of mercenaries, bank robbers, and greedy CEOs.

If you want to find out what the Deveraux family thinks
about Christmas décor you can check out book 1, The Second Shot, and
pre-order book 2, The
Cinderella Secret
(both currently ¢.99). 
Or you can…

Enter to win a paperback copy of The Cinderella Secret on
Goodreads!

Goodreads Book Giveaway

The Cinderella Secret by Bethany Maines

The Cinderella Secret

by Bethany Maines

Giveaway ends October 17, 2020.

See the giveaway details
at Goodreads.

Enter Giveaway


Or you can join the Bethany Maines / Blue Zephyr Press Newsletter mailing list and get a free copy of the prequel novella, The Lost Heir in October! 

**

Bethany Maines is the award-winning author of the Carrie Mae Mysteries, San Juan Islands Mysteries, Shark Santoyo Crime Series, and numerous
short stories. When she’s not traveling to exotic lands, or kicking some
serious butt with her black belt in karate, she can be found chasing her
daughter or glued to the computer working on her next novel. You can also catch up with her on Twitter, FacebookInstagram, and BookBub.

Liars or Truth Seekers?

by Sparkle Abbey

Ever play two truths and a lie? The ice breaker game where each person shares three facts about him or herself, but one is really a lie. The others must pick out the lie from the truths. The most successful players know that the best lie contains a truthful element.

According to Stephen King, “Fiction is the truth inside the lie.” Perhaps one can consider fiction to be a form of two truths and a lie.

Great fiction has the power to reveal truth through well defined and developed characters. Yet truth is a matter of perspective – especially in mystery fiction. Truth, lies and deceit are pillars in a great mystery. If the characters, for the most part, always told the truth, the mystery is quickly solved and well, that’s pretty darn boring. And a very short novel. Think about some of your favorite characters. They are most likely flawed, complex, and strive to do the right thing, although at times going about it the wrong way.

Are they liars or truth seekers? Perhaps both.


When do characters lie?

Secondary characters lie to the protagonist, the protagonist lies to other characters, and the protagonist lies to his or herself.

Self-deception is an important element in fiction. Like in real life, our characters are quick to justify and find excuses for lying—even the good guys. It’s only a white lie, to protect someone’s feelings. They didn’t actually lie; they just omitted the truth when asked if they had information. Or maybe they did lie to protect someone they love who is accused of a crime they didn’t commit, buying time to find the truth. Ah…a truth seeker!

 

Professional lie detector Pamela Meyer says, “Lying is a cooperative act.  Think about it, a lie has no power whatsoever by its mere utterance. Its power emerges when someone else agrees to believe the lie.” (Check out her awesome TED Talk: How to spot a liar). 

As writers we “lie” by planting clues of misdirection, red herrings, false clues, inaccurate witnesses, and false confessions. Our lies add tension and hid the truth until the appropriate time for the big reveal. In a mystery these types of lies are acceptable because the reader is already in on the joke or “lie” the second they opened the book. The reader “agrees to believe the lie.”

As writers not only do we want to entertain, but we also have a point of view, a “truth inside a lie” we want to convey to others by storytelling—redemption, love, forgiveness, justice. A truth seeker.

Though we are, you could say, “professional liars” we have a responsibility to the reader to play fair throughout the journey we take them on: to use the lies to weave the story, create the conflict, and eventually to reveal the truth. 

Sparkle Abbey is actually two people, Mary Lee Woods and Anita Carter, who write the national best-selling Pampered Pets cozy mystery series. They are friends as well as neighbors so they often get together and plot ways to commit murder. (But don’t tell the neighbors.) They love to hear from readers and can be found on FacebookTwitter, and Pinterest, their favorite social media sites. Also, if you want to make sure you get updates, sign up for their newsletter via the SparkleAbbey.com website.

Literary Sadist: Make Them Suffer

By Kimberly Jayne 


If there’s one thing I relish about writing, it’s making my characters suffer. Happy people with no challenges don’t inspire page turning. Movies operate on the same premise. When I watch Far from the Madding Crowd, based on Thomas Hardy’s 1874 novel of the same name, the most fascinating thing about it is that I can always ask, What bad thing could happen next? And after that, what bad thing could happen now? The story is fraught with suffering and disappointments and love unrequited times three. Exactly why I liked it. I try to do the same thing with my stories.


Does that make me a literary sadist? Probably, but I also enjoy seeing flawed characters reap the rewards derived from their most
agonizing struggles and spring from the ashes of their misery into some sort of transformative happy dance. The farther they fall, the more gratifying their rise.



Of course, making them suffer requires we hurl betrayals and terror and shock and shame and all manner of bad juju at them. Muuu-ah-ah-ah. I’m getting excited just thinking about it. And then, we make them survive. What that survival looks like is one of the most rewarding aspects of telling stories. It calls on us to look inside ourselves and imagine what we would think and do in those situations, how we would feel and act if we were brave or desperate determined enough. 


In my dark fantasy, Demonesse:
Avarus
, my protagonist is the virtuous, empathic daughter of an excommunicated nun. After months of erotic fantasies, she awakens into her new life as a seductive killer powerless to resist the moon’s calling. This is everything she was raised not to be. Her idyll is shattered and she is thrust into a life-altering journey that will challenge everything she knows and mold her into the person she was born to be. It won’t be easy. The rubber bands of tension are consistently stretched and tested so this character’s story arc will be dramatic and, I hope, as gratifying to read as it was for me to write.



________________ 
Kimberly Jayne writes in multiple genres including humor, romantic comedy, suspense, erotica, and dark fantasy. Her latest foray into a dark fantasy released in episodes is as much an adventure as the writing itself. You can check her out on AmazonFind out more about her at ReadKimberly.


Books by Kimberly Jayne:





Take My Husband, Please! A Romantic Comedy
Demonesse: Avarus, Episode 1
Demonesse: Avarus, Episode 2

Demonesse: Avarus, Episode 3
All the Innuendo, Half the Fact: Reflections of a Fragrant Liar