Always the Season for Kindness

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By Saralyn Richard

Photo courtesy of Jasper Garratt and Unsplash Free Photos

When I was an English I teacher, I assigned my students a “Day of Kindness” paper, based on the Shirley Jackson short story, “One Ordinary Day, With Peanuts.” The resulting papers and speeches led to a powerful discussion of good and evil, and how doing good deeds made the world a better place, even for the giving party.

That same concept of good vs. evil is basic to most mystery novels, including the Detective Parrott mysteries. Parrott, like most real-life law enforcement officers I know, chose the profession because he wanted to seek truths, right wrongs, administer justice, and bring a measure of peace and closure to victims and their families.

Sometimes his is a thankless job. The person most grateful for Parrott’s solving a crime might be the deceased victim. But Parrott finds satisfaction in his role, whether he is turning up evidence to prove someone’s guilt or someone’s innocence. In either case, he is protecting the community.

Parrott can be tough when he needs to, but underneath it all, he’s a kind and caring human being. Over and over again, readers see the kindness and compassion he shows to his wife, his mother, his boss, and even his suspects.

Fortunately, we don’t have to be detectives to follow Parrott’s example. We can show kindness at this season, and in every season. Anyone who’d like some fresh ideas for acts of kindness to perform might check out this list.

If you’re inspired to do a good deed by this blogpost, I’ll ask you, as I asked my students, what did you do, whom did you help, what reaction did you receive, and how did the experience make you feel? I hope you agree—it’s always the season for kindness.

Saralyn Richard writes the Detective Parrott Mystery Series, two standalone mysteries, and a children’s book narrated by her Old English sheepdog, Nana. To learn more about her, click here.

Growing as a Writer: My Trek Down Memory Lane

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Author Donnell Ann Bell

By: Donnell Ann Bell

Years ago, when I left my newspaper job and turned to fiction, I was forced to become educated in a short amount of time. I also can assure you during that period, the self-assured nonfiction writer was humbled (Please note:  I’m already pretty humble!).

WHAT I LEARNED:

There is a huge difference between fiction and nonfiction.

In journalism we’re taught not to editorialize, even when we are outraged, the topic turns personal, or we are particularly moved. While in fiction, we’re encouraged to do the opposite. Develop interesting characters, express their points of view, and show emotion on the page. Whether you’re writing science fiction, historical, fantasy, mystery, romance, the list goes on, in fiction, if your reader can’t relate to your character (or to put it bluntly—couldn’t care less), you’ve lost your reader.

To stress my point, as a new fiction writer, I once entered a contest in which New York Times Bestselling Author Suzanne Brockmann was my judge. She scribbled on my entry the following words, and trust me, she got her point across. “You write well BUT HOW DO THEY FEEL?”

There’s this thing called genre

Quite soon after I switched to fiction, I was told I should join a local writing group. To become a member, however, I would need to join the parent organization Romance Writers of America®. Both organizations during my tenure were stellar, and I credit both with my early fiction education. During my time with Pikes Peak Romance Writers, I attended something known as Open Critique (an avenue provided to writers not in a person’s regular critique group to provide fresh insight.) Here, I discovered another anomaly about fiction.

Fiction is broken into genres. To complicate matters, subgenres are often attached to the genre, oftentimes subs attached to the subgenres! On one Sunday afternoon, I submitted my perfectly written chapters, waited for the accolades, only to be met by the confused faces of my peers. “Why is this person skulking about? Who is he, and why should we care?” the OC leader demanded.

“I’m writing a mystery,” I stammered. “I can’t tell you that yet.”

That’s when I learned I was surrounded by romance writers who didn’t read my favorite genre. Further, they obviously couldn’t relate to what I was writing. One by one, in a chorus of agreement, members of the critique group asked me to explain upfront what my character was up to. Hardly conducive to my mystery plot. Imagine in The Cask of Amontillado, if Montressor had to reveal his plans for Fortunato in Chapter One. Edgar Allan Poe’s distinguished career would have been short lived, indeed!

Fortunately, I found a romantic suspense chapter in RWA® and remained in that group for many years.

But then I learned . . . .

Genres and subgenres evolve.

Much like society, authors change their mores and preferences. Romantic Suspense, which I enjoyed writing (and still do), began heating up the pages. Readers obviously adored the added sizzle, and publishers and their marketing departments noticed. Management conveyed those statistics to their editors. Editors spoke to the agents, and naturally my agent listened closely.

She asked me to spice up my unpublished novel, which back then was winning awards. The unpublished title was Walk Away Joe, and as an aspiring author who wanted to sell, I did my best.  Unfortunately, I found I didn’t enjoy writing hot and steamy; I preferred suspense. Don’t get me wrong, if my book called for a sex scene, I was all in. I just didn’t enjoy writing copious amounts of it. Further I don’t do gratuitous anything—whether it be violence or sex.

Around this time, my agent and I parted ways. By then, my second unpublished novel, DEADLY RECALL Deadly Recall | Romantic Suspense Thriller | Author Donnell Ann Bell, finaled in a major contest, and I queried BelleBooks, who is my publisher to this day. Pat Van Wie bought the book and would become my first editor. Still, in my editorial letter she told me to get rid of so much sex. We’re buying you because of your suspense. Not very flattering about the added sex scenes I’d worked hard to include. But truth be told, I was vastly relieved.

Walk Away Joe became THE PAST CAME HUNTING. It still includes a couple of sex scenes, and the chapters are loaded with romance and sexual tension. In my opinion, though, I left the critical scenes that belong in the book.

Years have passed since my debut book was published, but it remains one of my most popular books. And . . .  as it turns out my publisher has put it on sale for .99, but the sale ends tomorrow, November 15! So, if you’re interested, grab yours quick!

These days I belong to Sisters in Crime, Mystery Writers of America, and International Thriller Writers. My editor is Debra Dixon, one very smart woman and the touted expert on Goal, Motivation, and Conflict. I write task force suspense and single title romantic suspense and my learning trek continues every day.  https://www.donnellannbell.com

As I close out this blog, I’m curious about my fellow Stiletto Gang authors and others who may be weighing in. Was your journey anywhere close to mine? What early lesson(s) did you take away that led to what you write today? In other words, how have you grown as a writer?

Till next time!

 

Creating (and Eliminating) Secondary Characters by Judy Penz Sheluk

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Delighted to welcome Judy Penz Sheluk as my guest this month. The characters in her books are always so realistic and fun that I was thrilled she picked them to talk about. Enjoy! – Debra

Creating (and Eliminating) Secondary Characters by Judy Penz Sheluk

Several years back I had the pleasure of attending an event that featured Giles Blunt, author of the much-lauded Detective John Cardinal mystery series (if you haven’t read him, or watched the TV series, Cardinal, based on his novels, you must). At one point in the evening, an audience member asked Blunt why he’d killed off Cardinal’s wife, Catherine, in By the Time You Read This, the fourth book in the series. Blunt had laughed and then said, “Truthfully, I got tired of writing about her.”

Maybe it’s “fourth book syndrome,” but I felt the same way about the cast of secondary characters I’d created for my Marketville Mystery protagonist, Calamity (Callie) Barnstable as I started to write Before There Were Skeletons.

If you’re not familiar with them, they included: Misty Rivers, a self-proclaimed psychic; Chantelle Marchand, Callie’s best friend, also a personal trainer and budding genealogist; and Shirley Harrington, an archives librarian. All three of them served important roles (with varying degrees of involvement) in the first three books, but with the last book (A Fool’s Journey) released in 2019, it just seemed to me that by 2022 their lives would have changed.

Of course, I didn’t ditch them without a mention—that would be unfair to the characters, as well as to followers of the series—and unlike Blunt, I wasn’t ready to kill them off. After all, I might want to bring one or more of them back some day. And so, I gave Misty a very small, but important role, allowed a glimpse into Chantelle’s new life, and retired Shirley (literally), sending her to winter in Florida (hey, she’s Canadian and snowbirds love Florida).

Dispatching those characters felt liberating, but it also left me with a hole to be filled. Enter a tech-savvy twenty-four-year-old woman currently employed as a waitress at her stepbrother’s diner, Eggstravaganza, and, thanks to an ex-boyfriend who drained their joint bank account, is also living in an apartment above the diner.

What this new character lacks in investigative experience will be made up for in her enthusiasm to learn from Callie while doing boring grunt work, like digging through newspaper archives. This works well in two ways: it frees Callie up to tackle more interesting avenues, and since the story is told from Callie’s point of view, I can also spare readers the tedium of the archival research.

In addition to creating a past and a present for my new character, however, I also needed to come up with a name. I had the last name, Hopkins (in homage to a late friend), but hadn’t quite come up with a first name. And then, while reading the closing credits of Yellowstone, I spotted the name Denim Richards (a fabulous actor who portrays ranch hand Colby Mayfield).

Denim Hopkins, I thought. No reason Denim couldn’t be female. In fact, it was perfect. And her half-brother, the one who owns the diner? Levi, of course. As Denim explains to Callie, “I guess you could say my mama liked the blues.”

Early readers of Before There Were Skeletons seem to like Denim, and as an author, I can envision several directions to expand on her role in the future. What those directions are, only time, and my imagination, will tell.

 

About Before There Were Skeletons: The last time anyone saw Veronica Goodman was the night of February 14, 1995, the only clue to her disappearance a silver heart-shaped pendant, found in the parking lot behind the bar where she worked. Twenty-seven years later, Veronica’s daughter, Kate, just a year old when her mother vanished, hires Past & Present Investigations to find out what happened that fateful night.

Calamity (Callie) Barnstable is drawn to the case, the similarities to her own mother’s disappearance on Valentine’s Day 1986 hauntingly familiar. A disappearance she thought she’d come to terms with. Until Veronica’s case, and five high school yearbooks, take her back in time…a time before there were skeletons. Universal Book Link: https://books2read.com/u/mqXVze.

 

About the Author

A former journalist and magazine editor, Judy Penz Sheluk is the bestselling author of two mystery series: The Glass Dolphin Mysteries and the Marketville Mysteries. Her short crime fiction appears in several collections, including the Superior Shores Anthologies, which she also edited.

Judy is a member of Sisters in Crime, International Thriller Writers, the Short Mystery Fiction Society, and Crime Writers of Canada, where she served as Chair on the Board of Directors. She lives in Northern Ontario on the shores of Lake Superior.

 

Photo (if you choose to use it) is of Denim Richards, the inspiration behind the name of Denim Hopkins.

Reinventing the Wheel

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For my fifth Nikki Garcia mystery, Nikki’s brother, Andy, is introduced as a character. He’d been mentioned in a couple of earlier Nikki novels, but this is his debut as a living, breathing character. Andy is a sleep researcher, studying the deep-winter sleep of black bears, and torpor, shorter periods of hibernation, in squirrels and chipmunks. In other words, it’s a subplot on mammal hibernation.

In the novel, Andy hypothesizes that our ancient ancestors, being mammals like bears, slept through the winters to lower their metabolism and conserve energy. He figured that if he were a barefoot Neanderthal, he’d find a cozy cave to curl up in, maybe even next to a family of bears. After all, the Pleistocene era, or last ice age, ended 11,700 years ago. It lasted for 2.6 million ultra-frigid years.

If human ancestors, Andy theorizes, could wake up in springtime, they would find that ice on rivers and streams had melted for easy consumption, berries were available on bushes for families to feast on, and the weather was far more tolerable on their feet.

I felt like a scientist! I’d discovered a theory for Andy to work on. Up to that point, I had not researched hibernation in humans, current or ancient.

I did a bit of research and guess what? I’d reinvented the wheel. In fact, an article in New Scientist described researchers working on ways to place astronauts into hibernation while they are flying to Mars and beyond. Space travel would be so much cheaper and easier if energy, food, water, and boredom could be conserved through deep sleep for long-distance space travelers.

Scientists based their true-life studies of futuristic hibernation on findings in the bones of early humans in northern Spain that showed inconsistent bone growth throughout the year. The skeletons of bears show the same inconsistency due to their hibernation.

Now I must re-focus and re-write Andy’s work. He’s still going to be a sleep researcher because he’s motivated by his wife’s sleepwalking.

I’ve just started this new Nikki mystery and I’m already loving it. Also, it’s set in the mountains of northern New Mexico, where Andy finds lots of bears sleeping in caves.

***

I might fly to Mars if I could sleep most of the way!

Kathryn Lane writes mystery and suspense novels and draws deeply from her experiences growing up in a small town in Mexico as well as her work and travel in over ninety countries around the globe. Her award-winning Nikki Garcia Mystery Series features a strong female protagonist whose private investigative work often takes her to foreign countries.

Photo Credits:

Reinvent the Wheel – Pinterest

Sleeping Bear – Atapuerca article, La Vanguardia

Neanderthal – Neanderthal Museum, Mettmann, Creative Commons

European Space Agency astronaut sleeping in Bag – European Space Agency

 

 

WHICH IS MY FAVORITE?

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I’m often asked which of my books is my favorite, and I can never answer directly. It’s like picking one of your children over the others. I love every book for its unique qualities, its characters, its relationship to my own life. BAD BLOOD SISTERS is my first book set in my hometown, on an island on the Gulf Coast. The main character, Quinn McFarland, struggles with issues of identity, friendship, and betrayal. The whole story is told through Quinn’s point of view, so we get to know and care about her deeply. Also, I wrote the book during Covid lockdown. Quinn’s story occupied my whole life, day and night, for almost a year, and I still think of her often. Quinn might be my Scarlett O’Hara.

NAUGHTY NANA, a children’s picture book, is narrated by my real-live Old English sheepdog, Nana, whose puppyhood was fraught with mishaps in the extreme. My first foray into the world of writing, NAUGHTY NANA introduced me to an illustrator, an audience, public appearances, and all the joys of connecting with readers. Having Nana by my side throughout this adventure has been a spectacular privilege. Nana could be my Curious George—in the book and in real life.

 

A MURDER OF PRINCIPAL might be my most personal novel, since it is set in an urban high school in the Midwest. I served as an educator in several such schools—they were my homes away from home. I do a lot of research for all of my books, but I did the least amount of research for this one, because my own experience and expertise carried me through most of the story. Assistant Principal, Sally Pierce, who resembles me in a few ways (but is overall purely fictional), is a fascinating amateur sleuth, and R.J. Stoker, the renegade principal who brings unwanted changes to Lincoln High School, is one of my favorite all-time characters.

 

And then I must consider the three books in the Detective Parrott Mystery Series. MURDER IN THE ONE PERCENT, A PALETTE FOR LOVE AND MURDER, and CRYSTAL BLUE MURDER. Each of these is also my favorite. Set in the elite countryside of Brandywine Valley, where many of America’s wealthiest and most powerful live, each story is different (and can be read as a standalone), but each brings a new slant on human nature, particularly as it’s affected by money and material things. The main character, Detective Oliver Parrott, is an outsider in the community, which gives him the unique ability to see through the roadblocks thrown at him by the one percenters, who protect their secrets and their turf at all costs. Detective Parrott, despite being young and inexperienced, is a fully-realized agent for truth and justice, and his personal life, including relationship with fiancée (and later wife) Tonya, adds depth and humanity to the stories.  Parrott is a wonderful human being, someone who whispers in my ear, commenting on social issues, even at times when I’m not writing him. Parrott is my Hercule Poirot, Sherlock Holmes, or Harry Bosch.

Is there a book you’ve read (or written) where you felt galvanized by the main character?

 

Galveston Author Saralyn Richard

Visit my website here for more information, to order autographed books, and to subscribe to my monthly newsletter,

The Fallen Man Release

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by Bethany Maines

The Fallen Man Release!

Next week sees the release of the fourth book in the Deveraux Legacy series – The Fallen Man. I suspect that each author picks their projects based on something in the story that they want to explore. For me this series started out as an exploration of why the broody, possessive, and sometimes abusive, “alpha” males are still getting plenty of romance novels written about them. The first, and most obvious answer is that they’re fictional. Like Vegas, the things that happen between the covers of a book, stay in the book. I suspect that a lot of people who enjoy those characters in fiction, would not appreciate those behaviors in real life.

How Did We Get Here?

I read one romantic comedy where the hero broke into her apartment with three other guys and relocated all her things to his house. Not surprisingly, for fiction, she didn’t call the cops. In real life, that’s a quick trip to the nearest police station. Also, did he manage to get her rice cooker? She had roommates—how did he know what furniture was hers? And did he rummage through her drawers and see any… toys? Inquiring minds want to know. Then there are the “dark romances” where the heroines somehow manage to get kidnapped, forced into marriage, or held hostage and still fall in love with their captors. I mean, Stockholm Syndrome is real, but… ladies! Come on!

I also wonder how similar these romances are to the crime thrillers, where women inevitably end up raped and murdered while the broody hero solves the crime. In both genres, it seems like perhaps the reader gets to control the abuse and trauma that is quite frightening in real life.

I’m Fun! I Swear!

All of which makes my series sound like a real downer when, in fact, it is an action-packed family saga. But my characters did grow from this space of pondering fictional traumas. In each book of the series, one of the Deveraux cousins struggles with their family’s past legacy of trauma and attempts to make peace with it. And, oh, dodge some killers, solve a mystery, and, of course, find love. Hopefully, none of my readers are out there thinking… “Call the cops! He’s a nutter!”

What do you think? Are the alpha-hole “heroes” still fun to read? Or have we reached a different standard of heroism?

 

👉 Pre-Order from all retailers: https://books2read.com/FallenMan

THE FALLEN MAN: When orphan and convicted felon Jackson Zane realized that he was part of the wealthy Deveraux family, he thought he’d found his proverbial happily ever after. And for the last seven years, Jackson has dedicated himself to fixing and protecting his new family, all while ruling out love for himself. Until now.

A banner shows the four Deveraux Legacy novels, and the prequel novella over the New York city skyline.

***

Bethany Maines is the award-winning author of the Carrie Mae Mysteries, San Juan Islands Mysteries, Shark Santoyo Crime Series, and numerous short stories. When she’s not traveling to exotic lands, or kicking some serious butt with her black belt in karate, she can be found chasing her daughter or glued to the computer working on her next novel. You can also catch up with her on Twitter, Facebook, Instagram, and BookBub.