Tag Archive for: Archaeological Mysteries

Tripping Over Research

 By Kathryn Lane

Planning a research trip!

Research is a must for scientists and academic writers who
either “publish or perish”. And it’s also a 
necessary activity for people who
pen non-fiction, historical fiction, and science fiction.

But what about genre writers?

To me, authenticity is important in novels. Without it,
readers lose interest. Plot, characters, setting, and time period are important
elements that often should be augmented with research. For example, a character
with a particular illness must be presented authentically, so research of
symptoms and treatments could be important.

Sagrada Familia Basilica 

As a suspense and mystery author, I delve into police
procedures, murder weapons, guns and how to use
 them, and even the interior of
ambulances. Settings form an important element in my novels
I often place my stories in foreign countries. To make the
reader feel they are experiencing that locale, I do online research. Before
completing a manuscript, I take a trip, camera in tow, to check out my
locations. I want to verify I’ve described the environment as accurately as
possible, including geography, culture, architecture, historical facts, or even
practical items such as how the police are organized in another country.

Before completing my last novel, Revenge in Barcelona,
my husband and I traveled to Spain. We spent time imbibing the culture, sampling
the food, verifying historical tidbits, and touring architectural sites I’d built
into the story. Plus a friend in Barcelona set up a meeting with an
antiterrorism agent (who remained anonymous) to discuss the various police and
counterterrorism forces working in Catalonia, the part of Spain where the tale
happens.

Cave
Art from Aurignac

Early in the manuscript, I had protagonist Nikki Garcia and
her fiancé visit Franco-Cantabrian
caves containing paleolithic art. I’d built scenes where the
antagonist followed them, just out of sight, through these isolated parks. I’d
personally visited the caves to get them right. While editing the manuscript, I
realized the cave section did not fit the story or add real intrigue. It was an
information dump. So I cut that adventure, retaining only a couple of passing mentions
to the antiquity of cave art since it’s in keeping with Nikki’s character and
her love of ancient archaeological history.

How did I realize I had an info dump? Following my rule that
research incorporated into fiction should be balanced, I’d highlighted my
research in yellow as I wrote to keep track of it. Upon editing the work, the
unnecessary research popped out
I was literally tripping over my
research.

***

Have you
ever researched so intensely that you’ve incorporated an information dump into
your writing?

                                                                                ***

Photo credits: Map – courtesy of
glenn-carstens-peters-ZWD3Dx6aUJg-unsplash.

Façade of
Sagrada Familia Basilica, Cave Art from Aurignac, and Nikki Garcia Trilogy by
Kathryn Lane. 

                                                                        

Kathryn’s
books

The Nikki Garcia Mystery Series and her short story collection – Backyard
Volcano.
All available on Amazon.
https://www.amazon.com/dp/B082H96R11

Kathryn Lane started out as a starving artist. To earn a
living, she became a certified public accountant and embarked on a career in
international finance with a major multinational corporation. After two
decades, she left the corporate world to plunge into writing mystery and
suspense thrillers. In her stories, Kathryn draws deeply from
her Mexican background as well as her travels
in over ninety countries.

https://www.kathryn-lane.com

https://www.facebook.com/kathrynlanewriter/

Archaeology Can Be Murder

By day, I’m an archaeologist at the University of Illinois. At night and on weekends, I morph into a mystery writer. My series is the Lisa Donahue Archaeological Mysteries, and my protagonist is a lot like me. She’s a museum curator trained in Classical and Near Eastern archaeology, she spent a junior year in Israel, and she has a daughter, a cat, and a medical husband (not necessarily in that order!).

So how does one go from archaeology to murder? I grew up in a household full of moldering old paperback mysteries (mostly Golden Age British novels), and my parents liked to read aloud to us from Sherlock Holmes (The Hound of the Baskervilles) and the like. Then I got a job in a dusty old attic museum where broken windows allowed pigeons to fly in and out and leave their deposits on Greek statues and suits of armor. While working on an interdisciplinary mummy project, I realized that my workplace was the perfect setting for murder.

Thus my first novel, “Bound for Eternity,” was born. In this story, Lisa discovers that an Egyptian mummy holds the secrets to two murders in her Boston Museum. (My old museum was moved from Illinois to Boston to protect the innocent). The prequel, “The Dead Sea Codex,” allowed Lisa to revisit Israel, hook up with an old boyfriend, and crisscross the desert looking for an ancient manuscript before Christian fanatics destroy it. Book 3 in the series, “The Fall of Augustus,” takes Lisa back to her museum at a time when the staff is supposed to move enormous plaster statues of Roman emperors and Greek gods down through an old elevator shaft. Sounds dangerous, right? Some of my colleagues actually did this at Illinois without misadventure, but naturally I changed the facts in my mystery so I could have the vicarious thrill of killing off two museum directors.

Book 4, “The House of the Sphinx,” takes a new direction. Lisa and her radiologist husband, James, take a delayed honeymoon in Egypt, where they stumble upon a plot to infect Western tourists with smallpox. I like to say that this plot (instead of another archaeological caper) is my husband’s fault, and that he’s a ghoul. Actually, Charlie’s a retired pathologist, and a great source of information on all things medical. He used to work for the Centers for Disease Control, and pointed me to their website. There I found a public, fully detailed plan for dealing with a modern smallpox epidemic. Scary stuff. While I Googled bioweapons and tried to figure out how to weaponize smallpox virus, the thought did cross my mind that someone out there might be watching my Internet use…fortunately, no one showed up on my doorstep.

I see many similarities between mystery writing and my “day job.” Archaeology is like a jigsaw puzzle with half the pieces missing; constructing a mystery is like solving a jigsaw puzzle, but all the pieces must be there and should fit at the end. Archaeologists deal with layers (stratigraphy), with the stuff on top being the most recent and the stuff deep down being the oldest. Similarly, the visible story in a mystery is the top layer (what the writer wants you to see), and the deeper layers hold the motives, the clues, and the detailed plot that is gradually revealed. If you want to see how far this analogy can go, check out the wonderful free ezine, Mysterical-E, and the article I wrote for them.

For more on my mysteries, visit http://www.sarahwisseman.com/

Happy digging!

Sarah Wisseman