by Linda Rodriguez

I
have kept journals for many decades. Even before my creative writing
professors encouraged me to keep them, I kept writer’s journals
after reading that writers I respected, such as Virginia Woolf and
Madeleine L’Engle, had kept writer’s journals. I have stacks and
stacks of them, and periodically I wade through years of them,
reading and mining for ideas and memories.

You
will notice I did not say I’ve kept diaries. A diary is an account
of your day-to-day activities. A writer’s journal is the artist’s
sketchbook of a writer. It holds the raw material, the thinking on
paper, that goes into learning how to write better and into creating
minor and major projects.

A
writer’s journal may have accounts of daily activities in it, along
with discussions of current events, descriptions of the striking
woman seen at the coffee shop, the idea for a new novel, the first
few paragraphs of a short story, lines or whole stanzas of a poem,
descriptions of the sound water makes dripping from trees into a
fountain at the park, pages of location or historical research, a
scary near-miss turned by what-if into the germ of a story or novel,
lists of words I love, scenes recaptured from my childhood or other
past moments, and much, much more. Writing exercises. Lists of
possible titles. The initial sketches of characters. Accounts of
dreams. Rants and complaints and a good bit of whining, as well.

Now,
I also keep computer journals as I write each novel. This is where I
go deeper into character, work out plotting difficulties, set myself
goals for the next chapter or section of the book, and keep track of
things that impinge on the writing of the book. Older versions of
this are what I turn to when I need to find out how long I think it
will take me to complete some phase of the new book. Also, it’s
where I look for encouragement when going through tough times on a
book. I almost always find I’ve made it through something similar
before. I keep my journals in bound books between novels and in
addition to the novel journals kept on the computer.

I
can’t tell you how many times I’ve found ideas or characters or
settings for stories, poems, and books while going back through these
journals—or found ideas that connect with other ideas I have to
complete the concept for a novel or poem. Also, as I look through
them, I can see on the page how my writing has improved over the
years. I consider these journals necessities for my continuing growth
as a writer. Just as a musician continues practicing the scales and
more ambitious exercises daily, just as a painter continues sketching
constantly, I keep opening my journal and writing down a description
or an idea or a question I’m wrestling with or a character I’m
exploring. Madeleine L’Engle called her journal work her
“five-finger exercises,” comparing this work to the concert
pianist’s practicing scales.

I
often tell young students to keep journals, even if they don’t want
to become writers. I believe it will help them navigate the fraught
waters of adolescence. I know it helped me come to terms with a
damaging, abusive childhood and write my way out of the anger, pain,
fear, and shame it engendered in me. I’ve used journaling as an
effective therapeutic technique with incarcerated youth, and I
believe it’s something anyone can do to help them work their way
through emotional pain and problems.

I
have plain spiral notebooks, composition books, three-ring binders,
and an assortment of bound books of many sizes and appearances. I
have heard some people say they could never write in a really
beautiful bound book because it would intimidate them, but I write
even in the gorgeous handmade ones friends and family give me as
luscious gifts. The act of writing is what keeps me from becoming too
intimidated to write.

If
you’re a writer, do you keep journals? In notebooks or on the
computer or both? And if you’re not a writer, have you used a
journal before to work through thorny issues?

Linda Rodriguez’s Plotting the
Character-Driven Novel, based on her popular workshop, and The
World Is One Place: Native American Poets Visit the Middle East,
an anthology she co-edited, are her newest books. Dark Sister:
Poems will be published in May, 2018. Every Family Doubt,
her fourth mystery novel featuring Cherokee campus police chief,
Skeet Bannion, will appear in August, 2018, and Revising the
Character-Driven Novel will be published in November, 2018. Her
three earlier Skeet novels—Every Hidden Fear, Every
Broken Trust, and Every Last Secret—and
her books of poetry—Skin Hunger
and Heart’s Migration—have
received critical recognition and awards, such as St. Martin’s
Press/Malice Domestic Best First Novel, International
Latino Book Award, Latina Book Club Best Book of 2014, Midwest Voices
& Visions, Elvira Cordero Cisneros Award, Thorpe Menn Award, and
Ragdale and Macondo fellowships. Her short story, “The Good
Neighbor,” published in the anthology, Kansas City Noir, has
been optioned for film.

Rodriguez is past chair of the AWP
Indigenous Writer’s Caucus, past president of Border Crimes chapter
of Sisters in Crime, founding board member of Latino Writers
Collective and The Writers Place, and a member of International
Thriller Writers, Wordcraft Circle of Native American Writers and
Storytellers, and Kansas City Cherokee Community. Visit her at
http://lindarodriguezwrites.blogspot.com