Guilty About Reading Genre?

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Have you ever felt guilty for reading a cozy, a mystery, or a romantic novel instead of delving into one of the great books, like Homer’s Iliad or Proust’s Swan Way or a classic like Virginia Wolf’s A Room of One’s Own?

I grew up in northern Mexico and I attended a fantastic high school that was accredited in both Mexico and the US, giving students the opportunity to attend the university in either country.

The school offered a two-semester English literature class. The teacher was a dynamic, talented woman who instilled in her students the love for the classics and the great books. She also encouraged us to shun genre and to avoid soap operas, quite popular at the time.

I moved to the US in my mid-twenties and soon discovered romance novels. After devouring a romantic story with a happy ending, I’d run to the library to borrow books by Tolstoy or Dostoyevsky to balance my reading guilt. Compare the fun of reading genre to the lessons of the great books. It’s very different reading! The great books represent the foundations of Western Culture’s ethics, social norms, values, and ideas that stem from the Greco-Roman tradition. Genre, on the other hand, is pure entertainment.

Fast forward a few years when I was working in international finance and traveling the world for my corporate job.

On a flight between New York and Buenos Aires, Argentina, I missed my connection in Miami. I window-shopped airport stores in search of something to do until the next flight. A bookstore, displaying mountains of books set on tables that stretched down the hall, caught my eye.

The year was 2001 – the year I discovered the mystery novel. I purchased Tell No One by Harlan Coben and I was immediately hooked on mysteries. My new-found love in reading would disappoint my wonderful literature teacher back in Mexico, yet for the rest of my international finance career, I carried a mystery or two to read on long flights.

Mysteries became an important part of my life. So important, in fact, that I left the corporate world to write the Nikki Garcia mystery series, setting my stories in a few of those international locations where I traveled. Do I still feel guilty? Not at all!

At a book signing four years ago, I met Harlan Coben. I told him his novels influenced me to write mysteries.

And my former teacher says she loves my novels and she’s thrilled that one of her pupils became a writer. Instead of feeling like a wayward former student, I’ve converted her to reading genre.

***

About Kathryn

Kathryn Lane writes mystery and suspense novels usually set in foreign countries. In her award-winning Nikki Garcia Mystery Series, her protagonist is a private investigator based in Miami. Her latest publication is a coming-of-age novel, Stolen Diary, about a socially awkward math genius.

Kathryn’s early work life started out as a painter in oils. To earn a living, she became a certified public accountant and embarked on a career in international finance with Johnson & Johnson.

Two decades later, she left the corporate world to create mystery and suspense thrillers, drawing inspiration from her travels in over ninety countries as well as her life in Mexico, Australia, Argentina, and the United States.

She also dabbles in poetry, an activity she pursues during snippets of creative renewal. In the summer, Kathryn and her husband, Bob Hurt, escape the Texas heat for the mountains of northern New Mexico.

Stolen Diary

Kindle: https://www.amazon.com/dp/B0BSHFRD11

Paperback: https://www.amazon.com/Stolen-Diary-Kathryn-Lane/dp/1735463833/

Photo credits:

Girl Reading by Camille Corot, Metropolitan Museum of Art

Harlan Coben and Kathryn Lane by Bob Hurt

Macavity, Shamus, and Silver Falchion Short Story (and Other) Award Nominations

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by Paula Gail Benson

The nominations for Macavity Awards, Shamus Awards, and Silver Falchion Awards have been announced for best short story or best short story collection or anthology.

The Macavity Award is named for the “mystery cat” of T.S. Eliot (Old Possum’s Book of Practical Cats). Each year the members of Mystery Readers International nominate and vote for their favorite mysteries in five categories: Best Mystery Novel, Best First Mystery, Best Mystery Short Story, Best Non-Fiction/Critical, and the Sue Feder Memorial Award for Best Historical Mystery. Here are the nominees for best short story:

Best Mystery Short Story:

  • Brendan DuBois: “The Landscaper’s Wife” (Mystery Tribune, Aug/Sep 2022)
  • Barb Goffman: “Beauty and the Beyotch” (Sherlock Holmes Mystery Magazine, Jan 2022)
  • Donna Moore: “First You Dream, Then You Die” (Black is the Night, Titan Books)
  • Anna Scotti: “Schrödinger, Cat” (Ellery Queen’s Mystery Magazine, Mar/Apr 2022)
  • Catherine Steadman: “Stockholm” (Amazon Original Stories)
  • Jess Walter: “The Angel of Rome” (in The Angel of Rome and Other Stories, Harper)
  • Melissa Yi: “My Two-Legs” (Alfred Hitchcock’s Mystery Magazine, Sep/Oct 2022)

Previously, Brendan DuBois’ short stories have won three Shamus awards.

Barb Goffman’s “Beauty and the Beyotch” has been nominated for the Agatha, Anthony, and Macavity. It won the Agatha.

Donna Moore’s “First You Dream, Then You Die” was nominated for an Edgar.

Anna Scotti is a former journalist whose stories regularly appear in Ellery Queen’s Mystery Magazine. “Schrödinger, Cat” received a third place Ellery Queen Readers’ Choice Award.

Catherine Steadman’s “Stockholm” won the Thriller for best short story.

Jess Walter’s “The Angel of Rome” comes from his collection of stories by that title.

Melissa Yi is an emergency room doctor who writes a medical crime series as well as romance and YA.

The Private Eye Writers of America, an association of fans, writers, and publishing professionals, is devoted to elevating the private eye story from a sub-genre of mystery to a genre of its own. It categorizes private eyes as private citizens paid to investigate crimes. Private eyes may include investigators, company employees, and reporters. Each year the Private Eye Writers of America presents Shamus awards in four categories: Best PI Hardcover, Best Original PI Paperback, Best First PI Novel, and Best PI Short Story. Here are the nominees for best short story:

Best PI Short Story:

  • Lori Armstrong: “No Place for a Dame” (Edgar & Shamus Go Golden, Down and Out Books)
  • Libby Cudmore: “Charlie’s Medicine” (Lawyers, Guns, and Money: Crime Fiction Inspired by the Music of Warren Zevon, Down and Out Books)
  • O’Neil DeNoux: “A Jelly of Intrigue” (Edgar & Shamus Go Golden, Down and Out Books)
  • Carolina Garcia-Aguilera: “The Pearl of the Antilles” (Edgar & Shamus Go Golden, Down and Out Books)
  • Elliot Sweeney: “Bad Actor” (Alfred Hitchcock’s Mystery Magazine, Nov/Dec 2022)

Lori Armstrong has won two Shamus awards for her novels.

Libby Cudmore writes the Martin Wade PI series for Ellery Queen’s Mystery Magazine.

O’Neil DeNoux won the 2020 Shamus award for his short story “Sac-a-lait Man” in Ellery Queen’s Mystery Magazine’s Sep/Oct 2019 issue.

Born in Cuba and based in Miami, Carolina Garcia-Aguilera has been a private investigator for twenty-five years. She is known for her Lupe Solano mystery series.

Elliot Sweeney, born in London, had his debut novel The Next to Die published in February 2023.

The Silver Falchion Awards are presented annually at Killer Nashville, which takes place August 17 through 20. (Note: there is still time to register to attend the conference. Also, online voting for the Readers Choice Awards continues until midnight Tuesday, July 25.)

Here are the nominees for best short story collection or anthology:

Best Short Story Collection or Anthology:

  • Chris Chan: Of Course He Pushed Him & Other Sherlock Holmes Stories: the Complete Collection (MX Publishing; 1st edition; September 2, 2022)
  • Marianne Donley, ed.: An Element of Mystery: Sweet, Funny, and Strange Tales of Intrigue (Bethlehem Writers Group; September 27, 2022)
  • Marissa Doyle: Countess of Shadows: The Ladies of Almack’s Omnibus No. 1 (978-1-63632-094-6; November 1, 2022)
  • Catherine Jordan, ed.: That Darkened Doorstep (Hellbender Books; September 21, 2022)
  • Lindy Ryan: Into the Forest: Tales of the Baba Yaga (Black Spot Books; November 8, 2022)
  • J.B. Stevens: A Therapeutic Death: Violent Short Stories (Shotgun Honey Books; February 16, 2022)
  • J.D. Webb: Incredible Witness (Wings ePress, Inc.; June 27, 2022)

I’m very proud to be a member of the Bethlehem Writers Group and to have a story in An Element of Mystery. Debra H. Goldstein has a story in it also. Two of our other members, Dianna Sinovic and Diane Sismour, have stories in An Element of Mystery as well as in That Darkened Doorstep.

While I’m mentioning Silver Falchion nominees, let me brag on several of my Stiletto Gang blogging partners whose books placed in other categories: Debra H. Goldstein’s Five Belles Too Many was nominated for Best Cozy and Saralyn Richard’s Crystal Blue Murder and Joyce Woollcott’s A Nice Place to Die were nominated for Best Investigator.

Many great stories, collections, anthologies, and novels for your reading pleasure. Please enjoy!

Out of the Past—Or, How Cell Phones Became the New Swiss Army Knives

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by Paula Gail Benson

Lately, I’ve been binge watching the 1980s “soap opera” series Dynasty and Falcon Crest. Not only is it interesting to see how the story arcs were developed and played out, but also it’s amusing to watch the use of establishing shots to indicate location. La Mirage is a hotel run by one of the characters on Dynasty. In the earlier episodes, when a scene occurred there, the same video appeared, showing the front of the hotel with its sign and two couples, one dressed in tennis whites exiting and the other wearing clothes for elegant dining entering. When the programs were viewed a week apart, I imagine people didn’t notice the duplication, but when seen back-to-back, it’s painfully obvious. Finally, in later episodes, only the hotel sign was used to designate the venue. Falcon Crest avoided the apparent duplication by showing only the exteriors of buildings without people in evidence. Of course, Falcon Crest featured several impressive architectural structures.

La Mirage Sign Photo from Amazon

Another dating aspect of those series is the absence of the cell phone. If characters were stranded, they had no way to communicate with loved ones or get help unless they had access to a pay phone. Do phone booths even exist now or have they become extinct?

This pondering has led me to focus on the modern utility of the cell phone. Some people trace its earliest model to the communicators used on the original Star Trek series or Dick Tracy’s wristwatch phone. While those wonders may have initiated progress toward the pocket devices upon which we are so reliant today, I think the current cell phone is more akin to the Swiss Army knife.

According to Wikipedia, the name “Swiss Army Knife” was coined by American soldiers who had difficulty pronouncing the German word “Offiziersmesser,” which meant “officer’s knife.” While the Swiss Army knife (now produced by Victorinox) has become lauded for its numerous applications and versatility, it “was not the first multi-use pocket knife. In 1851, in Moby Dick (chapter 107), Herman Melville mentions the ‘Sheffield contrivances, assuming the exterior—though a little swelled—of a common pocket knife; but containing, not only blades of various sizes, but also screw-drivers, cork-screws, tweezers, awls, pens, rulers, nail-filers and countersinkers.’”

Photo by Victorinox

While the current Swiss Army knives have many of those same features, they may also have scissors, saws, and bottle openers, as well as knives. Anything needed to survive in the wild or live more easily in domesticated settings.

In fact, the cell phone is the perfect accessory for the modern law enforcement officer (see episodes of Law and Order), private investigator, or amateur sleuth. Consider all the items packed into one small item: phone, texting, email, internet, clock, calculator, navigator, camera, notepad, flashlight, weather predictor, social media, shopping apps, and entertainment apps (to get one through those long stakeouts). Imagine how Sherlock Holmes might have functioned with a handy cell phone. Perhaps he wouldn’t have even needed a John Watson. He could have recorded his own adventures with Dragon Naturally Speaking Speech Recognition Software!

reading on the beach

Libraries & Summer Reads

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by Mary Lee Ashford

reading on the beach Summers and reading are forever linked in my memories. I grew up in a small town and in a time of school consolidation and so that school I attended was in a larger town eight miles away. So while my friends were headed to the pool or getting together at the downtown soda fountain, I was home alone. My parents owned a small business, my siblings are much older so no one at home to hang out with. But thankfully I had books and endless summer days.  Granted once I was old enough to drive some of that changed but by that time I’d already learned the magic of traveling to different places and different times via the pages of a book.

So when I think of summer, I think of hot days, shady trees, and books. My mother was a reader so we had books, but not nearly enough to keep me busy and at the time not the types of books I was interested in. So, once a week we’d take a drive to the library which like my school was the next town over.

I don’t know about you and your experience with libraries, but for me just being surrounded by all those books gave me a thrill. The idea that I could spend time wandering in the stacks and pull something magical off the shelf and take it home with me, was the beginning of a lifelong love of reading that has lasted the test of time and technology. We’d walk the stacks, spend some time making our selections, take them to the desk, and the librarian would pull the card, stamp the due date, and off we’d go.

Shelves of books

Over the years libraries have evolved with the times. I live in a much bigger city and the library is much closer…and bigger. Technology has replace the rubber stamp and the inked due date. But two things that haven’t changed it that you can browse through the books and see what strikes your fancy. I’ve always loved the idea of picking something I know I’m going to love – a favorite genre, a must-read memoir, a go-to author. And then I would pick one book just because. Something different that stretches my brain in different ways, challenges my gray matter, or maybe just makes me remember it’s a great big world out there.

As I pick summer reads this year, I’m trying to do the same thing. I have some favorite authors with new books out. I have my go-to genre (mystery, of course) that I know I’m going to be entertained by, and then I am trying to include some not-my-usual-read books. Because summer. I’ve recently invested in a lightweight Kindle because it makes it so much easier when we’re traveling. And because I read a lot at night, it’s wonderful to be able to adjust the light. But I’m loving the variety of books to choose from and so far my system hasn’t failed me.

How about you? How do you pick your summer reads. Do you stick to your favorites? Are you branching out into new genres or newly discovered authors? Any recommendations?

Whatever you’re reading, I hope you’re having a wonderful summer!

summer scene with books

 

Mary Lee Ashford is the “Sparkle” half of Sparkle Abbey (Pampered Pets Mysteries) and also writes the Sugar & Spice mysteries.  She is an avid reader and supporter of public libraries. She recently retired from a 30+ career in the public sector and so has much more time for reading. Some days anyway. She loves encouraging other writers and is the founding president of SinC-Iowa, the Iowa chapter of Sisters in Crime. She is also a member of Novelists, Inc., Mystery Writers of America, and the Sisters in Crime Guppies.

She loves to hear from readers and you can find her online at: www.MaryLeeAshford.com

And on social media at: Facebook –  Twitter –  Instagram – Pinterest – BookBub

A Gathering in Charleston, South Carolina

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by Paula Gail Benson

82 Queen

This year, I had been regretting my inability to attend any writing conferences. Being among writers and readers always helps to inspire and bring new ideas into focus. Not to mention, adding to my “to be read” list.

A few months ago, I heard from a dear friend to so many of us, Dru Ann Love, that she would be coming to Charleston, South Carolina, to tour the city with friends. Could some of us who lived nearby join them for lunch one day?

My work schedule kept changing, so I wasn’t certain until the last minute that I could join the group. I asked my friend Sue Husman, a retired librarian and voracious reader, if she would ride with me from Columbia to Charleston.

For lunch, we had a reservation at 82 Queen, described on its website as “a uniquely ‘Charleston’ dining experience” in “three buildings and a garden courtyard nestled in the Historic French Quarter.” I had not been there in decades, but I knew it would be delightful and memorable.

As we left the Municipal Garage, we ran into Jackie Layton, who writes “cozy mysteries with Spunky Southern Sleuths,” including the Low Country Dog Walker and the new Texas Flower Farmer Cozy Mysteries, which will debut in July. I was impressed to learn that Jackie combines writing with being a part-time pharmacist. She lives in Pawleys Island, South Carolina, and her website is http://jackielaytoncozyauthor.com. Sue, Jackie, and I took a few minutes to peruse Buxton Books on King Street before heading to 82 Queen.

We dined upstairs in a room wallpapered with images of green parrots. Dru Ann was our most gracious host, introducing us to her friends, Yifat Cestare from New York and Marla Husovsky from California. Since meeting, they had traveled to join each other at several destinations for exploration, food, and fun. Yifat explained the number one requirement was laughing a lot. We were glad to comply.

My lunch: tomato pie and salad. YUM.

Dru Ann made sure we knew about each of the authors. Tina Whittle and Nora McFarland had traveled from Savannah, Georgia.

In addition to short fiction, Tina Whittle writes the Tai Randolph/Trey Seaver mysteries that feature gunshop owner Tai and corporate security agent Trey. She reads tarot and enjoys boxing, sushi, and mini pilgrimages. Her website is http://www.tinawhittle.com.

Nora McFarland has an MFA from USC’s School of Cinematic Arts and has worked in national (CNN) and local news. Her protagonist is Lily Hawkins, a TV News photographer who lives and sleuths in Bakersfield, California. Nora’s website is http://www.noramcfarland.com.

Pralines and Cream Ice Cream for Dessert!

Dorothy McFalls and I always joke that we only meet when traveling to writing conventions. We have both been members of the Lowcountry Romance Writers (chapter of RWA), based in Charleston. Dorothy’s a Charleston resident who writes romance and mysteries. She has two websites: http://dorothymcfalls.com and http://dorothystjames.com. Her mysteries include the White House Gardener, the Southern Chocolate Shop, and the Beloved Bookroom series.

Everyone was very supportive of my short stories, including “Crossfire in the Crosshairs” available in eBook A Death in the Night to be released in August by Dragon Soul Press. You can pre-order here.

Dru Ann had her own happy news that was announced at Malice Domestic. She and Kristopher Zgorski have collaborated to write a short story for a Beatles related anthology that will be edited by Josh Pachter. We are all very excited to read their work. Meanwhile, we’ll be following Dru Ann’s reading adventures at https://drusbookmusing.com/.

The group with something above!

We had a fabulous time, enjoying great food and conversation. One of the topics was about staying in haunted places. I noticed in the photo our server took that a shiny figure seems to float above us. Some might call it a reflection from the light fixture, but I wonder!

Many thanks to everyone involved in this wonderful day. Dru Ann, Yifat, and Marla, don’t you think you could make Charleston an annual destination?

Welcome Sarah Stewart Taylor.

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By J. Woollcott

This month I’m thrilled to welcome one of my favourite authors to The Stilletto Gang. Sarah Stewart Taylor. I discovered Sarah’s Maggie D’arcy books a couple of years ago and have loved every one of them. This month, Book #4 in the series comes out, A Stolen Child.

@SSTaylorBooks
@MinotaurBooks

#MaggieDArcy #Dublin

Born in the US, Sarah grew up on Long Island, and was educated at Middlebury College in Vermont and Trinity College, Dublin, where she studied Irish Literature. She has worked as a journalist and writing teacher and now lives with her family on a farm in Vermont where they raise sheep and grow blueberries. Sarah spends as much time in Ireland as she can.

I started with the first in Sarah’s series, The Mountains Wild, and was struck by her obvious love for Ireland and her wonderful descriptive prose. In fact, in one quote about her work, The South Florida Sun-Sentinel says; “Razor-sharp… In addition to her intelligent characters, Taylor has sculpted The Mountains Wild as a valentine to Ireland, delving into its beauty, history and varied landscape…We may not be able to travel to Ireland right now, but Taylor has brought the country to us… a terrific series launch.”

1:

I asked Sarah to tell us how she keeps her memories sharp about a faraway country, especially as she is a working mum in Vermont––on a farm no less.

One of the best things about writing the Maggie books is that in order to keep my memories fresh, I of course 🙂 have to take regular research trips to Ireland! After living and going to graduate school in Ireland in the 90s, I moved back to the States and kept my memories fresh by reading newspapers and a lot of Irish literature and history. Then, once my kids were older, I started traveling back again. I did a couple of trips while I was writing The Mountains Wild and I’ve managed to go just about every other year since then. I spend two weeks there, usually a combination of time in Dublin and time driving around, and try to do the research for two books while I’m there. I often do very targeted, specific research for the book I’m currently working on and then more amorphous, exploratory research for future books, coming up with interesting settings or talking to people about current events or neighborhood dynamics, etc.

When I’m in Ireland, I have to really switch on my “research brain,” otherwise I kind of just have fun and enjoy myself and don’t capture the details I need to in order to write the books. I’ve learned to really compartmentalize my time there. When I’m with friends, I just have fun and try to be very present, but when I’m out doing research, I take tons of notes, snap many, many pictures and take lots of video too.

I also use friends and contacts who are on the ground, as well as lots of different kinds of internet and book research.

2:

Process and research, how do you begin a new book. Does a current event or news story trigger an idea or do you always have lots of plots in your head about future novels?

I usually start with a setting. Once I have that, I feel like I have a handle on the tone and often, the kind of crime I’m writing about and who my characters will be. And then, I find that I often am visited by the vision of a scene. It’s often the inciting event of the novel, the body being discovered or something very important that happens before that. Everything kind of flows from that setting and scene and the people who are there. Who are they? How did they get here? What are they hiding? What do they want?

Current events and news stories sometimes do play into my plots, but I find that the connections come later, after I’ve really imagined the characters and figured out why they do what they do.

3:

Where does Maggie come from? Do you base your characters on people you know?

Maggie came from me doing some deep thinking about the family members of people who have disappeared and are presumed dead, but who have never been found. I thought a lot about how that would affect the people in the missing person’s life. How would it change your trajectory? Maggie is someone who probably wouldn’t have been a homicide detective if her cousin Erin hadn’t disappeared and I really wanted to explore that.

I also wanted to create a detective who is a woman near middle age, a parent, and someone who is grappling with a new relationship and trying to be the best partner and parent she can, while also trying to be a stellar cop. It’s not easy. In a way, I guess I based her on a lot of women I know, including myself, who are just trying to keep all the metaphorical pots on the stove going. Sometimes, one or more of them boils over. In real life, it’s stressful, but for my fictional characters it creates all kinds of interesting possibilities!

4:

Introduce us to your new book, A Stolen Child, and are there more Maggie D’arcy books on the way?

Here’s my publisher’s description of A Stolen Child:

“After months of training, former Long Island homicide detective Maggie D’arcy is now officially a Garda. She’s finally settling into life in Ireland and so is her teenage daughter, Lilly. Maggie may not be a detective yet, but she’s happy with her community policing assignment in Dublin’s Portobello neighborhood.


When she and her partner find former model and reality tv star Jade Elliot murdered—days after responding to a possible domestic violence disturbance at her apartment—they also discover Jade’s toddler daughter missing. Shorthanded thanks to an investigation into a gangland murder in the neighborhood, Maggie’s friend, Detective Inspector Roly Byrne, brings her onto his team to help find the missing child. But when a key discovery is made, the case only becomes more confusing—and more dangerous. Amidst a nationwide manhunt, Maggie and her colleagues must look deep into Jade’s life—both personal and professional—to find a ruthless killer.”

 

I loved writing this book, even though as a parent, the subject matter — an abducted toddler — was territory I hadn’t wanted to go near before. But I loved the energy of a homicide investigation combined with a missing child and a nationwide manhunt for a kidnapper and I had fun injecting some extreme twists and turns into the plot. And yes, I am planning more adventures for Maggie!

 

J. Woollcott is a Canadian author born in Belfast, N. Ireland. She is a graduate of the Humber School for Writers and BCAD, University of Ulster. Her first book, A Nice Place to Die won the Daphne du Maurier Award and was short-listed in the Crime Writers of Canada Awards of Excellence.

jwoollcott.com

A NICE PLACE TO DIE

A young woman’s body is found by a river outside Belfast and DS Ryan McBride makes a heart-wrenching discovery at the scene, a discovery he hides even though it could cost him the investigation – and his career.

Gay Yellen: Weeding and Wording

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Just found out that today is National Weed Your Garden Day, which couldn’t be more appropriate for me at the moment, though instead of culling crabgrass, I’m weeding out words.

vecteezy.com

The most common offenders I’ve dug up so far are: just, seemed, felt, but, winced, smiled, and a few other crutches a writer too often leans on.

The good news is that this exercise signals my last round of self-editing for The Body in the News, Book 3 in my Samantha Newman Mystery Series. Once this task is completed, I’ll be sending the manuscript to my publisher.

The bad news is, I’ve been so focused on finishing the new book that I completely forgot to plan a subject for this, my monthly Stiletto Gang post. So, in honor of this “national” day, let’s talk about weeds… oops, I meant words.

I was surprised when a friend commented that she thought I consciously chose to use more common language in my books than I use in my natural speech. Well, yes, and no. The characters in my books are not me, and even though I write their dialogue, the way they express themselves is their own.

When the writing is going well, I’m listening to Samantha and Carter and their supporting cast as they dictate their words to me. Older people use different words than younger adults and children do. Sticklers for facts, such as my detective, Buron Washington, are more clipped and precise when they speak. And so on, down to a new character whose vocabulary is unique unto itself.

However, the weeds in this manuscript are entirely my fault, and I must get back to yanking them out, one by one. But before I go, here’s a question:

Does the way a person speaks reveal something unique about their mood or character? How so?

Gay Yellen writes the award-winning Samantha Newman Mysteries including The Body Business, The Body Next Door, and out later this summer, The Body in the News.

When a Character Writes the Book

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When I write fiction, my approach is to “fly by the seat of my pants”, a style often called pantser, as opposed to a plotter who outlines and plans every minute detail of a story. I’ve said that if I had to plot every trifling item in planning a novel, I’d slit my wrists. Plotting and outlining would kill the fun for me! I like it when I can hear my characters voices in my mind and they guide me through the adventure, thrilling me with surprises and the twists and turns that happen organically.

By being a pantser, new characters can pop into the story, especially if there is a plot twist requiring another person, like a street woman in Danger in the Coyote Zone. Writing about Juana brought me great joy.

Floyd, owner of Security Source where Nikki now works, made his debut in Waking Up in Medellin when it was obvious that Nikki needed a cohort to save her from the life-threatening trouble where she found herself. Floyd became one of the three main characters of the Nikki Garcia Mystery Series.

I could continue describing serendipitous incidents, such as the characters telling me where and how to end a plot, yet my latest novel, Stolen Diary, a coming-of-age story of a young math genius, is the best example of a protagonist guiding me through

her adventure. When I started Stolen Diary, I thought it would be a ghost story. Instead, Jasmin, the protagonist, led me away from the spirit world to her family’s tightly guarded secrets. Secrets are usually entangled with mystery and in this book, Jasmin must investigate them and overcome many hurdles in the process.

After I completed the manuscript, I researched the salient points of a coming-of-age novel to make sure I’d covered the important ones. My research turned up the following life-changing events in a child’s (or teen’s) life that make for a good coming-of-age saga:

  • Child discovers a parent’s secret from the past.
  • Child’s parents get divorced.
  • A family member gets sick or in some sort of trouble that changes the child’s life.
  • The family relocates to another city.
  • The young protagonist must attain a goal.
  • The young protagonist should mature into a responsible person.

Jasmin steered my pantser style to cover all the above points. She’s also told me that plotters write great stories and since they always know where they are going in the manuscript, they write much faster than pantsers! Of course, there is the plantser style, a combination of the other two.

What is your writing style?

***

­­­Kathryn Lane

Kathryn Lane writes mystery and suspense novels set in foreign countries. In her award-winning Nikki Garcia Mystery Series, her protagonist is a private investigator based in Miami. Her latest publication is a coming-of-age novel, Stolen Diary, about a socially awkward math genius.

Kathryn’s early work life started out as a painter in oils. To earn a living, she became a certified public accountant and embarked on a career in international finance with Johnson & Johnson.

Two decades later, she left the corporate world to create mystery and suspense thrillers, drawing inspiration from her Mexican background as well as her travels in over ninety countries.

Photographs

All photographs are used for educational or editorial purposes.

 

Whose Words Are These?

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Does the rise of artificial intelligence make you want to scream, “AI, caramba!”? *

While there’s speculation that AI may cost some people their jobs, writers worry that AI will lead to rampant plagiarism. All of which reminds me of a time in the pre-digital era when an entire work of mine was plagiarized by a living, breathing human being. It happened in a manner so blatant, it was almost comical.

Fair Use

20th Century Fox Corp.

I was the editor of a national tennis magazine (my first full-time job in publishing). One day, a freelancer who was looking for an assignment stopped by my office to drop off some samples of his past articles.

We had a brief chat about his experience, which seemed fairly extensive, and we planned to talk more after I’d read his work.

Later that day, I looked through the material he’d left and noticed that one item was an interview he’d conducted with the manager of Jimmy Connors, who was a world-class champion at the time.

I had interviewed the same man some months before. So out of curiosity, I chose the freelancer’s interview with him to read first. Its format was a simple Q. & A.

I read the first question and the manager’s response. I read the next question and answer. It wasn’t until the third Q. & A. that something began to feel familiar.

I went to my back files, found the issue I was looking for, and flipped to the page with my interview on it. Everything was identical, down to the last comma and period, except for the photos and the freelancer’s name instead of mine in the byline.

At first, I was amazed at the audacity. It occurred to me that the thief might have stolen so many works from other writers that he never bothered to keep track of whose article he was submitting to whom.

The pilfered interview.

And then I got mad.

The magazine with the pilfered interview was based in Australia, a big tennis mecca back then, with its own national stars like Laver and Goolagong. I sat down and wrote to the publisher, informing them that they had published a stolen article. I included a copy of my original piece, along with my suspicion that there may be more of the same from that individual.

Two days later, the plagiarizer showed up again and asked me what I thought of his work. I let my fury fly while he sat there stone-faced. After I was through, this is what he said: “So, you won’t be hiring me?”

I kid you not.

I never heard from his publisher, and I never saw or heard from the pilferer again. But I’ll always think of him as a lazy, cheating son-of-a-gun, like a grownup and ever-unrepentant Bart Simpson.

Gay Yellen is the award-winning author of the Samantha Newman Mystery Series, including The Body Business, The Body Next Door, and the upcoming Body in the News.

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*a nod to Bart Simpson, The Simpsons, Twentieth Century Fox Corp. Free use.

 

 

 

How Intelligent is Artificial Intelligence?

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By Lois Winston

AI is here to stay, and there is much to worry about. For instance, we’ve all heard about the scams where bad actors contact people and demand ransom for a kidnapped relative. Too many people act out of fear before thinking and wind up losing huge sums of money. Thanks to AI, scammers can now clone the actual voice of the “kidnap victim.”

Writers are worried they’ll become obsolete, that in the future AI will take over publishing. After all, if publishers can use AI to churn out novels, why pay authors? I wondered if authors’ fears are truly founded. So I decided to conduct an experiment. I went on ChatGPT and told it, “Write a manuscript in the style of the Anastasia Pollack Crafting Mysteries by Lois Winston.”

Artificial Intelligence is supposed to be able to analyze text and produce a new work in the style of the author. There are currently eleven Anastasia Pollack Crafting Mysteries and three novellas. First chapters and back cover copy are widely available online, both on e-retailer sites and my own website. It didn’t take AI long to churn out several chapters. Here’s the beginning of a book created by ChatGPT:

Murder and Mayhem in the Crafting World

Chapter One

Anastasia Pollack had been up since dawn, frantically stitching together a wedding dress for her best friend’s daughter. As a professional crafter and owner of the American Woman magazine’s crafting column, Anastasia was used to tight deadlines, but this one felt especially pressing. After all, she couldn’t let her best friend down, and she wanted everything to be perfect for the big day.

In the first sentence, there are glaring errors. I write in first person, not third person. How intelligent is ChatGPT if it couldn’t even discern this? Anastasia is the crafts editor at a women’s magazine. She’s not a “professional crafter,” and she doesn’t “own” a crafting column in a magazine.

It got worse:

Just as she finished the final stitches, her phone rang. It was her mother, who never called before noon.

“Anastasia, darling,” her mother’s voice came through the phone, “I need your help.”

Anastasia sighed, knowing that her mother’s definition of “help” was very different from her own. “What do you need, Mother?”

“It’s your uncle. He’s in trouble again.”

Anastasia’s heart sank. Uncle Ralph was always getting himself into some sort of scrape or another. “What kind of trouble?”

UNCLE Ralph? Ralph is a Shakespeare-quoting African Grey parrot! He makes his appearance on Page 4 of Assault with a Deadly Glue Gun, the first book in the series. ChatGPT scanned enough to know Ralph was a character but wasn’t smart enough to know the difference between a human and a bird.

I won’t bore you further, except to say that ChatGPT also came nowhere close to capturing my voice. I write humorous amateur sleuth mysteries. Anastasia is a Jersey girl with a Jersey girl’s outlook on life. Publisher’s Weekly compared her to Tina Fey’s Liz Lemon from Thirty Rock, and Kirkus Reviews called her, “North Jersey’s more mature answer to Stephanie Plum.” ChatGPT obviously isn’t intelligent enough to understand and duplicate humor beyond the standard Knock-Knock joke.

Not to mention the fact that “mediocre” would be a generous description of the writing ChatGPT produced. I worked for a literary agency for a dozen years. If someone had submitted Murder and Mayhem in the Crafting World, it would have received a swift rejection letter.

However, perhaps I was partly at fault. I had asked the AI to write a manuscript “in the style” of my series. What would happen if I tried again, this time saying, “Create a book in the Anastasia Pollack Crafting Mystery Series by Lois Winston”?

The results were no better:

A Deadly Yarn in the Anastasia Pollack Crafting Mystery Series

Chapter 1

Anastasia Pollack had been expecting a normal day at the office. She was going through the piles of paperwork that had accumulated on her desk when she received a call from her son, Alex.

“Mom, I need you to come to the yarn store. I think something’s wrong.”

Anastasia’s heart skipped a beat. She knew Alex wouldn’t call her unless it was something serious.

“I’m on my way,” she replied, grabbing her coat and keys.

When she arrived at the yarn store, she saw Alex standing outside with a group of people. He ran up to her as soon as he saw her.

“Mom, thank God you’re here,” he said, his eyes wide with worry. “It’s Catherine. She’s dead.”

Anastasia’s heart sank. Catherine was one of her closest friends and employees at the store. She couldn’t believe that she was gone.

As she flipped through the pages, she realized that Catherine had been keeping a diary. The entries were cryptic, but Anastasia could tell that something was bothering her friend.

Once again, ChatGPT had created a third person narrative. Once again, Anastasia is NOT a shop owner. And once again, ChatGPT wasn’t intelligent enough to tell the difference between a human and an animal.

In my series, “Catherine” is not Anastasia’s best friend. Her best friend is Cloris McWerther, the food editor at the magazine where they both work. “Catherine” is Catherine the Great, her mother’s cat.

Catherine the Great doesn’t show up until Chapter Five in Assault with a Deadly Glue Gun, but the AI had scanned enough of the text to find her name. If it were really intelligent, it would have picked up on the fact that she’s a four-legged creature, especially since she’s introduced as “Catherine the Great, my mother’s extremely corpulent white Persian cat.”

All ChatGPT would have had to do is scan any of my books’ Amazon pages where it would have found a large illustration of all three pets in the Pollack household. I’m wondering, if I tried a third experiment, would ChatGPT morph Anastasia’s mother-in-law’s French bulldog into yet another human? I decided not to waste my time.

Post a comment for a chance to win one of several promo codes I’m giving away for a free download of the audiobook version of Decoupage Can Be Deadly, the fourth book in my Anastasia Pollack Crafting Mystery Series.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.