Native Bound Unbound by Juliana Aragón Fatula

Juliana Aragón Fatula, a 2022 Corn Mother, women who have earned accolades for community activism and creative endeavors is the author of: Crazy Chicana in Catholic City, Red Canyon Falling on Churches, winner of the High Plains Book Award for Poetry 2016, and a chapbook: The Road I Ride Bleeds, and a member of Colorado Alliance of Latino Mentors and Authors, and Macondo, “a community of accomplished writers…whose bonds reflect the care and generosity of its membership.” She mentors for Bridging Borders, a Teen Leadership Program for girls. No justice no peace.

Dear Reader,

The month of September for me includes numerous birthdays and my wedding anniversary on September 26th. This year marks my 31st anniversary with my amazing husband, Vinny. Yesterday he called from Wyoming to wish me a happy anniversary from his camp where he is hunting with his brother and nephew. It’s an annual hunting event for him and I consider it my vacation. For forty-five days he scouts, hunts, and harvests his wild game for our freezer. I remain at home to write, revise, and read in the luxury of my home free from distractions like cooking, cleaning, and laundry.

This year I decided to do things differently. I concentrated on doing things my husband normally does: yard work, and house and vehicle maintenance. I wanted my husband to come home to minimal work. I decided to think of someone besides myself.

Normally I would spend the forty-five days writing and ignore everything else like housework, laundry, and shopping. I’d live amongst the fur balls my dogs leave in every corner and on every surface. I’d let the dishes stack up. I’d order out from my favorite restaurants and have the meals delivered after I ran out of clean dishes. I’d wear my clothes inside out when they got dirty and let the laundry stink up the hamper. The vacuum cleaner would stand idly in the closet resting from the puppies’ fur balls. The bills get piled on my desk and go unpaid. The weeds outside would grow to astronomical size and the hedges, and roses go untrimmed and untamed to cover every fence and gate until I am imprisoned in my own yard and my home. I usually keep the curtains closed and live like a mushroom in the dark.

This year is different. Instead of writing, I’m plotting. I’m imagining what my characters are up to and what plans they have for the next book in this series of three mysteries about the Colorado Sisters and their mayhem, murder, romance, and stilettos.

I have been busy trying to keep my social life active for example: I recently drove to Alamosa, Colorado a six-hour round road trip for an interview with Denver Channel Nine. I’m part of the program Native Bound Unbound organized by Estevan Rael-Gálvez, Ph.D.  about indigenous slaves.

My great-grandfather was a genizaro, a slave sold into servitude as a four-year-old Navajo orphan. He was baptized by his adopted parents into the church, taught Spanish, and put to work herding sheep on the ranch owned by the Gomez family. He didn’t speak English, Spanish, or Christian. We’ll never know his name, his people, or his life before he was sold by the Indian Trader, Layfette Head, to the Gomez family as an Indian Captive. The Indian Rolls from 1864 show his name, Jose Antonio Gomez, four years old, Navajo, born in New Mexico, purchased by Jose Gomez in Alamosa.

I drove to Alamosa last week to do the interview for Channel Nine News in Denver. The journalist, Jeremy Jojola, and Corky, his cameraman, and I walked through the cemetery to my great-grandparents’ grave. I said a prayer for delivering me safely from my home to their home, their final resting place. They are buried in the Spanish Cemetery because of their last name, Gomez.  My great-grandfather Jose Antonio Gomez, the Navajo, and my great-grandmother Abrana Jacobs, half Ute from her mother’s side, Abrana Quintana, and European from her father, the Reverend Jacobs, were buried in the Spanish Cemetery.

The interview went off without a hitch even though my new Subaru Forster Wilderness was rear-ended. I took a deep breath and journeyed on and did the interview the best I could. It will air in Denver on Channel Nine on October 11th at 9 p.m.

The program Native Bound Unbound is locating the descendants of these genizaros, slaves, and educating them on their ancestors’ history. I also was recruited through this program to do an interview for Story Corps. These recordings are collected in the U.S. Library of Congress and in their online archive which is now the largest single collection of human voices ever gathered. Stories are broadcast weekly on NPR.  StoryCorps shares select stories with the public through their podcast, animated shorts, digital platforms, and best-selling books.

I met Dr. Rael-Galvez at a conference in Pueblo, CO last month and learned about his amazing research that my great-grandfather is part of and now I am included as one of the descendents. As a Corn Mother, I am learning about my culture, my heritage, and my ancestors. I survived because my ancestors survived and gave me their Navajo, Ute, and Pueblo DNA. I plan on writing a book about my journey and research and the program Native Bound Unbound and the genizaros who survived despite their hardships.

I realize now why I am so brown-eyed, with dark hair and skin. I come from strong, people who never gave up and fought to survive in a world that did not value them as people but as something to be purchased and used for slavery to work the ranches and farms. I have a photo given to me by Dr. Rael-Galvez of my great-grandfather and I see my mother’s eyes in his eyes.  I wish my mother had lived long enough to see the photo of her grandfather; she was born in 1923 and he died in 1921. He was born in 1856 in New Mexico to the Diné, Navajo people, and was buried in Alamosa in the Spanish Cemetery. How ironic. His name will be part of history and future generations will learn about him through the Native Bound Unbound research.

 

Process Delayed Can Still be Progress…of a Sort

By Lois Winston

I’m not someone who immediately jumps into the next book as soon as I finish writing the previous one. My latest Anastasia Pollack Crafting Mystery, A Crafty Collage of Crime, released on June 6th. Other than promotional blog posts, I haven’t written anything Anastasia-related since then. Haven’t even given much thought to the next book beyond the fact that I know I’ll be picking up Anastasia’s story shortly after the recent book ended.

It’s not that I’m tired of writing about my reluctant sleuth or have no ideas. It’s more about a process I’ve found that works best for me. After a book goes off into the world, I devote the next month or so to promotion. Once the flurry of promotion wanes, I give myself permission to clear my head before once again hitting the keyboard in earnest. We all have our process, and I’ve discovered over the years that this keeps me from burning out or developing terminal writer’s block. We all need the occasional vacay, even if it’s only a vacay from the keyboard.

With that in mind, I had set a schedule to start in on serious pondering, mulling, and research the week of August 21st, the day after the Killer Nashville writers’ conference ended. I’d plant butt in chair and fingers on keyboard in earnest September 5th, the day after Labor Day.

Of course, I didn’t factor into testing positive for Covid shortly after Killer Nashville ended. And I certainly didn’t factor in the far from mild case of Covid that broadsided me and still continues haunting me with lingering symptoms. I haven’t felt this tired since suffering through mono when I was nineteen or dealing with an infant who exited the womb never needing to sleep—ever!

About the only things I’ve been able to accomplish when not napping are watching TV and reading, more of the latter than the former, thanks to the writers’ strike and the absence of many of my favorite shows. For someone who has never been a napper, I’m beginning to suspect I harbor some cat DNA. Don’t they sleep about seventeen hours a day?

At least during my daily seven hours of wakefulness, I was able to make a decent dent in my overflowing Kindle virtual TBR pile. For someone used to juggling multiple balls, if nothing else, I’ve achieved a small sense of accomplishment during my illness and recovery.

Not every book I read is worth mentioning. Several fell way short of expectations. However, there were two books that I thoroughly enjoyed: The Book Woman’s Daughter, the follow-up to Kim Michele Rchardson’s The Book Woman of Troublesome Creek, and Kopp Sisters on the March, book 5 in Amy Stewart’s Kopp Sisters series. However, if you’ve enjoyed the other Kopp Sisters books, be forewarned that this book is a bit of a departure from the previous books in the series. Although labeled as a mystery, the mystery element is a minor subplot.

One of the perks of being a published author is getting to read some books before they hit bookstore shelves. I had the absolute pleasure of losing myself in advance reading copies of two books that I highly recommend. If you enjoy women’s fiction, you won’t want to miss the recently released Picture Perfect Autumn by Shelley Noble. It truly is a picture-perfect novel.

If romantic amateur sleuth mysteries are more your speed, you’ll want to read The Body in the News, the third installment in the Samantha Newman Mysteries by The Stiletto Gang’s own Gay Yellen. I was hooked on this series after reading the first book. When I finished this newest addition, I wanted to pick up the fourth book right away. I hope Gay is a fast writer!

What about you? Read any good books lately? Post a comment for a chance to win a promo code for a free download of the audiobook version of Scrapbook of Mystery, the sixth Anastasia Pollack Crafting Mystery.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Peril in Pink: A New Series by Sydney Leigh!!

I’m so excited to share the cover and publication details with all of you for my new book, Peril in Pink, with Crooked Lane Books out March 19th 2024!!!

Anthologies for Fall Reading

by Paula Gail Benson

This fall sees the release of at least four anthologies full of excellent mystery and crime fiction. Here’s a list to check out:

School of Hard Knox. Fourteen authors try to break one of more of the ten rules Reverend Monsignor Ronald Knox called “necessary to the full enjoyment of a detective story.” Crippen & Landru Publishers, released August 31, 2023, with introduction by Jeffery Marks, and stories by Donna Andrews, Frankie Y. Bailey, Nikki Dolson, Martin Edwards, Greg Herren, Naomi Hirahara, Toni L.P. Kelner, Richie Narvaez, Gigi Pandian, S.J. Rozan, Daniel Stashower, Marcia Talley, Art Taylor, and Peter Lovesey.

Never Whistle at Night: An Indigenous Dark Fiction Anthology. Amazon characterizes the anthology as “a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.” Vintage Press, released September 19, 2023, edited by Shane Hawk and Theodore C. Van Last, Jr., with stories by Norris Black, Amber Blaeser-Wardzala, Phoenix Boudreau, Cherie Dimaline, Carson Faust, Kelli Jo Ford, Kate Hart, Shane Hawk, Brandon Hobson, Darcie Little Badger, Conley Lyons, Nick Medina, Tiffany Morris, Tommy Orange, Mona Susan Power, Marcie R. Rendon, Waubgeshig Rice, Rebecca Roanhorse, Andrea L. Rogers, Morgan Talty, D.H. Trujillo, Theodore C. Van Alst Jr., Richard Van Camp, David Heska Wanbli Weiden, Royce Young Wolf, and Mathilda Zeller.

 

Prohibition Peepers: Private Eyes During the Noble Experiment. Stories set during and immediately after prohibition, Down & Out Books, to be released September 25, 2023, edited by Michael Bracken with stories by Michael Bracken, Susanna Calkins, David Dean, Jim Doherty, John M. Floyd, Nils Gilbertson, Richard Helms, Hugh Lessig, Steve Liskow, Leigh Lundin, Adam Meyer, Penny Mickelbury, Joseph S. Walker, and Stacy Woodson.

Happiness is a Warm Gun: Crime Fiction Inspired by the Songs of the Beatles. The sixth anthology edited by Josh Pachter based on songs or movies. Down & Out Books, to be released October 16, 2023, edited by Josh Pachter with stories by English authors Martin Edwards, Paul Charles, Vaseem Khan, Christine Poulson, Marilyn Todd, Kate Ellis, and Tom Mead and American authors John Copenhaver, Michael Bracken, John M. Floyd, David Dean, Joseph S. Walker, Robert Lopresti, and a collaboration by Dru Ann Love and Kristopher Zgorski.

The Forgiveness of Whales—T.K. Thorne

Until recently, scientists thought humans were the only species with the specialty brain neurons responsible for higher cognitive functions like self-awareness, a sense of compassion, and language.

They were wrong.

Fifteen million years before humans, whales began evolving these special glial cells, and now a strange phenomenon is occurring off the Baja coast of Mexico.

Humans have been slaughtering Pacific whales there for a long time, first with harpoons, now with sonar from Navy ships. Whales live a long time, up to a hundred years. Some whales alive today still bear the scars of harpoons. Many scientists believe that it is implausible to think the whales do not remember this or associate humans with death and anguish.

Yet, in the same area where humans hunted them nearly to extinction, then tortured them with sonar, whales are approaching humans and initiating contact. A  N.Y. Times article detailed the experiences of the reporter and the stories of locals who tell about mother whales approaching their boats, sometimes swimming under it and lifting it, then setting it gently down. Almost all the stories involve the whale surfacing, rolling onto its side to watch the humans–reminiscent of the surreal moment in the movie, Cast Away, when a whale rises from the night sea to regard Tom Hanks with an eye cupped with starlight, an eerie intelligence, and a gentleness that moves us, for we know the massive creature could kill the castaway with a nudge or a flick of a tail fluke.

These real grey whales off Baja swim close enough that people invariably reach out to touch them, and they allow it. One person, reflecting on the experience said, “I have never felt more beheld.” It seems reasonable—given the position the whales place themselves in—that they seek the contact. In many cases, a mother whale will allow her calf to do the same. There is no food involved in these exchanges, only a brief interlude of inter-species contact and rudimentary communication:  I come as friend.

Why?

Where will humans be in another hundred years? I suspect we will be technologically advanced, but emotionally pretty much the same, even in a thousand years or ten thousand.

But what about a million years? Ten million? Can we evolve (if we survive) to a more sane, more rational, more loving species with a broader sense of our place in the universe and in life itself? Is it possible that these creatures with 15 million years of intelligent evolution on us, might regard us as a young species, children who don’t really know better,  and grant us leeway for our mistakes? Grant us . . . forgiveness?

We have a need for that forgiveness, not only from our treatment of whales, but of each other. We have enslaved, tortured, raped, and slaughtered each other. We have recklessly used the resources of our planet.

Yet I read about humans risking their lives to free whales trapped in nets.

People offering aid to neighbors. . . to strangers.

Teachers, nurses, and soldiers whose daily life is one of giving.

We have much need for forgiveness, yes, but we are capable of great acts of cooperation, of kindness, love, and sacrifice. Perhaps that is what the whales see in us when they watch us use our clever hands to free them from heavy rope nets, nets that we have left carelessly in their domain, as children leave their toys strewn across the floor.

Even whales have enemies, and they do not hesitate to defend themselves when attacked and even take the battle to the enemy. Humpbacks have been observed  defending not only their own against attacks of orcas, but other mammals, other whales, sea lions, fur seals or walruses. Interestingly, they only attack mammal-eating killer whales, not orcas that primarily feed on fish.

Perhaps they understand that—like the orcas—all humans are not the same.

Perhaps they are waiting for us to become our best selves, believing, or hoping we will evolve into worthy fellow creatures on this blue-and-cream jewel that is our world.

Our survival may depend on it.

T.K. Thorne writes about what moves her, following a flight path of curiosity, reflection, and imagination.

My Rare Pink Rocks

By Barbara J. Eikmeier

For many years I collected sea glass. I filled a small jar with pieces from beaches in Hawaii and California. It took a long time to fill my jar. Imagine my surprise when my sister took me to Glass Beach in Fort Bragg, California. I felt like there was more glass than sand on that beach. It made my humble collection look, well, humble.

In my yard in Eastern Kansas sit two pink boulders and several lesser boulders. They were excavated when the house was built in 1992. They are probably rose quartz although I hear people call them pink granite (mine don’t look like granite.) They are unique to my area of Kansas, and I see them in neighbors’ yards too. I’m not a native Kansan but have been told these pink rocks were a gift from Minnesota, brought down during the ice age. When the ice receded, the big rocks were left behind.

Visitors from out of the area have been known to covet my pink rocks, in fact at least two visitors collected smaller samples from my property to take home with them.

When the utility company trenched across our yard to replace a gas line, they unearthed more pink rocks. The evening before the trench was to be filled in, I claimed those pink rocks. With my husband’s help we rolled the biggest and pinkest of them down the hill, laughing all the way, to the spot where the driveway leveled out. Then we got our piano mover, which is not really a piano mover, but it works like one, (I bought it at an estate sale for fifty cents!) We rolled those big rocks onto that platform and wheeled them to select locations in the gardens. The new rocks are a fraction the size of my big pink boulders, but they still weighed a ton!

I’ve been basking in the glory of owning such rare and special rocks for years.

I’m writing this post while on a road trip with my husband. We spent two days in South Dakota where pink rocks are everywhere.  Apparently, my pink rocks may have been a gift from South Dakota instead of Minnesota.

Near Sioux Falls, South Dakota there is a huge quarry with a giant heap of pink rocks.

Further west I noticed them used for landscaping at rest stops along Interstate 90. Heck, in some sections, Interstate 90 itself glows pink because it’s made of crushed pink stone mixed with the asphalt. When we stopped, I checked. I could see the bits of pink rock.

The driveway in the campground we stayed at was made of crushed pink rock. I picked up two heart shaped stones for my granddaughter. I stopped at two, but I could have found 100, all pink, all heart shaped!

And the greatest shock of all, to me anyway, was pink rocks on the edges of the train tracks.

It feels like Glass Beach all over again!

Have you ever discovered that your rare collection isn’t so rare after all?

Barbara J. Eikmeier is a quilter, writer, student of quilt history, and lover of small-town America. Raised on a dairy farm in California, she enjoys placing her characters in rural communities.

Woman of the Year

Woman of the Year

By Saralyn Richard

 

I found out in April that the Galveston Regional Chamber of Commerce would be celebrating me as a Woman of the Year for 2023. The announcement, broadcast live on social media, came as a total surprise—overwhelming to this day. The honor entails participating in an all-day video production, inviting family and friends to accompany you to the Women’s Conference (held on September 15), going up on the stage in front of 1500 people to receive the award, and lots more.

As an educator, I always considered myself a star-maker, rather than a star. I revel when my students receive accolades or limelight, but I’m not all that comfortable receiving them, myself. I’ve struggled with the idea of whether I’m worthy of all this attention.

Over the past four months I’ve given a lot of thought to this and similar issues, and I’ll tell you what I’ve concluded. But first, some background. I was born and raised in Galveston. After college and marriage, I moved to St. Louis and Chicago, where I practiced my profession and learned a lot about life. One of the things I always preached to my students was to give back to the communities that they came from. I poured a lot of time and effort and care into the communities where I worked, but, in the back of my mind, I thought, what about Galveston?

When my husband and I were exploring possible places to live in the future, Galveston called to me. I wanted to be part of the community where I grew up. I wanted to volunteer in ways that would make a difference. Fortunately, everything aligned to make that happen, and we moved here in 2005. Since then, I’ve had interesting jobs, met fascinating people, and volunteered here and there in places that stole my heart. I never expected to be recognized—I was happy contributing to my community.

So that brings me to the Woman of the Year award, for which I am eternally grateful and a little uncomfortable accepting. My ruminations, though, have led me to believe that the award creates a valuable opportunity for reflection and evaluation. It has caused me to embrace all that is precious in the way I spend my time, and it’s given me motivation to recommit to my goals and mission, to live up to the standard of those who were honored before me, and to set an example for those who follow.

I also believe there aren’t enough awards given to worthy women. There are so many wonderful angels who give freely of their time and energy to help others. If you are reading this, you are probably one of them. So I want to share my award with you, Woman of the Year. If we all set our sights on making a difference, we can really change the world.

Award-winning mystery and children’s book author, and BOI (born on island), Saralyn Richard, is also an educator whose journey has taken her to schools in St. Louis, Chicago, and all over the country. Her books, Naughty Nana, Murder in the One Percent, A Palette for Love and Murder, Crystal Blue Murder, Bad Blood Sisters, and A Murder of Principal, have garnered many awards, reviews, and fans.

Saralyn and her husband Ed moved back to Galveston in 2005 with the express intent of serving the community by working and volunteering with various meaningful organizations. Saralyn worked for the Galveston Independent School District, the Southern Regional Education Board, the Osher Lifelong Learning Institute, The Friends of the Rosenberg Library, The Grand 1894 Opera House, and others.

Years ago, Saralyn was a founding member of the Book Nook committee of the Galveston Regional Chamber of Commerce Women’s Conference. The Book Nook is a group of authors who are strategically selected each year to provide mentorship and support for other women who aspire to write and publish books.

 

 

A New Story

by Paula Gail Benson

As I celebrate my birthday this week, I’m also partying about a new story being published in A DEATH IN THE NIGHT by Dragon Soul Press. The anthology, released on August 30, 2023, contains eleven tales of assassins, which, as described on Amazon, may be about persons who are well paid, who are paying a debt, or who are being blackmailed. Each hired gun faces a unique journey. Some need to be wary of becoming too close to their marks.

The following authors’ stories are featured in the anthology: Victoria Azzi, L.N. Hunter, Charles Kyffhausen, Barend Nieuwstraten III, Fulvio Gatti, Edgar Mahaffey, Gray Stanback, Hennifer Strassel, Douglas Allen Gohl, Frank Sawielijew, and myself.

My story, “Crossfire in the Crosshairs,” occurs in the pandemic and involves a single mother working as an assassin to support her pre-school aged, precocious daughter. As mentioned in the narrative, “Assassinations remain essential services during Covid.” Chelsea Lebouef, the mom, is tasked to slay a famous cellist, hopefully managing to spill some blood on his instrument to heighten its value. She learns there will be multiple shooters to handle the job, but not until she makes arrangements for her daughter’s care and arrives on the job does she realize her competitor is her ex-husband.

I hope you’ll check out my story and the others. Dragon Soul Press has been a great company to work with and has supplied a lot of beneficial materials for promotion. (Notice the great banner above!)

Here’s a link to purchase on Amazon. Happy my birthday, everyone!

BOOK LAUNCH NUMBER TWO AND THE TERRIFYING SPECTRE OF SPEAKING ON A PANEL AT BOUCHERCON/23––and that’s not all…

Bouchercon Update!

I missed the blog last month due to a technical error on my part … so here are two blogs in one! Might be fun actually, as I have now just returned from Bouchercon and can give a report. The expectation and the realization!

It was terrific—and my panel was fun, I made it through and enjoyed it.

The Debut authors’ breakfast was a blast. And may I say, the breakfast was delicious, although I was too nervous to eat much.

A Nice Place to Die was available at the bookstore and sold out. That was worth the trip right there.

But really, one of the most fun things is meeting and sometimes becoming friends with fellow authors. I met Ann Cleeves briefly and she was very gracious. I got a picture with her. That’s it, but I now consider her one of my very best friends.

I did spend some time with the  fabulous Iona Whishaw, Canadian readers  know her well…

And the charming S.M. Freedman, we enjoyed the Awards banquet together. And Caro Ramsey, a Scottish writer of mysteries and suspense, she was terrific and we plan to keep in touch. I was able to reconnect with good friends I’d met before; Judy L. Murray, Lane Stone, Sharon Lynn, just to name a few.

And Shawn Reilly Simmons, my editor, and award-winning author herself.

AUGUST BLOG IN SEPTEMBER

I leave for Bouchercon in a week or so and it’s an exciting prospect. I attended once before In Tampa. I was already in Florida at the time with my husband and decided it was worth the extra expense. As we climbed the steps to the host hotel to register, Ian Rankin walked by reading a guide book. And that about sums the experience up for me. You get to meet your author favourites, listen to wonderful educational sessions on writing, and oh yes, meet people at the bar!

That first time I knew no one. I had the name of an author through a friend and I contacted her, not expecting much. But Marcia Talley was astonishing and friendly and welcoming. I met Sujata Massey, Deborah Crombie and countless others over coffee and at events.

I sat one table over from Lee Child, and extricated the wonderful Lisa Scottoline from an ardent fan. It really was a fabulous experience.

This year I’m going again, this time to San Diego as a published author!

I’m a fairly new writer, compared with my terrific colleagues on the Stiletto Gang, who are all well known and have published many wonderful books across all genres. This time I applied to be on a panel. I don’t know the ins and outs of how to get chosen, but in my request I tried to be flexible to different panel ideas but clear that I needed to know something about the subject.

And so, what was that, my subject? What did I know something about? Murder? Well that might not set me apart and help me get a spot on a panel—what with it being a murder/mystery convention and all. I had to dig deeper.

What did I love writing about—apart from murder? What could I bring to a conversation that might make an interesting panel for readers and other writers?

One of the things I realized from talking to readers who bought and enjoyed my book was their interest in the setting, Belfast––and there you have it. Ireland, north and south.

I was surprised at the number of people who expressed a desire to visit Belfast. Once the death knell for a book or writer, famously and forever connected to ‘The Troubles,’ now miraculously rising from the ashes to become, dare I say it, a favourite tourist destination. We even have cruise ships stopping by with tourists dandering around a city they once watched on the news, with reports of explosions and gunfire all over the place.

But The Troubles are not the focus of my books, because that’s not what my stories are about. They’re about people who are caught in difficult circumstances. About love and hate and jealousy and finally, murder. All in that wonderful setting. Gloomy and sunbright in turn. Rain and wind, blue skies and gorgeous deserted beaches. And that’s what I asked for. I wanted to talk about writing a story set in a country I was born in and love, but no longer live in. How memory and longing play into shaping a book and the characters who populate it. And miraculously I got the word! Yes, a panel. Scary but exciting.

TRAVEL BY THE BOOK: MYSTERIES SET IN OTHER COUNTRIES. Saturday Sept 2 at 8:55am. Please come and listen if you’re at the convention. Should be fun.

Now let me tell you all about the Bouchercon Debut Authors’ Breakfast… Kidding, I’m kidding.

Blood Relations Cover

Blood Relations Cover

And a note about the launch of my second book. BLOOD RELATIONS. It’s due out in The US in August. Here’s a link to Amazon, but you can look for both books, #1: A NICE PLACE TO DIE and #2: BLOOD RELATIONS, at most fine on-line retailers too.

A Nice Place to Die and Blood Relations.

A Nice Place to Die and Blood Relations.

Blood Relations, A DS Ryan McBride Mystery Book #2
Twitter:  @JoyceWoollcott 

Buy the book.

Movie Making

Movie Poster for Suzy Makes CupcakesLet’s Make a Movie!

I’ve have often been told that I write “cinematically”.  I don’t know what that means exactly, but like most writers I’d love to have a movie made of one of my books. And for the past few years, I’ve been experimenting with writing scripts. I took a seminar on how to flip novels into scripts, bought a few books and worked on what are known as “spec” scripts.  Scripts that no one has commissioned, but you feel like writing anyway. I find that concept hilarious.  No one calls a writer’s unpublished novel a “spec” novel.  Although, I suppose that it is. I find the script writing process interesting, the format challenging, and the idea that I could see my work on the big screen exciting.

What I’ve Learned

Along the way I’ve found out some interesting things.  I’ve also found that a novella is about the perfect length to make a TV length movie.  A full novel is… a lot.  Which makes me even MORE impressed with those adaptations that managed to be something great or even come close to capturing the flare of the original novel.  For instance, I believe Brian Helgeland and Curtis Hanson who adapted LA Confidential  has earned a place in screenwriting heaven–James Ellroy’s novel was massive, sprawling and noir to the bone.  The movie managed to condense it down and make it acceptably noir to audiences (which is to say we had characters that we actually liked).  If you haven’t seen–go watch it.  If you haven’t read it… meh.  Only read if you like (well-written) dark heart of humanity stuff where no one is an actually good person.

I’ve also begun to question whether anyone in Hollywood actually reads.  With novels, an author finds a beta reader(s) to critique the book and then we polish it up.  After that we send off a synopsis and blurb and maybe a few pages to an agent or publisher, who probably has the intern vet the submissions (completely reasonable).  If it ticks their boxes they ask for the complete manuscript and read it.  With movies… You pitch something to someone (if you know the someone) based on a logline.  And if they like it you send in a one sheet with the blurb or synopsis and pitch it MORE.  But to get someone to actually reads the full script and give a critique or edits?  For that you have to submit to a contest or pay someone.  So novels have a more clear cut path forward and movies are a bit… scrap it out and hope you get lucky.

Successes so Far

But… I did get lucky! Through the help of a random friend on Twitter (or whatever it’s being called this week) I sold a script based on my short story Suzy Makes Cupcakes.  It is currently making the festival circuit and picking awards and nominations as it goes.  And now I have a credit on IMDB (Internet Movie Database).  How crazy is that? Suzy won’t be available to watch by the general public until next year, but if you want to read the story it was based on, you can check it out in Shotgun Honey: Recoil.

Have I learned anything else?

I’ve learned that movies are far more collaborative than I even pictured.  I’ve learned that an actor can make something I wrote absolutely sing.  And I’ve learned that watching having something I wrote exist outside my head is a little bit trippy.  And I can’t wait to do it again.

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Bethany Maines is the award-winning author of action-adventure and fantasy tales that focus on women who know when to apply lipstick and when to apply a foot to someone’s hind end. She participates in many activities including swearing, karate, art, and yelling at the news. She can usually be found chasing after her daughter, or glued to the computer working on her next novel (or screenplay). You can also catch up with her on TwitterFacebookInstagram, and BookBub.