How Mowgli Made a Marine – T.K. Thorne

Unhappy Boy purchased from dreamstime_xs_6525479Early in my marriage, a stepson arrived on my doorstep every other weekend as a troubled 8 year old.

A learning disability imprisoned him as poor reader and student to the point that all his tests had to be read aloud to him.  He didn’t fit in.  He knew it and acted out.  Naturally, he hated the sight of books, and all my efforts to read to him were spurned.

One day, a misbehavior earned him time-out, and I offered him his choice—either an hour in his room or sit with me while I read him one chapter of a book.  (I know, I know—it’s contrary to all behavioral advice to make reading a punishment, but I was at wits’ end.)

He considered it and asked how long it would take to read a chapter.

“Probably about 15 minutes,” I said.

Fifteen minutes versus an hour.  He wasn’t bad at math and chose the chapter.  I went to my collection of childhood books, my heart pounding. It thumped away in my chest, warning me that this could be my only chance with him.

The books, stiff and dusty in their rows, whispered of cherished hours. Which to choose?  I stopped at one, remembering pulling it from my mother’s bookshelf, hopeful from the title though the company it kept was grownup stuff. By the first chapter, I knew I had found treasure.

Once again I pulled it out and took it back with me, clutched to my still thumping chest and sat with my stepson on the hard cement of the porch (part of the “punishment”).

“Here are the rules,” I said sternly.  “You have to sit still and listen.  I will read one chapter.  After that it is up to you if you want to hear more or go.”

He agreed, and I opened the book. I read my best, in honor of all the hours my Granny read to me, her voice cracking with the effort to bring the characters to life. I hoped to reach a young mind with the gift she had given me.  I read and did not look at the boy beside me, afraid to see on his face the boredom of a prisoner doing his time.

When I finished the last word of Chapter One, I snapped the book closed, deliberately keeping my voice matter-of-fact.

“That’s it,” I said.  “What do you want to do?”

There was a long hesitation—maybe it wasn’t so long, but I remember it that way—a silence so deep, you could fall into it, and then one intense word from him—“Read.”

In the years ahead of us, he would repeat that word many times.  We finished the book, Rudyard Kipling’s The Jungle Book, and moved on to many others.

He began to sit next to me, at first to see the pictures, but when there were no pictures, he stayed to move his eyes over the words as I read.  Eventually, I feigned a sore throat and asked him to read a sentence or two, and then a paragraph, and then a chapter, never criticizing as he stumbled and only offering help when he needed it.

One day, I poked my head in his room and asked if he was ready to read Part III of “our” current book.  “Already read it,” he said.

And once again my heart pounded, this time with mixed joy.  He was reading on his own, voraciously, but we were never again to have those special moments together.

Bitter-sweet.

He read a lot about ordinary young boys becoming heroes, and I think it helped give him the courage and inspiration to sign up for the Marines.  Though not a physical boy—he played in the band and was ho-hum about sports—he thrived there, and today is a successful career Marine (Master Sergeant) with a beautiful, kind, talented wife and two wonderful sons he reads to.

Semper Fi.

 

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T.K.Thorne is a retired police captain who writes Books, which, like this blog, go wherever her curiosity and imagination take her.  More at TKThorne.com

Juliana Aragon Fatula’s book review of Leslie Larson’s Breaking Out of Bedlam

https://www.penguinrandomhouse.com/authors/69332/leslie-larson/

Leslie Larson grew up in San Diego to a working class family. After earning a degree in literature at the University of California, San Diego, she moved to London and began working in publishing. She eventually moved back to California and began freelance writing. In 2006, she published her first novel, Slipstream, which won the Astraea Award for Fiction.

Dear Reader,

I have been working with a great writer and editor through Macondo Writers Foundation this July and have just finished reading this amazing book written by my new mentor, Leslie Larson. I want you to trust me when I recommend this book for belly laughs and interesting characters and storyline. I laughed out loud and had to stop for breaks but read this page turner cover to cover in one day. I am a mystery reader snob and this is a great book, not a good book, hear me? A great book. Please give Breaking Out of Bedlam a read and you can thank me later.

Leslie will be helping me to fine tune my mystery, the Colorado Sisters and the Atlanta Butcher and teaching me how to write a page turner.

Breaking Out of Bedlam is written with humor and suspense.  The main character reminds me of my mom. Cora is a senior citizen living in assisted living. She has her flaws but I fell in love with her from page one. She writes in her journal, “I got a plan. I’m going to write down everything I ever wanted to say. I’m not holding nothing back and I don’t give a damn what anybody thinks…” She continues in her journal, “I’ve done things I’m not proud of, I lied to keep myself alive because life is hard and there’s things you got to do. But now I got nothing to lose. I’m going to tell the truth once and for all. I hope those that put me in this place read it when I’m dead, which I have a feeling won’t be long. Maybe then they’ll see…”

In her journal she writes about her past and present, “Sometimes I think I should never have had kids in the first place.” Her adult children send her to The Palisades, assisted living. She calls it the shit hole, snake pit, hell hole, lock em’ up and throw away the key jail.  “I got another reason for keeping this book…Something fishy’s going on in this place and I want a record in case anything happens to me…There’s whispering, and shifty looks, and things gone missing.”

Larson’s writing literally lifted my pandemic blues and gave me new enthusiasm for finishing my novel. She inspired me and I’m thankful for her and her novel, Breaking Out of Bedlam. I realized that I have the skills I need to finish my novel and with a little help from my friends, it can be just as great as Larson’s story of a woman who just wants to go home and die in her own bed, not in assisted living.

Her characters are zealous and hilarious. Cora has magical mad ideas and an eye for investigating the mystery, who is the thief? She writes in her journal, “I’d lost track of a lot of those pills I saw piled in front of me but I do know I worked hard to get them, going around to different doctors and scraping and bowing and acting innocent–and I couldn’t bear to see them takin’ away from me.”

She becomes addicted to her drugs and spends her golden years in a stupor of popping pills, sleeping, and wishing she would die. She stays high as a kite and talks about being called lazy by her Missouri relatives and writes, “The God’s honest truth that a lot of the time I just can’t get out of bed…I’m here to tell the truth. I’m sick and tired of pretending I’m happy.” She trades sticks of chewing gum for Percocet and buys residents’ prescription drugs for a quarter a pill.

She has feuds with a resident, Ivy Archer, who she calls Poison Ivy. “Someone I hate more than the devil himself…She accused me of something I got nothing to do with…I got to show that I’m innocent as a lamb.”

She refers to the residents in full care, Ward B,  as pissers, droolers, and moaners until she meets Vitus Kovic. He charms, cons, coerces her into sneaking with him to smoke cigarettes even though she is forbidden because of her health issues. He brings with him a European style of speech and manners that captivates her.  A romance develops and Cora finds herself swooning and energized.

She observes and speculates about what the residents and staff are up to and who is stealing patients personal items from their rooms. Her only friend, a technician/nurse named Marcos tells her, “Senora Sledge, you have no shame, For this, I love you.” and tell’s her, “Devil! You are very naughty.” But agrees to smuggle her cigarettes and other forbidden items. His flaming gayness intrigues her and she asks him to explain his sexual preference in a way she can understand. She calls him a Mexican fruitcake he calls her a goddess, my queen. They watch Telemundos and sneak smokes in her bathroom. It’s a love of necessity, he adored and misses his mother, she misses her cigarettes.

Reviews of Breaking Out of Bedlam from the San Francisco Chronicle: “Larson is a master of details, coloring in her precise and increasingly jittery scene with tight specificity.”

Sandra Cisneros, author of House on Mango Street writes, “Larson is a writer of tales that are hilarious and heart breaking at once–no easy feat, but the mark of great storytelling.”

I workshopped with the Macondo Writers Workshop via Zoom last July and reunited with my Macondista famiy, the greatest group of writers in the U.S. It brought new energy and zest to my writing. Ooohwee!

In October I will be inducted into the Return of The Corn Mothers Celebration in Denver, Colorado at the Colorado History Center and hope you can attend if you are in the vicinity. I am humbled to be included and accept on behalf of my ancestors: Corn Mothers who went unrecognized for their work in all that is sacred and holy and unites the people with hope and love.

How to Keep a Longstanding Cozy Mystery Series Fresh

By Lois Winston

Have you ever fallen in love with a series only to discover that the author stopped writing it? Some writers get tired of writing about the same characters and move on to writing other books. Others fall victim to the fickleness of the publishing industry. Authors are dropped if their sales don’t continue to increase or increase enough, others because the editor who championed the series changes jobs or is laid off. Lines folds. Publishing houses merge or goes bankrupt. The reasons are myriad.

Those of us who have walked away from traditional publishing to “go indie” no longer have to worry about holding our breaths, waiting to hear if our current contract will be extended or a new one offered. We’re free to keep alive the characters we love for as long as we want to write about them. The challenge that confronts us is how to keep a longstanding series from getting stale.

Guilty as Framed, my eleventh Anastasia Pollack Crafting Mystery, will release in less than two weeks on September 6th. Keeping a series fresh after that many books (plus three novellas), is a challenge. After all, there are only so many ways the victim can die, especially in a cozy mystery where you need to keep the gruesome stuff off the page. There are also just so many ways an amateur sleuth can insert herself into a crime without readers becoming incapable of suspending disbelief.

To keep my series fresh, I decided early on that I’d periodically introduce new characters into Anastasia’s world. I began in Revenge of the Crafty Corpse, Book 3, where I introduced Ira Pollack, Anastasia’s deceased husband’s previously unknown half-brother, and his brood of spoiled kids. Also, in that book readers first meet Lawrence Tuttnauer, Anastasia’s future stepfather. In the following book, Decoupage Can Be Deadly, I introduced ex-Special Forces, IT expert, and bodyguard Tino Martinelli. All three men have had recurring roles in subsequent books.

In Drop Dead Ornaments, Book 7, I gave Anastasia’s son Alex a girlfriend. She and her father also play pivotal roles in Handmade Ho-Ho Homicide and A Sew Deadly Cruise, books 8 and 9.

Not every character makes an appearance in every book, though. Sometimes only a passing reference is made to them, sometimes not even that. Other times they once again become major secondary characters in the story. It depends on the book. But these additional characters I’ve created throughout the series enable me to come up with interesting character arcs and fresh plots.

I also didn’t want my series to succumb to Cabot Cove Syndrome, something the writers of Murder She Wrotebegan to become aware of as the popular series continued. Given the size of the town and the rate of murders, eventually Jessica Fletcher would wind up the only citizen left in the tiny hamlet. So the writers wisely decided to send Jessica off on various adventures. Of course, the dead bodies kept piling up no matter where Jessica went, but at least the murders were no longer all occurring in Cabot Cove.

I’ve done the same with Anastasia. Some of the books in the series center around her workplace, others around her home. In Death by Killer Mop Doll, Book 2, the setting is a television studio in New York City. A Sew Deadly Cruise is a “locked room” mystery with the murders taking place when Anastasia and her family are on vacation. Stitch, Bake, Die! is another “locked room” mystery, taking place at a conference center during a storm.

In Guilty as Framed, the story once again centers around Anastasia’s home, but in this book, the plot involves an actual unsolved crime that took place in Boston in 1990. Not only do I need to keep my stories fresh for my readers, I need to challenge myself with each new book. As much as I enjoy spending time with my characters, I need a creative challenge to keep from falling into the same old/same old abyss.

Guilty as Framed was quite the challenge! Not only does the plot center around a thirty-two-year-old cold case, but the crime occurred more than 250 miles from where Anastasia lives, and most of the persons of interest and suspects have long since died, from either natural or unnatural causes.

Mysteries provide a challenge to the reader to figure out whodunit before the end of the book. Guilty as Framed proved a huge challenge to me as the writer. I hope readers find it as satisfying to read as I did to write.

Guilty as Framed

An Anastasia Pollack Crafting Mystery, Book 11

When an elderly man shows up at the home of reluctant amateur sleuth Anastasia Pollack, she’s drawn into the unsolved mystery of the greatest art heist in history.

Boston mob boss Cormac Murphy has recently been released from prison. He doesn’t believe Anastasia’s assertion that the man he’s looking for doesn’t live at her address and attempts to muscle his way into her home. His efforts are thwarted by Anastasia’s fiancé Zack Barnes.

A week later, a stolen SUV containing a dead body appears in Anastasia’s driveway. Anastasia believes Murphy is sending her a message. It’s only the first in a series of alarming incidents, including a mugging, a break-in, another murder, and the discovery of a cache of jewelry and an etching from the largest museum burglary in history.

But will Anastasia solve the mystery behind these shocking events before she falls victim to a couple of desperate thugs who will stop at nothing to get what they want?

Buy Links

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Nook

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Setting dates

Bouchercon convention is fast approaching. This year it is being held in Minneapolis, Minnesota and it will be my first time in this city. For those that don’t know, Bouchercon is the world’s finest annual crime fiction event, bringing together more than 1,500 authors, fans, publishers, reviewers, booksellers, editors, and every other part of the community for a fantastic four-day event.

As a longtime fan of Prince, I’m hoping, mobility issues will hamper this, to visit Paisley Park. If it does, I was told there is a Prince store at the airport.

So I’ve read and scrutinized the schedule for what panels I hope to attend. It looks like I’ve penciled in two to three panels that I want to attend throughout the four days. There are also publisher’s events where you can get free books and meet the authors. I look forward to this event.

One of the activities I can’t wait to do while attending this convention is seeing my friends and meeting new ones. Some, it’s been two years since I’ve last seen them. Some I saw at one of the last two conventions I went to this year.

But the most important activity is setting dates for meals. Yep, I am almost booked.

What do you look forward to when attending reader/fan convention or writer’s conference?

Marie Sutro: the next Thomas Harris?

An interview with Paula Gail Benson

I had the wonderful good fortune this year to meet and work with author Marie Sutro on the Killer Workshop presented by the Capitol Crimes and Palmetto Chapters of Sisters in Crime. Marie is one of the most organized, resourceful, and congenial creative persons I know. When I learned her second novel was being released, I quickly purchased her first. I was surprised to read Steve Alten’s endorsement: “Marie Sutro’s debut novel, Dark Associations, may just be this generation’s Silence of the Lambs.” By chapter two, I met her psychopathic villain. Marie’s intricate descriptions and fast-paced action combined with a flawed protagonist seeking justice amid chaos keeps her readers turning pages. If you haven’t already discovered her, please join us for this brief interview, then check out her Kate Barnes’ novels Dark Associations and Dark Obsessions.

Welcome, Marie, to the Stiletto Gang!

As a San Francisco Police detective, your protagonist Kate Barnes deals with some sordid and horrifying events in life. Marie, you personally are so outgoing and gracious. How did you find the “dark” place inside Kate and how are you able to revisit it without it overwhelming you?

Thank you for the compliment. I use the same tool to find my way into the dark as I do to find my way into the light. Trying to empathize with the character opens doors into feelings, motivations, and behaviors that at first blush may be entirely foreign to me, or (in the case of a villain) morally repugnant. Once the door is open, research provides the context to put everything into proper focus. One of my goals is to try to shine spotlights on the darker sides of humanity so we can learn from it. That process starts with empathy for our fellow human beings.

Like all lofty goals, it can come at a price. Delving into the darkness repeatedly takes a toll. I’ve learned the value of establishing limits on how much time I spend on dark topics (whether researching or writing). When I near my limit, I’ll get up and take a walk, watch a cartoon, play with my cats, or even run to the store. By focusing on the end goal and managing my exposure, I can keep the darkness at bay.

In both your books, Dark Associations and Dark Obsessions, you use juxtaposition and surprise to bring the readers into Kate Barnes’ world. Dark Associations begins with “the Big Bad Wolf” viewing a beautiful blonde woman. A reader might expect this is the mind of a perpetrator, but in a few paragraphs you reveal it is Kate, who has resisted becoming a mentor for this enthusiastic student. Through juxtaposition, you develop Kate’s character as well as showing the relationship with the Tower Torturer, the serial killer she is attempting to catch and stop. Similarly, in Dark Obsessions, at first Kate appears to be in danger of getting a traffic ticket when she actually is about to be asked on a date. How did you decide to use surprise and juxtaposition to introduce your characters and begin your stories? What advantages did it give you?

Juxtaposition and surprise are great ways to introduce characters and subplots in a detective driven mystery. They give me the ability to immediately tell the reader to expect the unexpected and to be ready to consider facts from different angles while panting seeds for future plot twists.

In Dark Associations readers are encouraged to question whether Kate really is a hero. Like most of us, she is a flawed human being but she has been brutally ravaged by life experiences. The question of what makes one person who faces extreme adversity into a hero, while another is made into a villain is fascinating to me. Juxtaposition and surprise allowed me to plant doubt about Kate’s hero status and whether she can maintain it.

Dark Associations takes place in San Francisco, while your new Kate Barnes novel, Dark Obsessions, has Kate traveling to the Olympic Peninsula in Washington State. The first has Kate facing a professional dilemma, while the second starts with her confronting personal demons. Did you know from the outset this would be Kate’s journey or did it develop as the plot of the first book progressed?

Originally I conceived of Kate’s story in a three-book arc. The second book was intended to focus on her attempt to confront the personal demons that threaten her ability to do her job as well as her ability to connect with others. At first the story was going to be set in Seattle, but the more I thought about the nature of the issues she needed to confront, I realized there was no better setting that the dark reaches of the Olympic Peninsula. Pulling her from the hustle and bustle of San Francisco and dropping her into a small community where she only knows one person was the best way to challenge her professionally and personally.

On the cover of each book, there is a symbol. Could you tell us about each, how they were selected, and how they impact the stories?

The symbols on the covers are the first puzzles the reader is exposed to in each story. In Dark Associations the epigraph includes the symbol as well as an ancient Norse poem, which sets the tone for the book. The symbol is soon revealed to be a Norse Thorn. It is an ancient Nordic rune used as a calling card by an insidious serial killer known as the Tower Torturer. He chose it for two of its many meanings, which are male power and dominance.

In Dark Obsessions the cover symbol is an original design based on ancient concepts pivotal to the final reveal. After lengthy research and considering different possibilities, I designed it on a cocktail napkin while having dinner with my husband.

What do you see in Kate’s future?

As previously mentioned, I had originally conceived of Kate’s story in a three-book arc. Yet, reader response and my own journey revealed she is definitely a character with legs. I am currently writing the third book in the series, but Kate is persistently whispering she has a lot more to offer.

Marie, thanks for joining us and best wishes with your continuing series!

Brief Biography:

Marie Sutro is an award-winning and bestselling crime fiction author. In 2018, she won the IBPA Benjamin Franklin Award for the Best New Voice in Fiction, for her debut novel, Dark Associations. Her second novel, Dark Obsessions, was released in April 2022. A member of Sisters In Crime, she also volunteers with California Library Literacy Services.

Her father, grandfather and great-grandfather all served in the San Francisco Police Department, collectively inspiring her writing. Marie resides in Northern California and is currently at work on the next book in the Kate Barnes series.

Hacked and I am so Hacked!

Hacked and I am so Hacked! by Debra H. Goldstein

I woke up recently to a flood of e-mails from friends telling me that my Instagram account had been hacked during the night. Great! I’d wanted to sleep late and now I had to handle the aftermath of being hacked. It was such a little thing. They took my official Instagram name and added a _. I was hacked about being hacked.

Several people wrote that they had reported the hacking. For that, I was grateful, especially because I didn’t know what to do respecting an Instagram hack. Frustrated, I went to the Help section and typed in “Fake accounts.”  Wrong!

Although the articles listed were close, they weren’t on point to someone impersonating me. Figuring the impersonation was key, I typed that in and found directions I could follow. I filled in the form, as required, but balked at having to send a government ID with my picture (what if it was another hack?), but finally did — with my thumb strategically placed to block my driver’s license number (which didn’t keep anyone from learning my address). Having to provide this ID made me almost feel more violated than the hack did. Steam was coming from my ears. Oh, was I hacked!

Then, I realized it was the weekend. I had no idea what time it was where whomever was going to review my report was nor when they would get to it. Being resourceful I went to my Instagram account and tried to post a comment about being hacked. Zilch luck doing that. I needed to post a picture. Okay, next step was typing a hacked message in word, taking a picture of it with my phone, uploading it to my account. TMI and Too Much Time, but it was done.

Messages started coming in that people were appreciative of knowing about the hack and were removing themselves from the new account and taking the hacker, who they now found following them, off as a follower. What an annoyance for all.

I’m hacked at being hacked. Have you ever been hacked? How did you handle it?

 

Back to School Again

Holiday Novella

by Bethany Maines

A New Holiday Novella

Oh my goodness!  COVID down time actually came through for me this year and I have finished, yes that’s right actually finished, the holiday novella I’ve been planning on getting around to for last THREE years.  Way back in 2017 I completed what I would consider a long short story called Oh Holy Night about a graphic designer and a bank robbery that goes badly.  And then I followed that up with the award-winning Blue Christmas the following year.  Blue was about a college student, an adorable French Bulldog and a whole lot of smuggled diamonds. As you can guess from the descriptions, these aren’t the traditional Hallmark Christmas stories.  But they are romantic funny adventures about people who learn to love the Christmas season.

What Christmas Carol is Next?

Winter Wonderland completes the trilogy with a story about Bah-Humbug photographer Marcus Winters and a set designer Larissa “I love Christmas” Frost who find themselves involved in a robbery gone wrong and must solve the mystery of “whodunnit” before Larissa ends up in jail for a crime she didn’t commit.  The fun part about the novella is that it let’s me get back in the mystery writing zone.  And jeez, now I remember why that was hard! The clues, the suspects, the timeline!  Every time I write a mystery, I respect other mystery writer’s even more.

What is the question?

Every book has a question in it that the protagonists are trying to answer. Whether that question is philosophical to themselves and their world or whether it’s something literal like “where’s the money” the question has to be answered in a satisfactory way order to deliver on the promise of the book.  But with a mystery, not only are the protagonists trying to answer the question of “who committed the crime” the reader is too.  And staying a step ahead of the reader and the characters in the story is hard work for a writer. Authors can fall back on several tricks to make the mystery work–choosing when to reveal information, letting information exist on the page without drawing attention to it, deliberately calling out false clues (red herrings!)–but in the end, a mystery only works if the crime is solvable and for that a writer cannot whimsically wave their hand at the end.  An author has to know how, who, where, and why and then, if your me, also toss in a romance, some character development, and hopefully a decent turn of phrase.

It has been fun to venture into the mystery world once again and I’m more than pleased to complete the story that’s been on my to-do list for three years.  I hope that readers will enjoy it too.  Look for Winter Wonderland in November of 2022.

Want to know more about Winter Wonderland?

Click Here: https://bethanymaines.com/romanticsuspense/

PreOrder Here: https://books2read.com/winter-wonderland/

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Bethany MainesBethany Maines drinks from an arsenic mug the award-winning author of romantic action-adventure and mystery novels that focus on women who know when to apply lipstick and when to apply a foot to someone’s hind-end.  When she’s not traveling to exotic lands, or kicking some serious butt with her black belt in karate, she can be found chasing her daughter or glued to the computer working on her next novel. You can also catch up with her on TwitterFacebookInstagram, and BookBub.

 

 

 

 

Hokey Pokey Shakespeare

  by Gay Yellen

I was a shy child who spent a lot of time reading. At twelve, I fell in love with Shakespeare. I dove deep into the leather-bound tomes that lived on a bookshelf in our den. Comedies, tragedies, history plays. They fascinated me.

My favorite was Romeo and Juliet. I read Juliet’s balcony speech so many times, I had it memorized. Alone in my room, I would act it out over and over again.

O Romeo, Romeo, wherefore art thou Romeo?
Deny thy father and refuse thy name
Or, if thou wilt not, be but sworn my love
And I’ll no longer be a Capulet.

Fast forward to college, when I needed one more requirement to graduate: a semester of Shakespeare. Rather than take it during the school year at my alma mater, I opted for a summer course offered by a university in my home town.

That decision almost ruined Shakespeare for me forever.

Instead of teaching us about Shakespeare’s gift with language, or the political tenor of the times, or the nature of tragedy, etc., the professor went on for hours interpreting his characters through an extreme Freudian lens. In every play, he’d point out that a dagger or sword represented the male sexual apparatus, poison stood for the biological exchange of body fluids, and so on. (Please don’t ask me about Desdemona’s handkerchief.)

Of course, Shakespeare plays can be bawdy, sensual, and full of innuendo. But that professor made everything icky. A summer (and tuition) was wasted. At least I got the credit, and I’ve learned a lot more since then, like this:

Shakespeare never meant for Juliet’s “balcony” speech to be delivered from a balcony.

According to a recent article in The Atlantic, that particular architectural construct did not exist in England when the play was written. Nor did the word “balcony” exist in the English language at the time.

Well over a decade after the play was first performed, a British diarist in Italy marveled at something he’d never seen in England: “a very pleasant little tarrasse, that jutteth or butteth out from the maine building, the edge whereof is decked with many prety litle turned pillers, either of marble or free stone to leane over… that people may from that place… view the parts of the City.”

If my old professor had known his history, I’m almost sure he wouldn’t have missed the chance to mention the thing that “jutteth” and “butteth.”

It’s okay to reinvent Shakespeare’s works with spoofs and spinoffs. Many writers have done it, and still do. Shakespeare borrowed from other writers, too.

The other day, I accidentally came across Shakespearean Hokey Pokey, in which punsters attempt to set their own Elizabethan-style lyrics to the tune of the popular children’s dance.

Hokey Pokey Shakespeare could also describe my bizarre Midsummer Night’s Dream experience in that weird professor’s classroom. But if you love The Bard, that’s not what it’s all about.

How do you feel about Shakespeare?

 

Gay Yellen writes the award-winning Samantha Newman Mystery SeriesThe Body Business, The Body Next Door. Coming soon, The Body in the News.