Tag Archive for: melissa bourbon

Pleating for Mercy

by Melissa Bourbon
I’m so happy to be back with the girls of The Stiletto Gang today! Life is so busy, but this is such a great group and I miss them a lot so it’s a treat to visit.

I can’t believe that Pleating for Mercy came out on Tuesday! The very first book in A Magical Dressmaking Mystery series hit bookstores (on the tower in Barnes & Noble, no less!!) and online ebookstores for anybody who loves cozy mysteries, dressmaking, sewing, and/or anything crafty to read.

As I was thinking about visiting the Stiletto Gang, I got to thinking about why I write mysteries. All I could come up with is that they are close to my heart. Okay, truthfully, books of any kind are close to my heart, but mysteries, in particular. The mystery can be large or small. It can be the central focus of the story, or play a supporting role. It really doesn’t matter to me the scope of the mystery elements, as long as it’s there in one way, shape, or form.

My love of mysteries started, like most young girls of a certain age–ehem, we don’t need to talk about age, now, do we?–with Nancy Drew. From there I graduated straight to Agatha Christie. I have a distinct memory of going with my mom to our town’s library so she could check out the last Hercule Poirot novel, Curtain. She was crushed that it was to be Poirot’s last, and her love of these book intrigued me enough to start reading them.

I spent almost all of my high school lunches in one classroom or another reading.

Now, I should say that I’m a light-weight when it comes to these things. Horror movies and books are not for me. I threw Silence of the Lambs across the room once or twice while reading it, and I cover my eyes during certain parts of Dexter (though he and the show are morbidly fascinating and I LOVE it).

But I love the deduction.

So, of course, I when my passion for writing grew until it couldn’t be denied, it was no surprise that it manifested itself in the form of mysteries. I began with the Lola Cruz Mystery series, published initially with St. Martin’s Minotaur, and moving soon to a new publisher with the next three books in the series.

Then I wrote two romantic suspenses, which, of course, have strong mystery elements in them. They’re based on Mexican legends and these will be coming out sometime next year.

Finally, my cozies, A Magical Dressmaking Mystery series with NAL, have brought me full circle to the kind of mysteries I love the most. They are small town, feel good who dunnits. They are like comfort food. They just make me want to curl up in front of a fire and escape into the town of Bliss (if only we weren’t on our 20+ day of 100+ degree weather).

Mystery, mystery, mystery. The characters. The communities. The crime. The puzzle. The deductions. The justice. All of makes for such a satisfying read.

I’m particularly lucky to now be part of a dynamic publishing group. I’m the marketing director for the new boutique publisher, Entangled Publishing ( http://www.entangledpublishing.com/ ). Here, I get to help market so many books, some of them romantic suspense or mystery, many of them paranormal, urban fantasy, and sci fi, most of them with some strands of mystery elements in them. There’s no better job, and I can’t wait for the release of our first titles, also this past Tuesday.
I’d like to know what everyone loves most on mysteries, and how heavy the mystery element needs to be in books you read.
———————
Melissa Bourbon, who sometimes answers to her Latina-by-marriage name Misa Ramirez, gave up teaching middle and high school kids in Northern California to write full-time amidst horses and longhorns in North Texas. She fantasizes about spending summers writing in quaint, cozy locales, has a love/hate relationship with yoga and chocolate, is devoted to her family, and can’t believe she’s lucky enough to be living the life of her dreams.  She is the marketing director at Entangled Publishing, is the author of the Lola Cruz Mystery series with St. Martin’s Minotaur, A Magical Dressmaking Mystery series with NAL, and is the co-author of The Tricked-out Toolbox and two romantic suspense titles to be released in 2012.
———————
Praise for Pleating for Mercy:
“Enchanting! Prepare to be spellbound from page one by this well-written and deftly-plotted cozy. It’s charming, clever and completely captivating! Fantasy, fashion and a foul play—all sewn together by a wise and witty heroine you’ll instantly want as a best friend. Loved it!”~Agatha, Anthony and Macavity Winning Author Hank Phillippi Ryan
“A seamless blend of mystery, magic, and dress-making, with a cast of masterfully tailored characters you’ll want to visit again and again.”~Nationally Bestselling Author, Jennie Bentley
“A crime-solving ghost and magical charms from the past make Pleating for Mercy a sure winner! The Cassidy women are naturally drawn to mystery and mischief. You’ll love meeting them! ” —NYT Bestselling Author Maggie Sefton
Visit Melissa at her website http://melissabourbon.com/
And at Books on the House, a website bringing books and readers together!

A Belly Dancing Adventure

Beware of Groupon. You might find yourself in a Belly Dancing class in Irving, if you’re not careful.

My Belly Dancing adventure began last October, or so, when a friend forwarded a Groupon offer for Belly Dancing classes. Sure!, I thought. I can do that. Easy to pay $20 for 4 classes with no specifics…yet.

Months came and went, and with the expiration date looming, we had to actually make a commitment to go to the classes. The problem? Tracy had major conflicts with her childrens’ schedules, and Kym had a conflict with a meeting she was supposed to attend. But we’d committed to these classes and it was now or never. Learn to Belly Dance or we’d lose our certificate.

So we went.

We braved unexpected traffic along two highways as we went back and forth through Grapevine for Music Theater.

But no worries. I was prepared for the caper! I’d prepped with pre-Belly Dancing caffeine.

I was afraid I’d feel the coffee jiggling around in my stomach, but since we were late, I needn’t have worried.

We couldn’t find the address when we finally made it to Irving/Las Colinas. Class started at 11:00. Note the time!

We finally found it at 11:07. Yikes!

Of course, we paused long enough to take a quick picture so I could write about our adventure.

Which one doesn’t belong?

The real Belly Dancer/teacher. ‘Cause she knew what she was doing and we, most definitely, did not!

**As a sidenote, I was chastised for trying to take a picture during our ‘break time’. No phones in Belly Dancing class so as not to waste the teacher’s time. I managed this one, though, and then she was kind enough to take the group photo with us (above).**

Things I learned from Belly Dancing:
1. It’s harder than it looks.
2. When I go “up” “down” with my hips, I feel the jigglies. The teacher has no jigglies.
3. Doing the combos in class was one thing; practicing them at home was quite another.
4. Belly Dancing is for people of all sizes, shapes, and ages. Really. The class was FULL!

It was fun.
1. It made me feel a wee bit sexy. Okay, maybe not, but it made me feel like I had the potential to be a wee bit sexy if I practice enough.
2. It is not like a yoga workout; yoga has no adorned hip scarves for one.
3. Graduation night for our class is called Harem Night. Yikes.

I may just continue Belly Dancing after my 4 weeks are up. We’ll see if I get better. Regardless, it was a great experience, something different (which keeps the mind young!), and may be fuel for a book plot, who knows. I’m thinking Lola Cruz would have a lot of fun Belly Dancing, don’t you?

If you happen to be in the Dallas/FW area and want more info on Belly Dancing click here:
Dana’s Dance Academy
Blue Anjou(Flower Mound)

On another note, if you’re interested in indie publishing, check out this brand new blog: The Writer’s Guide to ePublishing. Real numbers, tips, and resources for every writer. I’ll be writing about this awesome web site next week!

Misa

Happy Anniversary to Me!

It’s my anniversary today. 20 years. Yowza!


My mother is a forever fan of my husband because he convinced me (read: ultimatum) to stop smoking (I was a high school/college Virginia Slims smoker…bad girl!).


My father is a forever fan of my husband because he sees a bit of himself in my man… namely the ambition and determination it took to rise out of poverty, become educated, and pursue his dreams.



I’m a forever fan of my man because of his utmost devotion to our kids, our family, and me! He’s a great guy. His support throughout my writing career–through rejections, submissions, revisions, and everything in between– has been the thing that has kept me going.

He’s the wind beneath my wings. (Hehehehe! Not sure he’d like that phrasing, but, oh well. One thing he doesn’t do is read my thousand blogs!)


So, as the new year approaches and I:

I’m grateful for my man, my marriage, my family, and the fact that I spend everyday doing the thing I love doing most of all…



…Weaving tales of mystery and mayhem, and writing them down to share with the world (or with whoever actually reads them).
As 2010 comes to a close, what are you most grateful for, and what are you looking forward to in 2011?

The Drive to Sell Books vs. Building Relationships, by Misa/Melissa


Sometimes you meet an author that just makes you scratch your head and go, “Huh. Glad she thinks she’s all that, because her attitude and people skills sure leave a lot to be desired.”


Then you meet an author who is the complete opposite. She’s friendly, gracious, enthusiastic, approachable, and seems to *get* that writing books, like so many other things, is about building relationships.


Okay, here’s the story. I run Books on the House, as many of you know. The site is going amazingly well. 10,000+ total visitors per week. 24,000+ total page views per week. Fantastic authors have signed on to be featured and to promote their books. These include the phenomenal Sarah Addison Allen, Lori Wilde, Ridley Pearson (who often writes with Dave Barry), Allison Brennan, our own Susan McBride, Jane Yolen (children’s book superstar), and so many more. They come on, their books are featured, they are featured, and at the end of the week, they give away a few copies of their book to the lucky winners for the week (all randomly chosen). Readers find new-to-them authors and books. Authors find potential new readership. Exposure is huge. It’s win-win.


Well, a while back, I happened to be talking with a writer who happens to share my agent. I’ll call her Writer A. I mentioned to Writer A that she should think about coming on Books on the House. I’d do a big splash for her and give her some upgrades (camaraderie and all that, right? Same agent! Mutual friend! Just reaching out to her…).


Her response was immediate and so dismissive that I was honestly stunned. She said, curtly, I might add, “Thanks, but no thanks.” She’s made it a policy, she said, to never, ever give away free books.


This shocked me on a couple of levels. First, whether you’re a debut author or a multiple bestseller, I just think it’s a good idea to be friendly to other people. Life is all about building relationships. Without the people around us, the things in our life and what we go through cease to have meaning.


Being nice = good karma.




I didn’t care if this author came on Books on the House. I was simply offering her the opportunity, along with some freebies, because of our shared agent and a mutual friend. I know how hard it is to let readers know about your book which is why I created the site. I thought she might like exposure for her debut novel. She could have politely declined. Like I said, I didn’t care if she came on, I was just reaching out.


She could have handled it more professionally. She didn’t, and that rubbed me wrong.


The other issue I had with her response was her ‘policy’ to never give away a free book. SHOCKING!!! This business, now more than ever, is built on word of mouth. Authors receive FREE COPIES of their books for just this purpose. We should be giving them away to the press, to reviewers, and to avid readers in our target audience who will then spread the word. Again, good karma. This author’s philosophy is so vastly different from mine, I wanted to get other opinions. Your opinions Maybe I’m WAY off the mark.


I don’t think so, though. I come now to example 2. Hank Phillippi Ryan. Now, I admit, I haven’t read Hank’s books yet. I’ve had them on my ‘to buy’ list, but, shoot, there are, like 500 books on that list, and I don’t own a digital reading device yet, btw, so 500 books would take up WAY too much space.


But I digress.


Hank is on Books on the House right now. Her fourth book, Drive Time, just came out. When she contacted me, she was super enthusiastic, not about coming on my site to promote, but just about her books, about people discovering her books, and about making connections with readers. We talked on the phone and I liked her right off. She has that infectious personality that just makes you want to smile and spend time with her. I wish I could go visit Boston just to drop in on Hank!




Anyway, we worked together to come up with something different to really get people to interact on the site this week and boy has it been successful. First, we did a Skype interview (which is where I also discovered I REALLY respect Hank Phillippi Ryan). She’s smart, successful, driven, accomplished, caring, empathetic… I could go on, but I’ll leave you to watch the interview yourselves (Interview with Hank Phillippi Ryan Part 1 and Interview with Hank Phillippi Ryan Part 2). Did I mention she’s won, like, a boatload of Emmies for her investigative reporting? Warrior woman. I like it.


Hank wanted to do something fun for readers and to give many people the opportunity to win copies of her books. It wasn’t just about getting people to buy Drive Time. (On a side note, I’ve seen authors practically begging people to buy their books so they can keep writing. I cringe when I see this because, again, we have to build relationships FIRST and sell books SECOND.) Hank wants people to know about Charlotte McNally, her sleuth. She has something to say to her readers through her character and how better to introduce her character and books to people than by talking about them, loving them, and graciously giving away a few copies to avid readers? Actually, she’s giving away more than a few. One a day, plus a grand prize of the whole set. And she’s giving away a prize to commenters, something no one has done before on Books on the House. She’s interacting with the commenters, she’s talking to readers, and she’s building connections.


Her policy is to spread her books around, and I like that approach!


I tell you what, I was so enamored with Charlotte McNally (being of a certain age and trying to figure out what her future will be given her choice of career over romance) that I immediately went out and bought Prime Time, the first book Hank’s series.


Have I bought Writer A’s book? Nope. It sounds like it is a fun read, but I’ve not heard her talk about it, haven’t felt her love for her story or characters, and haven’t felt her love and respect for readers. All I’ve seen is her drive to sell books. Her ‘policy’ turned me off, quite frankly. She’s all about selling books, not building relationships.


Will I buy books from the other type of author I mentioned? Doubt it. I get that people want to write for a living. So do I. But when an author spends his or her time focusing on that, assuming that readers care whether or not he or she continues to write, I think they’re missing the point. How can they care when they’ve not read the author’s first book? And why will they read the first book if they know nothing about it, don’t feel his or her passion for the characters, their journey, or the themes he or she is compelled to write about? Again, all I’ve seen is a stifling drive to sell books, not build relationships with readers. I guess it can be a fine line, but it’s one I think authors need to be aware of.


I want to hear your thoughts. Should authors care more about building relationships with readers? As a reader, are you more drawn to an author who does this? As an author, how do you find balance between the drive to sell books and the desire to build relationships with readers?


Am I just plain loca?


Misa Ramirez/Melissa Bourbon

Pleating for Mercy, Excerpt

Enjoy this excerpt from the up and coming Dressmaker’s Mystery,

Pleating for Mercy, from NAL, September 2011



Chapter 1


My great-grandmother, a feisty firecracker of a women named Loretta Mae Cassidy, had a way of getting just what she wanted. Whether it was a copy of the Sunday newspaper delivered right to her doorstep, a sneak preview of the newest arrivals at the big chain craft and fabric store in the neighboring town, or me, back in Bliss, Texas, you could lay money down that if she wanted it, it would happen…one way or another.


Yes, what Loretta Mae wanted, Loretta Mae got. The fact that she’d passed on six months ago hadn’t changed that. If you asked anyone in Bliss if they felt it was strange that Loretta Mae was still getting what she wanted, even though she’d gone to a better place, they’d say, “Heck no, that ain’t strange at all. You’re talkin’ ‘bout Loretta Mae. She’s a Cassidy, and those Cassidy women have always been a little touched, if you know what I mean.” And then there’d be a not-so-subtle wink because, of course, everyone in Bliss knew that every woman from the Cassidy family tree was, well, not insane like being ‘touched’ implies (the old timers in Bliss who kept this story alive tended to exaggerate), but just a bit…charmed.


We all had small ‘gifts’ that are, shall we say, inexplicable. But we’d all worked hard to stay on the down low. We didn’t want our own contemporary Texas version of the Salem Witch Trials.


I was the exception to the rule as I didn’t know what my gift was. Like every Cassidy from the beginning of time–or the beginning of Texas–whichever came first–Loretta Mae, who I’d always called Meemaw, was born and raised in Bliss. And she’d hated that I’d left. “Mark my words, Harlow Jane Cassidy. You can take the girl out of Texas, but you can’t take Texas out of the girl. What’s in Los Angeles that’s not in Bliss?” she asked when I announced that I was moving to California.


“A college with a degree in fashion design,” I said.


I saw the skepticism in her liquid blue eyes which were the mirror image of my own, but she kept quiet.


“What’s in New York that’s not in Bliss?” she asked after I’d left L.A. and moved into a rundown walkup in Manhattan, but her eyes had turned cloudy and she looked puzzled, as if her world had been shaken. “You’re chasing something you already have,” she added, as if I were Dorothy and only had to click my heels together three times to realize I already had the success of Stella McCartney.


She hadn’t gotten what she’d wanted then–me, back in Bliss–but I was here now. The old farmhouse just off the square at 2112 Mockingbird Lane looked different with my things added to what I’d kept of Meemaw’s. I lived on one side of the house and I’d turned the other half into my dressmaking studio and boutique. Buttons & Bows. The name was a tribute to Loretta Mae. Her collection of old buttons, bows, and ribbon took up an huge section of the attic. I’d spent a whole day marveling at the sheer volume of the collection, ignoring the rest of the attic, the one area of the house I hadn’t tackled. It stretched nearly the entire length of the house and was filled with a century’s worth of stuff. The discarded furniture and boxes could wait, but the antique buttons and ribbon, cording and lace?


They could not.


I’d spent my first weeks back in Bliss working on the house and visiting my family. My grandparents lived on a ranch on the outskirts of town. When I’d gone to visit, I’d found my granddaddy in the house. He’d grumbled, his silver hair tousled, his cowboy hat falling from his paunchy stomach to the floor as he shook away his sleepy fog. We played a game of gin rummy before his eyes started drooping again. Back in his recliner, he said about my grandmother, “She’s out with her goats,” and then he sank back into his dreams.


I’d found Nana in the barn tending to a premature kid who’d been born to a feisty goat. The mama goat didn’t want anything to do with her offspring so Nana was nursing it. “Happen across anything interesting in the old house?” she asked after a while.


I sat beside her as she fed the tiny goat from a baby’s bottle. I knew what she was really asking. “They don’t exist, Nana. That story’s nothing but legend.”


She stared at me like I’d gone and smacked the goat upside the head. “That story is fact.”


“It’s not fact. There’s nothing to prove it.”


“Yes there is, and it’s right under our noses.”


I shrugged. There was no point arguing with her. “Well, I haven’t seen anything.”


She huffed, batting a buzzing fly from its flight path around the kid’s face. She tilted her chin up and peered at me from under the rim of her tattered straw cowboy hat. “You listen here, Harlow Jane,” she said. “Butch Cassidy was your great-great grandfather. You carry his name, for pitty’s sake. We all do, no matter who we marry. Cassidy is who we are and don’t you never forget that.”


I’d heard the story a million times, but most of the time I thought it was pure fiction. “My great-great grandmother really rode with him?” I asked, as if I hadn’t posed the same question a hundred times over the years.


“She did, and she robbed her share of stage coaches,” Nana said. “Even a train in Colorado, I believe. Cressida Harlow, your namesake,” she added, as if I could forget I was named after a bandit and his alleged bride, “only stopped when she got pregnant.” The goat squirmed in my grandmother’s arms. She hunched over it, whispering in its ear until it stilled and began lapping at the oversized nipple on the bottle.


“But he died in Bolivia,” I said, skipping ahead in the story, but leaving out the fact that Cressida and Butch’s daughter, Texana, supposedly received a letter and some trinket from her father long after he’d supposedly died in South America.


Nana shook her head. “No!” The kid detached from the bottle and bleated. Nana gave me the stink eye as she spoke softly to the baby goat. She was a goat whisperer. That was her gift, not that it had served her any over the years. But it was what she did. She was like the pied piper of goats. “Sorry, my love.” After the kid quieted down and went back to the bottle, she said, “Your great-great granddaddy faked his death. He came back to the states. Settled in Washington.” She gestured with her hand, dismissing that part of the story. “Don’t matter where he lived. Only that he did and that he sent that letter to his daughter Texana and she passed it on to her daughter. Loretta Mae,” she added in case I’d forgotten the family lineage. “God a’mighty, I pray Meemaw didn’t go off and hawk it, or somethin’. Her mind was pretty loosy goosy at the end.”


“Well, I haven’t seen it,” I said again to appease her, “but I’ll be on the lookout.”


Later, as I sat in my workroom, hemming a pair of slacks, I thought of all the places Meemaw could have hidden a letter. A million, I decided. She was a clever old woman and she’d gone to her grave with the secret–if there was one–and it was likely we’d never know the truth.


I’d taken to talking to my great grandmother during the dull spots in my days. “Meemaw,” I said, “I wish you were here.” I had so many questions, and had missed so much being away from Bliss for the last fifteen years.


A breeze blew in through the screen, fluttering the butter yellow sheers that hung on either side of the window. A small part of me wondered if Meemaw could hear me from the spirit world. She’d wanted me back with her, after all. Was it so farfetched to think she’d be hanging around now that she’d finally gotten what she’d wanted?


Thanks to Meemaw, my life had done a complete 180 in the blink of an eye. Three months ago I’d been in New York helping to develop couture designer Maximilian’s low-end line. Now I had my own shop. What had been Loretta Mae’s dining room was now my cutting and work space. My five year old state of the art digital Pfaff sewing machine and Meemaw’s old Singer sat side by side on their respective sewing tables. An 8 foot long white-topped cutting table was pushed up against the wall, unused as of yet. High on my list of things to buy was a dress form. I’d never owned one since they’d been supplied by the design manufacturers I’d worked for. Now that I was on my own, I needed one.


I pulled a needle through the pant leg. Gripping the thick synthetic fabric sent a shiver through me akin to fingernails scraping down a chalkboard. Bliss, Texas was not a mecca of fashion; so far I’d been asked to hem polyester pants, shorten the sleeves of polyester jackets, and repair countless other polyester garments. No one had hired me to design matching mother and daughter couture frocks, create a slinky dress for a night out on the town in Dallas, or anything else remotely challenging or interesting.


“If things don’t turn around, I’m not going to be able to pay the property taxes,” I muttered, forgetting for the moment all the reasons I’d thought leaving New York had been a good idea.


A flash of something outside caught my eye. I looked past the french doors that separated my work space from what had been Meemaw’s gathering room and was now the boutique portion of Buttons & Bows. The window gave a clear view of the front yard, the wisteria climbing up the sturdy trellis archway, and the street beyond.


I sighed, disappointed. Whatever it was had gone and all was quiet again. As I finished the last stitch and tied off the thread, the front door flung open. The bells I’d attached to a ribbon and hung from the knob danced in a jingling frenzy. I jumped, startled, dropping the slacks, but clutching the needle.


A woman stepped into the boutique. Her dark hair was pulled up in the back into a messy, but trendy, bun and I noticed that her eyes were red and tired looking despite the heavy makeup she wore. She had on jean shorts, a snap front top that she’d gathered and tied in a knot below her breastbone, and wedge-heeled shoes. With her thumbs crooked in her back pockets and rotating one foot in and out at the ankle, she reminded me a little too much of Daisy Duke–with a muffin top.


Except for the Gucci bag slung over her shoulder. I’d lay money down that the purse was the real deal and had cost more than two thousand dollars, or I wasn’t Harlow Jane Cassidy.