Tag Archive for: holiday stories

Advent Ghosts or Who Can Write the Most Frightening Drabble?

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by Paula Gail Benson

For thirteen years, Loren Eaton has hosted an event called Advent Ghosts to celebrate the tradition made famous by Charles Dickens’ A Christmas Carol, which is to entertain readers and listeners with holiday stories featuring the paranormal. Scary, spooky, or simply speculative fiction is welcome — with one required element — each story must be a “drabble,” or exactly one hundred words.

I joined the fun in 2016 with “Ever Here,” about a spouse lost in a flood who is commemorated by the remaining spouse at Christmas. During 2019, I experimented with a number of fairy tale drabbles. In 2020, I contributed “Tribute,” where an undecorated tombstone is pitied by the living and adorned by the dead. For 2021, I relied upon Icelandic legend with “The Yule Cat’s Fury.” This year, I dealt with family loss and a neglected Advent calendar in “Traditions.”

Moriah Richard’s Writer’s Digest article, “What is a Drabble in Writing?” explains: “The term itself is said to come from Monty Python’s 1971 Big Red Book, which describes a game called Drabble where players compete to write a novel. In the 1980s, the Birmingham University SF society is credited for setting the story’s length at 100 words.”

Richard goes on to note that other short forms have developed from drabble, including the dribble (55 words), the double drabble (200 words), the trabble (300 words), and the pentadrabble (500 words). She also directs readers to 100wordstory.org to read excellent examples of drabbles.

Meanwhile, I recommend that you go straight to Loren Eaton’s ISawLightningFall.blogspot.com to read a series of delightfully sinister holiday drabbles. Contributors may publish their drabbles on their own blogs and Loren will provide connecting links, or they may send their stories for Loren to post.

Reading these terrific shorts is a great way to spend an evening curled up with some hot chocolate and cookies. You can even gift the authors by providing some immediate feedback in the comments!

Better yet why not join the fun by offering your own drabble next year!

Happy holidays!

Holiday Story Traditions

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by Paula Gail Benson

Stories have always been part
of the holiday season. Whether from reality, like the newspaper response to
Virginia O’Hanlon’s letter from the editor of New York Sun (often called “Yes,
Virginia, there is a Santa Claus”); or Clement Clarke Moore’s “A Visit from
Saint Nicholas,” also known by its first line “T’was the Night Before
Christmas;” or Charles Dickens’ frequently presented in different contexts A Christmas Carol; or movies like It’s a Wonderful Life, White Christmas, Christmas Vacation, and Elf.
They have all found their way into our hearts so that we long to rehear them or rewatch them during this time of the year.

1947 Version

One of my favorite stories is
Miracle on 34th Street. When
I first saw the 1947 version with Maureen O’Hara, Edmund Gwenn, and Natalie
Wood, I felt it encapsulated all the elements that had become important in my
life. The location: New York City, where I loved to travel to see Broadway
shows. The idea: a child suspicious of Santa, particularly in stores (personally,
I always preferred believing in the unseen Santa). The courtroom: since law
became my profession, it only seemed right that it should be the forum for
determining the “true” Santa. The Post Office: I come from a family of postal
workers. It seemed perfectly normal to me that the Post Office should save the
day.

I also enjoyed the 1974
televised version with Jane Alexander, Sebastian Cabot, David Hartman, and
Suzanne Davidson, and the 1994 movie with Elizabeth Perkins, Richard
Attenborough, and Mara Wilson, even though it moved the story from New York to
Chicago and deleted the Post Office.

This year, through Amazon Prime,
I located a television adaption from 1955, which was presented for The 20th Century Fox Hour,
and featured Teresa Wright, Thomas Mitchell, and MacDonald Carey. The shortest
of all the versions I’ve seen, this one is very close to 1947 film, containing
much of the same dialogue and situations. Thomas Mitchell speaks very quickly.
I wondered if that was to help fit everything into the program timeframe.

1955 version

If you are looking for more
recent stories to add to your holiday reading list, please let me recommend two
online sources. Since Thanksgiving, the authors at Writers Who Kill have presented
short stories for their readers. They include offerings from the following writers
beginning on the dates in parentheses: Annette
Dashofy (11/28), E. B. Davis (12/3), KM Rockwood (12/8), Korina Moss (12/13), Tammy
Euliano (12/18), Warren Bull (12/23), and myself (12/28). These tales have some
familiar characters and some mysterious and paranormal elements. Please stop by
and check them out.

On Saturday, December 18, 2021, Loren Eaton
hosted his Advent Ghosts 2021, where he invited writers to contribute 100-word
stories (drabble) that celebrated a scarier aspect of the holidays. He links followers
to each author’s blog or presents the stories on his message. Authors from all
over the world participate. Here’s the link to share the fun.

So, take a few moments away from the hustle-bustle,
find a favorite holiday beverage to sip, and enjoy being transported fictionally
into another place and time. Don’t forget to let the online authors know you’ve
enjoyed their work.

Happy
holidays, everyone!

1995 version

      

Writers’ Lessons from Paranormal or Supernatural Holiday Stories

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Frank Capra’s It’s a Wonderful Life

by Paula Gail Benson
I
watched It’s a Wonderful Life when
NBC broadcast it earlier this year. Letting myself get caught up in George
Bailey’s story and Clarence Oddbody’s struggle to get his wings, I began to
think about how some of our most memorable holiday stories involve a
supernatural or paranormal element. Consider Charles Dickens’ A Christmas Carol. Where would Scrooge
have been without those ghosts? Even Miracle
on 34th Street showcases Santa’s, or Kris Kringle’s, magical
capabilities.
What
is it about Christmas that brings makes us ponder the world beyond that we do
not know and only through religious texts, unique circumstances, and fiction catch
a glimpse? Does this preoccupation stem from the fact that during this cold time of
year, memories of the past draw close? Or, does the nativity story give us the
courage to ponder how humans may connect with God, angels, and dearly departed
who may be looking out for us?
A Christmas Carol (1938 film)
In
all three of the Christmas stories I mentioned, the supernatural or paranormal
creatures have the power to show humans what they may have been unable to see.
For George, how the world might have been if he weren’t born. For Scrooge, how
his actions had and could influence others. And, for Susie and her mother, how
believing, even if you’re not certain, can help you lead a happier, more
fulfilled life.
Often,
when writers think about creating paranormal creatures, we consider allowing
them to swoop in and rescue humans, like super heroes. But, in these Christmas
stories, that doesn’t occur. A reader might wonder why Clarence doesn’t ask
Gabriel if he can tell George that Mr. Potter has the missing money. In 1986, Saturday Night Live featured a sketch
introduced by William Shatner, who said the lost ending for It’s a Wonderful Life had been
discovered. Phil Hartman, playing Uncle Billy, remembers where he left the
$8,000 and learns from Clarence at the bank that Potter made a deposit in that
amount. George (Dana Carvey) and the crowd gathered at his house become an
angry mob, hunting down Potter (Jon Lovitz) and beating him to a pulp. It’s
just wasn’t the same as Clarence taking his lead from George’s suggestion and
by example showing him no man who has friends can be a failure.
I
decided to do some background research on the story, “The Greatest Gift” by
Phillip Van Doren Stern, that became the basis for It’s a Wonderful Life. According to Wikipedia, Stern was an editor and
author of books about the Civil War that have been described as authoritative
and respected by scholars. In 1938, he woke from a dream that inspired his
4,000 word short story, which he completed in 1943. When he could not find a
publisher, he sent it around in 200 Christmas cards. Eventually, it was
published and came to the attention of RKO Pictures, which optioned it due to
Cary Grant’s interest in playing George Bailey. Later, Frank Capra acquired
the rights and the role went to James Stewart. I found a copy of “The Greatest
Gift” available through Amazon. One of the reviewers pointed out that the names
of the characters in that story weren’t the same as those “in the original”
movie. I guess writers whose work has been adapted for the screen have been
facing that criticism a long time.
Speaking
of Cary Grant, he later played, not the struggling human, but the divine
intervenor in The Bishop’s Wife (a
role reprised by Denzel Washington in The
Preacher’s Wife). In that story, Grant’s angel, named Dudley, created more
havoc for the humans, but in the end, found he had to allow them to make their
own decisions, even though he had fallen in love with Julia (Loretta Young),
the Bishop’s (David Niven) wife.
So,
in remembering these holiday stories with paranormal elements and considering how
they were constructed and created, what have I learned as a writer? Here are my
thoughts:
Miracle on 34th Street

(1) Successful movie adaptations often receive more credit than the original source.
(2)
A ghost, an angel, or even Santa can never “fix’ a human’s problem, only help
the human find his or her way.

(3)
Even if a lesson is hard learned, humans are invariably better off by allowing
some of the mystical qualities of the season to transform them.

Here’s wishing each
of you a wonderful holiday and a new year of happy writing!