Clicking Our Heels – Killing Our Darlings

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At some time, every writer has to kill his/her darlings. Here’s how different members of The Stiletto Gang deal with this onerous task.

Dru Ann Love – Luckily, I don’t have to deal with that, but as a reader, I’m not a happy camper when a main protagonist or favorite secondary character is killed. I’ve been known to stop reading a series because of that.

Debra H. Goldstein – Moaning, groaning, cursing, and almost crying, I kill my darlings. The only good thing is that the end they meet is swift.

Saralyn Richard – Killing my darlings (as in characters) is one of the biggest challenges I have in writing. Most of the time, my victims are characters I love dearly. (After all, I’ve created them to be exactly the way I want them.) One of my books, written in third person close POV, takes the POV character through some exceptionally rough times. I identified so closely with her that I felt every slap and sting. I kept telling myself that she would get through this–and so would I.

Donnell Ann Bell – I  don’t ever throw anything completely out. Call me a pacifist, but I have a draft file, where I simply imprison unused material. You never know when my muse might say, “Remember a certain passage? It might fit here.”

Robin Hillyer-Miles – Years of working as a civilian graphic designer for the US Navy helped me kill darlings left and right without a care in the world. (Though I do save them in a separate file, just in case.)

Gay Yellen – Sadly, I’ve had to toss two entire subplots in the upcoming book after I realized they weren’t serving the main story.

Barbara Eikmeier – I put them in a document file labeled “cut scenes” so I can visit them whenever I want.

Kathryn Lane – It’s still painful to kill scenes, characters, etc. but I’m getting better about it. I try to think about moving the story forward and that makes me realize (sometimes) when a favorite scene/topic/dialogue/character is not needed.

Anita Carter –

Lois Winston – I’m ruthless. If something isn’t working and can’t be fixed—whether a plot point, a character, dialog, or a scene—I cut it. If I think it might have potential in another book at some point, I’ll save it to a folder of orphaned words. Often, though, I simply hit the DELETE key. I’ve killed many a darling over the years and will probably kill many more in the years to come.

Lynn McPherson – That’s a toughie. I remind myself the goal is to have the best story I can write, so if that means someone has to go, I try to remember they served their purpose and got the story to where it is now.

Linda Rodriguez – I have a file on my computer that’s just called CUTS. I toss any cut paragraphs or scenes or chapters into this file, so they’re saved for later if I need them. I’ve never needed them for that same work, although I have sometimes rescued scenes or characters from the CUTS file to use in a different project.

Mary Lee Ashford – In general, I don’t have a problem with killing my darlings. If it’s not working, it’s got to go. However, there have been scenes that I’ve saved to an “Outtakes” folder on my computer because I knew they needed to be cut, but I really like them and thought they might have a use later on in the story. Or I thought that they could perhaps be reworked and be used in a later book. Over the years, I’ve found that those “darlings” are seldom useable, but it still makes me feel better to set them aside in a folder than kill them off completely.

T.K. Thorne – I deal with it by saving what I have and starting another version. That way, I can always go back to that “darling” and use it or pull from it.  I never do, but it’s there with gives me a sense of security. 🙂  In every case, so far, I have liked the fresh version better.

Anita Carter – I’m brutal. I don’t struggle with the delete button. LOL But when I throw out a scene or a fun sentence, I paste it into a “deleted stuff” Word document.

Bethany Maines – That is so hard!  I do save my deleted scenes in separate documents.  Sometimes I can work them in later, but sometimes that’s just what I tell myself so that I’ll actually delete them. But sometimes, the story changes and I have to pursue what is best for my story.  I do think that the more I write, the more callous I become to this problem. I think partially because I’ve become more of a plotter so that I write fewer scenes that require deletion.

Shari Randall/Meri Allen – Killing my darlings kills me! I work with an excellent editor, and time and again, I’ve seen that her suggestions to kill those darlings have made the story better. I’m philosophical about it now, but still, it hurts.

Clicking Our Heels – When We Know Our Writing is Good

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Lynn McPherson – If it makes me laugh, I like to think it could make someone else laugh, too.

Gay Yellen – If it makes me laugh, or feel sad, or touches me in the way I want it to touch readers, I’m guessing it will work.

Lois Winston – Having previously spent more than a decade working for a literary agency, I will be the first to admit that not only does it take a lot to impress me, but that I’m my own harshest critic. It’s obvious to me when I’m coasting in my writing, whether it’s a sentence, a scene, or an entire chapter, and I’ll work on it until I consider it fixed. That which can’t be fixed gets ditched.

Kathryn Lane – I write, edit, re-edit. Then I leave it for a month or so and read it again. That’s when I know whether it’s good or not, but the ultimate proof is when readers like my work.

Dru Ann Love – If something I read is good, I shout it out on social media.

Donnell Ann Bell – If it moves me and propels me further in the story. If I keep tweaking it, the words probably aren’t the best fit.

Anita Carter – If I still find it interesting after setting it aside for a few weeks and rereading it with fresh eyes.

T.K. Thorne – I don’t like the word “good.” I focus on whether it “works.” That is happening if it moves me in some way, makes me laugh, cry, reveals character, moves the plot ahead, etc.,  and if the writing itself enhances these things or at least doesn’t get in the way

Shari Randall/Meri Allen – I ask myself, does it elicit emotion? Laughter? Surprise?  If it does, even after several readings, then I’m satisfied.

Mary Lee Ashford –  don’t think I’m a very good judge of whether something I write is good. It’s so difficult to have perspective on your own work. If it’s making sense to me and I think it’s moving along, I’ll keep going. Then if it still makes sense or the scene/chapter seems to work when reread a day or two later, I decide that it’s good enough for my critique group and beta readers to read. After that it’s ready for the editor and off on its journey on to readers. Then when I hear from readers: that they enjoyed the book, that it made them laugh (or cry), or that something in the story resonated with them. I guess, it’s then that I decide maybe that the writing was okay.

Debra H. Goldstein – If the text writes smoothly from the zone rather than me struggling for a concept, I know the piece should be good, but I won’t know for sure until I get reader feedback.

Linda Rodriguez – Every once in a while, I’ll be immersed in writing something, and when I emerge, I’ll read it over and feel this little zing inside that tells me I’ve struck pay dirt. Doesn’t mean I won’t wind up doing a good bit of editing and polishing, but I know the heart of it is good. Usually, however, I don’t know until I’ve set it aside for a little while and come back to it with that cold editor’s eye.

Bethany Maines – I think there are two different kinds of good.  Is the writing itself—sentence structure, word choice, etc—of a high quality? For that, I can usually tell by how many junk words I have or haven’t used (very, really, just) and whether or not it makes me have an emotional reaction every time I read it. The second kind of good is whether or not the story itself is good. I have had ideas that are wonderful, but I don’t always have the skill to execute them to their fullest. Sometimes I have to wait until I feel confident to tackle those. I usually feel like those ideas are the ones that make me excited. But at the end of the day, I always feel like my writing probably could have been better, so maybe this isn’t my best question.

Barbara Eikmeier – My husband is often my first reader. He’s a tough critic so if he tells me he thinks it’s good I feel like it must be good.

Saralyn Richard – I need to have a vague sense that I have accomplished what I set out to do in each chapter that I write, but I don’t really know that it’s good until a reader tells me so.

Robin Hillyer-Miles – I think something is good if, after having it rest a bit and reading it, I feel emotional.

Where do ideas come from?

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WHERE DO IDEAS COME FROM?

by Joyce Woollcott

I wonder, I really do, where ideas come from. Not just ideas for books and short stories and magazine articles, but ideas in all creative fields. Artists, painters, sculptors, potters, movie makers, song writers––anyone at all who creates original content. Of course I do wonder more about my fellow writers. Getting the idea is only the first part, what do you do with it when you get it and how do you put it together as a terrific book?

I struggle to flesh out my novels. For me at least, the initial concept, that what if? moment is the easiest. What if a detective sergeant arrives at a crime scene only to discover he knew the victim? What if a well-respected retired detective chief inspector is brutally murdered in his bed and his past comes into question? I bet this is the stage most writers enjoy most, the idea. How wonderful it is to get that first storyline, that initial spark, the potential it holds, the possibilities.

Then the work begins.

I think after that first initial thought, the book unfolds in a series of ideas. It does depend on how you write, are you a plotter or a panster? I’m a little of both. I generally know what the beginning, middle and end will be, in a vague way, it’s filling in the bits between that present a challenge, and probably not just for me. I think about my story in progress most of the time. Certainly when I have a free moment, just before I sleep and when I wake up. Sometimes I’m watching television or chatting to friends something will come up out of nowhere and I’ll think, oh–that might work.

My husband came up with a great analogy the other day as we were discussing how ideas come together to form a book. He said it sounds like you have many pieces of a jigsaw puzzle and you’re slowly putting them together in your head. Each puzzle piece is an idea. Most writing advice I’m hearing these days is to get that first set of ideas down. Get that plot on paper and make it to the finish line. Then you can take a breather and reread it. Start to see which ideas work and which ones don’t.

So, maybe all the pieces don’t quite fit first time, you can’t see where that blue bit goes, or that funny squiggly piece fits, but eventually, after you try putting it here and there, the final piece drops into place and you have the whole picture.

Writing a book isn’t that easy, it’s an exercise in pulling all these ideas together, tidying them up, and arranging them into some sort of order that makes sense.

Now if I could just figure out how to do that, each time I sit down to write a book…

Funny thing is that there’s a… ‘The World of Ian Rankin’ Jigsaw puzzle out now, a day in the life of Rebus in Edinburgh, what a great idea. If only I could buy a complete jigsaw puzzle of my next novel before I wrote it, I would put it together, and voila!

Which incidentally brings me to my next book which is due out in August. Unfortunately I wasn’t able to get the jigsaw puzzle of it, but at least it did come together, the final piece clicked into place. Hopefully, if you get a chance, you can see if it all fits together nicely. Blood Relations – available next month on most platforms, audio book to follow.

The Force Behind Words

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By Donnell Ann Bell

When I was growing up, I heard often—particularly on the playground–the children’s rhyme, “Sticks and stones can break my bones, but words can never hurt me.” I looked up its origin, which appears to have been around since the 1830s. I suspect whoever coined the phrase meant well, probably devised the rhyme to target bullying. I also believe many an adult used that phrase to assuage a child’s hurt feelings.

Still, the idea that words cannot hurt is a gross misnomer. Spoken or read, words have power. They can infuriate and incite. They can also deter, persuade, motivate, impress, and sadly even bore.

People write to communicate. People read to learn and/or to be entertained. I certainly write books for these reasons. I’m not overt in my opinions. I couch my words and thoughts in fiction. I create characters who may or may not share my views, and while doing so, enlist an arsenal of words.

Many authors have been recognized for the following quote, so I won’t attempt to give credit. But I love the expression, “I write to know what I think.” For me, writing clarifies. As a member of Toastmasters, an organization that focuses on public speaking, I reached the level of Competent Communicator. Other than Table Topics, which concentrated on our ability to ad-lib (at which I was ghastly), I wrote my speeches so I wouldn’t wander into a rambling abyss.

As a reader and a writer, I’m a fan of tight writing. Here’s another quote I appreciate. “Don’t fall in love with your words.” It’s no fun when your critique partner or editor says your research is showing or, this is filler and unnecessary. In effect, editors call the term overwriting. I have a DRAFT/CUT file for every book. Just as a book that lacks critical layering and reads like a draft in which something seems missing, by overwriting you chance your reader saying, “Get to the point,” and putting the book down.

Words may not have the power to influence us physically, but long after those sticks and stones leave bruising, the words tucked inside our mind’s eye lay dormant ready to encourage or diminish. Words are part of a writer’s craft, the writer’s tool chest.  There is a force behind words. I’m not always successful, but I do my best to choose mine carefully.

About the Author:  Donnell Ann Bell writes both romantic suspense and multi-jurisdictional task force plots, keeping close tabs on her theme SUSPENSE TOO CLOSE TO HOME. Her single-title romantic suspense novels, The Past Came Hunting, Deadly Recall, Betrayed, and Buried Agendas, have all been Amazon e-book best sellers.

Traditionally published with Belle Books/Bell Bridge Books, Black Pearl, a Cold Case Suspense was her first mainstream suspense and book one of a series. Her second book in the series, Until Dead, A Cold Case Suspense, released in May of 2022.  Follow her on social media, sign up for her newsletter or follow her blog at https://www.donnellannbell.com

 

 

 

 

 

 

 

 

 

The Arts Are For Everyone!

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The Arts Are For Everyone! by Linda Rodriguez

A few years ago, I was giving writing workshops at a local high school on the wrong side of the tracks. These kids had already been through lots of trauma and stress, though they were only in their teens. These particular twenty kids, however, fell in love with writing, and it offered them a way to deal with broken families, broken hearts, and broken promises. They learned that on their own without me.

I was there to show them that writing can offer them even more. It wasn’t easy at first. Some of them started out prickly. It’s natural when life’s been a hostile environment to be always on guard. It took patience, but we got past that, and they wrote some phenomenal poems.

In the last workshop I had the joy of telling them that their work would be published in an anthology of Kansas City student writing and that they would give a public reading at The Writers Place, the city’s stand-alone center for writers and literature. They were pretty excited. This was a kind of validation that they almost never get. And since the poems to be published were from a workshop we did around identity and specific imagery, it was a special kind of validation. They opened their hearts on the page about the good and bad things in their families and their lives, and society said, “You are great just as you are!”

Out of the school population of 348, these twenty kids are winners. They may not be the only ones, of course, and they may not all go on to college. However, they have learned to use language to help themselves through tough times. They have learned to use language to form images of who they are and where they want to go, and that’s a prize of incomparable worth.

 

Linda Rodriguez’s 13th book, Unpapered: Writers Consider Native American Identity and Cultural Belonging, was published in May 2023. She also edited Woven Voices: 3 Generations of Puertorriqueña Poets Look at Their American Lives, The World Is One Place: Native American Poets Visit the Middle East, The Fish That Got Away: The Sixth Guppy Anthology, Fishy Business: The Fifth Guppy Anthology, and other anthologies.

Dark Sister: Poems was a finalist for the Oklahoma Book Award. Her three earlier Skeet Bannion mystery novels—Every Hidden Fear, Every Broken Trust, Every Last Secret—and earlier books of poetry—Skin Hunger and Heart’s Migration—received critical recognition and awards, such as St. Martin’s Press/Malice Domestic Best First Novel, International Latino Book Award, Latina Book Club Best Book of 2014, Midwest Voices & Visions, Elvira Cordero Cisneros Award, Thorpe Menn Award, and Ragdale and Macondo fellowships. She also published Plotting the Character-Driven Novel, based on her popular workshop.  Her short story, “The Good Neighbor,” published in Kansas City Noir, was optioned for film.

Rodriguez is past chair of the AWP Indigenous Writer’s Caucus, past president of Border Crimes chapter of Sisters in Crime, founding board member of Latino Writers Collective and The Writers Place, and a member of International Thriller Writers, Native Writers Circle of the Americas, Wordcraft Circle of Native American Writers and Storytellers, and Kansas City Cherokee Community. Learn more about her at http://lindarodriguezwrites.blogspot.com or follow her on Twitter at https://twitter.com/rodriguez_linda  or on Mastodon at https://mastodon.social/rodriguez_linda.

Clicking Our Heels – Distractions!

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Are you easily distracted? Is so, by what? Here’s what distracts us:

Robin Hillyer-Miles – Social media.

Saralyn Richard – Social media can take me off of a plot line faster and longer than anything else.

T.K. Thorne – Questions like this. Lol, just kidding. Other stuff on my computer—email, FB, trying to stay up with news, but really I think it is the desire to get those things “out of the way” before concentrating on writing.  Then somehow, it is nighttime. I need to work on that.

Shari Randall/Meri Allen – Everything! I usually write in a room with lots of windows, and I am the Gladys Kravitz of my neighborhood. Every dog walker, delivery truck, or bicyclist catches my eye. But when deadlines approach, I have to put myself in “writer jail.” Writer Jail means a carrel in the library. No distraction = deadlines met.

Bethany Maines – Social media! Sometimes I’ll put my phone on Do Not Disturb and then move it further away from me. I also got logged out of Facebook on my laptop (my primary writing device) and have consciously never logged back in, which has saved me on multiple occasions. And yes, I could log back on, but I would have to go look up my password and it’s so much easier to not to do that. So laziness is working for me in this instance.

Kathryn Lane – My biggest distraction from writing is the research I do for my novels. Although it’s part of my writing process, I enjoy it so much that I over-research. And I know it, but it also motivates me to write.

Mary Lee Ashford – Hands down, social media and mostly Facebook. I so enjoy hearing what everyone else is up to and chatting with friends near and far. I love seeing people’s dogs and cats, hearing about their travels, or celebration. And then pretty soon an hour has passed. What I have to do is log on first thing in the morning with my coffee in hand and let myself be “social” for a bit. Then I have to move to a different device and get busy with writing. With a break for lunch or a water or coffee refill, I check in on what’s going on but I really have to limit my social media time to before or after writing.

Anita Carter – streaming a British mystery show.

Lois Winston – Life in general and a retired husband, not necessarily in that order!

Barbara Eikmeier – Sewing. I sew every day because I have a lot of sewing deadlines for my day job. If I wrote as much as I sewed I’d be a very prolific writer!

Debra H. Goldstein – Life. There’s always something unexpected!

Linda Rodriguez – At this stage of my life, physical illness and pain. It’s been different at other stages.

Donnell Ann Bell – At this point I can honestly say my 89-year-old mother. She’s in transition from her home into assisted living. I’m doing a lot of travel back and forth.

Dru Ann Love – Since I’m not a writer, my biggest distraction from working on my blog is being sick or having something more important to do.

Gay Yellen – My very patient husband and our life together.

Lynn McPherson – My big fluffy dog doesn’t like to be ignored.

Gay Yellen: Weeding and Wording

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Just found out that today is National Weed Your Garden Day, which couldn’t be more appropriate for me at the moment, though instead of culling crabgrass, I’m weeding out words.

vecteezy.com

The most common offenders I’ve dug up so far are: just, seemed, felt, but, winced, smiled, and a few other crutches a writer too often leans on.

The good news is that this exercise signals my last round of self-editing for The Body in the News, Book 3 in my Samantha Newman Mystery Series. Once this task is completed, I’ll be sending the manuscript to my publisher.

The bad news is, I’ve been so focused on finishing the new book that I completely forgot to plan a subject for this, my monthly Stiletto Gang post. So, in honor of this “national” day, let’s talk about weeds… oops, I meant words.

I was surprised when a friend commented that she thought I consciously chose to use more common language in my books than I use in my natural speech. Well, yes, and no. The characters in my books are not me, and even though I write their dialogue, the way they express themselves is their own.

When the writing is going well, I’m listening to Samantha and Carter and their supporting cast as they dictate their words to me. Older people use different words than younger adults and children do. Sticklers for facts, such as my detective, Buron Washington, are more clipped and precise when they speak. And so on, down to a new character whose vocabulary is unique unto itself.

However, the weeds in this manuscript are entirely my fault, and I must get back to yanking them out, one by one. But before I go, here’s a question:

Does the way a person speaks reveal something unique about their mood or character? How so?

Gay Yellen writes the award-winning Samantha Newman Mysteries including The Body Business, The Body Next Door, and out later this summer, The Body in the News.

When One Thing Leads to Another by Judy Penz Sheluk

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I’m delighted to welcome Judy Penz Sheluk as my guest to talk about her new release: Finding Your Path to Publication: A Step-by-Step Guide. Because I’ve loved her two fiction series: The Glass Dolphin mysteries and the Marketville mysteries, I know this will be a valuable non-fiction tool for writers. See you next month!  —Debra H. Goldstein

When One Thing Leads to Another by Judy Penz Sheluk

I’m new at this. Oh, I don’t mean I’m new to blogging. I’ve been writing a blog for my own website for years, and I was a Stiletto Gang member for a time until life got in the way (thankfully, they invite me back every now and again, for which I am grateful).

I don’t even mean that I’m new to shameless self-promotion, though it never seems to get any easier (I can always hear my mother saying, “never forget where you came from,” “where” in our world being a very humble place).

What I do mean is that I’m not used to blogging about a how-to book. It’s not like I can be cutesy and write this from a character’s point of view or get all authorly and talk about the narrative arc. Hmmm…maybe I can talk about how one thing led to another.

Okay, that’s settled. It all started when I led a NaNoWriMo debriefing in November 2021 at my then-local library. I’ve attempted NaNoWriMo a few times but have never yet completed the 50,000-words-in-a-month challenge. The librarian thought that made me more accessible. I’d tried and “failed,” and yet I was a published author.

What I learned from that event was that the attendees were more interested in how-to get published and publishing options than whether I (or anyone else) had succeeded at NaNoWriMo. That led to the librarian asking if I might be willing to prepare a presentation on the topic. I remembered how much I’d learned since signing my first book contract in 2014, and not all those lessons came easy. In fact, some of them were downright painful.

The presentation—Paving Your Path to Publication—had record attendance, with more questions than time to respond. It also gave me an idea. What if I wrote a book based on it? I’m a total pantser when it comes to writing mystery fiction, but here, at least, I’d have an outline.

After months of research (I knew virtually nothing about social publishing platforms like Wattpad or Hybrid/Assisted publishers, and was surprised at how much I still had to learn about traditional and self-publishing platforms) and vetting every chapter with my front-line editor (also an aspiring author from a very different generation than mine), the result is Finding Your Path to Publication: A Step-by-Step Guide, which released on May 2 in trade paperback, large print, hardcover, and e-book. It’s the sort of book I wish I’d had back when I was starting out, but then again, I wouldn’t be where I am today without experiencing the highs and low of my journey as an author.

After all, one thing almost always leads to another. And I wouldn’t have it any other way.

Readers: Have you experienced “one thing leading to another” in your life? If so, how’d that work out for you?

 

About Finding Your Path to Publication: The road to publishing is paved with good intentions…and horror stories of authors who had to learn the hard way.

For the emerging author, the publishing world can be overwhelming. You’ve written the book, and you’re ready to share it with the world, but don’t know where to start. Traditional, independent press, hybrid, self-publishing, and online social platforms—all are valid publishing paths. The question is, which one is right for you?

Finding Your Path to Publication is an introduction to an industry that remains a mystery to those on the outside. Learn how each publishing option works, what to expect from the process start to finish, how to identify red flags, and avoid common pitfalls. With statistics, examples, and helpful resources compiled by an industry insider who’s been down a few of these paths, this is your roadmap to decide which path you’d like to explore, and where to begin your author journey.

Available in trade paperback, large print, hardcover, and e-book. Universal buy link: https://books2read.com/FindingYourPathtoPublication

~ ~ ~ ~ ~

A former journalist and magazine editor, Judy Penz Sheluk is the bestselling author of two mystery series: The Glass Dolphin Mysteries and Marketville Mysteries, both of which have been published in multiple languages. Her short crime fiction appears in several collections, including the Superior Shores Anthologies, which she also edited. Judy is a member of the Independent Book Publishers Association, Sisters in Crime, International Thriller Writers, the Short Mystery Fiction Society, and Crime Writers of Canada, where she served on the Board of Directors for five years, the final two as Chair. She lives in Northern Ontario. Find her at www.judypenzsheluk.com.

 

How Intelligent is Artificial Intelligence?

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By Lois Winston

AI is here to stay, and there is much to worry about. For instance, we’ve all heard about the scams where bad actors contact people and demand ransom for a kidnapped relative. Too many people act out of fear before thinking and wind up losing huge sums of money. Thanks to AI, scammers can now clone the actual voice of the “kidnap victim.”

Writers are worried they’ll become obsolete, that in the future AI will take over publishing. After all, if publishers can use AI to churn out novels, why pay authors? I wondered if authors’ fears are truly founded. So I decided to conduct an experiment. I went on ChatGPT and told it, “Write a manuscript in the style of the Anastasia Pollack Crafting Mysteries by Lois Winston.”

Artificial Intelligence is supposed to be able to analyze text and produce a new work in the style of the author. There are currently eleven Anastasia Pollack Crafting Mysteries and three novellas. First chapters and back cover copy are widely available online, both on e-retailer sites and my own website. It didn’t take AI long to churn out several chapters. Here’s the beginning of a book created by ChatGPT:

Murder and Mayhem in the Crafting World

Chapter One

Anastasia Pollack had been up since dawn, frantically stitching together a wedding dress for her best friend’s daughter. As a professional crafter and owner of the American Woman magazine’s crafting column, Anastasia was used to tight deadlines, but this one felt especially pressing. After all, she couldn’t let her best friend down, and she wanted everything to be perfect for the big day.

In the first sentence, there are glaring errors. I write in first person, not third person. How intelligent is ChatGPT if it couldn’t even discern this? Anastasia is the crafts editor at a women’s magazine. She’s not a “professional crafter,” and she doesn’t “own” a crafting column in a magazine.

It got worse:

Just as she finished the final stitches, her phone rang. It was her mother, who never called before noon.

“Anastasia, darling,” her mother’s voice came through the phone, “I need your help.”

Anastasia sighed, knowing that her mother’s definition of “help” was very different from her own. “What do you need, Mother?”

“It’s your uncle. He’s in trouble again.”

Anastasia’s heart sank. Uncle Ralph was always getting himself into some sort of scrape or another. “What kind of trouble?”

UNCLE Ralph? Ralph is a Shakespeare-quoting African Grey parrot! He makes his appearance on Page 4 of Assault with a Deadly Glue Gun, the first book in the series. ChatGPT scanned enough to know Ralph was a character but wasn’t smart enough to know the difference between a human and a bird.

I won’t bore you further, except to say that ChatGPT also came nowhere close to capturing my voice. I write humorous amateur sleuth mysteries. Anastasia is a Jersey girl with a Jersey girl’s outlook on life. Publisher’s Weekly compared her to Tina Fey’s Liz Lemon from Thirty Rock, and Kirkus Reviews called her, “North Jersey’s more mature answer to Stephanie Plum.” ChatGPT obviously isn’t intelligent enough to understand and duplicate humor beyond the standard Knock-Knock joke.

Not to mention the fact that “mediocre” would be a generous description of the writing ChatGPT produced. I worked for a literary agency for a dozen years. If someone had submitted Murder and Mayhem in the Crafting World, it would have received a swift rejection letter.

However, perhaps I was partly at fault. I had asked the AI to write a manuscript “in the style” of my series. What would happen if I tried again, this time saying, “Create a book in the Anastasia Pollack Crafting Mystery Series by Lois Winston”?

The results were no better:

A Deadly Yarn in the Anastasia Pollack Crafting Mystery Series

Chapter 1

Anastasia Pollack had been expecting a normal day at the office. She was going through the piles of paperwork that had accumulated on her desk when she received a call from her son, Alex.

“Mom, I need you to come to the yarn store. I think something’s wrong.”

Anastasia’s heart skipped a beat. She knew Alex wouldn’t call her unless it was something serious.

“I’m on my way,” she replied, grabbing her coat and keys.

When she arrived at the yarn store, she saw Alex standing outside with a group of people. He ran up to her as soon as he saw her.

“Mom, thank God you’re here,” he said, his eyes wide with worry. “It’s Catherine. She’s dead.”

Anastasia’s heart sank. Catherine was one of her closest friends and employees at the store. She couldn’t believe that she was gone.

As she flipped through the pages, she realized that Catherine had been keeping a diary. The entries were cryptic, but Anastasia could tell that something was bothering her friend.

Once again, ChatGPT had created a third person narrative. Once again, Anastasia is NOT a shop owner. And once again, ChatGPT wasn’t intelligent enough to tell the difference between a human and an animal.

In my series, “Catherine” is not Anastasia’s best friend. Her best friend is Cloris McWerther, the food editor at the magazine where they both work. “Catherine” is Catherine the Great, her mother’s cat.

Catherine the Great doesn’t show up until Chapter Five in Assault with a Deadly Glue Gun, but the AI had scanned enough of the text to find her name. If it were really intelligent, it would have picked up on the fact that she’s a four-legged creature, especially since she’s introduced as “Catherine the Great, my mother’s extremely corpulent white Persian cat.”

All ChatGPT would have had to do is scan any of my books’ Amazon pages where it would have found a large illustration of all three pets in the Pollack household. I’m wondering, if I tried a third experiment, would ChatGPT morph Anastasia’s mother-in-law’s French bulldog into yet another human? I decided not to waste my time.

Post a comment for a chance to win one of several promo codes I’m giving away for a free download of the audiobook version of Decoupage Can Be Deadly, the fourth book in my Anastasia Pollack Crafting Mystery Series.

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USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Permission Not to Write

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What do you do when you’re suffering from the literary equivalent of a bad day on the mound? You’re all set to hurl a fast ball that should nip the corner of the strike zone and send the batter swinging at air when you wind up tossing a lob that he hits out of the park. In other words, you’ve got writer’s block.

Some people insist that there’s no such thing as writer’s block. Try telling that to someone who spent the last three hours staring at a blank computer screen. There are many reasons why the words don’t always come, but for me, often it’s because I’m just too tired to write. When I’m tired, my brain shuts down.

And when this happens, I’ve learned to listen to my body. I give myself permission to take a few hours off to rejuvenate. I’ll take a walk. Or watch a movie I’ve been meaning to see. Or curl up with a book by a favorite author or a new one I’ve wanted to read. Whatever I decide to do, I give myself permission not to feel guilty about doing it.

And that’s key.

Most writers can’t afford to quit their day jobs. We juggle our schedules to accommodate work, writing, and family responsibilities. Thus, when we have our writing time, we feel compelled to write and feel guilty when we don’t. We’re wasting that precious writing time. What we forget, though, is that we’re not perpetual motion machines. Writers, like everyone else, need down time. Time to relax. To play. To do nothing but daydream.

I’ve found that when I give myself permission not to write, I’m able to return to my writing with fresh energy and a brain no longer blocked.

I know this is counter to the conventional wisdom which states you should write through the block. Just stick your butt in the chair, place your fingers on the keyboard, and start typing – that bad writing is better than no writing, and you can always go back to fix what needs fixing. To me, that’s just as huge a waste of time as staring for hours at a blinking cursor.

Don’t let the purveyors of conventional wisdom bully you. Listen to your body. If you give yourself permission not to write, you might find that when you next sit down at the computer, you’ll be far happier with the words you produce. It works for me. You have nothing to lose by giving it a try.

What do you do when you hit a wall? Post a comment for a chance to win an audiobook of Revenge of the Crafty Corpse, the third book in my Anastasia Pollack Crafting Mystery Series.

Also, through the end of the month, the Anastasia Pollack Crafting Mysteries, Books 3-4, featuring Revenge of the Crafty Corpse and Decoupage Can Be Deadly, is on sale for only .99 cents. Find buy links here.

 

 

 

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USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.