Benefits of Contributing to an Anthology

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by Paula Gail Benson

Robin Hillyer-Miles and I, two blogging partners here at The Stiletto Gang, also are members of the Lowcountry Romance Writers (LRWA), a chapter of Romance Writers of America based in Charleston, South Carolina. Since 2019, LRWA has organized and published two anthologies, titled Love in the Lowcountry: A Winter Holiday Collection and Love in the Lowcountry, Volume Two: A Winter Holiday Collection Book 2. Both are available through Amazon.

LRWA is now in the process of creating its third anthology, which again requires that stories take place in South Carolina. For this anthology, they also must involve a vacation. Contributors must participate in two rounds of beta reading, work with a professional editor, and develop and circulate promotional materials. Learning and using these skills is invaluable experience for both debut and seasoned authors. We continue to have a lot of fun putting these anthologies together.

Robin and I have both written several messages about how these anthologies benefited us as writers: from Robin, “Musings on a Tuesday” and “No Regrets,” and from me “Love in the Air,” “A New Anthology,” and “The Meet Cute.”

These anthologies also provide some virtual vacations and insightful information for readers who visit in person and/or virtually. Bookstores in Charleston, South Carolina, often have customers seeking fiction about the city. Most of our anthologies’ romances describe historical or cultural backgrounds in a very engaging format, meeting the bookstores’ customers’ requests. Robin Hillyer-Miles, a certified tourism professional, has assisted all the participating writers in confirming the accuracy of the details in their work.

In addition to giving authors a writing credit, contributing to the anthology allows the opportunity for learning new writing skills, trying out new genres, and developing different characters. Not all writers enjoy crafting short stories, but the attempts demonstrate how to be more economical with word usage and narrative. Except for hints at relationships, I had not written romances prior to my stories in the anthologies. They also represent my first efforts at exploring time travel, which allow me to involve modern day characters with historical figures and events, something I find fascinating.

One author in the first anthology used her story as part of a trilogy. She offered the prequel in her newsletter to entice readers to try her work. That gave me the idea to consider how two characters I developed for my story in the first anthology (the two rejected by the main love interests) might appear subsequently. (Note: it continues to be a challenge to find those two less desirable characters’ more likable qualities.)

In the second anthology, my story had three potential romantic couples, one that became predominant. Determining how to resolve the characters’ interacting plotlines became a fascinating puzzle that led me to contemplate writing a more expansive account, featuring each couple independently.

Even if you don’t ordinarily read or write short stories, try dipping into an anthology or two. They offer some great examples of craft and compiling material by theme, not to mention some excellent reading.

A New Beginning that Feels Like Groundhog Day

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A New Beginning that Feels Like Groundhog Day by Debra H. Goldstein

I’ve started a new work in progress. I’m only nineteen pages into it, but I’ve rewritten those same nineteen pages at least five times. My initial goal was to write 1000 words a day while I was at the beach. For the most part, I think I was close to making that goal. The only problem was that each day, I tended to delete six hundred to seven hundred when I revised what I had written.

A friend, another author, said “Stop it! Simply write the first draft and then go back and fix it.” That sounded like a great idea, but my brain doesn’t work that way. I’ve often said that I only write when the muse strikes me. That’s true for me staying stuck in the chair, but not for the way my mind works on what I’m trying to write. Quite a bit of my writing process is subliminal. The ideas work their way through me until they come to a point where they can’t be contained. That’s the moment of the muse taking control.

But then, I need to revise the paragraph, chapter, or complete manuscript that was created. I’m back to the bogged down aspect of my writing. In the end, what I produce, I hope, is the best work product that I can achieve. But, who knows?

What process do you use?

Confessions of a dormant writer

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By Donnell Ann Bell

I have three problems when it comes to writing fiction. Simplicity bores me, I have a perfectionist problem, and I write above my pay grade.  Don’t get me wrong. I’m far from perfect. But I work hard to make sure my research is accurate. I also carry “What if?” and minutia to the extreme.

Combine this with life events over the last three years and writing has been a struggle. My Stiletto blog partner Debra Goldstein offered me sage advice when I expressed this problem. Familiar with my situation, she empathized and let me know my writing pause might take some time. Was she ever right!

I’m here to announce, “Times up.”

One of the things that brought me out of my funk was writing a short story. The excitement that comes with creating, plotting and follow through from beginning to end was in a word, “Thrilling.”

Somewhere buried inside me, yet dormant, was the writer I used to be.

And so I’m back to writing, which I consider progress. However, I’m still a perfectionist and still interested in topics I don’t fully understand. But to write something that doesn’t interest me would bore me silly.

Thought I would share some of the things I’ve been researching in case you’re interested.  In my work in progress, the month is October
2019.  My antagonist has escaped and he’s traveling on foot at night. Several issues crossed my mind while writing this scene, including: How will he get from Point A to his temporary objective of Point B when he faces all kinds of dangerous impediments?  Namely, he doesn’t know the area or the terrain, all he’s wearing are the clothes on his back, law enforcement is in pursuit, he’s being tracked by a fellow escapee, and it’s dark!

Which led me to research:

How to hike at night – crazy as that sounds, avid outdoorsmen (and women) do this. But they hike aided by night vision tools, GPS and compasses, walking sticks, appropriate clothing, and the ability to slow their pace, if necessary (which my antagonist mustn’t do at the risk of apprehension.) There are several videos and articles dedicated to night hiking.  I found this one particularly interesting and useful.  https://greatmindsthinkhike.com/hiking-at-night/

The phases of the moon. (Remember when I said I carry minutia to an extreme?) Here’s an example. It occurred to me that October is known for Hunter’s Moons and Harvest Moons, which I could use to my antagonist’s advantage. Then again, what fun would that be? I’m writing a suspense. Another complication occurred to me because the year is 2019. I can’t remember that far back; can you?

There are times I love the internet. There is a site called MoonGiant, which allowed me to narrow down the exact days of my WIP. It also pointed out that the days I referenced were in the Waxing Gibbous phase, which I will reluctantly leave out because my antagonist probably wouldn’t know that. 😊 Want to learn more about MoonGiant. Check out https://www.moongiant.com/

Thank you for allowing me to confess my writing sins–the others you don’t need to know. While I’m trying to break this useless perfectionist quality, I am setting goals and word count challenges.  How about you? Do you have any writing confessions you’d like to share?

 

 

 

 

 

 

 

 

Killing It at Killer Nashville

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At the Killer Nashville book signing

By Lois Winston

Most writers are introverts. We spend much of our days alone with only our laptops or computers (or paper and pen for those who are still old-school) and rarely step foot into the real world. We’d rather spend our time in the world of our imagination with the characters we’ve created. However, every now and then, we venture out onto Earth One and mingle with actual humans.

One of the best places to do this is at a writers’ conference. Hanging with our peeps is our happy place in the real world because they’re the only people who truly “get” us. Because they’re just like us. Writers’ conferences are a chance to spend time with others of our special community. We renew friendships, make new friends, network, learn from some, and teach others. Conferences also occasionally give us a pat on the back, validating that this odd life we’ve chosen, with all its solitary hours of clicking away at the keyboard, is worthwhile.

Such was the case this past weekend when I attended Killer Nashville. Once upon a time, I attended three or four writers’ conferences a year. Then, life changed. I made the decision to “go indie” and no longer had a publisher willing to pick up some or all the expense of attending conferences. Between the conference fee, airfare, hotel, and meals, conferences are not cheap. I cut back drastically, only attending local conferences.

And then Covid hit.

As some of you know, in the middle of the pandemic, my husband and I made the difficult decision to pack up and move to Tennessee to be closer to family. Within days of settling into our new home in July of 2021, I discovered that after a two-year hiatus, the annual Killer Nashville writing conference was about to take place less than two miles from where I now live. Serendipity!

With few exceptions, most writers are introverts. Hence, those writer caves. But I missed my writing peeps in New Jersey. Killer Nashville gave me a chance to connect face-to-face with many other writers I only knew from online writing communities. I also made some new friends and have continued to do so each year I’ve attended since 2021.

The 2024 Killer Nashville conference was this past weekend, and it was a blast, even for this confirmed introvert. On Friday, I was on a panel discussing Writing Compelling Synopsis, Back Cover Copy, and Design. Saturday, I was on two panels, One Trait at a Time: How to Build a Character and Not Just One Book: Writing a Series. I was also one of ten authors who allowed attendees to pick our brains for four minutes each during Speed Date your Way to Author Marketing Success. On Sunday, I was on the Creating an Irresistible Hook for Your Book panel and the Writing Strong Protagonists panel.

Vertically challenged Lois and Gay during an after-dinner stop for ice cream

And then there was Saturday night. Author Gay Yellen and I, along with our husbands, went out to dinner, something we’d also done last year. Upon returning to the hotel, our husbands headed for the bar while Gay and I ducked into the awards ceremony. Not ten seconds later, Clay Stafford, MC for the evening and Killer Nashville head honcho, announced the winner of the 2024 Silver Falchion Award for Best Comedy. Much to my surprise, he called my name!

I never expected to win. With few exceptions, throughout my writing career, I’ve always been the bridesmaid, rarely the bride. I hadn’t prepared any remarks because the one time I had attended the ceremony back in 2021, no one made any remarks. Winners were handed their awards, shook Clay’s hand, and a photographer snapped a picture. Maybe it was because we were all still coming out of Covid.

This time, I was expected to say something. My mind still reeling over actually winning, I stepped up to the mic and thanked whoever it was who’d determined that A Crafty Collage of Crime, the twelfth book in my Anastasia Pollack Crafting Mystery Series, deserved the award this year. As I walked away, I heard Clay tell the audience that I was a woman of few words and there were probably plenty of people who wished that he was! (a person of few words, that is, not a woman!)

With my Best Comedy medal the next morning

Well, at least I didn’t bore anyone in the audience by droning on and on by thanking everyone, going all the way back to my kindergarten teacher!

Writers, what’s your favorite aspect of conferences? Readers, have you ever attended a readers’ convention or other book event? Post a comment for a chance to win a promo code for a free audiobook of any one of the first ten Anastasia Pollack Crafting Mystery.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website where can also sign up for her newsletter and find links to her other social media: www.loiswinston.com

The Meet Cute

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by Paula Gail Benson

Cover from First LRWA Anthology

Currently, I’m working on an up-to-10,000 word short story for the third Lowcountry Romance Writers’ (LRWA) anthology. The story must somehow involve South Carolina and a vacation.

I’m basing mine on characters I developed in my story that appeared in the first LRWA anthology. It’s been fun to give this couple its own romance since they were the antagonists in the original story. Figuring out how two basically disagreeable folks become likable and get together has been both challenging and delightful!

During a brainstorming session with some of the other anthology contributors, I described the female protagonist’s situation, background, and desires. She was focused on finding a way to connect with her 10-year-old daughter, who seemed more in sync with the ex-husband and his fiancée. I was interrupted from describing my character’s angst with the question: what’s her love interest and where’s the “meet cute”?

I’d heard the term “meet cute” and recognized the concept. Wikipedia, referencing Merriam-Webster, describes it as: “a scene in media, in which two people meet for the first time, typically under unusual, humorous, or cute circumstances, and go on to form a future romantic couple.” Wikipedia illustrated the entry with a depiction of Romeo and Juliet’s first meeting.

Image that appears in Wikipedia

Romeo and Juliet opens with a “meet cute”? I had to reread the play.

So, Romeo is pining after Rosalind, who is a Capulet niece. The Capulets are trying to fix Juliet up with Paris. Then, Romeo sneaks into the Capulets’ banquet at their home. Tybalt protests his presence, but Mr. Capulet says, don’t call attention to him. Meanwhile, Romeo sees and zeroes in on Juliet. After some fancy talk about pilgrims’ hands meeting in prayer resembling kissing, they trade a few smooches.

Okay. I understand the setup as a “meet cute.” Romeo goes to romance the girl he’s fascinated by and instead falls in love with the daughter of his family’s worst enemy. It’s the story’s tragic overtones (not to mention all the pilgrims’ hands speeches) that obscure the humor of that scene.

I thought about some of my favorite Rom-Coms: Legally Blonde, where Elle meets Emmett at Harvard, or Shakespeare in Love, where the bard first sees his muse dressed in male attire and auditioning for a role. One of my favorite romances is Lisa Kleypas’ The Devil in Winter, one of her wallflower series. The couple are acquainted but have their actual first face-to-face meeting after the male has kidnapped the female’s friend in a previous book. Evangeline Jenner is the shy, stuttering daughter of a wealthy gambling house owner who approaches Sebastian, Lord Vincent, one of London’s best-known rakes to save her from her relatives’ manipulations. That initial scene sizzles with sexual tension.

Could I do that with my characters? I’ve tried by having them reconnect at a restaurant where the female does not at first recognize the male, who is her server. I asked for some feedback from another writing group and was fascinated to hear their reactions to this couple. The group had a lot of good suggestions and questions. I always find questions encouraging because it means readers want to know more.

What’s your favorite “meet cute” scene and has it ever involved unlikable characters?

Cover of LRWA Anthology Volume 2

Pens

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Pens by Debra H. Goldstein

There was a time that I wrote everything in longhand. Being left-handed, I had to be careful not to use a pen that allowed me to smear the ink with my pinky. In addition, because I have small hands (I can still wear a child’s sized glove or mitten), the pen couldn’t be too thick or too fat. Consequently, many of the popular thin Bic pens or other retractable ones didn’t feel right when I held them.

After many years of trial and error, I discovered Uniball Vision Elite pens. Like Goldilocks felt after trying Papa Bear, Mama Bear and Baby Bear’s chair, food, and beds, this pen for me is “just right.” It fits my hand, glides across the page, and usually doesn’t smear. What more could I ask?

The irony is that now that I’ve found the perfect pen, I rarely use it. Although I write thank you notes in ink, I compose my books and stories on the computer, make most of my payments electronically, and have traded letters for emails.

What about you? Do you still use a pen (and which one is perfect for you)?

With a Little Help from my Friends

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artwork from Pixabay and Depositphotos

By Lois Winston

As authors, we spend much of our days in our writer caves. Sometimes, we rarely leave the house for days as we peck away at the keyboard, increasing our word count. Living life in a vacuum is hard, though. Sometimes we need to bounce ideas off someone, and let’s face it, kids and spouses are rarely helpful when it comes to figuring out the perfect murder or choosing whodunit from several possibly suspects. That’s why critique partners, as well as writing communities, are so important. Often, they’re the only people who truly “get” us.

My latest book, Sorry, Knot Sorry, the thirteenth in my Anastasia Pollack Crafting Mysteries, released earlier this month. In-between a month-long virtual book tour, I’ve been mulling over possible plots for the next book in the series.

I’ve always had a weird fascination with unusual personalities and often put them in my books. Anastasia’s communist mother-in-law is a perfect example. She’s based on my own communist mother-in-law, minus the French bulldog.

Years ago, we had some very strange neighbors living across the street from us. They’ve been parked in a recess of my brain for two-and-a-half decades, waiting to spring forth as characters in a book. I wondered, though, were they too over-the-top?

I decided this was a question, not for my critique partner nor my fellow writers. I needed to hear from my readers. So, in my May newsletter, I introduced them to the couple I had dubbed The Stoop Sitters. After relating the story, I asked if they thought The Stoop Sitters should become characters in my next book.

Everyone who responded loved the idea. I don’t know yet who these characters will be, but based on the overwhelmingly favorable responses I received, they will show up in some way in the next book.

I had already set up the possibility of The Stoop Sitters back in A Stitch to Die For, the fifth book in the series. Circumstances which occurred in that book resulted in the house across the street from Anastasia being torn down and replaced with a McMansion. Since Anastasia has yet to meet her new neighbors, they could be The Stoop Sitters.

Have I piqued your curiosity? Are you dying to know more about The Stoop Sitters?

When my husband and I purchased a home in an upscale New Jersey suburb, the house across the street stood out for all the wrong reasons. It was a dilapidated mess in need of major repairs. We suspected the resident or residents were elderly with a limited income. Much to our surprise, we discovered the owners were a couple in their late thirties or early forties. They had two school-aged kids.

The parents didn’t seem to have jobs. They’d camp out on the top step of their small concrete landing for hours at a time, either together or individually. Just sitting and smoking and often drinking beer, but never conversing with each other. Often the husband would remove his shirt and lie back on the landing, his massive stomach pointing heavenward. He’d remain that way for hours, apparently napping.

When Mr. Stoop Sitter wasn’t sprawled bare-chested on the landing, he’d spend hours mowing his lawn, an extremely small barren patch of packed dirt and weeds. For hours, he’d walk behind his mower, trimming the nonexistent grass, until the mower ran out of gas. The next day, after refilling the mower, the scene would repeat. It continued each day throughout the year, except during rain and snowstorms.

I need to stop here to mention that I’m not a voyeur. My home office was situated at the front of the house with my desk positioned under the front window. It was impossible not to notice The Stoop Sitters.

One day, my concentration was broken by a cat fight between two women. I glanced up from my computer screen to find Mrs. Stoop Sitter standing on the sidewalk, accusing another woman of trying to steal her husband. The scene was right out of Real Housewives of New Jersey, minus the camera crew. Eventually, Mrs. Stoop Sitter hurled one last warning, stormed up the steps, and entered her house, slamming the door behind her. The other woman turned and walked down the street. I never saw her again.

Now, Mr. Stoop Sitter was no one’s idea of a catch, but the scene I’d witnessed proved otherwise. Obviously, there’s someone for everyone. At least in Mrs. Stoop Sitter’s mind.

Eventually, the Stoop Sitters sold their house to a developer who tore it down and built a McMansion. There’s a story to be told about the people who moved into the McMansion, but I’ll save that for another time.

So what do you think? If my readers can suspend their disbelief enough to accept a communist mother-in-law and a Shakespeare-quoting parrot (not to mention a reluctant amateur sleuth who stumbles across more dead bodies than the average big city homicide cop in an entire career,) will they buy into the Stoop Sitters?

Would you? Post a comment for a chance to win a promo code for a free audiobook download of any of the currently available Anastasia Pollack Crafting Mysteries.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website where can also sign up for her newsletter and find links to her other social media: www.loiswinston.com

June is Here – And I’m Excited!

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June is Here – And I’m Excited! by Debra H Goldstein

In the musical, Carousel, the character, Nettie Fowler sings the song, “June is Bustin’ Out All Over,” while preparing for a clambake. The lyrics address the excitement that the month of June, in contrast to March, April, and May, offers in terms of summer, nature, and love.

On a personal note, which I don’t normally address except in my monthly newsletter, post two back surgeries, March, April, and May, for me were like the song: storms, simply passing by, and then tentative promises. June, though, is offering me new opportunities.

In terms of writing, there are new short stories being published – including “You Can’t Kill the Cat” in Love Comes First, Then Comes Murder; new experiences (finally seeing the grandson who just celebrated his first month of life); continued physical therapy (but the walker and cane are gone); a return to social circulation (lunch, dinner,and whatever); and, finally, once again, embracing my love of writing.

It’s nice to be back. Can’t wait to announce some of the wonderful things that are going to happen in June. Stay tuned!

If you want to get a head start knowing what’s going on, sign up for my newsletter via my website (https://www.DebraHGoldstein.com). If you like, while you are on the website, you can even get a free copy of the cookbook that Kensington created for the Sarah Blair series: Simple Recipes for the Sometimes Sleuth.

Echo words anyone?

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Echo words anyone? (And other hiccups)

Every time I reach what I hope is the last version of my manuscript before I publish it, I read it aloud to find anything that I’ve missed that needs correction. The little devil on one shoulder says, “Don’t waste time reading it aloud. It’s fine. It’s a pretty cool book.” The little angel on the other shoulder says, “Even though you don’t want to spend the time reading it aloud, you know you’ll find so many things that need to be fixed. Fix it, and then it will actually be really cool, and you’ll be pretty happy.” So, actually, whether or not I want to spend the time, I always read it aloud. And actually, I find so many things that need to be fixed that I’m pretty happy that I’ve read it aloud. Other writers say to let it sit awhile before you do that. I know I should wait awhile, but, actually, I don’t always wait awhile to read it. Whether or not you read your manuscript aloud, or print it out like we did in the old days, let it sit awhile, and then read it, I urge you to do one or the other, so you’ll be pretty happy, too.

 

 

Susan P. Baker’s 6th Mavis Davis mystery, The Underground Murders, will be released in July.

The Times They Are a’Changing

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By Lois Winston

I don’t like change. I much prefer the security and comfort of habit. I’m not the kind of person who climbs a mountain just because it’s there. I need a reason to step out of my comfort zone, lace up my hiking boots, and ascend into the unknown. When I’m confronted with the need to change, I first spend time soul-searching and deliberating.

Unfortunately, the publishing industry has been fraught with change for quite some time now. Gone are the days when an author had a home for life, and the people she worked with at the publishing house became like a second family to her. These days there’s a lot of divorce going on in publishing. More and more authors are being dropped because their sales aren’t strong enough. Or authors decide for various reasons that they need to leave their publishers. Both situations are very scary for the author. No matter which party institutes the divorce proceedings, fear of the unknown can overwhelm an author.

Twelve years ago, I realized I needed to institute a change in my life. I didn’t want to, but after several long months of soul-searching, I knew it was time to climb the mountain. I laced up those hiking boots and walked away from two new publishing contracts—one for additional books in my Anastasia Pollack Crafting Mystery series and one for a new series, the Empty Nest Mysteries.

Was I terrified? You bet! Being published by a traditional publishing house is the Holy Grail to all aspiring authors. Or it used to be. Times have changed. Self-publishing, now often referred to as indie publishing, no longer has the stigma it once did because authors are in control, not questionable vanity presses.

Rather than sign with one of the small publishers interested in continuing my series, I went indie. I continued writing the Anastasia Pollack Crafting Mysteries, adding a series of three connected mini-mysteries. I also published the Empty Nest Mysteries and several standalone mystery novellas. I reissued my backlist and published some unsold romances and romantic suspense novels.

Would I regret my decision? After all, not only had I given up the “legitimacy” of traditional publishing, but I’d also given up some decent advance money. There were nights I tossed and turned, wondering if I’d made the biggest mistake of my life by going indie, especially when I didn’t see the huge numbers of sales that other indie authors claimed to have.

Was it because I didn’t write super-sexy books with shirtless studs? Or was there some other reason? My traditionally published books had received stellar reviews, including starred reviews from Publishers Weeklyand Booklist for my mystery series. I’d also won quite a few awards for my fiction. Why weren’t my indie books selling better?

One mantra I kept repeating was something I’d heard from other authors: It’s not a sprint; it’s a marathon. It was hard to convince myself since I seemed to be limping along, not sprinting. But eventually I saw that they were right. It took some time, but since publishing my first indie book, I’ve seen steady growth in sales. Can I support myself on what I’m making? Heck, no! But then again, I couldn’t support myself on what I made from traditional publishing.

However, as time has passed, I’ve become more comfortable with my decision. There’s much to be said about having total control over your writing career. What I’ve also discovered is that readers don’t really care who publishes you. Authors might constantly ask other authors, “Who’s your publisher?” but readers are only interested in good books. They don’t know PRH from Level Best. Mention “the Big Five,” and they’ll most likely think you’re talking about a college basketball conference.

Meanwhile, Sorry, Knot Sorry, the thirteenth book in my Anastasia Pollack Crafting Mystery Series, is currently on preorder and releases June 4th. For those of you familiar with Anastasia, I hope you enjoy her latest adventure. For those of you who haven’t gotten to know her yet, I hope you will.

Sorry, Knot Sorry

An Anastasia Pollack Crafting Mystery, Book 13

Magazine crafts editor Anastasia Pollack may finally be able to pay off the remaining debt she found herself saddled with when her duplicitous first husband dropped dead in a Las Vegas casino. But as Anastasia has discovered, nothing in her life is ever straightforward. Strings are always attached. Thanks to the success of an unauthorized true crime podcast, a television production company wants to option her life—warts and all—as a reluctant amateur sleuth.

Is such exposure worth a clean financial slate? Anastasia isn’t sure, but at the same time, rumors are flying about layoffs at the office. Whether she wants national exposure or not, Anastasia may be forced to sign on the dotted line to keep from standing in the unemployment line. But the dead bodies keep coming, and they’re not in the script.

Craft tips included.

Buy Links (preorder now. Available June 4th)

Amazon

Kobo

Nook

Apple Books

Paperback and Hardcover editions available after June 4th.

~*~

USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry. Learn more about Lois and her books at her website where can also sign up for her newsletter and find links to her other social media: www.loiswinston.com