Tag Archive for: T.K. Thorne

Women: Not So Mere–by T.K. Thorne

/in /by

   Writer, humanist,


          dog-mom, horse servant and cat-slave,


       Lover of solitude

          and the company of good friends,
        New places, new ideas
           and old wisdom.

 

Who knew? The women’s movement to win the vote in America (which didn’t happen until 1920) began with book clubs!

In my life, “feminism” has been a word often expressed with a sneer, the struggle for equality seen as an effort to shed femininity and be man-like. Burn your bra at the peril of rejecting your womanhood. But my role model, my mother, was as feminine as they come and yet stood toe to toe with men in power. She never finished college, having to quit to care for her ill father, but she continued to learn and read and surround herself with other women who used ideas and knowledge to challenge the status quo, a legacy that began long ago.

Despite the pressure on women to focus on family and household matters, women throughout history have organized to read and talk about serious ideas, even in the early colonial days of American history. Anne Hutchinson founded such a group on a ship headed for the Massachusetts Bay Colony in 1634. Reading circles or societies spread throughout the 1800s, including the African-American Female Intelligence Society organized in Boston and the New York Colored Ladies Literary Society. The first known American club sponsored by a bookstore began in 1840 in a store owned by a woman, Margaret Fuller. In 1866 Sarah Atwater Denman began Friends in Council, the oldest continuous literary club in America. In the South, blacks slaves were punished if they were found even carrying a book, although some surely passed books and abolitionist tracts in secret, despite the terrible risk.

Mandy Shunnarah recently wrote about research she did on this subject in college, sharing how the turn-of-the-century women began with classical ancient history and gradually became informed about political and policy issues of the day. The clubs created opportunities for connection and community and provided a conduit for organization and action. Undoubtedly, progressive organizations like the League of Women Voters, which formed in 1920, were an outgrowth of those clubs.

My mother, Jane Katz, was a longtime League member and a lobbyist for the state League. I have memories of her sitting at her electric Smith-Corona and typing away at tedious lists that tracked status and votes on legislative bills of interest to the League—education, the environment, constitutional reform, judicial reform, ethics reform, home rule.

I remember her taking me to a site to show me what strip mining actually looked like when a coal company was finished ravaging the land. She worked hard for the Equal Rights Amendment, which had as much chance of passing in my state (Alabama) as a law against football. I followed her to the state legislature while she talked to white male senators about why a bill was important and I will never forget how they looked down at her condescendingly. It made me angry, but she just continued to present her points with charm, wit, and irrefutable logic. The experience turned me off to politics, but gave me a deep respect for my mother. I know she would be saddened that many of the issues she fought for have yet to come about, but she would be proud of today’s many strong women’s voices speaking up for the values she so believed in and fought for. She and my grandmother began my love of reading and books. Today, it’s estimated that over 5 million book clubs exist and 70-80% of the members are women.

A special childhood memory of my parents chuckling over a New Yorker cartoon my father cut out and showed to friends—Two stuffy businessmen are talking quietly. One says, “But she is a mere woman!” The other replies, “Haven’t you heard? Women are not so mere anymore.”

I’m not a politician. I’m a writer. My mother died decades ago, and sometimes I feel guilty not following in her footsteps. But I think she would have been proud that the women in my books are not “mere.”

It is a gift and a closing of the circle connecting me with my mother and all her predecessors to know the heritage of feminist activism—the striving for a society where women’s thoughts, ideas, and work are equally respected—began with a group of women, perhaps a cup of tea, and a book.

T.K. Thorne’s childhood passion for storytelling deepened when she became a police officer in Birmingham, Alabama.  “It was a crash course in life and what motivated and mattered to people.” In her newest novel, HOUSE OF ROSE, murder and mayhem mix with a little magic when a police officer discovers she’s a witch. 

Both her award-winning debut historical novels, NOAH’S WIFE and ANGELS AT THE GATE, tell the stories of unknown women in famous biblical tales—the wife of Noah and the wife of Lot. Her first non-fiction book, LAST CHANCE FOR JUSTICE,
the inside story of the investigation and trials of the 1963 Birmingham
church bombing, was featured on the New York Post’s “Books You Should
Be Reading” list. 

T.K.
loves traveling and speaking about her books and life lessons. She
writes at her mountaintop home near Birmingham, often with a dogs and a
cat vying for her lap. 

 More info at TKThorne.com. Join her private newsletter email list and receive a two free short stories at “TK’s Korner.”

Confessions of A Pantser or What’s the Best Way to Write a Novel? by T.K. Thorne

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Writer, humanist,

          dog-mom, horse servant and cat-slave,
       Lover of solitude
          and the company of good friends,
        New places, new ideas
           and old wisdom.

A controversy rages over the best way to write a novel—plotter vs. pantser.

A plotter is a writer who outlines the plot points and/or scenes before diving into the writing.

A pantser goes “by the seat of her pants,” plotting as she goes.

The truth is that writing a novel is a process that requires one’s entire brain in ways that neurological science has (yet) been able to completely understand.  For simplicity, let’s call it left brain and right brain processes. The left hemisphere is the origin for analytic/judgment making and the right brain is the origin of the creative/where-the-heck-did-that-come-from? You could also term it the conscious vs. the unconscious. I think in reality they both muck together a good bit, but we’ll use the terms for now.

One might say that plotters engage their left brain more in the planning process and pantsers use the right brain to come up with plot organically.  True and not true, but either way, I agree with Larry Brooks, who has postulated three stages for writing a novel.

• Search for Story
• Development of Story
• Polishing of Story

Both plotters and pantsers must follow these stages, although they do not have to occur precisely in order.  Sometimes you need to develop somewhat in order to find the story. Many writers advise writing a complete draft before you start polishing, but some writers polish as they go (which doesn’t mean you don’t need to rewrite. Robert Heinlein is the only person I know of who claimed he didn’t rewrite anything, and I’m not sure I believe him or possibly he said that toward the end of his prolific career.)

Some people start with the story concept, which is different from a plot, by the way. A concept might arise from something as simple as a “What if—?” question. What if a radioactive spider bit a man giving him super spider powers?  What if young boys and girls went to a secret school to learn magic?

Wow, we have a concept, the first step in writing a novel, right?  Right . . . except, not always.
It certainly can begin that way, and you can then explore the concept with an plot outline, noting the needed developmental points, develop the characters, and then write the story.  That may work best for you.

But it is not the only way to find story.

One day, I was brushing my teeth, and three words popped into my head, seemingly from nowhere.  The words were: “You’re a hero.”  I literally had nothing more, but felt the need to put my fingers on the keyboard and find out what lurked in my right brain/subconscious. Quickly spitting out toothpaste, I ran to my laptop and typed those words and then . . . let the muse play.  I’ve ended up with a trilogy. House of Rose is the first in the Magic City Stories.

On another occasion, I “saw” an image of a young girl listening to her grandmother and just started writing the scene, which turned out to be Noah’s Wife.  My next novel, Angels At The Gate, began without even a scene in mind, just a few words out of an audacious young girl’s mind.

So how exactly did that work?  Angels was loosely based on the biblical story of Lot’s wife. If you recall, she is the lady who looked back at the burning city of Sodom and turned into a “pillar of salt.” Nameless and only granted that one famous line, she didn’t give me much to go on. But I figured even as a child, she must have had a little problem with obedience. That led to the idea of her as a young, impetuous girl hiding a puppy in her robe. It could have been her own pup, but given the obedience issue, I decided she stole it. To explain why she stole it, I had to invent a character (the pup’s owner) who gave her a reason–she overheard him say he was going to throw it into the cook pot.) And so it went. The characters determined what happened, or at the least, how they reacted to whatever I threw at them.

In both cases, I did prior research about the time period, but I had no idea what the story would be.  I wrote based on the first words that came out, building layer by layer. You don’t have to keep those words, but they provide a launching place. A work of quality can emerge from this process. Both novels won national awards.

With that experience, I am tempted to give my truest advice with two words—Go Play!
On the other hand, I have been writing and studying the craft of writing (omg!) for 40 years. According to Malcolm Gladwell, who studies such things, it takes 10,000 hours to be an expert in anything.

So, read, study, and play for 10,000 hours.

Does that mean don’t try writing novels before you have the millage?  Absolutely not! Seven “practice novels” slumber in my computer, unpublished.  Writing them is part of playing and practicing.  It’s important.  And maybe it won’t take you that many!

In reality, plotters and pantsers exist on a continuum, and I am no exception.  My brain, no doubt, is bouncing back and forth as I work, right to left, left to right, subconscious to conscious, and vice versa (as my husband trying to get my attention will quickly tell you.) I may start out totally by playing, but at some point I am imaging scenes and dialogue in advance and write toward that. I may or may not make notes about where I’m going, but it is very helpful to have a ending in mind, even if it is a vague one.  And there are definite places (plot points) in most fiction where certain types of things need to happen, and knowing where they are is helpful.

What I don’t do is set how to get there in stone, because I like surprises as much as a reader. If I don’t know what is going to happen next, neither will the reader.  On the other hand, it is scary to start without knowing where you are going, especially if you have a publisher waiting for a book or if you are working on a series and don’t want to box yourself in by doing something in book one or two that will make book three not work.

So, I will amend my advice: Do what works for you. Be a plotter or a pantser, or something in between, or switch as you go. Whatever works is the right way.

T.K. Thorne’s childhood passion for storytelling deepened when she became a police officer in Birmingham, Alabama.  “It was a crash course in life and what motivated and mattered to people.” In her newest novel, HOUSE OF ROSE, murder and mayhem mix with a little magic when a police officer discovers she’s a witch. 

Both her award-winning debut historical novels, NOAH’S WIFE and ANGELS AT THE GATE, tell the stories of unknown women in famous biblical tales—the wife of Noah and the wife of Lot. Her first non-fiction book, LAST CHANCE FOR JUSTICE,
the inside story of the investigation and trials of the 1963 Birmingham
church bombing, was featured on the New York Post’s “Books You Should
Be Reading” list. 

T.K.
loves traveling and speaking about her books and life lessons. She
writes at her mountaintop home near Birmingham, often with two dogs and a
cat vying for her lap. 

 More info at TKThorne.com. Join her private newsletter email list and receive a two free short stories at “TK’s Korner.”

The Rose Wars, a Life Lesson–by T.K. Thorne

/in /by







Writer, humanist,


          dog-mom, horse servant and cat-slave,

       Lover of solitude
          and the company of good friends,
        New places, new ideas
           and old wisdom.

A one-armed elderly man I knew long ago gave me a rosebush. To call it a bush was a stretch—three thorny sticks attached to a ball of dirt. I planted it in the yard along the pasture fence and forgot about it.

It grew. I was hardly a good shepherd, basically leaving it to live or die on its own. Profusions of delicate pink blossoms rewarded my neglect. The rosebush and I did our own thing as the years passed, unaware of a growing menace. It crept from the pasture, just a green background at first and then suddenly, without warning, the honeysuckle vines invaded, wrapping over and around the rosebush, smothering it. There was little I could do, as the other side of the fence was a hillside too steep to bush hog, protected by masses of thorny blackberry bushes.

It saddened me to see the roses smothered. I felt helpless. What kind of person was I to let my roses die? Yet, I like honeysuckle too. To breath in its presence is to inhale the summer’s prelude; to pull a drop of nectar onto my tongue sweeps me back to barefoot wanderings, to days of magic unraveling without care of time. It wasn’t the honeysuckle’s fault; it was just doing what honeysuckle vines do. The world is like that.

For a couple of years, I missed seeing the rich fountain of spring and summer roses and figured the rosebush was dead. It had its day, as do we all.

Then one year, I noticed a thorny spike thrusting through the mass of honeysuckle like a drowning man raising one arm above the water. Not dead. But no flowers. I’d almost rather it just went down and stayed down than to have to watch this.

The next year, a few more spikes appeared.

Well, good for you, stubborn old rose bush. Never give up. Who knows? Maybe it doesn’t have to be roses vs. honeysuckle; maybe they can coexist, find a peaceful way to drink the same sunlight and flourish.

Indeed they did. Not only is my fence line a mass of intoxicating blooming roses and honeysuckle this spring, but the strangest thing has happened. There, in the the sea of satin pink and honeysuckle gold, thrusting up and over in a delicate arch is a tendril of blood red roses! What? I never planted red roses there. Did a bird drop a seed into the dark mass of honeysuckle vines? Did a section of my pink bush somehow revert genetically?

I don’t know. I’m treating it as sort of a miracle, a message—maybe from my one-armed friend—to never give up, to remember that out of darkness and conflict and not having things come easily, a beautiful, unexpected thing can happen.

T.K. Thorne’s childhood passion for storytelling deepened when she became a police officer in Birmingham, Alabama.  “It was a crash course in life and what motivated and mattered to people.” In her newest novel, HOUSE OF ROSE, murder and mayhem mix with a little magic when a police officer discovers she’s a witch. 

Both her award-winning debut historical novels, NOAH’S WIFE and ANGELS AT THE GATE, tell the stories of unknown women in famous biblical tales—the wife of Noah and the wife of Lot. Her first non-fiction book, LAST CHANCE FOR JUSTICE,
the inside story of the investigation and trials of the 1963 Birmingham
church bombing, was featured on the New York Post’s “Books You Should
Be Reading” list. 

T.K.
loves traveling and speaking about her books and life lessons. She
writes at her mountaintop home near Birmingham, often with two dogs and a
cat vying for her lap. 

 More info at TKThorne.com. Join her private newsletter email list and receive a two free short stories at “TK’s Korner.”

Einstein, Oz, and Ms. Poppins by T.K. Thorne

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Writer, humanist,

          dog-mom, horse servant and cat-slave,
       Lover of solitude
          and the company of good friends,
        New places, new ideas
           and old wisdom.

This glorious spring, scientists finally took a “real” picture of a black hole. All the ones we’ve been seeing have been artists’ renditions because black holes are really not visible. They swallow light. Creative astrophyicists used a multiple array of telescopes hooked together to get an image of light bending around the massive gravity pit, just as Einstein predicted!


Einstein was right about so many things—space/time, gravity, quantum physics, even a big something scientists of his day scoffed at and he decided he was wrong about—the cosmological constant. Okay, he was a little off, but the concept was not, and modern physics has gone back to it. Albert used math, but first he used something we all have and think too little of—imagination.

Einstein visualized what-if’s.  What if I could ride on a wave of light? What if I were inside a plunging elevator? All in his mind.

“The true sign of intelligence is not knowledge but imagination.”—Albert Einsten

It makes you wonder if we are so busy stuffing knowledge into children, we neglecting to teach them to use their imagination. But Children are born with creative genius. The better question is, what are we teaching them that stiffles that creative thinking and problem solving?

“Imagination is more important than knowledge. For knowledge is limited, whereas imagination embraces the entire world, stimulating progress, giving birth to evolution.”—Einstein

I’m not going to admit how old I was when I finally accepted that I would never be able to coss the Deadly Desert and find Oz. I wept, believing that I had lost something precious and irreplaceable.
But I was wrong. 
What was the Deadly Desert really, but that pesky voice that says, “No you can’t,” or “That’s impossible.”

 If anyone ever told Einstein it was impossible to ride a beam of light, it’s an awfully good thing that he didn’t listen. And neither did the scientists who took a picture of nothing. Maybe they both listened, instead, to Mary Poppins, who said:

“Everything is possible, even the impossible.”

T.K. Thorne’s childhood passion for storytelling deepened when she became a police officer in Birmingham, Alabama.  “It was a crash course in life and what motivated and mattered to people.” In her newest novel, HOUSE OF ROSE, murder and mayhem mix with a little magic when a police officer discovers she’s a witch. 

Both her award-winning debut historical novels, NOAH’S WIFE and ANGELS AT THE GATE, tell the stories of unknown women in famous biblical tales—the wife of Noah and the wife of Lot. Her first non-fiction book, LAST CHANCE FOR JUSTICE, the inside story of the investigation and trials of the 1963 Birmingham church bombing, was featured on the New York Post’s “Books You Should Be Reading” list. 

T.K. loves traveling and speaking about her books and life lessons. She writes at her mountaintop home near Birmingham, often with two dogs and a cat vying for her lap. 

 More info at TKThorne.com. Join her private newsletter email list and receive a two free short stories at “TK’s Korner.”


When Crime Meets Magic–by T.K. Thorne

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   Writer, humanist,
          dog-mom, horse servant and cat-slave,
       Lover of solitude
          and the company of good friends,
        New places, new ideas
           and old wisdom.

The first thing most people say to me when they learn I was a career cop is, “Oh. You don’t look like a policeman.”
This is a good thing because I’m a woman.
Perhaps at 5’3”, I don’t fit the stereotype in their minds. That’s not worrisome to my self-image because during my 20+ years in the Birmingham Police Department, it never occurred to me that I was too small . . . other than the annoying fact that my hands couldn’t fit properly around a gun. Not only did I have to figure out an alternate way to shoot, there were other challenges. In those early Academy days, we had to carry the fifty bullets needed for the firearms qualification tests in our pants pocket and dig them out to reload with one hand (the other held the gun). Tight time constraints for firing and reloading were in place to try to replicate some of the stress of being under fire.
If I pulled more than six bullets at a time out of my pocket, it overwhelmed my small hand’s capacity to manipulate them into position to reload. Bullets tumbled to the ground, making it impossible to reload in time. With practice, I developed the ability to blindly grab exactly six bullets at a time. I’m still proud of that skill, though I’ve yet to find a good use for it.
Since Joseph Wambaugh’s controversial Choir Boys appeared in 1975, the number of law enforcement authors has grown, but they’re still an anomaly, and so I get to surprise with the double whammy of being a retired cop and a writer. I’ve learned to deal with the “You don’t look like a policeman,” reaction with a smile and a simple, “Thank you.” And when I explain my latest novel is about a young police woman in Birmingham, Alabama who discovers she’s a witch, I get an even more fun reaction—“Is it autobiographical?”
Seriously, yes, I get this.  At first, I was too stunned by the question to respond, but now, I immediately shoot back with a straight face, “Totally.”
Even though I don’t claim to be a witch, I did pull on my police background to give authenticity to the story. Challenges lurked, even so. It has been a while since I wore blue, so I had to update department polices and equipment to those of current day, such as putting a body camera on my patrol officers and computers in the cars, but these were minor items. The most critical element was attitude, knowing how people in law enforcement who risk their lives on a daily basis think and react. That said, I certainly don’t espouse writing only “what you know” in that sense. If I did, I’d have a problem dabbling a little magic in with murder and mayhem!
My character, Rose Brighton, is a police officer in the city of Birmingham, Alabama. She’s taller than I am and has no problem holding a gun properly, but Rose has other challenges. Her first clue that her life is about to get complicated comes when she’s chasing a suspect down an alley and he appears to divide into two men, the real suspect, frozen in time, and a shadow version with a gun. From here things go south. She shoots a man in the back, the nightmare of every cop, and can’t explain what really happened. Unraveling that and the mystery of who she really is becomes a high-stakes struggle for survival.

Weaving magic “realistically” into a crime story was a bit like learning to pull exactly six from a pocket full of bullets.  It seemed improbable at first, but maybe learning that skill was not such worthless endeavor after all. Maybe it was a reminder that anything is possible. 

Even a police-witch.

T.K. Thorne’s childhood passion for storytelling deepened when she became a police officer in Birmingham, Alabama.  “It was a crash course in life and what motivated and mattered to people.” In her newest novel, HOUSE OF ROSE, murder and mayhem mix with a little magic when a police officer discovers she’s a witch. 

Both her award-winning debut historical novels, NOAH’S WIFE and ANGELS AT THE GATE, tell the stories of unknown women in famous biblical tales—the wife of Noah and the wife of Lot. Her first non-fiction book, LAST CHANCE FOR JUSTICE, the inside story of the investigation and trials of the 1963 Birmingham church bombing, was featured on the New York Post’s “Books You Should Be Reading” list. 

T.K. loves traveling and speaking about her books and life lessons. She writes at her mountaintop home near Birmingham, often with two dogs and a cat vying for her lap. 

 More info at TKThorne.com. Join her private newsletter email list and receive a two free short stories at “TK’s Korner.”

What is Normal?–by T.K. Thorne

/in /by


   Writer, humanist,
          dog-mom, horse servant and cat-slave,
       Lover of solitude
          and the company of good friends,
        New places, new ideas
           and old wisdom.

When I was writing my historical novel, Noah’s Wife, I realized my central character had Asperger’s Syndrome. At first, I rejected the idea, but a wiser part of my mind prevailed, and I let her be who she was. I added researching the condition to my digging into the ancient Mid East culture, geology, and archeological findings that shaped the background for my novel about the wife of Noah. 


Na’amah’s disabilities turned out to be strengths I never suspected, and I wrote in the author notes that I thought it was possible we were looking at this condition from a prejudiced and skewed perspective. 

Maybe we all carry genes that can express these abilities and difficulties in various ways, and they are part of our evolutionary inheritance. I thought I was going out on a limb, so stumbling on this video (link below) about neurodiversity was of great interest. Maybe we need to take another look at how we define what it means to be human.

https://www.youtube.com/watch?v=aWxmEv7fOFY


 ~T.K.

T.K. Thorne’s childhood passion for storytelling deepened when she became a police officer in Birmingham, Alabama.  “It was a crash course in life and what motivated and mattered to people.” In her newest novel, HOUSE OF ROSE, murder and mayhem mix with a little magic when a police officer discovers she’s a witch. 

Both her award-winning debut historical novels, NOAH’S WIFE and ANGELS AT THE GATE, tell the stories of unknown women in famous biblical tales—the wife of Noah and the wife of Lot. Her first non-fiction book, LAST CHANCE FOR JUSTICE, the inside story of the investigation and trials of the 1963 Birmingham church bombing, was featured on the New York Post’s “Books You Should Be Reading” list. 

T.K. loves traveling and speaking about her books and life lessons. She writes at her mountaintop home near Birmingham, often with two dogs and a cat vying for her lap. 

 More info at TKThorne.com. Join her private newsletter email list and receive a two free short stories at “TK’s Korner.”

Cinderella, Mount Doom and The Plot Dragons–by T.K. Thorne

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If, like
me, you break out in hives at the word “outline,” plot dragons can lie in wait
before you get to the end of your book.  

Courtesy of Photo by Tarik Haiga on Unsplash



But knowing the ending, even the first draft of an ending, is critical to driving your story. Two things can help you shape an ending —location and character.


Terrain
can be a constriction that limits your plot choices or it can suggest
opportunities. Your story may require a specific place or type of location. JRRTolkien (Lord of the Rings) had a
super-powerful ring that needed to be destroyed. That meant either a very hot
forge or nature’s forge—lava. Lava was definitely the more dramatic choice, so
he needed a volcano environment for his climax scene. The trip to Mount Doom
pushed the entire plot of the trilogy.


Using a
location that is already familiar territory requires less description at a
point when you need to focus on what is happening. For her climax scene,
Cinderella is home. No need to rehash the general layout or the characters. We
can focus on what decisions characters make and what happens physically and
emotionally. In Lord of the Rings,
the reader has never seen Mount Doom, but by the time Frodo and Sam get there,
it feels familiar from the previous references. We don’t need many clues to
imagine the bubbling lava, the smell of burning sulfur, and the stark rocky
terrain.





Another
way to approach the ending is to look at your character arc.  How does she change and how can you show that?
Cinderella is a retiring, quiet, obedient girl, but she casts caution to the
wind to go to the ball. When the prince appears, she defies her sisters to put
her foot in the glass slipper. In Lord of
the Rings, Frodo faithfully bears the burden of the ring to the edge of the
cliff, but at the last moment, he can’t overcome the ring’s power. At the same
time, that power is the ring’s doom. 
Tolkien made his ending work in a complex way that satisfies.


Make
sure the central character plays an integral part in the solution, either by
wits or bravery—or, like Frodo, by failing—but not by coincidence or employing
a contrived solution. Cinderella’s decision to attend the ball and be her true
self caused the prince to fall in love and search for her. Sure, the fairy
godmother could have poofed them
together, out of reach of the clutches of her conniving family, but the reader
would have felt cheated. Your ending needs to be surprising or, at least, not
completely foreseen by the reader and, at the same time, inevitable in the
sense that it needs to arise out of what has come before. The reader should
say, Oh yeah, I should have seen that
coming when Cindy lost her shoe. When Gollum appears at the end of Tolkien’s trilogy and grabs the ring,
we are surprised, but it is not contrived. Gollum’s actions are entirely in keeping with his character and previous
behavior.






Use
location and character to help shape your ending as soon as possible to outwit
the plot dragons, keep out of a writing lava pit, and
have a happily-ever-after writing your book.


T.K. Thorne’s childhood passion for storytelling deepened when she became a police officer in Birmingham, Alabama.  “It was a crash course in life and what motivated and mattered to people.” In her newest novel, HOUSE OF ROSE, murder and mayhem mix with a little magic when a police officer discovers she’s a witch. 


Both her award-winning debut historical novels, NOAH’S WIFE and ANGELS AT THE GATE, tell the stories of unknown women in famous biblical tales—the wife of Noah and the wife of Lot. Her first non-fiction book, LAST CHANCE FOR JUSTICE, the inside story of the investigation and trials of the 1963 Birmingham church bombing, was featured on the New York Post’s “Books You Should Be Reading” list. 


T.K. loves traveling and speaking about her books and life lessons. She writes at her mountaintop home near Birmingham, often with two dogs and a cat vying for her lap. 

 More info at TKThorne.com. Join her private newsletter email list and receive a two free short stories at “TK’s Korner.”

An Unexpected Dream Come True–by T.K. Thorne

/in /by

 

  Writer, humanist,
          dog-mom, horse servant and cat-slave,
       Lover of solitude
          and the company of good friends,
        New places, new ideas
           and old wisdom.

It’s not something I talk much about, but for many years I was in the closet as a writer. I collected so many rejections, I could have wallpapered my house with them, or at least, my bedroom. Everyone said short stories were the way to break in, but my stories kept getting turned down.  If I dared admit I was a writer to anyone, their next question dashed me down—”Oh, what have you published?” I could only imagine what it would be like to be a real author, signing books for my fans, having a best seller.  I felt like a failure, but I’m pretty stubborn, and I just kept writing and submitting. I wrote five novels before one was published.

When I held that first book in my hands, I cried tears of joy.
My fourth book recently came out and it was still exciting to open that box and hold it in my hand.

Then a few days later, it made its debut at an elegant downtown Victorian mansion. I signed copies read fromg the book, and shared my big night with friends. A dream come true.


While I was signing books, something else was on my mind. Earlier that day, I had taught a creative writing class (as a volunteer) at Maranathan Academy, a non-profit school that takes “critically at-risk students from a variety of challenging circumstancess—bullying and abuse victims, juvenile offenders, poor academic performers, and the health challenged/chronically ill. Students enter Maranathan wounded and looking for a place to belong.” [website] 

I started the class three months prior, nervous, afraid I’d just taken on something else to fail at, and that I had nothing to offer these kids. I’d never taught poetry, never taught youth, let alone students with the kind of challenges these faced. That first day was hell, and I almost quit. But something made me go back. The students had no idea how to express themselves or even how to sit still. Every class was a struggle, but, gradually, the students started listening and participating.  


Something amazing had happened in class the day of my signing. The students had written poems that touched on their deepest pain, something I could not have imagined them doing when I started.  Nor, I believe, could they have imagined doing so, much less sharing it with the other students and faculty. Not only had they learned to write poetry, but they felt safe enough to open the door to their true selves.
It was wonderful to be at my long-planned book launch party, don’t get me wrong, but my mind kept drifting back to the classroom and those kids.  Then I looked up and saw three members of the school faculty in line with books and one of my students!  I jumped up and hugged her.  “You’re my inspiration,” she whispered in my ear.

That gave me more joy than signing my books or making a best seller list or winning writing awards. That was a dream come true that I hadn’t even known to dream.
Chinese proverb:
“If you want happiness for an hour, take a nap. If you want happiness for a day, go fishing. If you want happiness for a year, inherit a fortune. If you want happiness for a lifetime, help somebody.”

T.K. Thorne’s childhood passion for storytelling deepened when she became a police officer in Birmingham, Alabama.  “It was a crash course in life and what motivated and mattered to people.” In her newest novel, HOUSE OF ROSE, murder and mayhem mix with a little magic when a police officer discovers she’s a witch. 

Both her award-winning debut historical novels, NOAH’S WIFE and ANGELS AT THE GATE, tell the stories of unknown women in famous biblical tales—the wife of Noah and the wife of Lot. Her first non-fiction book, LAST CHANCE FOR JUSTICE, the inside story of the investigation and trials of the 1963 Birmingham church bombing, was featured on the New York Post’s “Books You Should Be Reading” list. 

T.K. loves traveling and speaking about her books and life lessons. She writes at her mountaintop home near Birmingham, often with two dogs and a cat vying for her lap. 

 More info at TKThorne.com. Join her private newsletter email list and receive a two free short stories at “TK’s Korner.”

The Collapse of Compassion –T.K. Thorne

/in /by



   Writer, humanist,
          dog-mom, horse servant and cat-slave,
       Lover of solitude
          and the company of good friends,
        New places, new ideas
           and old wisdom.

In police work, tragedy was a daily affair. I learned how to erect a professional wall between my personal emotions and what I encountered—abuse, rape, murder. Without those walls, I couldn’t have functioned effectively. I couldn’t take every abused child home. I couldn’t even ensure the abuser I put in jail would stay there and never hurt another. I survived by focusing on my job and trying to do it the best I could, while staying alive myself and trying to ensure the same for my fellows.  

I didn’t change the world. Did I affect lives?  I think so.
The tragedy in our world is still a daily affair and still overwhelming—war, famine, disease, disaster. I still have barriers because I can’t absorb the hurt of every other human in a personal way. For years, I couldn’t bear the thought of the Holocaust and refused to visit a Holocaust museum. Frankly, I feared fully acknowledging the weight of what had happened would disintegrate me. What if I couldn’t put myself back together? (Eventually, I visited the amazing Yad Yashem–The World Holocaust Center in Israel and I survived.)
Those of us who are fortunate enough to have security for our basic needs can be assaulted by guilt and confusion when we’re confronted with stark poverty, rampant disease, the results of natural disasters, or abuses humans visit upon one another.  We are told by TV ads that a cup of coffee a day can buy health for a child on another continent or a new life for a pitiful dog in a cage.  How do I drink my coffee without a crush of guilt? 
Far more often than not, I simply shake my head. There is a label for this—collapse of compassion. We simply cannot emotionally process the ills of the world.  

In The Book of Joy, the Dalai Lama–perhaps the world’s model for compassion–recalls an event where he was in severe pain. On the way to the hospital, he passed a man on the side of the road who was clearly in worst straits than he.  The lesson he took from this was one of perspective on his own pain, but when I read this passage, I wondered why he didn’t stop and help the man, despite his pain.  Wouldn’t that have been the truly compassionate thing to do?
The Dalai Lama must see people worse off than he every day. He also hears of the world’s wrongs. I imagine at some point he too has collapse of compassion. It is a survival mechanism.
We tend to perceive and process everything, including our values and morality, through the lens of circumstances and group psychology. The death of thousands or millions is an in-absorbable statistic that leaves us bewildered at how to exercise compassion in the face of the enormity of the pain or the impossibility of changing it. So we turn a blind eye. According to Max Fisher and Amanda Taub in a recent NYT article, “It’s not that we can’t care about a million deaths, psychologists believe. Rather, we fear being overwhelmed and switch off our own emotions in preemptive self-defense.” 
But we can identify with the pain of one person, especially if circumstances present a doable solution that doesn’t cost us “too much.” If we discover a homeless child or dog on our doorstep, we are more likely to open our door than send money to a far-away charity of possibly dubious nature or to be a “drop in the bucket” of a crushing need. If the Dalai Lama had not been rushing to the hospital, he might have stopped to see if he could help the man on the side of the road. When the media covers stories about a single person’s tragedy, we are more primed to react, to actually do something.
Our values of compassion are deeply rooted in our cultural and evolutionary heritage, but they are  called on in a way that is outside the framework of their evolutionary origins. For most of our history, we have lived in small communities that could absorb the needy stranger or widow, but today we are exposed to and confronted with problems on a global level—refugees from terror and economic scarcity at our borders, victims of warfare, disasters of fire, flood, wind and earthquake. All of these have been with us for millennia, but we have previously only faced them on a local level. Now we are aware (bombarded) on a daily basis, of what is happening in the world and with that comes a seemingly overwhelming burden of responsibility, so we switch it off.
Our first commitment is to our own well being and security. It makes no sense to let ourselves or our children starve in order to feed the homeless. My father told me often to remember the story of “the richest man in Babylon.” He taught to give yourself (save) the first 10% of whatever you make and that preparing for the future security for yourself and your family is a noble and worthy goal.


On the other hand, religious leaders have warned about clutching all of what we have too tightly (“It is easier for a camel to pass through the eye of a needle than for a rich man to enter the kingdom of heaven.”) And they have provided a practical response in the 10% tithe rule. In Judaism, this is expected of everyone, even the poor, because giving is such an important part of becoming a fully-realized member of the human family.  It is not important how much, just that we do it.
The conflict and guilt and helplessness we feel at tragedy is human. Our walls are also human. Our inaction is human. Our actions to fix the things we can is human. How we choose to respond is an individual decision. There is no “right” or “wrong” way. You may volunteer coach. You may run for political office. You may be a philanthropist. You may speak out about the ills of the world or your community. You may, like the Dalai Lama, focus on being a joyful, compassionate human being and sharing how to do that. You may pick up trash along a river bank. You may write stories.
Just find your way.  

A retired police captain, T.K. has written two award-winning historical novels, NOAH’S WIFE and ANGELS AT THE GATE, filling in the untold backstories of extraordinary, yet unnamed women—the wives of Noah and Lot—in two of the world’s most famous sagas. The New York Post’s “Books You Should Be Reading” list featured her first non-fiction book, LAST CHANCE FOR JUSTICE, which details the investigators’ behind-the-scenes stories of the 1963 Birmingham church bombing case. Coming soon: HOUSE OF ROSE, the first of a trilogy in the paranormal-crime genre. 

She loves traveling and speaking about her books and life lessons. T.K. writes at her mountaintop home near Birmingham, Alabama, often with two dogs and a cat vying for her lap. More info at TKThorne.com. Join her private newsletter email list and receive a two free short stories at “TK’s Korner.”

Stiletto Heels, a Witch and a Deadly Dinner–TK Thorne

/in /by



   Writer, humanist,
          dog-mom, horse servant and cat-slave,
       Lover of solitude
          and the company of good friends,
        New places, new ideas
           and old wisdom.

I love the idea of vicariously wearing stiletto
heels because that is the only way that will ever happen!  What Rose Brighton discovers, however, is
they might very well be good for something else.

Rose is a police officer who discovers she’s a
witch of House of Rose. She’s received an invitation to dinner from a
devastatingly handsome man, a warlock of another House of Iron. All she knows
is that someone from his House has been trying to kill her and wipe out her
family.

So, of course, she goes—

The Club (pronounced with emphasis on “The”) is a private
dinner club atop Red Mountain overlooking the city. Very posh. I wear my black
dress and a pair of heels I bought, which are killing me. How do women walk in
these things? I let the valet park the car, because I don’t think I could make
it all the way across the parking lot.
In spite of the fact that she is dead, I can hear Aunt Alice
in my head protesting how dangerous it is to meet Jason Blackwell anywhere. I
wonder if any of my family members were prone to do dangerous or impulsive
things. If so, I inherited it, and it’s not my fault, right? Besides, I’ve got
to have info, and I’m not going to get any sitting on my butt.
So, for the sake of gaining intelligence about House of
Iron, which I know nothing about, I am practically standing on my toes trying
not to fall on my face. My sympathies to the Chinese girls whose feet were
bound in ancient times to keep them small for the aesthetic taste of Chinese
men. Thinking about that horrid practice makes me angry. Why am I torturing
myself on these stilts for the pleasure of men?
By the time I make it to the private dining room, I’m
scowling.
“Ciao, Rose!”
Jason Blackwell greets me, rising from his chair at a table by the expansive
window. “You are beautiful even when you look ready to eat the first person in
your path.”
“I look like that?”
“Indeed.”
“It’s the shoes.”
“Ah.” He pulls out my chair, and I sit . . . gratefully.
A bottle of wine chills in a bowl on a small stand by the
table. I’ve seen setups like this in movies, but this is way out of my comfort
zone. Jason gestures at the wine. “I took the liberty of ordering. It’s a fine
year. Would you like to try it?”
“Yes.”
He lifts a finger and a waiter I didn’t even see glides to
our table and opens the bottle, pouring a small amount in Jason’s glass. It
would be nice to have a touch of James Bond sophistication with wine at this
point, but I can see it’s a French white from the label, and that’s about the
extent of my wine knowledge. Fortunately, Jason seems at home with the
requirements and takes a sip, savoring it on his tongue for a moment before
nodding assent at the waiter, who pours my glass first, then his. I watch all
this with fascination, and because I am afraid to look at my date. He almost
hurts the eyes.
Suddenly Becca’s voice is in my head: Oh my God, Rose. Does he have a brother?
That breaks the spell and I smile. Thank you, Becca.
“So, has anyone tried to kill you lately?” Jason asks,
turning his attention to me.
I laugh and chastise myself for being so easily charmed.
This man, I remind myself, may have lived a lot longer than I, despite his
youthful looks.
“Actually, I have managed to outwit a sniper since we last
saw each other.”
His face, which I am now watching carefully, hardens. “I didn’t
know that. He missed, I assume.”
“How do you know it was a ‘he’?”
Now it is his turn to laugh. “Be easy, detective. I do not
know that. It was a chauvinistic guess.”
The waiter sets down a basket that smells heavenly. Jason
folds back the white linen to reveal the warm breads inside. “You must try an
orange roll, house specialty.”
I bite into it and close my eyes. After I swallow, my tongue
finds the bits of crystalized sugar on my lips.
Jason clears his throat. “I’m not sure if I wish to eat or simply
watch you eat.”
I open my eyes, my earlobes burning, and snatch at the menu.
I order fish, and he orders lamb. Appropriate. I feel like a
lamb stalked by a wolf and wonder if I used enough deodorant to last through
dinner.
Jason’s gaze drifts to the huge window that looks down into
the valley. “It is a beautiful view, isn’t it?” Below us, the lights gleam like
multicolored gems.
“It is.”
“Sometimes,” Jason says, “when I cannot sleep, I look down
on this from my bedroom window.”
Warning bells ding in my head. This personal revelation is a
bit of intimacy meant to make himself appear more human, a little bait thrown
out to gain my sympathy.
 I can play the game
as long as I know there is a hook beneath the bait . . . right?
“You have trouble sleeping?” I ask.
“More often than I’d like.”
I wonder what his
nightmares are about.
I take another swallow of wine and decide it is time to stop
flitting around. “I have a question.”
He arches a brow.
“Who is trying to kill me?” I ask.
For a swiftly passing moment, his face tightens. Anger? Then
the lines smooth and he considers me.
“I do not know.”
“You have no idea?”
“No.”
Was there the slightest hesitation before that answer? He
takes my hand and lightly rubs a thumb down the inside of my wrist. My pulse
jumps. ‘Jump’ is the wrong word, more like catapults.
. . . I take a deep swallow of wine and feel it burning into
my chest. “Are we going to have an honest discussion?”
His mouth crooks again. “That would be novel.”
“Answer the question,” I demand.
“Yes. Yes, we are going to have an honest discussion.” He is
amused again, which is irritating.
“You know more about who might have tried to kill me than
you are telling me.”
“What makes you say that?”
“I’m a detective, remember?”
“I think you are prejudiced against the House of Iron.”
“Maybe.”
He leans back. “I honestly don’t know. At times I’ve thought
it could be someone in my House, but I’ve no proof of any kind. Most of my
youth was spent in Italy where my father had a villa and a mistress. After his
death, I remained there. It is still my primary residence.”
“So who comes to mind when you think that?”
“Let us not play this game. I have no knowledge that my
family is involved. If I ever have, I will tell you. I find I have a desire to
keep you alive.  Frutti proibiti sono i più dolci.”
“Which means?”
“Forbidden fruit is the sweetest.”
My ears burn again. “Is that a promise, Mr. Blackwell?”
“It is a promise.” He smiles. “Enough of that. Now, let’s
talk about you.”
My defenses rear up. “What about me?”
“I take it you are not a social butterfly.”
“Was it the shoes thing?”
He laughs. “In part. You are intriguing, Miss Brighton,
though forbidden fruit.”
I sip my own wine. “Forbidden? In what way?”
“House of Iron and House of Rose never . . . intermingle.”
“Really? Why is that?”
“Let us call it a strong cultural tradition. Both Houses must
marry outsiders.”
His reaction makes me suspect this prohibition is more along
the lines of prejudice, and my jaw tightens. “Them” and “us” exist even among
the witches and warlocks.
. . .Our food comes at that moment. It is beautifully
presented, with a small sprig of cilantro and a lemon wedge cut artfully in a
spiral design, and I realize I’m starving. While he talks, I eat, feeling his
eyes on me again. I want to believe he had nothing to do with my family’s
murder. I can’t explain why. I just do. Maybe because his eyes are so blue.
When our plates are whisked away, I excuse myself from the
table to powder my nose and wobble my way down the hall. “If I ever try to wear
heels again, just shoot me,” I mumble aloud.
A platinum-haired lady exiting the women’s restroom gives me
an odd glance. I smile and point to my ear. She sniffs in disapproval of the
concept of people talking on invisible phones in public and walks on with her
nose in the air.
Once inside, the first thing I do is kick off the shoes, sit
on the toilet seat and rub my arches. I linger just long enough to give my feet
a reprieve, wash my hands, and reapply lip gloss. Lipstick requires far too
much aim and control. My hair is curling wildly from the moisture outside, but there’s
not much I can do about that. I wash my hands and dry them in the curls, a
temporary taming technique. Reluctantly, I slip the heels back on.
In the hall, a girl with freckled skin and bony elbows steps
carefully around the corner, balancing a tray of glasses. Unbeckoned, a surge
of living-green sweeps into me. The girl freezes, and a shadow girl steps ahead
of her, slightly out of focus, moving in my direction. I am seeing the future,
moments from now.
A portly shadow man exits the men’s room, which is next to
the women’s room where I stand, and bumps into the girl, spilling her tray. He
turns on her, angry and wobbly, probably drunk. I can’t hear anything he says
to her, but it isn’t necessary. The slump of her shoulders reflects his abuse.
The whole thing fades, and the girl in my universe or time-line resumes walking
toward me.
Without thinking about it, I step to the men’s room and lean
against the door. Someone on the other side pushes to get out, but I set my
weight into it.
“What the hell?” he slurs from inside.
When the waitress is safely past, I move away from the door,
and it bursts open. The man staggers out like carbonated foam pent up in a can.
At that moment, the headache that seems associated with seeing into the future
hits me, and I just happen to step on his foot with my heel. “Oh, I am so
sorry,” I say and leave him cursing and limping in a circle.
These shoes might be good for something, after all.

Click HERE to preorder on Amazon
Click HERE to preorder on BarnesandNoble.com

A retired police captain, T.K. has written two award-winning historical novels, NOAH’S WIFE and ANGELS AT THE GATE, filling in the untold backstories of extraordinary, yet unnamed women—the wives of Noah and Lot—in two of the world’s most famous sagas. The New York Post’s “Books You Should Be Reading” list featured her first non-fiction book, LAST CHANCE FOR JUSTICE, which details the investigators’ behind-the-scenes stories of the 1963 Birmingham church bombing case. Coming in November: HOUSE OF ROSE, the first of a trilogy in the paranormal-crime genre. 

She loves traveling and speaking about her books and life lessons. T.K. writes at her mountaintop home near Birmingham, Alabama, often with two dogs and a cat vying for her lap. More info at TKThorne.com. Join her private newsletter email list and receive a two free short stories at “TK’s Korner.”