We are Living History— by T.K. Thorne

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We are living history.

In 1958, the janitor at Temple Beth-El in Birmingham, Alabama discovered a satchel in the building’s window well with a fuse running from it. Fifty-four sticks of dynamite were in that bag. The fuse had burned out within a minute of igniting it. No one knows what happened, perhaps an early morning rain or a fault in the fuse itself.

It was a pivotal moment in time. The crime was never solved, but the perpetrators were mostly likely a Nazi-inspired organization called the National States Rights Party headquartered in Birmingham. They hated Blacks and Catholics and Jews.

Today, the incidents of hate crimes against Jews and Jewish institutions are rising at frightening rates. Along with other activities, like the attempted armed insurrection of our government, it is chilling and feels like it could be 1958 or even the 1930s when powerful men in this country echoed Hitler’s poisonous sentiments toward Jews, men like Henry Ford, the car manufacture magnate; Charles Lindbergh, the country’s famous “golden boy;” and Father Coughlin, a catholic priest with thousands of listeners on his radio show.

Having a common enemy often binds people together. Thus, the citizens of Germany coalesced when Jews were targeted as “the enemy.” But that works both ways.

Sixty-four years after the attempted bombing of Beth-El, the synagogue is working on a civil rights exhibit about looking to the future by examining the past. I was asked to be a speaker at the launch event because I wrote this book—Behind the Magic Curtain: Secrets, Spies, and Unsung White Allies of Birmingham’s Civil Rights Days.

It took eight years to complete. While I was writing it, I thought—Will anyone be interested in this or will it just be another tome for the historians’ bookshelves, if that? But it had become a labor of love, so I labored on.

I woke from the “coma” of writing to find my book relevant. That was not necessarily a good thing but was why I was speaking at Beth-El’s event.

For the most part, the White community has welcomed the book’s revelations about what  happened behind the scenes (or behind the curtain) in a city that changed the world—stories of secret missions carried out by the police and sheriff’s departments, as well as little-known deeds of civil rights’ allies in the city branded with images of “dogs and firehoses” used against children, an image seared into the nation’s consciousness.

I tried to honor the Movement as well and weave my stories into the context of the day and the efforts of those seeking long overdue equal rights and justice. But I’ve had little feedback from the Black community. After I spoke at Beth-El, however, a diminutive, elderly Black woman approached me and asked me to sign her copy of Behind the Magic Curtain, which she had brought to the event.

I did, of course, and she told me she had been one of the children who had marched for freedom in 1963 and how much she had enjoyed the book and how much it meant to read confirmation of things whispered in her home and community when she was young, things she had never known were true or not. It completed a circle for her.

It was a small interaction, lasting only a few moments in the chaos after the event, but it meant a lot to me. She had probably given little thought as a child that she was living a pivotal moment in history. Nor did those who went to pray at Temple Beth-El one morning, or those who listened to Father Coughlin, Henry Ford, and Charles Lindbergh spew supremist views that eventually embraced genocide.

We are living in a pivotal moment. It will be written about (and already has) and one day we will be the ones who say, “I was there.” What are we going to tell future generations about what we did . . . or what we didn’t do?

T.K.Thorne is a retired police captain who writes Books, which, like this blog, go wherever her curiosity and imagination take her.

Return of the Corn Mothers 2022 by Juliana Aragon Fatula

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Dear Reader,

The year 2022 has been incredibly challenging and rewarding. The books I’ve published have opened doors for me and taught me how to network and reach my audience. My publisher, Bower House Books/Conundrum Press, Denver, CO helped me to promote my books by nominating me for book awards and sharing my work on their website. I have been giving readings and book signings at local bookstores and libraries and universities and colleges. Most recently at Analogue Bookstore, CSU Pueblo, El Pueblo History Museum, Pikes Peak Library, and on various Zoom events online.

This year I have been nominated and inducted to the Return of the Corn Mothers and attended the ceremony on October 21st, 2022 in Denver at the History Colorado Museum.

It was a night I will never forget and changed my life forever as I am now a Corn Mother along with 22 other women inducted this year. The total number of Corn Mothers now is 70 and some have passed to the next world but their lives were celebrated at the History Colorado Museum in memoriam. We were all blessed and the event was live streamed via Zoom and recorded for a documentary for the archives.

The photos included in this post show the incredible festivities and colorful regalia worn by the Aztec Dancers and musicians, and guest speakers. The night was magical.

 

 

No Fur or Feather Babies

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By Lois Winston

When I was asked to write a cozy mystery series, I knew I should include a pet. Cozy readers love books with pets, especially dogs or cats. Sometimes the pet is even an integral part of helping to solve the mystery. I also have many friends who write cozy mysteries, and most of them are pet owners.

I’m the outlier. I don’t have a fur baby. Instead, I have allergies. Allergies to just about all pets. At least the kind you can pet, cuddle, and play with. Tropical fish would probably be safe, but I consider those pretty things to watch swimming around rather than pets. If it has fur or feathers, I need to steer clear, and chances are, I’d probably also have issues with amphibians and reptiles. I’m even allergic to certain people—or at least to some of the grooming products they use.

I used to have pets. When I was a teenager, we had a dog. I walked around sneezing and coughing and suffering with horrible sinus headaches for several years until I left for college. Once I had my own apartment, I tried kittens. What was I thinking? The headaches, sneezing, and coughing returned with a vengeance.

When my kids were young, we got them a pair of gerbils. Even though I stayed far away from the cage, I still suffered.

So, unfortunately, I remain petless. My protagonist in the Anastasia Pollack Crafting Mysteries is far from petless, though. Not only does Anastasia’s household include her mother-in-law’s French bulldog Mephisto and occasionally Catherine the Great, her mother’s Persian cat, but Anastasia has also inherited her great-aunt Penelope Periwinkle’s African Grey parrot.

However, Ralph is no ordinary parrot. Having spent most of his life in Great-aunt Penelope’s classroom, listening to lectures on the works of William Shakespeare, Ralph possesses a unique talent. He has the uncanny ability to squawk situation-appropriate quotes from the Bard of Avon.

Is this even possible? Some African Greys do have huge vocabularies, but even though I’ve read up on the species, I’m no parrot expert. It doesn’t matter, though. I write fiction, humorous fiction. If readers can suspend their disbelief enough to accept a protagonist who stumbles across more murders than the average cop in an entire law enforcement career, why not a Shakespeare-quoting parrot?

Ralph is also very protective of his adoptive family. I hope you’ll check out how he proves his worth in Guilty as Framed, the 11th book in my humorous Anastasia Pollack Crafting Mystery Series.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Lessons From Live Theatre

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I had the privilege of going to see a fun new play called “The Shark is Broken,” written by Ian Shaw and Joseph Nixon. The play details the behind-the-scenes drama surrounding the filming of the 1975 blockbuster movie, Jaws. The play was short (90-minutes) and anything but sweet, but overall a funny, very enjoyable show for any die-hard fan. There were only three actors on stage and a pretty basic set, serving as a great reminder of how to nail a story, be it a play, a movie, or a book.

  1. Character is key! Plot is important in any story, but to grab the reader, the author must have a great set of characters. From the second the first actor entered the stage during the play, I had no doubt he was playing Richard Dreyfuss, based on mannerisms alone. Each character should possess distinct traits that make it easy not only easy to identify, but to create and add conflict to a play or a book. A rollercoaster of emotion keeps a story fun, and nothing is better than the tension felt between opposing characters.
  2. Action Needs Reaction! “The Shark is Broken” took place entirely on a small set, without any big action scenes. But it kept my attention because of the dynamics created by the characters. The myth
    surrounding the filming of Jaws is all about the tension between the actors on set. The verbal tug-of-war between Richard Dreyfuss (played by Liam Murray Scott) and Robert Shaw (played by real-life son, Ian Shaw), had the viewer fully engaged from start to finish. There was no shark needed to heighten the tension on set between these two!
  3. Real Life Inspiration! It’s been so long since I’ve been to a city (Toronto, in my case) to see a play, I’d almost forgotten how much fun it can be to leave home. From the train ride to the pre-dinner grub, nothing beats character building than going out and watching people in action. For me it was the restaurant staff, the sports fans roaming about (The Toronto Maple Leafs had just won a hockey game in over-time), and even the people passing me on the sidewalk. Everyone is unique, just like each character in a story. Subtle details like the scent of someone’s perfume, the slow-gait of a two lovers holding hands, even the feel of the wind tunnel created from nearby skyscrapers. All these details matter. Don’t even get me started on snippets of conversations overheard at nearby tables or close-by theatre goers… There’s always something to see, hear, smell, or feel.

Where do you find inspiration? Any other Jaws fans out there?

Lack of TV by Dru Ann Love

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It had to happen to this TV addict. It had to happen to this award show addict. What has happened? Well for the award shows, they rarely nominated a show that I watched, so it was useless to watch the Emmys or the Daytime Emmy since I don’t watch the few soap operas still on the air. I stopped watching the Golden Globes and the People Choice award shows because I knew less than one percent of the nominees – okay maybe five percent. The Grammys – who are these artists that are half dressed – wait, hardly dressed. I think the only show I still watch is the Oscars and that is to see what people are wearing.

Oh, and let’s talk about TV shows. Back in the day, my whole week was taken over by the TV shows I HAD to watch. Now, I calculated I watch one show on Sunday (Equalizer), one on Monday (9-1-1) and two shows on Thursday (Young Sheldon and the new show, So Help Me Todd). Nothing else enticed me to watch. They need to bring back shows like Columbo, Murder She Wrote, Mary Tyler Moore Show, Remington Steele and so on.

So, what am I doing when I’m not watching these four shows, I’ve been reading. Post pandemic my book reading was 2-3 books a week, now it has picked up to 3-5 books a week. I’ve been reading a lot of advance reader copies, mostly non-cozy titles with a few cozies in the pack. Last week I read a historical thriller and enjoyed it. A few weeks ago, I read a book that took place in Ireland. Everyone who knows me know I do not read books where the location is outside of the U.S.A nor do I read historicals. But lack of TV viewing is opening me up to branch out my reading habit.

 

So, has the lack of anything caused you to increase other things?

 

The Cheese Guy by Lynn Chandler Willis

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Several years ago, i was invited to participate in a book festival sponsored by a local, glossy magazine named after O’Henry. The festival was being held at a high-dollar, swanky hotel, also named after the famous writer.

I was still riding pretty high with my win for Best First Private Eye Novel given by St. Martin’s Press and the Private Eye Writers of America. I was super excited to participate and still a little unbelieving that my work had won a major contest.

I happily accepted the invitation and got busy ordering bookmarks, and postcards, and posters for the big day. I worked with the publisher to make sure I had copies to sell. I sent out all kinds of announcements to my growing list of newsletter subscribers. I emailed cousins and uncles and aunts and friends from elementary school to high school.

When the big day finally came, I loaded my books into my rolling purple suitcase––which by the way, I still use––and headed to the premiere hotel in the area. When I got there, I was shown by a guy in a tux to the room where we’d be set up. The guy probably had some kind of title I couldn’t pronounce anyway so I just referred to him as the guy in the tux.

The room was filled with other authors and for a moment I felt right at home. And then I noticed I was the only one who wrote mysteries. In fact, me, a children’s book author, and guy who wrote fantasy were the only three authors present who didn’t write literary. I’m talking Faulkner literary, or better yet, O’Henry literary.

I knew the guy who wrote fantasy. And I knew his work. We had belonged to the same local writing organization and were members of the same critique group. Fantasy guy wrote about dragons. Thirty of them to be exact. All with names containing 20-plus letters no one could pronounce. And they were all introduced in the first chapter of the 300 thousand words book. That’s right. Three. Hundred. Thousand. Words. It was the first book in a trilogy.

He was notoriously smug about his work and wouldn’t accept constructive criticism no matter how gentle it was given. I don’t think he would have accepted it if a gang of 30 dragons held him down and blew fire in his face. He published his book himself back before any kind of standards existed. He worked the crowd and arm-wrestled a few into buying his book which they needed a hand cart to get it to their car.

Aside from him, the day was pleasant enough. I sold quite a few books. I chatted with lots of people who tended to gravitate toward my table for some good ‘ol genre fiction. The day wasn’t bad at all, until the cheese guy dropped by.

At book festivals, signings, readings, and any other type of event, it’s common practice for the author to have a bottle of water, maybe a bag of Skittles, tucked behind their table display. Out of sight of those in attendance. My publisher just happened to have sent along two table posters on foam board which was perfect for concealing a drink and maybe a snack. I had them on either end of the table while I stood in the middle.

I had a bottle of water tucked behind one but no snacks. Then I noticed uniformed waitresses delivering wood platters filled with nuts, and fruit, and mounds of different cheeses to the other authors. I quietly asked one of the waitresses if I could order one. She was happy to bring me what could only be described as a magnificent charcuterie board before they became a thing.

Toasted almonds rolled in sugar? Oh my word. I was living the dream!

I slipped the board behind the other table poster and continued chatting with eager readers, taking a quick sample of the deliciousness in between. And then some guy, a well dressed guy at that, comes up, steps behind my table and whips out a pocket knife and proceeds to cut off a hunk of my cheese. He shoves a few green grapes into his mouth then grabs a handful of my toasted almonds and goes on about his merry way.

I was too stunned to protest or even ask him what the h%$* he was doing.

We all have that one book event that left a lasting impression. What about you? What’s yours?

Lynn Chandler Willis comes from a journalism background as the former owner/publisher of a small town newspaper and prefers to make stuff up. She now writes mystery/thriller/suspense and crime novels along with the occasional snarky comment on social media. She’s the current President of SEMWA, the Southeast Chapter of Mystery Writers of America, a member of International Thriller Writers (ITW), and a past-president of Sisters in Crime––Murder We Write chapter. She’s a Shamus Award finalist, A Grace Award Winner for Excellence in Faith-based Fiction, and the winner of the St. Martin’s Press/PWA’s Best 1st PI Novel — the first woman in a decade to win the award. She has a new series debuting in November 2022 and another in May 2023 with Level Best Books.

Road Research

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By Barbara J. Eikmeier

My favorite place to find details for a story is on a road trip.

My regular job is presenting programs about quilts to small and regional quilt guilds. Bookings take me off the main highways to “Blue Roads”, through tiny communities and sometimes even down dirt roads. Ninety percent of the time I travel alone.

Once my GPS is set for my destination and snacks and water bottle are within easy reach, there is one last item to put in place before hitting the road – my notebook.

Over the years I have filled great piles of these notebooks with lecture notes, story starters, to-do lists, quilt patterns, rough drafts and travel notes. I don’t journal daily, although I admire those of you who do. I just make notes. My notebooks are sloppy. I seldom keep the script on the line but if I’m striving to hit the line, I prefer wide-rule over college rule so I have plenty of space for the letters that loop below the line. I really love letters that loop below the line. I have a memory from kindergarten of writing my name in the proper upper right hand corner of the paper. I started with a B and ended with an A but in between I used all sorts of letters – especially g and j because they looped below the line. My teacher didn’t think I knew how to write my name. I did. It’s just that it was so long and only used three letters repeated over and over, yet there were so many fantastic letters to choose from on the ABC chart that wrapped around the classroom. As an adult I opted for Barbara J. Eikmeier as my legal name because with all those letters in my long name, only my middle initial loops below the line!

When heading out on a trip, my notebook, wide rule or college rule, it doesn’t matter because I won’t be using the lines, is positioned on the passenger seat. As I drive I notice landmarks, brown sign historical markers, the names of rivers and creeks: Bee Creek, Wolf Creek, The Mississippi River!

Keeping my eyes on the road, I write without looking: Kalona Creamery, MO mile marker 48 – look up round barn.

My notes include clever place names that I can use in my stories: The name a of a beauty shop in western Kansas became the name of the diner in my current novel.

When I stop to rest or get fuel I take my notebook inside with me. I’ve sat in McDonald’s, Subway restaurants and  truck stops making notes about the man with snow white hair cut as if a bowl had been place on his head, the young kid behind the counter who was overly friendly – acting as if I liked him enough I might take him with me, and the trucker with the huge tattoos up and down his muscular arms that spelled out PUGSLEY in great Gothic lettering. What does Pugsley mean? It doesn’t matter – I can make something up as long as I have a note to jog my memory.

I record snippets of conversations, especially local dialects and topics like the old guys discussing the price of beans over coffee and a breakfast burrito at their local gas station where three cafe tables line the wall along the windows – the only breakfast eatery for miles. And I’m a huge fan of local bulletin boards with notifications of missing pets or persons, items for sale, local fundraisers, estate sales and funeral announcements. A writer can extract a lot of interesting details from a bulletin board in a gas station!

Periodically I will skim through a notebook or two and re-write or type an entry. I usually remember what I’ve written about, (and where it was and when) when re-reading my scribbling that either runs sideways in bold print, or neat script with lovely loopy letters. A psychologist in a writing class once said it was a hand/brain correlation that helps us remember things we’ve written.

The back to school supplies are dwindling. Soon the notebooks, folders and 12 packs of #2 pencils will be relegated to the office supply aisle until next year. It’s my reminder to stock up on another stack of spiral bound notebooks.

How do you keep track of tidbits you notice on a road trip? Do you also love spiral bound notebooks?

Barbara J. Eikmeier is a quilter, writer, student of quilt history, and lover of small-town America. Raised on a dairy farm in California, she enjoys placing her characters in rural communities.

WHICH IS MY FAVORITE?

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I’m often asked which of my books is my favorite, and I can never answer directly. It’s like picking one of your children over the others. I love every book for its unique qualities, its characters, its relationship to my own life. BAD BLOOD SISTERS is my first book set in my hometown, on an island on the Gulf Coast. The main character, Quinn McFarland, struggles with issues of identity, friendship, and betrayal. The whole story is told through Quinn’s point of view, so we get to know and care about her deeply. Also, I wrote the book during Covid lockdown. Quinn’s story occupied my whole life, day and night, for almost a year, and I still think of her often. Quinn might be my Scarlett O’Hara.

NAUGHTY NANA, a children’s picture book, is narrated by my real-live Old English sheepdog, Nana, whose puppyhood was fraught with mishaps in the extreme. My first foray into the world of writing, NAUGHTY NANA introduced me to an illustrator, an audience, public appearances, and all the joys of connecting with readers. Having Nana by my side throughout this adventure has been a spectacular privilege. Nana could be my Curious George—in the book and in real life.

 

A MURDER OF PRINCIPAL might be my most personal novel, since it is set in an urban high school in the Midwest. I served as an educator in several such schools—they were my homes away from home. I do a lot of research for all of my books, but I did the least amount of research for this one, because my own experience and expertise carried me through most of the story. Assistant Principal, Sally Pierce, who resembles me in a few ways (but is overall purely fictional), is a fascinating amateur sleuth, and R.J. Stoker, the renegade principal who brings unwanted changes to Lincoln High School, is one of my favorite all-time characters.

 

And then I must consider the three books in the Detective Parrott Mystery Series. MURDER IN THE ONE PERCENT, A PALETTE FOR LOVE AND MURDER, and CRYSTAL BLUE MURDER. Each of these is also my favorite. Set in the elite countryside of Brandywine Valley, where many of America’s wealthiest and most powerful live, each story is different (and can be read as a standalone), but each brings a new slant on human nature, particularly as it’s affected by money and material things. The main character, Detective Oliver Parrott, is an outsider in the community, which gives him the unique ability to see through the roadblocks thrown at him by the one percenters, who protect their secrets and their turf at all costs. Detective Parrott, despite being young and inexperienced, is a fully-realized agent for truth and justice, and his personal life, including relationship with fiancée (and later wife) Tonya, adds depth and humanity to the stories.  Parrott is a wonderful human being, someone who whispers in my ear, commenting on social issues, even at times when I’m not writing him. Parrott is my Hercule Poirot, Sherlock Holmes, or Harry Bosch.

Is there a book you’ve read (or written) where you felt galvanized by the main character?

 

Galveston Author Saralyn Richard

Visit my website here for more information, to order autographed books, and to subscribe to my monthly newsletter,

The Legacy of Angela Lansbury

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by Paula Gail Benson

Angela Lansbury from Wikipedia

On October 11, 2022, just five days before what would have been her 97th birthday, Angela Lansbury passed away at her home in Los Angeles. She did not appear at the 75th annual Tony Awards ceremony on June 12 to receive a lifetime achievement recognition; but, according to Wikipedia, over her career, she won 5 Tonys for acting and, in the 1960s, the New York Times referred to her as “the First Lady of Musical Theater.” My first appreciation of her work came from listening to her voice on the cast albums for Anyone Can Whistle, Mame, Gypsy, and Sweeney Todd. I also delighted to hear her interpretation of Madame Armfeldt in the 2009 Broadway revival of A Little Night Music with Catherine Zeta-Jones as Desiree and Ramona Mallory (daughter of Victoria Mallory and Mark Lambert, who played Anne and Henrik in the 1973 production) playing the role her mother had originated.

Some will remember Lansbury’s work from Hollywood’s Golden Age, when with her mother and twin brothers, she came to America to escape the Blitz, and was signed by MGM to play the maid in Gaslight, Elizabeth Taylor’s older sister in National Velvet, and a tavern singer and early love of Dorian Gray in The Picture of Dorian Gray. In the 1960s, she played the mothers of men only a few years her junior, Elvis Pressley in Blue Hawaii and Laurence Harvey in The Manchurian Candidate. She received three Oscar nominations for supporting actress and was given an Honorary Academy Award for lifetime achievement.

For American audiences, she may be most recognizable for voicing and singing the role of Mrs. Potts in the animated Beauty and the Beast and for her performance as retired teacher and mystery writer Jessica Fletcher on Murder, She Wrote. I actually learned about her passing from a retired friend who regularly watched Murder, She Wrote reruns each day. He sent me a message that the station had interrupted the program with the breaking news.

The remarkable thing about Murder, She Wrote and Lansbury’s portrayal of Jessica Fletcher was that it started about the same time as Sisters in Crime organized and began focusing attention on women mystery writers, who often had been overlooked by reviewers. Jessica Fletcher became a symbol for several causes: (1) that middle-aged and older women could be protagonists; (2) that women could thrive in second careers; and (3) that women wrote excellent mysteries.

Terrie Farley Moran and me

I contacted my friend Terrie Farley Moran, who now co-writes (with Jessica) the Murder, She Wrote novels (a task previously taken on by Donald Bain, his wife Renee Paley-Bain, and Jon Land). So far, there are 56 books in the series. Terrie began with Book 53, which takes place in Columbia, S.C., where Terrie came to participate in the Mystery in the Midlands conference.

Terrie was a wonderful choice to continue the series due to her devotion to and familiarity with the television program. I hope she will continue for many more years and I’m sure fans do, too.

When I contacted her to offer sympathy, Terrie told me that “the torch had been passed” to a new generation to enjoy mysteries from the Fletcher family. Just this month, Scholastic Press published Stephanie Kuehn’s By the Time You Read This I’ll Be Gone, the first of a new Murder, She Wrote series featuring Beatrice Fletcher, who like her great-aunt Jessica, lives in Cabot Cove and is drawn into solving mysteries. Hopefully, this young adult series will introduce a new group of readers to the Jessica Fletcher legend.

Personally, I’m grateful to Angela Lansbury for crafting such a memorable character in Jessica Fletcher, who continues to be an inspiration to mystery writers.

“Thrilling and Unpredictable” – Where a Writer Got His Ideas

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I’m delighted to welcome author Terry Ambrose as my guest to discuss his new series in the blog “Thrilling and Unpredictable” – Where a Writer Got His Ideas. I’ll be back next month – Debra 

Readers often ask writers where their ideas come from. In my case, the ideas are usually driven by a confluence of events. The Beachtown Detective Agency series idea was different in that the series concept came to me while we were on a weekend getaway to photograph two San Diego area piers.

My interest in piers started when my wife gave me a copy of Piers of the California Coast. After discovering San Diego had several piers, we decided to stay near Pacific Beach. It was a centralized destination with a nice B&B. It seemed like the perfect spot to stay because I was just starting the Seaside Cove Bed & Breakfast Mystery series, and that made the B&B location a double win.

We walked into Pacific Beach the first night, wending our way through residential streets until we found ourselves approaching a funky little town with a boardwalk. This was in the days prior to Covid-19, so we didn’t worry about crowds or getting close to strangers. It was nearing 5PM as we made our way along Pacific Beach’s boardwalk. The place wasn’t just alive; it was positively chaotic!

People of all ages were everywhere. From kids to seniors, joggers and walkers to small groups hanging out. From the smell of coconut oil to marijuana, the energy consumed my attention. It reached out, grabbed me by the muse, and shook me with a fervor that demanded I write about it.

Almost on the spot, I began crafting a character who eventually became Jade Cavendish. Jade is twenty-six years old, spunky, and not quite ready to become an adult. She’s also forced to take over the family business when her father announces his sudden retirement.

I eventually moved the location of the series to Carlsbad, which is much closer to home. Carlsbad has a different energy. Where Pacific Beach is constant chaos and manic, the Village in Carlsbad is laid-back and quirky. But, as I integrated the change in location into the book, I realized that energy fit perfectly with my long-term goals for the series. The result was a book that Kirkus Reviews called, “…thrilling and unpredictable.”

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