Tag Archive for: manuscript

They Always Ask: What Comes After THE END?

       By Laura Spinella     
It’s itchy palms and a cold sweat, a compulsive urge
that a team of interventionists couldn’t thwart. That’s what I’m down to.  No, don’t be ridiculous, I haven’t quit
drinking. I said compulsive not insane. But what I have done is turn in a
manuscript. It leaves me with time, a gaping hole from 7 a.m. until noon. Initially,
I’m dazzled by the prospect—think cats and a tinfoil ball. By living in the
mainstream I can get things done, big and small.  I’ll chase time until it lodges itself under my sunroom sofa, moving something like this: Instead of
brushing by old newspapers and dirty toilets, I take the papers to the recycle
bin, scrub the toilets until I’ve drowned the Ty-D-Bol man. I make every bed and vacuum the
floor of my closet. Afterward, I’m surprised but only marginally alarmed to
find that morning has two hours left. 
Not a problem. I have a 30%-off Kohl’s coupon. By noon everyone has new
underwear and I have half-a-dozen potential outfits for a trip that’s three months
away.   On day two, dinner is a planned
event.  My usual incidental dash to the microwave
morphs into a Julia Child effort, one that involves béchamel sauce and a 1,000
calorie French dessert.  By day three, my
real jobs are organized as if they
are my goal. Newspaper stories are booked weeks in advance; my editor is dazed
but delighted.  Normally, I’d segue from my
WIP to my cyber-gig needing a shower and wearing pajama pants with a
hole in the crotch. Not now. Now I show up in makeup and clothing that does not
involve an elastic waist. Day four I surprise my son and pop in at track
practice. I bring brownies for the hardworking boys. From across the field, his
head pivots sharply. It’s as if he smells something repugnant in the air. I
wave. He trots steadily in my direction, glancing right at a gaggle of girls
who, apparently, also stopped by to watch.
            “What are you doing here?
Is someone dead?”
            “I had free time. Can’t
a mother watch her son practice?”
            “Seriously, why are you
here? It’s track practice. I’m perfectly safe.”
I assume he’s alluding to his younger years when I tended to hyper-fret
about things like child abduction. I decide it’s still plausible. “You never
know who’s lurking.”
What happens if you’re not careful with your javelin
              “I have
a black-belt in Taekwondo and a javelin in my hand.  Go home; go write something.”  He darts across the field, taking his
position. Only for a moment do I think he’s considering hurling the javelin at
me.
            And this is where dazzle
turns to disaster. I’m not the mom who goes to practice. The thrill of a
three-course meal can only satisfy for so long. I hate shopping and my day jobs
function fine on the fly.  Twenty-four
hours later, I stare at my sunroom writing chair. It’s wrapped in metaphoric
yellow caution tape.  I may not enter; I
have no business there.  There’s a hard
rule about revisiting a manuscript that’s no longer in my possession. I’d only see
a thousand missteps, unable to change anything. Rationally, I should look
forward to this break. Downtime is supposed to be beneficial, an opportunity to
recharge the muse. Well, clearly, my muse is an addict. I sit and write a blog,
thinking it’s a quick fix.  Two paragraphs
in and I find my knee bouncing like a drunk with a Dixie cup. It’s not enough.
This is not to say the muse has anything remotely brilliant to relay. In fact,
it’s the very reason I equate it to an addiction. A wiser person would seek
help. Besides, what would I write?  The
muse has a suggestion.
            “Remember that idea I spun
a year ago? We were driving. Instead of the license plate game we played the what if game.  What if that girl, the one with the crummy
newspaper job and the psychic gift, landed in your lap top?  Come. Sit. You know you want to.”
            “No I don’t. What I want
is for you to quit delivering half-baked ideas, expecting me to fill in the
blanks.”
            “Sorry, if you wanted a thorough
muse your last name should have been Rowling or Roberts. I work with what
they give me.”
            “Do you have any idea
how much time and commitment your ideas take? Someday I’ll regret it, the
endless hours I’ve wasted on you.”
            “And still, you would have
spent more time sleeping. You’re not getting that time back either. So come, sit. Just try it. One sentence, a character
name, the way he looks at her—focus, you’ll see it.  And I haven’t even told you the best part of my
idea.”
            “Ha! I’ve lived your
ideas, holistic designer, rock star, a rogue man on a motorcycle.  They’re absurd.”  Yet, ruefully, I inch into the room.
“Maybe. But the motorcycle man worked out fine. I heard
he’s up for a few nifty awards.  Besides,
what are your options?  Plant a garden,
take up golf, stalk the high school cafeteria?”
“Shut up.” But as I speak, I’m fighting temptation and
gravity.  I move closer.
“That’s it. Ease your way in. We’ll go slow. We’ll talk.
Hell, maybe I’ll even float you some backstory.”
My fingers move past the cautionary yellow tape. The
leather chair does feel good.  It’s only
been a week, but there’s dust is on the keyboard. We can’t have that.  Okay, I’ll sit—but only for a minute…  

Laura Spinella is the author of Beautiful Disaster, a 2012 RITA Finalist, Best First Book; NJRWA Winner, Best First Book; Wisconsin RWA Write Touch Finalist, Best Mainstream Novel; Desert Rose RWA Finalist, Best First Book and a Favorite Book of 2011 at SheKnows.com. Visit her at www.lauraspinella.net
         
            

For the Love of God, Just Hit Send!

Miss Dawn’s room, circa 1991

By Laura Spinella
I never cried when I dropped a kid off at nursery school. I was happy to help them pack for college, happier still to move them into a dorm room and say, “See ya!” You probably think this makes me a bit of a cold fish. But I don’t think so, having logged enough hours and put in enough time to figure out why. I always felt a great sense of accomplishment in my children becoming their own person.  That process began twenty years ago when I dropped Megan off in Miss Dawn’s room, continuing right through her college days and two more kids.  My theory even has proof, not only can she tie her own shoes, she’s also enrolled in a rigorous graduate program. Physically, emotionally, mentally, I know I had something to do with that, so yay for me in that regard. On the other hand, that’s where it ends. Sink or swim on your own.  Maybe I am a little different in that I don’t particularly view them as an extension of myself, but as their own person and I’m okay with that. 
Megan, post Miss Dawn’s room
Children, for me, are NOT like books. I know that’s the opposite of what most writers say, their work invariably summoning the same emotions they feel for their children.  I get that, I really do. But as I prepare to hand off this new manuscript, I feel nothing but throat-clenching angst, hands wringing raw.  I never felt this way about a kid—even the one that had an entire colon removed (A page-turner for another time).  I think most of that boils down to control and responsibility. When it comes to human beings, even if they’re the ones you gave birth to, there are too many outside influences. Yes, it’s my job to oversee those influences, but eventually, whether it’s a temper tantrum over building blocks or the decision to invite a boy to college for the weekend, it’s up to them. I’ve always felt there was a little thing called consequences that should factor in.  You don’t get that luxury with a book.  Sink or swim, the consequences are mine. Children become adults who, if your gene pool isn’t too screwed up going in and you pepper them with enough common sense, in all probability will turn out fine. Try that with a book and you’ll soon discover that a party of one is providing all chromosomes and character traits. So the question becomes, is it enough? Did I do it right?  It will never think for itself; it will never answer the question. Agents and editors and the book buying public get to decide that one. And that’s where I get stuck.  For this manuscript to do anything more, become anything else, I have to let it go. Rationally, I’ve worked too long and hard to shove it in a desk drawer—Okay, so we all know it’s a USB drive, but the imagery of 370 dog-eared, coffee stained pages is far more evocative. I say rationally, but I think I left rational back on page 132, when on a third revision I looked Aidan Royce in the eye and said, “Well, finally, there you are!”
When I dropped Megan off at nursery school, I remember feeling excited for her, excited for the two and one-half hours that I was going to have to myself. As I work up the nerve to detach and send, I know the safety zone of this WIP will be gone. Empty hours will follow with a fair amount of dread, as I suspect I will only sit and wait for somebody else to tell me how it’s going to turn out.
Laura Spinella is the author of BEAUTIFUL DISASTER. What would you risk for a love that is greater than honor or friendship or the passing of time? Best First Book, NJRWA, 2011, SheKnows.com, Favorite Book of 2011.  Visit her at http://www.blogger.com/goog_181986634