A Wolf in Strange Clothing

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What makes a hero?

I just read about a marine who disobeyed orders and moved into the line of fire to rescue his fellows. He saved several lives and received a Medal of Honor.

That’s a hero, for sure.

Just the fact that he endangered himself for others is heroic. But strangely, the “disobeyed orders” part feels like icing on the cake. We admire him even more.

Which is interesting, because if we tweak the story so that he disobeyed orders, but failed to rescue anyone or even endangered or brought harm to others, we might call him a fool. He might be court-martialed instead of honored.

Conclusion: Social approval is situational. If George Washington had failed to win the day, we would all be British colonists and calling him a traitor.

But why does disobeying orders in a “winning” scenario stir our admiration?

Because our culture preaches independence. We worship the John Wayne/Clint Eastwood cowboy, alone on the range, needing no one, the thinker/doer who doesn’t give a rat’s hinny what others think of them, the rebel who fights against the system.

Speaking generally, we in the West are prouder of our successes, more focused on personal growth, and less connected to the people around us than other cultures. (The older I get, however, the more important those connections are.)

Other cultures especially in the Middle and Far East—don’t worship individualism the way we do. They value their entwinement and interconnections, the group over individualism.

One way is not superior to the other. Different cultures emphasize different values, but—

I wonder if Western “individualism” might be more of a thin cultural overlay. Group-think sways us more than we like to believe. In fact, we are daily witnessing group-think in the wolves’ clothing of individualism.

Many define freedom as individualism, choosing our own path, having control of our own destiny. It’s a founding reason for America’s existence.

But history has revealed it is far more complex than that. One person’s freedom is another’s prison. Since the penning of the Amendments to the Constitution, debate over the scope and meaning of “freedom” has continued.

For all our focus on behaving independently, we forget we are hard-wired to care about what others think.

Why? Because we evolved in small groups where being ostracized meant death. A person exiled from the group could not survive in the harsh world of lions, tigers, and bears.

I have to wonder if the tsunami of group-think-in-the-name-of-individualism sweeping our world got switched on because social media presented the reality (or illusion) that a large group of people think the same way. Thus, making it “safe” to move toward or to voice views that would have been anathema a decade ago.

We need our heroes because they are, in essence, stories about who we want to be and who we want our children to be.

But we might need to look closely at how we define them.

 

T.K. Thorne writes about what moves her, following a flight path of curiosity, reflection, and imagination.

What I learned from my son’s meth addiction and death.

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Dear Reader,

It’s been a chaotic and life changing year. I have accomplished to survive the pandemic, the loss of my only child, and to celebrate 30 years of marriage to my best friend. I learned a great deal about myself in the last four months.

1. I’m a true survivor and I will come back stronger for the future. More determined to make something of myself and my life and my son, Danny’s, life.

2. I come from a long line of survivors. My ancestors fought manifest destiny and being genizaros in Northern New Mexico during the Indian wars. If they had not survived their struggles, I would not be here today fighting my own struggles in this country divided by a wall.

3. My son taught me that love is  unconditional and that means no matter what your child says or does, you love them the best you can and cherish the moments together. Even the bad days, the hard days, the happy days, the drugs, the illness, the addiction, the heart attacks, the strokes, the clinging to life but wanting to let go. Your love does not end when their life ends. It changes and becomes grief. The grief tries to kill you. You survive and make yourself get up every day and do the work. You use your anger and grief to make yourself stronger. You learn and teach how to survive the loss.

4. You are nothing alone. You need friends, family, therapists, doctors and support groups to tell your story and to share your grief and anger. You do not face these challenges alone.

5. The world is a beautiful, wonderous, magical place full of miracles and tears, laughter, heartache and bliss. You have to dig deep to find the path to the light and follow it all the way to the end never giving up hope for a better tomorrow.

6. Life is fleeting. One day you’re here. One day you disappear. But your spirit lives forever. And as long as someone says you name, you never die. You live on in the memories of loved ones and in books and in songs and poems and movies and dances.

7. Never give up hope. Never. Because just around the corner there waits your destiny. I’ve been around the world and seen many things but I haven’t seen everything. I’ve seen heart ache and joy and misery and success. I am blessed.

8. Your childhood is not over. It’s never too late to have a happy childhood.

9. Love.

10. One world. One prayer.

The 5-Letter Word that Sends a Shudder of Anxiety Through Most Authors

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By Lois Winston

By nature, many authors are loners. We spend a good deal of our lives sitting in our writing caves, pecking at our keyboards. Survey any group of authors, and most will tell you the worst part of being an author is having to do promo. That’s the infamous 5-letter word of the title in this post.

It doesn’t matter if you’re an indie author, published by a small press, or with a major publishing house. Unless you’re one of the very elite (think Janet Evanovich, Nora Roberts, or James Patterson), you have to do most or all of your own promotion. Even the big names need to promote their books, but they do it through book tours with PR reps managing all the details and doing the heavy lifting.

I’m someone who has vowed to be the last person on the planet not sucked in by most social media. You’ll never find me on Facebook, Instagram, or TikTok. I do have a Twitter account, only because my former publisher insisted, but I rarely remember to tweet anything. When I do remember, it’s never anything controversial, political, or personal, so chances of one of my tweets going viral and resulting in new fans and increased books sales is as unlikely as a rose bush growing at the North Pole.

However, back when I was traditionally published, I used to enjoy giving talks to library groups, book clubs, and other organizations. Covid put an end to that but ushered in the age of Zoom talks.

I’ve participated in several of these Zoom events, and I’m participating in another at the end of the month. On Tuesday, May 30th at 7:30-9:30pm EDT, grab your favorite beverage, settle into your comfiest chair, and hop online for a fun evening of laughs, Q&A, games, prizes, and more with some of your favorite mystery and suspense authors. All are welcome. And best of all? It’s FREE! All you have to do is register.

During this fun event, you’ll be able to Zoom around the various “rooms” where you’ll find dozens of authors happy to chat with you. I’m pairing up in one room with my fellow Booklover’s Bench blogger Maggie Toussaint (appearing under her new Valona Jones pen name for this event.) You can find a list of other attending authors here. Scroll down the page for the registration form. Hope to see you there!

Post a comment for a chance to win one of several promo codes I’m giving away for a free download of the audiobook version of Decoupage Can Be Deadly, the fourth book in my Anastasia Pollack Crafting Mystery Series.

A Crafty Collage of Crime, the 12th book in my Anastasia Pollack Crafting Mystery Series, will release on June 16th. Learn about Anastasia’s new adventure, read the first chapter, and find pre-order links here.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website www.loiswinston.com where you can also sign up for her newsletter and follow her on various social media sites.

Welcome Melodie Campbell!

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Lynn McPherson is delighted to welcome Melodie Campbell as a guest to talk about life, writing, and her new release: The Merry Widow Murders. 

When Life Gives You Lemons…(get out the gin and start writing a new series)

By Melodie Campbell

Ah, the timeless question.  Where do you get your ideas?

I think it was Stephen King who talked about a little mail-order store in small town America…I’ve never been able to find that store myself.  Stephen keeps it a close secret (I hope you’re smiling.)

But I had reason to experience that dilemma about two years ago, a year into the pandemic, and a year after my husband David died.

Damn that covid, and what it’s done to publishing.  When Orca Books told me that they were capping the line that carried my Goddaughter series (translation: still selling the books in the line, but closing it to future books, at least for now)  I was in a tight spot.

I’d had 10 contracts in a row from Orca!  That series garnered three major awards!  How could I leave it behind?

Put another way:  what the poop was I going to write next?

The Goddaughter series featured a present day mob goddaughter who didn’t want to be one.  Gina Gallo had a beloved fiancé who thought she had gone straight.  But of course, in each book she would get blackmailed into helping the family pull off heists or capers that would inevitably go wrong.  It allowed for a lot of madcap comedy.

Some would say I was a natural to write a series about a mob goddaughter (we’ll just leave it at that.)  And I liked the serious theme behind the comedy:  You’re supposed to love and support your family. But what if your family is this one?

Issues of grey have always interested me.  We want things to be black and white in life, but quite often, they are more complex than that.  I like exploring justice outside of the law in my novels.  But I digress…

The Goddaughter books brought me to the attention of Don Graves, a well-known newspaper book reviewer up here.  He commiserated with the end of the Goddaughter series, and immediately suggested the following:

“Why don’t you write about her grandmother?  Prohibition days, when the mob was becoming big in Hamilton.”

The idea burned in me.  Except it wouldn’t be her grandmother.  (Don is older than me.)  It would be her great-grandmother!  Coming to age in the time of Rocco Perri and Bessie Starkman…

I settled on 1928, because that was the year women finally got the vote in England.  The status of women features very much in this novel.  The time frame also allowed me to use the aftermath of WW1, including men like my own grandfather, wounded by gas, and shell-shocked.  I would make the protagonist a young widow, because I knew grief – oh man, did I know grief.  My own husband had died way before his time, the year before.  I could write convincingly about that.

But I would also use bathos to lighten the tale. (I seem incapable of writing anything straight.)  The humour of the Goddaughter books finds its way into The Merry Widow Murders, and so far, has generated smiles for prepub reviewers.

The book took me over a year to write, working full time on it.  It helped me to channel my grief.  It forced me to step out of my comfort zone and write something with considerable depth.

And it taught me that – even widowed – I wasn’t entirely alone.  That ideas are beautiful things that can come from friendship, and the good hearts of readers and reviewers you are fortunate to meet along your publishing journey.

1928, At Sea
When an inconvenient dead body shows up in her stateroom, Lady Lucy Revelstoke and her pickpocket-turned-maid Elf know how to make it disappear–and find the killer. But can they do it before the authorities look into her own dodgy past?

“Miss Fisher meets Hitchcock’s The Trouble with Harry. The perfect escapist read!”  Anne R. Allen

Called the “Queen of Comedy” by the Toronto Sun, Melodie Campbell was also named the “Canadian literary heir to Donald Westlake” by Ellery Queen Mystery Magazine.  Winner of 10 awards, including The Derringer (US) and the Crime Writers of Canada Award of Excellence, she has multiple bestsellers, and was featured in USA Today. Her publications include over 100 comedy credits, 16 novels and 60 short stories, but she’s best known for The Goddaughter mob caper series.

Anthony Nominations for Best Short Story and Best Anthology

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by Paula Gail Benson

Bouchercon Poster

This year’s Bouchercon, the world mystery convention, will be held in San Diego, California, from August 30 through September 3. The Anthony awards, named for Anthony Boucher, a founder of the Mystery Writers of America, will be announced during the convention.

Categories for Best Short Story and Best Anthology are included among the nominations.

Earlier this year, Barb Goffman’s story, “Beauty and the Beyotch” was nominated for and won the Agatha award at Malice Domestic. In addition, Barb’s stories appear in two of the nominated anthologies: Low Down Dirty Vote Volume 3: The Color of My Vote and Land of 10,000 Thrills: Bouchercon Anthology 2022.

Greg Herren is multiply nominated for Anthony’s with his A Streetcar Named Murder (credited to T. G. Herren) for Best Humorous Novel, his #shedeservedit for Best Children’s/YA Novel (previously nominated for an Agatha), and his editing of Land of 10,000 Thrills: Bouchercon Anthology 2022 in the Best Anthology category.

All the authors nominated in these categories have had distinguished writing careers. Their work is definitely to be included on your “to be read” lists.

Here are this year’s Best Short Story and Best Anthology Anthony Nominees:

 

Anthony Nominees for Best Short Story

“Still Crazy After All These Years” by E.A. Aymar in Paranoia Blues: Crime Fiction Inspired by the Songs of Paul Simon

“The Impediment” by Bruce Robert Coffin in Deadly Nightshade: Best New England Crime Stories 2022

“Beauty and the Beyotch” by Barb Goffman in Sherlock Holmes Mystery Magazine, Feb. 2022

“The Estate Sale” by Curtis Ippolito in Vautrin Magazine, Summer 2022

“C.O.D.” by Gabriel Valjan in Low Down Dirty Vote Volume 3: The Color of My Vote

 

Anthony Nominees for Best Anthology

Low Down Dirty Vote Volume 3: The Color of My Vote edited by Mysti Berry

Lawyers, Guns, and Money: Crime Fiction Inspired by the Music of Warren Zevon edited by Libby Cudmore and Art Taylor

Land of 10,000 Thrills: Bouchercon Anthology 2022 edited by Greg Herren

Paranoia Blues: Crime Fiction Inspired by the Songs of Paul Simon edited by Josh Pachter

Crime Hits Home: A Collection of Stories from Crime Fiction’s Top Authors edited by S.J. Rozan

The Joy of Audio.

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By Joyce Woollcott.

A debut author dreams of many things. A breakout novel, lots of sales, terrific reviews, guest panels at big conferences –– free drinks and tasty little finger foods. In reality, writers don’t usually achieve all these goals. Some of them certainly, but instant, glittering success is only for the few. Like many others, I’m just thrilled to have my book out there, and another on the way, (gosh, sounds like I’m pregnant, doesn’t it?) but then, that’s what a book is to many of us, our baby.

I’ve been fortunate with reviews, and the book has been well received, but the worry and stress of putting yourself and your words out into the world is something every writer shares. Now that the book is out there, the reviews are coming in, you might think, that’s it, and I did, until I got the call from my publisher and their agent telling me that the audio book was a go. I wasn’t thinking of audio. I’d dreamed of hearing my words narrated but never thought it would happen to me, well, you can imagine my joy. This baby was about to talk!

Then of course the worry starts.

I had a couple of concerns. As a writer, you usually have an idea in your head of how your hero or heroine looks and sounds, I do certainly. I wondered if my protagonist, Detective Sergeant Ryan McBride, would sound the way I had envisaged him? And another issue, my book is set in Northern Ireland. Would the audio company, Tantor, choose a narrator with the correct accent? Most of the time the author has no say in the choice of narrator and so you wait and hope.

My first news was from Tantor, who in a communication to me were happy to share the name of my narrator and a link to other books he had read.

My reader was an LA based Irish actor, Alan Smyth. He has narrated books by, among others, Stuart Neville, Flann O’Brian and oh yes, James Joyce. So, well, thank you very much. Needless to say, I’m thrilled and a little overwhelmed.

The next exciting development was hearing the little audio clip that Tantor Audio released. You can listen to it here… just hit Play Sample.

https://www.audiobooks.com/audiobook/9798350822069

I’m happy because I realise there are challenging words all narrators have to face, and there are some really difficult ones in A NICE PLACE TO DIE. Getting those right creates a certain credibility for the book. I’ve had this conversation with Alan. Only in Northern Ireland do you have to grapple with – Shaneoguestown Road, craic, and Doagh. I don’t even know how to pronounce the first one. But Alan was more than up to the task and I hope you will give the audio book a try, and see how he did. I’m sure you’ll be able to clearly picture my hero, D.S. McBride, and his team, as they unravel this dark and twisty plot in the lovely countryside in and around Belfast.

Available on-line and at Tantor Audiobooks.

Twitter: @AlanGSmyth

https://tantor.com

Fighting the Good Fight

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Fighting the Good Fight—For the Arts

by Saralyn Richard

My first foray into the world of teaching was as an English instructor, and I learned a lot about working with students in a required academic subject.  Several years into that career, I earned a graduate degree in administration, and I switched out of the English department and into Fine Arts. The Fine Arts department consisted of visual arts, speech and theater, music, and foreign language (still a mystery how that fits, except that foreign language does involve some performance skills).

As the Fine Arts chairperson, and later the Assistant Principal in charge of Fine Arts (and other departments), I learned a few things immediately:

  1. As elective subjects, the students were more motivated to learn, attended more frequently, and earned better grades than in the required subjects.
  2. The arts provided extensive opportunities for extra-curricular activities that enhanced and enriched the school community as a whole. In essence, Fine Arts was the heart of the school.
  3. Every year when it was time for students to choose electives, the Fine Arts had to fight for its existence.

One might wonder why classes that were so successful and valuable would have to justify their worth continually. The reasons run deep, and they extend beyond the school system and into society as a whole. There are mandates—required subjects take precedence, so resources of time, space, and personnel must be assigned to them first. There are budget restrictions. Performing arts may require expensive equipment, uniforms, and supplies. The extra-curricular activities associated with the classes add another layer of expense with travel to competitions and coaching costs.

The annual effort to promote the department and recruit students to take the classes was monumental, and it included some extraordinary teachers and events, like a Fine Arts Festival, to make a difference.

Fortunately, our board members, administrators, teachers, and parents embraced the value of the arts and pushed to keep the department viable.

Fast forward to the present, and I find myself still in the fray. As an author, I face increasing challenges in the literary arts—publishing and marketing woes, intense competition for reach into audiences, threats of AI, and more. I also serve as the President of the Board of our local historic theater, and I find the same challenges there, a scarcity of resources, a need to fill the seats for the shows, a competition for entertainment dollars.

The arts are still considered frills—nice if you can have them, but easy to cut if you need to trim the budget. Yet I can’t imagine life in a society where there are no books, plays, concerts, ballets, symphonies, or art galleries to provoke thought and discourse and to touch people’s hearts. We can’t have culture without arts, and we can’t have a full life without culture.

I dislike politics in all its forms, but I always stand up for the arts wherever and whenever I can. Do you?

Saralyn Richard writes award-winning humor- and romance-tinged mysteries that pull back the curtain on people in settings as diverse as elite country manor houses and disadvantaged urban high schools. An active member of International Thriller Writers and Mystery Writers of America, Saralyn teaches creative writing and literature, and continues to write mysteries. Her favorite thing about being an author is interacting with readers like you. Visit Saralyn here, on her Amazon page here, or on Facebook here.

 

What I Learned from King Charles’ Coronation

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by Paula Gail Benson

Last weekend, I was able to spend a little time watching and listening to the King’s coronation while preparing for and driving to attend a young friend’s college graduation. I wish that I had tuned into the broadcast earlier to see the pageantry of the carriages processing to Westminster Abbey. I very much enjoyed the King’s entrance into the Abbey attended by his honorary pages, including his grandson, Prince George. I also found it very endearing to hear Prince William pledge allegiance as the King’s “liege man” followed by a kiss on the King’s cheek.

I found two websites that were particularly helpful in describing the coronation weekend. First, the Coronation of Their Majesties The King and Queen Camilla, provided information about the schedule (the coronation to take place on Saturday, May 6; a concert to be held on Sunday, May 7; and a bank holiday on Monday, May 8, to be known as the Big Help Out, when people were encouraged to volunteer with charities and local organizations). Throughout the long weekend, Coronation Big Lunches were to take place in communities throughout the United Kingdom. The website offered suggested recipes along with short films, coloring books, and activities provided for children.

Second, the Royal Family’s website contained the Coronation Service, the official Coronation portraits, and photos of members of the Royal Family participating in the Big Lunches and Big Help Out. The website also contained detailed information about the music, vestments, flowers, and regalia at the event.

My attention was drawn to the headpieces worn by Princess Catherine and Princess Charlotte. One article called them “diadems.” To me, they looked like jeweled laurel wreaths. In “The Deeper Meaning Behind Princess Charlotte and Princess Kate’s Matching Silver Flower Crowns,” Elise Taylor, a writer for Vogue, described Princess Charlotte’s as a “delicate silver bullion and crystal flower crown by Jess Collet and Alexander McQueen,” and saying it matched that of her mother. According to Taylor, “The jewelry design is seemingly a nod to a motif used throughout Charles’s coronation of the Green Man. An ancient figure from British folklore, the Green Man symbolizes spring and rebirth. He wears a crown of oak, ivy, and hawthorn, and the emblematic flowers.”

Alexander McQueen designed the white dresses worn by Princess Catherine and Princess Charlotte to the Coronation. The gowns featured embroidered roses, thistles, shamrocks, and daffodils, representing the four nations of the United Kingdom.

Previously, I had heard of England being associated with the rose (the Tudor rose combining the red Lancashire rose with the white York rose signaling peace following the War of the Roses); of Scotland’s connection with the thistle (commonly found in the highlands); and of Ireland’s symbol being the shamrock (due to Saint Patrick using it to teach about the trinity). However, I did not know the daffodil was the national flower of Wales. Seeking more information, I found an article on the Internet that indicated: “The leek was the traditional emblem of Wales until the 19th-century. The Welsh name for daffodil Cenninen Pedr translates literally as ‘Saint Peter’s Leek’, which may have led to the confusion. It may also be because it blooms in early spring, coinciding with St David’s Day on March 1, when the flower is traditionally worn.”

Through renewal in the one-thousand-year-old tradition of the Coronation, Great Britain’s customs, folklore, and heritage are celebrated and given new life. I look forward to learning more about the Green Man and the national flowers.

When One Thing Leads to Another by Judy Penz Sheluk

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I’m delighted to welcome Judy Penz Sheluk as my guest to talk about her new release: Finding Your Path to Publication: A Step-by-Step Guide. Because I’ve loved her two fiction series: The Glass Dolphin mysteries and the Marketville mysteries, I know this will be a valuable non-fiction tool for writers. See you next month!  —Debra H. Goldstein

When One Thing Leads to Another by Judy Penz Sheluk

I’m new at this. Oh, I don’t mean I’m new to blogging. I’ve been writing a blog for my own website for years, and I was a Stiletto Gang member for a time until life got in the way (thankfully, they invite me back every now and again, for which I am grateful).

I don’t even mean that I’m new to shameless self-promotion, though it never seems to get any easier (I can always hear my mother saying, “never forget where you came from,” “where” in our world being a very humble place).

What I do mean is that I’m not used to blogging about a how-to book. It’s not like I can be cutesy and write this from a character’s point of view or get all authorly and talk about the narrative arc. Hmmm…maybe I can talk about how one thing led to another.

Okay, that’s settled. It all started when I led a NaNoWriMo debriefing in November 2021 at my then-local library. I’ve attempted NaNoWriMo a few times but have never yet completed the 50,000-words-in-a-month challenge. The librarian thought that made me more accessible. I’d tried and “failed,” and yet I was a published author.

What I learned from that event was that the attendees were more interested in how-to get published and publishing options than whether I (or anyone else) had succeeded at NaNoWriMo. That led to the librarian asking if I might be willing to prepare a presentation on the topic. I remembered how much I’d learned since signing my first book contract in 2014, and not all those lessons came easy. In fact, some of them were downright painful.

The presentation—Paving Your Path to Publication—had record attendance, with more questions than time to respond. It also gave me an idea. What if I wrote a book based on it? I’m a total pantser when it comes to writing mystery fiction, but here, at least, I’d have an outline.

After months of research (I knew virtually nothing about social publishing platforms like Wattpad or Hybrid/Assisted publishers, and was surprised at how much I still had to learn about traditional and self-publishing platforms) and vetting every chapter with my front-line editor (also an aspiring author from a very different generation than mine), the result is Finding Your Path to Publication: A Step-by-Step Guide, which released on May 2 in trade paperback, large print, hardcover, and e-book. It’s the sort of book I wish I’d had back when I was starting out, but then again, I wouldn’t be where I am today without experiencing the highs and low of my journey as an author.

After all, one thing almost always leads to another. And I wouldn’t have it any other way.

Readers: Have you experienced “one thing leading to another” in your life? If so, how’d that work out for you?

 

About Finding Your Path to Publication: The road to publishing is paved with good intentions…and horror stories of authors who had to learn the hard way.

For the emerging author, the publishing world can be overwhelming. You’ve written the book, and you’re ready to share it with the world, but don’t know where to start. Traditional, independent press, hybrid, self-publishing, and online social platforms—all are valid publishing paths. The question is, which one is right for you?

Finding Your Path to Publication is an introduction to an industry that remains a mystery to those on the outside. Learn how each publishing option works, what to expect from the process start to finish, how to identify red flags, and avoid common pitfalls. With statistics, examples, and helpful resources compiled by an industry insider who’s been down a few of these paths, this is your roadmap to decide which path you’d like to explore, and where to begin your author journey.

Available in trade paperback, large print, hardcover, and e-book. Universal buy link: https://books2read.com/FindingYourPathtoPublication

~ ~ ~ ~ ~

A former journalist and magazine editor, Judy Penz Sheluk is the bestselling author of two mystery series: The Glass Dolphin Mysteries and Marketville Mysteries, both of which have been published in multiple languages. Her short crime fiction appears in several collections, including the Superior Shores Anthologies, which she also edited. Judy is a member of the Independent Book Publishers Association, Sisters in Crime, International Thriller Writers, the Short Mystery Fiction Society, and Crime Writers of Canada, where she served on the Board of Directors for five years, the final two as Chair. She lives in Northern Ontario. Find her at www.judypenzsheluk.com.

 

Hudson!

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Hudson is Released into the Wild!

It’s release day for Hudson, book 1 of the Rejects Pack.  This archaeological thriller / paranormal romance melds all the booby trapped tomb adventures of Indiana Jones with some shifter wolves, flirtatious banter and tosses in some evil warlocks and a mysterious mummy for good measure.  So in some ways today is the day that I find out if everyone else finds that as fun as I do.

What Readers Are Saying

Part of book marketing is to send “Advance Reader Copies” or ARCs to individuals who will read and review a book–hopefully early, and hopefully with something quotable.  When I first got into publishing I had no idea what an ARC was and spent weeks scratching my head until someone actually used the entire phrase. Fortunately, for Hudson, the advance reviews are looking quite positive. I can only hope that they continue on the same trend. All of the Rejects Pack boys have been fun to write and I’m even thinking about keeping the series going, so I hope that it’s well-received.

The Inspiration for Hudson

In case you haven’t guessed, I like action-movies and sparky couples who serve up quips and flirt their way through dangerous escapes. And for the Rejects Pack series I definitely set out to write a series with those kind of main characters.  So, if you like action-packed romances, angry Egyptologists, shifter wolves, and ancient booby-trapped tombs, then you will also love Hudson, book 1 of the Rejects Pack.

Learn More or Buy Now:

Hudson on Amazon: https://amzn.to/3l32CAL

Enter to Win a Print Edition of Hudson: https://www.goodreads.com/giveaway/show/365402

Watch the Promo Video: https://youtu.be/S7u4J8J9WWE

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Bethany Maines is the award-winning author of action-adventure and fantasy tales that focus on women who know when to apply lipstick and when to apply a foot to someone’s hind end. She participates in many activities including swearing, karate, art, and yelling at the news. She can usually be found chasing after her daughter, or glued to the computer working on her next novel (or screenplay). You can also catch up with her on Twitter, Facebook, Instagram, and BookBub.