Tag Archive for: writing life

In Praise of Critique Partners

The other day, I had reached a point in my current manuscript, the 13th book in my Anastasia Pollack Crafting Mystery Series, that had me stymied. I was more than two-thirds toward writing “The End.” I knew that I was at the point where I needed to return to one of the red herring threads that I’d left dangling in a much earlier chapter. I also knew what I wanted to have happen and to whom it should happen, but I found I was trying to shove the proverbial square peg into the round hole. No matter what I tried, the scene just wasn’t working.

I pondered the situation for two full days and two sleepless nights of tossing and turning. The solution refused to come to me. I finally texted my critique partner: You have time to brainstorm?

A few minutes later, we were on the phone. I told her my idea, which she thought was fantastic, and the problem I was having executing that idea. She began to offer some suggestions.

That’s what a great critique partner will do. Her suggestions stimulated my brain cells, and we began to bounce ideas back and forth.

“What about….?”

“Yes, but then….”

“Well, what if…?”

“Okay, I can work with that, but then….”

“Hmm…I see where you’re going. So….”

“Hadn’t thought of that. Maybe….”

The conversation went back and forth for about twenty minutes. My brain filled with possibilities, and eventually, the perfect solution began to take shape.

That’s the wonderful thing about a great critique partner. Instead of telling you how she’d fix the problem, she looks at the problem through your eyes and coaxes you into seeing the situation from a different perspective. She doesn’t force her writing style on you but forces you to look outside the box and embrace other possibilities.

In the end, because of that brainstorming session, I stopped trying to shove that square peg into the round hole. Instead, with her help, I discovered the perfect square hole for my peg.

I owe you one, Donnell!

If you’re a reader, do you enjoy learning behind-the-scenes insights about the authors you read? If you’re a writer, do you have a critique partner or group you rely on for honest critiques of your work? Post a comment for a chance to win a promo code for a free audiobook download of A Sew Deadly Cruise, the ninth book in the Anastasia Pollack Crafting Mystery Series.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

NEVER GET DISCOURAGED

Great to be a new member of the Stiletto Gang, the most talented writers I’ve come across in a group, probably ever. As an introduction, I’ll lay out the highlights of my literary journey below.

 

In 1962, my mother registered me for a writing class that was offered in summer school after the eighth grade. Only one other girl signed up, so the class was cancelled.

 

Once in high school, we were assigned a short story. I wasn’t present the day the teacher handed them back—I’d gone to the orthodontist—but when I returned to school, kids congratulated me on my story, saying the teacher read it to the class. The next day when she returned my story, I found she’d give it a B-.

 

My parents told me I couldn’t be a writer because I wouldn’t be able to make a living. I don’t know whether that is what would have happened. You never know what the future holds. But, I was an obedient child, at least for a while, so I said ok.

 

I didn’t know what else I might want to do. Dad wanted my sister and me to be teachers, so if our husbands died or abandoned us, we’d be able to support ourselves. My sister did and ended up as an administrator in a small public school district. Me? I dropped in and out of five colleges/universities until I was finally awarded a B.S. degree in Criminal Justice.

 

I once signed up, as an adult, for a writing class at the community college in our town, excited to finally get something going. When I received my first story back, the instructor had written that I had no talent—give it up.

 

After I began practicing law, I was lying around my living room once night and told my husband that if a writer could make $5,000 a pop for genre romance novels as it stated in the TV Guide article I read, I should try that. I read everything, including romances. I didn’t think it looked that hard. So, I bought some books on writing romances and sent for tip sheets and finally wrote one. I sent it off and waited for a response. The editor said no, she wouldn’t publish my novel, her rejection including some choice insults, and never to send her anything again.

 

I began writing suspense/mysteries in the 80s. My father was a criminal defense lawyer, (and later a judge), so I’d been around the law since I was little. I had been a probation officer and was at that time a criminal and family lawyer. Crime, I knew about. By the way, I heard that not long after the aforementioned editor rejected my novel, she died. Just so you know, I didn’t kill her.

 

When my editor at St. Martin’s Press, Inc. called me about MY FIRST MURDER, (my first published novel) he excitedly asked where I learned to write like that. He loved the book and said my manuscript was one of the best submissions he’d ever seen in terms of preparation, punctuation, etc. He loved it so much, a year later he rejected the sequel.

 

Enough of that. My point is, never give up. I had that first novel sale in 1988. I used the book as a political tool when I was running for office, donating copies across the county. What a great gimmick! I received free publicity and extra attention at every event, in addition to speaking engagements.

 

I was elected to the bench and took office on 1/1/91. My focus turned to being a sitting judge, modernizing practices and procedures in that court, including starting programs to help families and children. I continued to write whenever I could, though I didn’t have any other books published until after I left the bench at the end of 2002. In 2004, Eakin Press (a Texas publisher) released my nonfiction books: Heart of Divorce (which I wrote to help pro se litigants who couldn’t afford lawyers to prosecute their own divorces) and Murdered Judges of the 20th Century, which I researched and wrote over the previous six years, (and which began as evidence for the county commissioners that we needed courthouse security).

 

After that, I started submitting works I’d written while on the bench. I wanted to change my focus from the law to liberal arts. In 2015, I made the decision to self-publish. Though by then I had several mystery/suspense novels under my belt, I had grown tired of the traditional publishing process. I was aging out. The last straw was when an agent told me to cut my manuscript 20,000 words and submit it to her. I did, and never heard from her. That was it.

 

At sixty-five years of age, I was sick of the abuse most authors suffer at the hands of agents and editors. I was writing because I have to, not because I needed to. Or, as I often phrase it, I can’t not write. There was no joy, no pleasure in experiencing what they were dishing out. Where I had hoped for years to have the guidance and support of an agent and/or editor, I realized that would never happen. I have stories to tell. I’m constantly learning craft. I don’t care if I ever have huge sales. I’m having fun doing what I’ve wanted to do since I was a little girl with no pressure, no insults, no rejection. I love it.

 

Now, at 74, I spend a lot of my days writing or reading. I’m having fun living life my way. I never gave up. I suggest if you love to write, don’t let anyone discourage you either.

Susan has published 14 books in the last 30 or so years. Not all of them are mystery/suspense, but all of them have something to do with the law.

A Ten-Year Journey to a Golden Ticket

By Lois Winston

Many authors mention in their bios that they always wanted to be a writer. Not me. I wanted to be an astronaut. That dream died a quick death due to a right brain that quakes at the sight of anything requiring math skills and a body prone to motion sickness. Some dreams just aren’t meant to be.

I got the urge to write well into my adulthood. While on a business trip, I was attacked by a rabid dream. After a ten-year publishing journey, that dream became Love, Lies and a Double Shot of Deception, which was published nearly seventeen years ago.

The story is a romantic suspense about secrets and revenge and the steps some people will go to protect the former and achieve the latter. I’ve always been fascinated by both secrets and revenge. Who among us doesn’t have secrets? Who among us hasn’t harbored revenge fantasies? Is it possible to get through junior high school without a hefty dose of both?

Years ago, I knew a woman who went to great lengths to project the ideal marriage. She constantly bragged about how much her husband loved her and what a perfect marriage they had. Then I learned the secrets behind the lies. She was carrying on an affair that her husband discovered when he tapped his own phone. Mr. and Mrs. Perfect Marriage were anything but. Although Love, Lies and a Double Shot of Deception isn’t about that marriage, it got me thinking about public persona versus private reality.

So there I was on a business trip back in 1995, and I guess I was subconsciously thinking about Mr. and Mrs. Perfect Marriage when I had this dream. And what was even spookier was that each night for the next couple of weeks I dreamed another “chapter” of the dream. Eventually, I was dreaming up chapters during the day as well as at night. Finally, I decided to commit the dream to paper. Fast forward a few weeks and I’m the proud author of a 50,000-word romance that spanned thirty-five years.

Talk about clueless!

Of course, I didn’t know I was clueless. I thought I’d just written the greatest romance of all time. But when I pushed my baby out of the nest into the world of publishing, she flew right back with her beak stuffed full of rejection letters.

I’d been bitten by the writing bug, though, and I’d already started a second novel. I’ve also got a stubborn streak as long as the island of Manhattan. I wasn’t about to be deterred by rejection letters or lack of knowledge. Undaunted, I handed over my VISA card to a friendly salesperson at Barnes & Noble and walked out with an armload of how-to-write-a-novel books.

Those books introduced me to several national writing organizations where I met some generous people willing to offer advice and share their publishing experiences. Some have remained good friends to this day.

Ten years after I first had that dream, after attending countless monthly writers’ meetings and numerous workshops and conferences, I eventually got enough of a clue to sell my first book. Talk Gertie to Me, a chick lit novel, debuted the following year in 2006.

I never forgot about that first clueless effort, though. I liked the characters I’d created, even if the story needed major surgery. I didn’t think the characters deserved to spend eternity under the bed with nobody but the dust bunnies and me ever getting to know them. I went back and rewrote that book. Many, many times. Eventually that 50,000-word romance spanning thirty-five years transformed into a 90,000-word romantic suspense that takes place over several months.

My publishing journey continued and eventually segued into the world of humorous cozy mysteries, but along the way, I continued to write more romance, romantic suspense, and chick lit. I’ve now published twenty-one novels, five novellas, several short stories, one middle-grade book, and a nonfiction book on writing.

There are many paths to publication. Some people are lucky enough to find the straightest, most direct one. They write a book, send it off, and eventually receive a contract offer. For most of us, it takes years of honing our craft before we’re offered that golden ticket. For me, the journey was certainly worth taking.

What about you? If you’re a published author, how long did it take you to see your first book in print? If you’re in the middle of your own  journey toward publication, how long have you been working at your dream? Does it often seem like you’ll never succeed? Don’t give up! Perseverance is everything.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery Series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Ridding the World of Word Clutter, One Description at a Time

By Lois Winston

I’ve recently had several requests from authors and publishers to write blurbs for soon-to-be-published books. In addition, I’m currently judging a writing contest for recently published novels. Although all mysteries, these books run the gamut of various sub-genres within mystery, everything from cozies to suspense. Disturbingly, I’m seeing one issue that crops up in many of them: over-writing.

Many years ago, the agent who owned the agency that represented me gave me the best writing advise I’ve ever received. He said that every scene and all dialog in a book must do one of two things—either advance the plot or tell the reader something she needs to know about the POV character AT THAT MOMENT. If the scene or dialog does neither, it’s filler and doesn’t belong in your book.

Filler usually manifests in dialog as chit-chat. In narrative, the culprit is often description. Excessive description is the downfall of many of the books I’m reading. Description done well enhances a story. It gives the reader a deeper understanding of the character and the world she inhabits. However, when not done well, description pulls the reader from the story and drags down pacing. No one wants to read a mystery, suspense, or thriller with pacing that induces sleep, but that’s what I’m finding in too many of these books.

Some authors are of the misguided notion that they need to describe all characters from head to toe every time they appear in a scene. They also believe they need to describe every aspect of the setting, from the color of the curtains on the windows to the knickknacks on the shelves. A well-written book only describes that which is pertinent to the character and the scene.

Adjusting your thinking to view filler as word clutter, enables you to adopt a Marie Kondo attitude toward your writing. Doing so will not only aid your pacing but will allow the words that remain to have greater impact.

Here’s an example I’ve used when giving writing workshops. The following is a paragraph describing a fictitious character:

Joe wore a threadbare navy blue and forest green plaid flannel shirt. Two of the buttons were missing, and one was hanging from a loose thread. His legs were encased in bleach-stained black jeans, torn in some places, patched in others. I glanced down at his feet. The cuffs of his jeans were frayed, and his big toe peeked out from a hole in the top of his scuffed and dirt-caked tan work boots. A ratty, stained camouflage ball cap sat sideways on a head.

And this is a one-sentence description of that character that says the same thing in only five words:

Joe wore Salvation Army rejects.

There is no reason to use eighty-two words to describe something that can be described in five—not to mention, described better. Unless there is something about Joe’s clothing that will have an impact on the plot or one of the other characters, the reader doesn’t need to be pulled from the story by having to focus on such minute details. Less is more.

Do you have a pet peeve about books you’ve been reading lately? Post a comment for a chance to win a promo code for a free audiobook of Handmade Ho-Ho Homicide, the eighth book in my Anastasia Pollack Crafting Mysteries.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Writing Workshops for Chicanx by Juliana Aragón Fatula

Dear Reader,

This month I’m zoom zoom zooming online with Palabras del Pueblo sponsored by Somos en Escrito and am enjoying the experience. It spans two weekends and one weeknight with a panel.

I’ve learned how to avoid signing up for every workshop I am emailed or Facebooked about. I’ve had some terrible Zoom writing workshops and some great ones. This workshop has been educational, and emotional, and it evoked something inside me, the desire to tell my story. There are so many stories inside me I hardly know where to start. At the beginning, stupid! So I’m beginning today. A new path that I’ve never been on before. A path to the truth.

This sounds so dramatic, but honestly, I’ve had a revelation. I need to get busy and write those stories dying to be told because I’m not getting younger. I turned sixty-six this year and lost another tooth, had to buy stronger reading glasses, and need a hearing aid desperately! What did you say? I hear words but not the right words.

I’m sitting in my Love Shack, my office on wheels, taking notes and listening to the icon, Luis J. Rodriguez. If you’ve never read one of his many novels, shame on you. You’re missing a wonderful opportunity to hear from a man who is a legend. I felt impressed after meeting him on Zoom. He’s real. A path to the truth. He encouraged me with just one sentence and I knew he meant what he said because he’s genuine.

He wrote a book that changed the lives of many Chicanos. Always Running. Check it out if you are brave and ready for the truth. He points out that he never graduated from college. He comes from the streets in East L.A. and he’s seen lives destroyed and lives saved.

There are a total of 15 participants in the workshop and they are fascinating. They tell their stories to total strangers and open up about the darkest and brightest times of their lives. It feels like group therapy but also like some vatos and vatas got together, had tea, and chatted and chilled. It felt easy.

The assignment for next weekend was not easy but we had the choice to do the work or read something we’ve written. One page.  After 15 participants read their work, their one page, we will have another writing prompt and we will not judge each other’s writing. This sounds cool to me. I’m not interested in everyone’s opinion of my writing but anxious for Luis J. Rodriguez’s feedback.

Tonight we have a Zoom scheduled to hear from publishers from Chicanx Presses. I’m looking forward to hearing from the panel on what they are looking for in their writers. I have a goal to be published by a Chicanx Press. I’ve published poems and essays in anthologies but never with a specific publisher who shares my heritage.

Wish me luck. I’m off to Zoom and will have more to report next month. Remember to be kind to one another.

Juliana Aragón Fatula, a 2022 Corn Mother, women who have earned accolades for community activism and creative endeavors is the author of Crazy Chicana in Catholic City, Red Canyon Falling on Churches, winner of the High Plains Book Award for Poetry 2016, and a chapbook: The Road I Ride Bleeds, and a member of Colorado Alliance of Latino Mentors and Authors, and Macondo, “a community of accomplished writers…whose bonds reflect the care and generosity of its membership.” She mentors for Bridging Borders, a Teen Leadership Program for girls. No justice no peace.

 

 

A Hobbit House!

The mountainous terrain of northern New Mexico, where my husband and I spend our summers, makes me aware of J.R.R. Tolkien’s clever way of segmenting Middle Earth into various regions. I’ve let my imagination fly thinking that he set up different regions, and their diverse inhabitants, by using mountain ranges and valleys to map out Middle Earth. With New Mexico’s diverse cultural heritage, I can imagine that Tolkien’s elves, dwarves, men, hobbits, ents, orcs, and trolls might have been created, each group with their unique characteristics, by studying various cultures and then adding a good measure of fantasy.

Of course, Tolkien was British, not New Mexican, and he was probably inspired by the various European cultures and terrain. Middle Earth, the main continent in his fictional fantasy, was set in a period more than six thousand years ago – so adding fantasy to the saga was essential.

Fascinated by Tolkien’s imagination, I let my own inspiration wander through the mountains and the cultures of New Mexico and surmised that a creative mind can entangle extraordinary stories set in the Land of Enchantment. Especially if the stories are set in the ancient past or centuries in the future!

Back to the present: This summer, a good friend invited me to see a ‘unique’ house. I never envisioned I would be dropped into Middle Earth to experience a hobbit house. Little did my friend know that I love Tolkien’s The Hobbit, the prequel to Lord of the Rings, where the hobbit, Bilbo Baggins, is hired by the wizard Gandolf to reclaim the treasure from the dragon Smaug.

The house we visited is known in its neighborhood as The Hobbit House. Even more fascinating is the fact that the owners built their Middle Earth abode using materials taken from the land where they were building.

Their daughter, an architect, prepared the blueprints. She assisted in tree cutting, testing the clay content in the soil, and manufacturing the adobe bricks and puddled adobe used in the construction. As you can see from the exterior and interior photos, they constructed a wonderful home. Imagine building your own and creating such a beauty!

***

Credits: All photos by Kathryn Lane

About Kathryn:

Kathryn Lane writes mystery and suspense novels usually set in foreign countries. In her award-winning Nikki Garcia Mystery Series, her protagonist is a private investigator based in Miami. Her latest publication is a coming-of-age novel, Stolen Diary, about a socially awkward math genius.

For her writing, Kathryn draws inspiration from her travels in over ninety countries as well as her life in Mexico, Australia, Argentina, and the United States.

She also dabbles in poetry, an activity she pursues during snippets of creative renewal. In the summer and fall, Kathryn and her husband, Bob Hurt, escape to the mountains of northern New Mexico where she finds inspiration for her writing.

Personal website kathryn-lane.com

Latest novel: Stolen Diary – a coming-of-age mystery.

Kindle: https://www.amazon.com/dp/B0BSHFRD11

Paperback: https://www.amazon.com/Stolen-Diary-Kathryn-Lane/dp/1735463833/

 

Clicking Our Heels – Killing Our Darlings

At some time, every writer has to kill his/her darlings. Here’s how different members of The Stiletto Gang deal with this onerous task.

Dru Ann Love – Luckily, I don’t have to deal with that, but as a reader, I’m not a happy camper when a main protagonist or favorite secondary character is killed. I’ve been known to stop reading a series because of that.

Debra H. Goldstein – Moaning, groaning, cursing, and almost crying, I kill my darlings. The only good thing is that the end they meet is swift.

Saralyn Richard – Killing my darlings (as in characters) is one of the biggest challenges I have in writing. Most of the time, my victims are characters I love dearly. (After all, I’ve created them to be exactly the way I want them.) One of my books, written in third person close POV, takes the POV character through some exceptionally rough times. I identified so closely with her that I felt every slap and sting. I kept telling myself that she would get through this–and so would I.

Donnell Ann Bell – I  don’t ever throw anything completely out. Call me a pacifist, but I have a draft file, where I simply imprison unused material. You never know when my muse might say, “Remember a certain passage? It might fit here.”

Robin Hillyer-Miles – Years of working as a civilian graphic designer for the US Navy helped me kill darlings left and right without a care in the world. (Though I do save them in a separate file, just in case.)

Gay Yellen – Sadly, I’ve had to toss two entire subplots in the upcoming book after I realized they weren’t serving the main story.

Barbara Eikmeier – I put them in a document file labeled “cut scenes” so I can visit them whenever I want.

Kathryn LaneIt’s still painful to kill scenes, characters, etc. but I’m getting better about it. I try to think about moving the story forward and that makes me realize (sometimes) when a favorite scene/topic/dialogue/character is not needed.

Anita Carter –

Lois WinstonI’m ruthless. If something isn’t working and can’t be fixed—whether a plot point, a character, dialog, or a scene—I cut it. If I think it might have potential in another book at some point, I’ll save it to a folder of orphaned words. Often, though, I simply hit the DELETE key. I’ve killed many a darling over the years and will probably kill many more in the years to come.

Lynn McPherson – That’s a toughie. I remind myself the goal is to have the best story I can write, so if that means someone has to go, I try to remember they served their purpose and got the story to where it is now.

Linda Rodriguez – I have a file on my computer that’s just called CUTS. I toss any cut paragraphs or scenes or chapters into this file, so they’re saved for later if I need them. I’ve never needed them for that same work, although I have sometimes rescued scenes or characters from the CUTS file to use in a different project.

Mary Lee Ashford – In general, I don’t have a problem with killing my darlings. If it’s not working, it’s got to go. However, there have been scenes that I’ve saved to an “Outtakes” folder on my computer because I knew they needed to be cut, but I really like them and thought they might have a use later on in the story. Or I thought that they could perhaps be reworked and be used in a later book. Over the years, I’ve found that those “darlings” are seldom useable, but it still makes me feel better to set them aside in a folder than kill them off completely.

T.K. Thorne – I deal with it by saving what I have and starting another version. That way, I can always go back to that “darling” and use it or pull from it.  I never do, but it’s there with gives me a sense of security. 🙂  In every case, so far, I have liked the fresh version better.

Anita Carter I’m brutal. I don’t struggle with the delete button. LOL But when I throw out a scene or a fun sentence, I paste it into a “deleted stuff” Word document.

Bethany Maines – That is so hard!  I do save my deleted scenes in separate documents.  Sometimes I can work them in later, but sometimes that’s just what I tell myself so that I’ll actually delete them. But sometimes, the story changes and I have to pursue what is best for my story.  I do think that the more I write, the more callous I become to this problem. I think partially because I’ve become more of a plotter so that I write fewer scenes that require deletion.

Shari Randall/Meri Allen – Killing my darlings kills me! I work with an excellent editor, and time and again, I’ve seen that her suggestions to kill those darlings have made the story better. I’m philosophical about it now, but still, it hurts.

Chasing an Intruder

Bob and I spend the summers in northern New Mexico. We enjoy the idyllic mountain scenery, the wildlife, the enriching tricultural experience in art, food, and the wonderful people who live here. Some are full time residents while others, like us, are only part timers.

After we arrived at our cabin, I was surprised we’d had a visitor who had left his calling card.

Ever the investigator, I wanted to identify our intruder. I asked friends, family, and long-time residents to help me out. Most people offered suggestions like a cougar, a mountain lion, a bobcat. One person thought they were coyote tracks, and another, trying to be funny, thought they were left by aliens!

I compared the paw prints left in the dust on the front deck to online research, and to photos a friend sent me from a wood block she keeps for easy reference in her mountain home.

It was easy to rule out deer, elk, turkey, or badger.

Next, I could rule out a fox, coyote, or bear since our prints did not have evidence of claws. That left the cougar!

Long time-residents claimed they had not seen any cougars in the area, yet my research indicated that New Mexico has a cougar population of 3,494 that are eighteen months of age or older as of 2023¹.

Sadly, my research also revealed that cougars are considered recreational game animals in New Mexico, and at the current rate of hunting and trapping, they will soon be at risk. In 2019, the state did prohibit trapping of cougars in certain areas.

I fully understand that cougars and other wildcats can be dangerous to people, pets, other wildlife, and livestock. Yet, these are beautiful animals that need protection to prevent them from going extinct.

A friend asked me if I’d be putting cougars into a novel in the future. The truth is I don’t know if a cougar will ever appear in a Nikki Garcia mystery or not. The question is valid since I have included dogs, crows, and mules in previous mysteries. Whenever I’m writing a novel, if pets or wild animals add to the story, yes, I love incorporating them into the story. In the meantime, my husband and I will enjoy the deer, elk, coyote, turkey, and birds we see in this mountain retreat.

***

¹New Mexico Mountain Lion Foundation

About Kathryn

Kathryn Lane writes mystery and suspense novels usually set in foreign countries. In her award-winning Nikki Garcia Mystery Series, her protagonist is a private investigator based in Miami. Her latest publication is a coming-of-age novel, Stolen Diary, about a socially awkward math genius.

Kathryn’s early work life started out as a painter in oils. To earn a living, she became a certified public accountant and embarked on a career in international finance with Johnson & Johnson.

Two decades later, she left the corporate world to create mystery and suspense thrillers, drawing inspiration from her travels in over ninety countries as well as her life in Mexico, Australia, Argentina, and the United States.

She also dabbles in poetry, an activity she pursues during snippets of creative renewal. In the summer, Kathryn and her husband, Bob Hurt, escape the Texas heat for the mountains of northern New Mexico.

Photo credits:

Paw Prints in the Dust – photo by Kathryn Lane

Wood Block Paw Prints – photo by Sharon Sorensen

Cougar – CA-Jason-Klassi-08

RIP, Mac

By Lois Winston

Sometimes, there are no warning signs, no odd symptoms that crop up which would make us suspect something is not quite right. Such was not the case with Mac. Nothing made me question his health, nothing that would lead me to seek out the services of an expert. One moment, he was fine; the next he wasn’t. Worse yet, he failed to respond to all my efforts to make him well.

This all happened three weeks ago. Mac and I had been in a deeply committed relationship for ten years. I wasn’t ready to let him go. So I picked up the phone and scheduled an appointment for a full diagnostic workup. Surely, whatever the problem, something would make him better.

After arriving, I was asked about his prior symptoms. When I said he’d had none, the diagnostician showed surprise. She rattled off a series of the usual suspects, to which I answered in the negative for each one. She shook her head in disbelief. I suspect she thought I was too ignorant to recognize obvious signs of impending illness. I ignored her condescension. I needed her expertise to heal Mac.

When I asked what she thought might be the problem, she offered possible afflictions, some with remedies but others that were fatal. I crossed my fingers as she spent the next hour and a half performing a litany of tests to determine why Mac had suddenly become comatose.

The test results confirmed my worst fears. Mac had suffered a catastrophic failure. Both his hard drive and battery were dead.

I think the ratio of computer years to human years must be greater than that of dog years to human years. However, even if it’s the same, that would have made Mac seventy years old. Ancient as far as my millennial diagnostician was concerned, but I’m at the stage of my life where I no longer consider seventy old. Still, I suppose ten years is considered ancient for a computer, even one as stalwart as Mac had been.

Mac had served me well. During our time together, we’d written nine novels, five novellas, several short stories, one nonfiction book, and countless blog posts. We’d edited two multi-author promotional charity cookbooks and two multi-author box sets.

However, it was time to lay Mac to rest, sending him off to the big Apple in the sky. RIP, Mac. But really, after all we’ve been through together, he couldn’t have died a day earlier before the weekend state sales tax holiday ended?

Scrapbook of Murder, the sixth book in my Anastasia Pollack Crafting Mystery Series, is now available as an audiobook. Post a comment for a chance to win a promo code for a free download.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Ten Stories That Worried My Mother by Winona Kent

I’m excited to welcome Winona Kent to the blog today. I served on the board of Crime Writers of Canada with Winona. She is a great writer and has a super new anthology out. Read on to hear more about it…

TEN STORIES THAT WORRIED MY MOTHER by Winona Kent

Earlier this year I decided to release an anthology of short stories. I had two reasons: the first was that I had a few personal appearances coming up, and I wanted something new to sell. I was halfway through my next novel and I was pretty certain it wasn’t going to be ready in time. The second was that I realized I’m mostly only known for my long fiction…and that I actually do have a background in short story-writing! But, for various reasons, very few people know about that. And I really did want to share those stories with my current readers.

I chose the title Ten Stories That Worried My Mother largely because, well, she constantly worried about me being a writer. That’s a subject for a whole other blog—how to deal with a parent who brought you up not to attract attention to yourself, not to say anything that might reflect badly on you (or her, or the family), and most definitely not to write stories with interesting characters and situations, in case friends and relations might think it was about them.

Interestingly, I once took part in a creative writing workshop where the assignment was to write a story using only animals as characters, and the characters had to be based on us, ie, everyone in the workshop. None of us were able to recognize ourselves. Or each other, for that matter. Which convinced me that unless you use really specific character traits or situations that readily identify who you’re writing about, you’re probably on safe ground.

A few months before my mum died in 2021 (aged 95), I thought I might read one of my more recent stories to her aloud. Her eyesight was failing, and I really wanted to share it with her, especially because it had made the shortlist for the Crime Writers of Canada’s Awards of Excellence for Best Crime Novella. The story was “Salty Dog Blues.”

She listened patiently, but punctuated my narration with predictable Oh dear!‘s and Ohhhh‘s. I loved her dearly and I knew that would be her reaction, but I was determined to convince her (in my late 60’s!) that I really was a decent writer, after all.

When I finished, she said, “It’s very good.” I waited. I knew what was coming next. “But you can’t say those things about the cruise line your sister worked for! What if they come back and cause problems for her?”

I pointed out that the cruise line was called something else, and it didn’t have a current ship that was even remotely like the one in “Salty Dog Blues”, and that yes, I’d used my experiences sailing with my sister (who’d been a Captain’s Secretary) in the story’s details, but my sister hadn’t actually worked for them in a very long time and what, exactly, did she anticipate the problems might be?

She didn’t have an answer for that, of course. But my mother was, by nature, a worrier. And she wasn’t happy unless her thoughts were fueled by apprehension.

And so, of course, the title Ten Stories That Worried My Mother was strategically chosen to make her happy. And I’m certain she’s out there, somewhere—very proud of me—but fretting unnecessarily, and absolutely convinced someone in our family will think badly of her—or me—for writing it!

Ten Stories That Worried My Mother (four prize-winners, three mysteries, two previously unpublished works and one where the hero manages to spare-change John Lennon at the premiere of A Hard Day’s Night in 1964), with a foreword by A.J. Devlin, is published on August 22, 2023.

Winona Kent
Author of Ticket to Ride (Book 4 in my Jason Davey Mysteries)
Regional representative, BC/YT, Crime Writers of Canada
Active Member, Sisters in Crime-Canada West

www.winonakent.com