Where do original ideas come from?
Eva Shaw, Ph.D, author of Jane Won’t Quit
In addition to being a mystery writer, I’m a writing instructor, teaching remotely through Gale Courses/Education to Go, I thrive on mentoring emerging writers. It’s fun and serious business.
As we all know, words have power and can encourage. And scar. Hence, I take great care with this responsibility with these budding authors and with the words I use.
Recently, a student asked, “Where do ideas come from?”
I hesitated and then blinked a dozen or 15 times. Since this is remote learning, they didn’t hear my scream: “Holey guacamole, what do I say?”
This was the first time, in the years I’ve been teaching adult learners, that I’d been asked this question.
Truth be told, I never thought about it. They just happened to enter my brain as tiny seeds and when tended, watered, weeded and grow to harvest. (Can you tell I’m an avid gardener???)
But from where do they come?
I had to take Coco Rose for a long walk before I could wrap my head around this. Here are my thoughts.
Original ideas are clobbered together from our experiences. They’re what we read, see, talk about, smell, eat, turn our backs on, and hash out with friends. We pull the tiny “seedling” ideas from reading, conversations, arguments, teachers, education, career, lovers, kids, pesky coworkers, friends. From out in the crazy world and these confusing times.
They come barging into our lives dragging baggage, pain, joy, sorrow. Memories. The good and bad of it are thrown in the blender of life in 2026.
Not too long ago I visited a friend. Opening the door, he was on the phone, so I waved and waited. Then he said with shock edging his voice and to whomever he was talking: “Wait. Don’t ever let her know you have that information.” I knew at once that was an idea I’d have to use. It may just be the first line in my next mystery.
Sometimes our ideas come from what we know for sure. However, what if we don’t know much or anything about a possible idea?
Best-selling author Sebastian Junger explains away a hurdle many emerging and published writers face. He writes in the afterword of the The Perfect Storm: “Writers often don’t know much about the world they’re trying to describe, but they don’t necessarily need to. They just need to ask a lot of questions. And then they need to step back and let the story speak for itself.”
He’s telling us, while we might not understand everything, we can trust the creative process. I believe he’s also saying that if a weird idea pops up, give it a chance. It could work. Why don’t we do this often enough? Fear throws us under the bus. Yet, the more often we take these writing “detours,” the more interesting and entertaining our writing becomes.
When writing original ideas, we pretty much know where we want it to go, most of the time, and what we want to happen. Then we start. Ideas evolve, plots change, characters tell us the direction the story should head and to take Mr. Junger’s advice, we step back and let the story speak for itself.
I hope this quote from one of my favorite authors encourages you to do what you do: Write.
“Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic.” ~ Carl Sagan
© Eva Shaw, 2026
Jane Won’t Quit
Pastor Jane Angieski never quits—especially when vulnerable children are at risk. When a scandal inside a powerful Las Vegas megachurch exposes a sinister trafficking ring, Jane’s search for justice collides with Captain Frank Morales, a protector who knows she’s in danger. Attraction sparks, trust doesn’t. As powerful enemies close in, Jane and Frank must uncover the truth before the city’s darkest secrets bury them both.
Buy it now: https://amzn.to/4uR14J2
***
Eva Shaw is the author of the romantic suspense Jane Won’t Quit (Varus Publishing, 2026) and the ghostwriter of dozens of published books. She teaches creative writing through Gale Courses/Education to Go and lives, with rambunctious Coco Rose, in Carlsbad CA. Reach Eva at www.evashsaw.com and follow her @evashawwriter
Sisterhood of the Traveling Book
/in Sisterhood of the Traveling Book, Romance, Romantic Suspense/by Bethany MainesTraveling to… Vegas Baby!
In a time where AI can make a lot of things appear to be real, I’ve come to value the real life photo that may or may not have the best lighting and might just have some goober tourist in the background. So recently, when a friend of mine traveled to Vegas and took my book with her, I was thrilled to get pics of my book traveling up and down the Vegas strip.
Traveling Homeward
Heart’s Curse (under my new paranormal romance pen name Sirena Corbeau) takes place in Vegas at the Lucky Heart Hotel & Casino. Newly acquired by the Montanari Corporation, and given to Lucas Kane to run, the Lucky Heart has one teeny, tiny, not that big of a deal problem… It’s cursed. Which means that this is a story about love, and romance, and also ghosts, blood pouring from the faucets, and—whoopsies—that darn curse that’s turning everyone into psychotic zombies which might not be that big of a problem if the hotel didn’t employ mobsters, vampires, and shifters. I thought it was the perfect vacation book and was happy to know she was taking it with her.
However, as I’m sure anyone who has tried to take attractive book pictures for Instagram has discovered, it’s not easy to get books to look exciting, not reflect anything weird in the cover, and also get an interesting background. My own efforts resulted in me discovering a newfound respect for product photographers. How is my shadow ALWAYS in the way? How is the book this shiny? Why does my hand look so weird!? So the fact that she took the time to not only take, but send me pics, absolutely made my day. The palm trees and blue, blue, blue Vegas sky make it absolute perfection. And also, can we take a moment to appreciate my friends’ perfectly contrasting nails? I love knowing that my book traveled to the land of its birth and hope to see many such snapshots in the future.
What about you? Would you take a picture of your beach read and send it to the author? (Or tag them on social media?)
Charlotte “Charlie” Auvray has always been told she’s nothing special—just the magicless daughter of a powerful witch family. But when a disastrous spring break lands her in Las Vegas, she stumbles into the path of Lucas Kane, a dangerously magnetic casino boss with secrets of his own. Lucas is juggling mob ties, a cursed hotel, and powers he can never reveal. What he doesn’t need is a heartbroken college girl counting cards at his tables… or kissing him in front of her cheating ex. But when blood rains from the showers and guests descend into madness, Charlie proves she sees what no one else can—the curse that haunts the Lucky Heart’s Casino. To break it, she’ll have to embrace her hidden magic and trust Lucas with her heart. Because in Vegas, the stakes aren’t just money—they’re life, love, and destiny.
BUY NOW: https://amzn.to/49fdeli
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See more books from the Stiletto Gang: BOOKS
Calls for Short Stories
/in Anthologies, Paula Gail Benson, Short Stories/by Paula Bensonby Paula Gail Benson
Two organizations have posted calls for short stories and are accepting submissions this summer: Malice Domestic 2027 and Bouchercon 2027 (to take place in Washington, D.C.). Here are the basic requirements along with the websites where you can find additional information.
Anthology | Malice Domestic Ltd
Malice Domestic 21: Anthology Submissions
The Deadline to Submit Your Story for Consideration is July 31, 2026
Mystery Most Musical
Presented by Mary Kay Andrews
Mus-i-cal – adjective – of or relating to music; having the pleasing harmonious qualities of music; having an interest in or talent for music; set to or accompanied by music; of or relating to musicians or music lovers
SUBMISSION GUIDELINES
~ Story Selections will be made in the fall/winter of 2026
~ Submissions will be judged blindly by a panel of readers
~ Publication Date will be April 2027
Mystery Most Monumental Anthology — Bouchercon 2027
Power Corrupts
Important Dates
Submissions Open: May 1, 2026
Deadline to Submit: October 1, 2026
Winners Announced: January 31, 2027
Anthology Launches: September 1, 2027
Our theme, Power Corrupts, is meant to encompass a wide range of storytelling options and any sub-genre within crime fiction, whether that be political, historical, cozy, traditional mystery, romance, suspense, noir and more.
The theme also lends itself to an exploration of power dynamics within an organization, a marriage, a family, partnership, a personality quirk, and more. These can be stories about resistance or submission, responses to active or passive aggression, questions about authority and the necessity of following or disobeying leadership. Any relationship presents this dynamic, and we want to see the unique, exciting ways you explore the concept.
To that end, we invite you to be creative, but ask that you ensure the theme is incorporated within your work, and that your story features a crime. Stories can take place anywhere, at any time.
Please read the rules carefully before submitting your work. Entry implies acceptance of the rules and failure to comply may result in disqualification.
A writing life – and a few Q&A’s
/in Author Life, writing a mystery novel, Writing and the Arts, writing life/by donalee MoultonBy donalee Moulton
I’ve been doing a lot of book readings and book signings. It’s a wonderful opportunity to meet readers and discuss all things mystery. They also keep me on my toes. Here are some questions I’ve been asked recently.
It started with a bath. I’m a big believer in bubbles, candles, scrubs, essential oils, and music with birds chirping in the background. Friends call this bathroom time my shrine. One night immersed in a lavender cloud I realized it was time to begin writing my mystery. Get off the pot kind of thing. That led me to a litany of possible characters and crimes. Through the mist Riel emerged. Not fully formed but outlined enough that I wrote down my ideas before I even moisturized.
Sunday dinners are a tradition in our family and at our house. Over the years the faces around the table have changed, but they are all family and friends. It’s not unusual for us to have 10 or more people for dinner, and dinner is a communal process: cooking, cleaning, setting the table, making tea.
Hung Out to Die is dedicated to my 95-year-old godmother. When the first copy of the book was in my hands, three of us decided to surprise her with this inaugural copy and celebrate its publication. As we were sipping tea and finishing the last of dessert, I gave my godmother the book and directed her to the dedication page. She started to cry and without speaking passed the book to the next person at the table. They began to cry. They passed the book on. It made its way around to everyone. Most of us were in tears, even those of us who knew why my godmother cried even before the book reached them.
What a wonderful way to celebrate my first mystery novel.
I am not a marathon writer. I am a sprinter. I can’t sit and write for hours at a time. I break up my writing by taking a yoga class, soaking up some sunshine, checking email, doing some paid work. I do try to write 1,000 fictional words a day. Some days I achieve this. We don’t need to talk about the other days.
I love the idea of plotting out my books from beginning to end. However, the idea remains just that. I have the most basic of plot outlines and work from there, filling in and exploring options as the writing unfolds. When the characters become their own people, I know I’m on the right track.
I’m a firm believer in the importance and power of editing. When I get an edited anything back – novel, article, short story – I read through the comments and take some time to think about them. Then I dive in. Often I agree with the editor; sometimes there is a compromise. Always the writing is better for another set of eyes.
When I was about eight or nine, a next-door neighbor tossed me a Nancy Drew book. She thought I might like it. I sat on the curb between our two houses and read the entire book cover to cover. I loved the puzzle, figuring out who dunnit, and being propelled into a world outside my own.
That same year someone gifted me Charlotte’s Web, and my life was forever changed. Not only could words transport you to new worlds, they could become a part of your heart, change you in ways you could not have imagined. I wanted to do that.
Write. This sounds simple. Many days it isn’t. Some call this dedication, others devotion. I’m not sure it matters what it’s called as long as it happens. You will never be a better writer, you will never write another book if you don’t sit down in front of your computer screen and begin to put words in front of you.
Let’s Hear It for the Arts by Saralyn Richard
/in Uncategorized/by Saralyn RichardOne of my favorite jobs was being the Fine Arts Chairperson at Thornton Township High School, Harvey, Illinois. I came to the position in a circuitous way, since I had previously taught English. The school district had just restructured departments and consolidated the music, art, foreign language, and speech departments into a single department, labeled Fine Arts.
I was transitioning from teacher to administrator, and I was excited to step into the leadership role, even though it meant teaching speech instead of English. It also meant working in an elective instead of a core subject department, where classes were required for graduation. I had no idea of what a big difference that would make, or what challenges I would have to face, but the lessons I learned have been useful, even today as a member of the arts community.
Elective teachers have to recruit fight for students. If too few students sign up for a class (say, it’s band or choir) there will be no band or choir, no need for that teacher. While every student has a designated spot in his schedule for English every year, there are only a few elective spots allowed, and all of the elective teachers are competing for that student to choose their classes over all the other attractive ones.
Equally frustrating was the constant pressure to stay relevant in face of budget cuts for all but the four core subjects (English, math, science, social studies). Whenever the costs of equipment, materials, or small classes (meaning more teachers) became a concern, the first resort would be to cut the “frills.” All the brain-based research stating how valuable fine arts was for helping students learn was easy to ignore when state testing would be core all the way.
Part of my job was to make sure that students were aware of the enriching and engaging electives our department provided. So as a team, we instituted an annual Fine Arts Festival held right before the students signed up for their courses for the following year. Each of the fine arts teachers offered a mini-class that would allow students who signed up to “taste” what the course would be like. We had tshirts and contests and prizes and lots of creativity for the whole school to partake in. A lot of work went into the single day’s activities, but everyone looked forward to it each year, and the festival promoted the arts better than any other single initiative we took in curriculum, instruction, or staff development.
Little did I realize how working on the Fine Arts Festival would help me with arts activities in my later years. The Grand 1894 Opera House, a small, historic theater in my hometown, like the Fine Arts department, is the heart of the city. Its program is filled with shows that touch people’s thoughts and emotions in unique ways. Those who elect to attend the shows and support the theater experience culturally enriched lives.
Yet, patronizing a theater requires discretionary income, and not everyone participates. The job of the theater personnel—both paid and volunteer—is to find ways to recruit and retain patrons and supporters.
The same is true for authors, whose literary works fall into the category of fine arts. A book launch is similar to a Fine Arts Festival. The author and publisher must find ways to “advertise” the book, so that readers will choose IT from among all the attractive options for a limited amount of time to read, book budget, and shelf space.
Sometimes I hear fellow authors becoming discouraged about the trials and tribulations of marketing their books, and I think of the fine arts teachers, whose travails were just as daunting and real. And yet, we still have fine arts electives, fabulous program seasons, and exciting new books to read. Nothing ever obliterates the arts, because they are the only things that nourish the human soul. For that reason alone, all our efforts matter, and fighting the battles is worth it.
Saralyn Richard is an educator and multiple award-winning author of seven mystery novels, a children’s book, and numerous short stories, poems, and essays published in anthologies and magazines. Her works include the Detective Parrott Mystery Series, the Quinn McFarland Mystery Series, A Murder of Principal, and Naughty Nana. Saralyn is an active member of Mystery Writers of America and International Thriller Writers, and she has taught literature and creative writing to high school students and adults through the Osher Lifelong Learning Institute.
Fear and the Writing Habit
/in Author Life, Paula Gail Benson, writing life/by Paula Bensonby Paula Gail Benson
Just looking at the title of this message, what do you think it’s about?
Could it be about starting the practice of writing on a schedule?
Might it provide ideas on how to maintain the practice?
Could it discuss what is the most effective time for a daily writing habit: pre-dawn, morning, midday, evening, or late night—including whether or not there is a correct answer to that question other than the time that works for each individual?
Might it consider ways to return to a daily writing practice after having been away from it?
Could it involve none or all of the above?
Why is fear mentioned? Does the idea of writing each day aways involve fear?
I started writing this message because I had been able to keep a daily writing process until just recently when I became overwhelmed with other obligations. I felt very good about what I had accomplished, and I had forgiven myself if I didn’t finish all I hoped to each day.
Is a writing practice necessary to be a writer?: Duh. On some level, yes, a writer must plan to write. One cannot produce without cultivating.
Rather than saying a daily process is necessary, my answer is that goal setting is necessary for an author. To achieve goals, you need a timetable for when you plan on reaching them.
Keeping up a writing practice can be scary, but it is necessary to create and finish a story. Working toward a goal may make the process less intimidating.
How do you start?: This year, I’ve been successful in setting up and maintaining a daily writing practice. I began with new notebooks at the beginning of the year. January is always a good time to start fresh, but a new writing venue or notebook might also give the same joy of beginning.
How do you maintain?: I managed to challenge myself by working on more than one project at a time and limiting the time I had to work on each. Michael Bracken, when asked about writer’s block at the Capitol Crimes Chapter of Sisters in Crime meeting this past weekend, spoke of an author who didn’t believe in writer’s block. This author worked on several projects at the same time and would turn to another if he became stalled with one.
What time of day do you write?: The time that fits best into your schedule and keeps you motivated. I write at the end of the day because it is something I look forward to doing.
How do you return if you can’t maintain?: Recently, I literally could not write each day. As my life returned to a more normal pace, I feared I couldn’t recapture the habit.
Why is there fear?: No one wants to fail—even if its just not keeping up with a practice each day. This is when you must give yourself some grace and also remember the goal. Remind yourself that what goes on the page initially is for you to get your thoughts in order and to have something to revise. The perfecting part comes with the revision.
Fortunately, for me, when my pen met paper, it covered the pages with words. Whether those words are like flowering plants or spreading manure is yet to be seen, but at least I have the potential to prune or fertilize.
So, back to the words.
Guest Author – Eva Shaw, Ph.D.
/in Guest, Guest Blogger/by Bethany MainesWhere do original ideas come from?
Eva Shaw, Ph.D, author of Jane Won’t Quit
In addition to being a mystery writer, I’m a writing instructor, teaching remotely through Gale Courses/Education to Go, I thrive on mentoring emerging writers. It’s fun and serious business.
As we all know, words have power and can encourage. And scar. Hence, I take great care with this responsibility with these budding authors and with the words I use.
Recently, a student asked, “Where do ideas come from?”
I hesitated and then blinked a dozen or 15 times. Since this is remote learning, they didn’t hear my scream: “Holey guacamole, what do I say?”
This was the first time, in the years I’ve been teaching adult learners, that I’d been asked this question.
Truth be told, I never thought about it. They just happened to enter my brain as tiny seeds and when tended, watered, weeded and grow to harvest. (Can you tell I’m an avid gardener???)
But from where do they come?
I had to take Coco Rose for a long walk before I could wrap my head around this. Here are my thoughts.
Original ideas are clobbered together from our experiences. They’re what we read, see, talk about, smell, eat, turn our backs on, and hash out with friends. We pull the tiny “seedling” ideas from reading, conversations, arguments, teachers, education, career, lovers, kids, pesky coworkers, friends. From out in the crazy world and these confusing times.
They come barging into our lives dragging baggage, pain, joy, sorrow. Memories. The good and bad of it are thrown in the blender of life in 2026.
Not too long ago I visited a friend. Opening the door, he was on the phone, so I waved and waited. Then he said with shock edging his voice and to whomever he was talking: “Wait. Don’t ever let her know you have that information.” I knew at once that was an idea I’d have to use. It may just be the first line in my next mystery.
Sometimes our ideas come from what we know for sure. However, what if we don’t know much or anything about a possible idea?
Best-selling author Sebastian Junger explains away a hurdle many emerging and published writers face. He writes in the afterword of the The Perfect Storm: “Writers often don’t know much about the world they’re trying to describe, but they don’t necessarily need to. They just need to ask a lot of questions. And then they need to step back and let the story speak for itself.”
He’s telling us, while we might not understand everything, we can trust the creative process. I believe he’s also saying that if a weird idea pops up, give it a chance. It could work. Why don’t we do this often enough? Fear throws us under the bus. Yet, the more often we take these writing “detours,” the more interesting and entertaining our writing becomes.
When writing original ideas, we pretty much know where we want it to go, most of the time, and what we want to happen. Then we start. Ideas evolve, plots change, characters tell us the direction the story should head and to take Mr. Junger’s advice, we step back and let the story speak for itself.
I hope this quote from one of my favorite authors encourages you to do what you do: Write.
“Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic.” ~ Carl Sagan
© Eva Shaw, 2026
Pastor Jane Angieski never quits—especially when vulnerable children are at risk. When a scandal inside a powerful Las Vegas megachurch exposes a sinister trafficking ring, Jane’s search for justice collides with Captain Frank Morales, a protector who knows she’s in danger. Attraction sparks, trust doesn’t. As powerful enemies close in, Jane and Frank must uncover the truth before the city’s darkest secrets bury them both.
Buy it now: https://amzn.to/4uR14J2
***
“Just One More Thing”
/in Author Life, characters, Inspiration, Kathleen Kaska, Mysteries, Noir Mystery, Series, Suspense, Uncategorized/by Kathleen KaskaWhen you hear the phrase “just one more thing,” what comes to mind? If you were around in the 1970s, you probably remember Columbo, starring Peter Falk as Lieutenant Columbo of the Los Angeles Police Department. The series won 22 awards and received 68 nominations, with Falk earning four Primetime Emmy Awards. It aired on NBC from 1971 to 1978 and has since been rebroadcast on numerous networks.
What I liked most about the show was its structure: viewers knew the killer from the start and then watched Columbo patiently unravel the crime. Each episode featured a guest star as the murderer—Martin Landau, Janet Leigh, Ruth Gordon, Vincent Price, Roddy McDowall, Leonard Nimoy, even Johnny Cash, to name a few.
I recently rediscovered the series after making a practical—if slightly risky—decision: changing hairdressers after fifteen years. When I learned my husband’s barber had begun cutting women’s hair for less than half what I’d been paying, I decided to give her a try. I only needed a trim—no shampoo, no styling. The first visit took less than ten minutes, and I was pleased with the result.
On my most recent visit, I didn’t have an appointment. Four people were ahead of me, and I thought about leaving—until I noticed the television was tuned to Columbo. I stayed. The episode featured Ricardo Montalban as a matador in “A Matter of Honor.”
When Columbo arrives on a scene—hair rumpled, trench coat wrinkled, cigar in hand—he’s easy to underestimate. His suspects dismiss him as absentminded, even inept. But his polite, seemingly scattered questions are deliberate. Columbo is a meticulous strategist, noting every clue and quietly assembling the truth. He wears his suspects down with persistence, circling back again and again until—almost as an afterthought—he says, “Just one more thing.”
Alfred Hitchcock also used this technique in his movies Rope, Dial M for Murder, A Shadow of a Doubt, and Frenzy. His forte was suspense rather than surprise. The audience knows what happened as they watch the story unfold. Suspense builds tension, keeping the audience on the edge of their seats as they participate in solving the crime.
Back to my barber. I waited nearly an hour that day and didn’t mind at all. I was hooked as soon as Columbo began his investigation. I knew he’d solve the mystery, and I couldn’t wait to find out how he did it. Next time I need a trim, I may skip the appointment altogether. I’ll take a seat, request Columbo on TV, and bring my writing journal. I’ll study the master detective at work and take notes for the next mystery.
Have you ever written a reverse whodunnit?
How Does a Dragon Work?
/in Author Life, characters, How to Write, Ideas, Romance, writing life/by Bethany MainesWorking Dragons
In my 2026 series of paranormal romances, each stand-alone novel is linked through the character of Dante Montanari—a mysterious dragon shifter whose interference in the lives of other characters causes the romances of each book to develop. Ultimately, the plan is to have a book devoted to Dante and his own romance, but that’s currently plotted for book 8, and we’re only on number 2. Usually, when I develop my characters for mysteries and contemporary romance, I only have to worry about the everyday getting to know you stuff—like where a character works, what they’re passionate about, why they keep finding dead bodies—that kind of thing. But with paranormal romance, there is the added layer of world-building, which means I need to decide how dragons and any other fantasy creatures actually function. And then, even worse, I have to abide by those rules (yes, the ones I just invented) in future books.
Playing by the Rules
Once the rules are set, my life is both harder and easier. The more I know about each character, the less I have to think about some of the background noise of setting a scene. And this applies across all genres. In a mystery, if I know that my character doesn’t drink coffee, then I don’t have to think about their order if there’s a scene in a cafe. In a fantasy novel, some things become more complex. For instance, if a shape-shifter changes, do their clothes shift as well? (And we will pause here for you to have this argument amongst yourselves.) I have decided that we cannot have proper werewolf-type transformations without tearing clothes, and have chosen to have clothes NOT transform. But that means that you have to keep track of things like “where did his shoes go” in those scenes. And inevitably, no matter how carefully I establish my rules for this creature or that, I run into a scene where I wish I’d done something else.
Choosing a Course
As it turns out the easiest way to figure out the rules is to do the most horrific of all writerly tasks… write. By writing a character and working through a story, I can stress test my rules and figure out how they apply to the world and other characters. However, since my big dragon character doesn’t have his own story until much later, that left me with specifically dragonish questions that need to be answered NOW. Which is why book 2 of the series focuses on Dante’s nephew – Dalton Rosetti. Dalton and Ava’s romance was the perfect opportunity to find out what makes dragons work and how their world, magic, and culture function. And also, allow me to daydream of a vacation in Hawaii. Because in my world dragons love heat and volcanoes, so of course, they would love Hawaii. This romance was fun to write because (as with all my books) it includes a heavy dose of action and danger and that meant I had to watch Hawaii 5-0 for inspiration. Yes, I know either iteration of the show is ridiculously not true to Hawaii, but the scenery is still great. (I may or may not be referring to Daniel Dae Kim as scenery in this sentence. Language is always open to interpretation.) What do you think? What other Hawaii specific shows should I have added to my “research”?
Forged in Flame
Ava Flynn
grew up unaware of her dragon heritage, raised by her human mother and stepfather. That changes when Dante Montanari’s nephew, billionaire dragon Dalton Rosetti, arrives—and sparks ignite. Their one night of passion leaves Ava with a secret baby and a future she must face alone. But when deadly enemies close in, Ava and her child are thrust back into Dalton’s world. To survive, she must decide: can she trust a bond forged in flame?
Interested in being an Advance Reader of Forged in Flame? Sign up here: ADVANCE READER SIGN UP FORM
ARC readers get a free copy of the book in exchange for leaving a review on one (or more) of the common review sites (Amazon, Bookbub, Goodreads).
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See more books from the Stiletto Gang: BOOKS
What’s a Freedom Plane?
/in 4th of July!, Gay Yellen, History, Inspiration, Samantha Newman Romantic Mystery series/by Gay YellenIn the government’s growing penchant for giving events names that have little relation to what they actually are, our Museum of Natural History announced the arrival of The National Archive’s “Freedom Plane Tour
,” a display in honor of the 250th anniversary of the United States of America. The invitation to the opening of the exhibit had me wondering where they’d be parking a Boeing 737 in the museum’s urban setting.
Silly me, to think there was a plane in the exhibit.
The plane never left the airport. Only its precious contents are on display in a very small, darkened space at the museum. We joined the long line of folks slowly snaking into and through the closet-sized, curtained enclosure, surrounded by security. Only a dozen or so gawkers at a time were granted a brief view of some of the most important original documents that forged our nation.
At first, I was disappointed that only a few items were there. But as I took my turn before each one, I was transfixed. I began to imagine what it must have been like for those who struggled to produce them, and the compromises and sacrifices that had to be reckoned with in order to forge a new nation, founded on radical principals of liberty and freedom, at least as they were perceived 250 years ago.
I imagined what fortitude and courage it took to reach enough consensus to have laid it out on a page for all posterity.
I wished I was allowed more time to read the difficult script and each signature, and especially, to ponder those last minute, hand-written edits on what became the final drafts.
It was definitely a messy business, and it’s not difficult to understand why we’re still debating many of the particulars today.
Which may be why, at the outset, the founders must have known how important it was to insert the word “more” between “a” and “perfect union.” They understood that, hard as we humans may try, achieving perfection is only a pipe dream.
And yet, bless our little hearts, we still try.
Every citizen learns at least an elementary version of how life was back then. But many of the details, as evidenced in the few documents displayed here, were new to me. More than any history book or TV documentary I’ve ever come across, these few items on display brought the struggle to life.
But that’s not all.
They still had to figure out how to form a unified nation among the independent colonies, each of which had varying economic and social needs and philosophies.That task took well over a decade to accomplish.
Fast forward to current times
As I walked out of the exhibit, the day was dreary. So was my mood. I mourned the spirit of so those who stood up for their lofty principles and fought battle after battle, both intellectually and physically, to create a country that has been, for almost all of its 250 years, the envy of the world.
It’s difficult these days to remain positive about the future of our country, what with the seemingly constant turmoil within and outside of our borders. While it’s tempting to believe that, since we’ve always been able to pull ourselves away from the brink of collapse, things will always work themselves out. But great civilizations before us have thrived and withered. Let us not be complacent.
I’ve included photos of every document in the exhibit; the pictures aren’t great, but given the crowd, the lighting, the height of the display, and the short time allowed, t’was the best I could do. Like our country, much is still a work in progress.
If you want to experience the exhibit in person, the official itinerary is here: Freedom Plane.
Behaving Badly: Out of the Drawer
/in Author Life, author promotion, characters, Detective, Guest Blogger, History, Inspiration, Noir Mystery, Police/by Donnell Ann BellDear Stiletto Gang Readers: I am so proud to know today’s guest. Read on; I have no doubt you’ll understand why. ~ Donnell Ann Bell
Out of the Drawer
By: Rochelle Staab
Author Rochelle Staab
Most every writer keeps one or more unwritten novels somewhere in a drawer/file/box, waiting, hoping for the enthusiasm to finish. Most drawer stories wait forever. Some resurface then fizzle again. My new novel, Behaving Badly, spent ten years in the drawer before the escape. Inspiration didn’t reappear overnight. Unwittingly, my personal journey away from writing, fed into the story and setting and made me a better writer.
After a series cancellation and my frustration in trying to please an editorial team who liked me but not the ideas I pitched, I decided to write what I really wanted to write: noir set in depression/prohibition-era Los Angeles. Using a working title of Above the Fold, I created a gritty, recently widowed female crime reporter who chased front-page headline stories about crime and corruption in 1930s Los Angeles without the convenience of a cell phone or a computer.
I loved the idea. Like so many women who found and claimed their power through the 1920s into the 1930s, my heroine had guts. Tess—my protag’s name has always been Tess—had a character profile, a supporting cast, solid research, and a complicated abduction plot involving a silent screen star lookalike.
Seventeen chapters in, Tess claimed her ground. I deflated. My agent gave me a mediocre response when I pitched a historical noir mystery featuring a female reporter. I feared the same reaction from my editor. I needed to shake off rejection and self-doubt and do something to make me feel good about myself.
Rochelle Staab and hiking buddy Barbara Beck at Escondido Falls, Malibu, California
I had always felt less than because I didn’t have a college degree, something I knew I had the power to fix. I enrolled in the local community college to see if I had what it took to erase my insecurity. My major would be English, because, you know, writer? But a required history class seduced me. One more, and I became a history major. I graduated and moved on to Cal State Northridge to complete my credits. I read primary sources; I wrote essays about world history. I formed opinions. Despite being the oldest history major at CSUN, I did a summer internship at the Autry Museum. I built a blog on the history of chocolate and co-wrote a video about the history of Los Angeles State Historic Park. Without planning, the classes I took, like the history of Weimar Germany, added context to the world surrounding Tess. My Sunday hikes around L.A. gave me a sidewalk-up familiarity (setting!) with Los Angeles infrastructure during the city’s growing years, the city Tess lived and worked in.
During my last semester at CSUN, I had a casual conversation with an acquaintance at my gym, a man who read hard cover novels on his daily stationary bike routine. I told him I wrote three books. A week later I spotted him reading my first book, Who Do Voodoo? on the bike. Seeing him turn the pages of my book fired a spark. I wondered if I would ever have the courage and creativity to write another novel.
Two weeks before I graduated with Honors, the gym guy and I had dinner. He asked what I would be writing after I graduated. Just so I could call myself a writer and still believe it, I told him about Tess, my 30s reporter. That night I opened the “drawer” in my computer and figuratively pulled out Tess and what soon became Behaving Badly.
I started editing the seventeen chapters I wrote ten years ago and fell in love with the story all over again. Worried about failing Tess one more time, I logged my daily word count but without specific goals. From then on, each day when my gym friend asked how the writing was going, I had an answer. I found my pattern. Editing the seventeen chapters gave me courage. From there, I tried to write a new chapter each week, building the rest of the story without pressure or deadline. My friends smiled at me with that patient “will she ever finish the damned thing?” look. Twenty-eight chapters later, and a much richer story, Tess tied up some loose plot ends, and I typed THE END.
I had promised myself that if my agent still didn’t like historical noir ten years later, I would take charge of my writing future, self-publish Behaving Badly, and reclaim my agency. When he told me that the historical fiction genre had no audience, and perhaps I should write about hiking instead, our gracious parting made me a publisher.
A chance meeting with another author while on a basement tour of speakeasys in downtown L.A.—where else would authors bond?—led to a self-publishing conversation. He offered to school me. I took him up on it, followed the process, commissioned a cover, formatted the document, and within weeks uploaded Behaving Badly to Amazon. The feeling of publishing my own book exhilarated me.
On April 30, Tess and Behaving Badly debuted at #14 on Amazon’s Depression History of the U.S. chart and hit #10 the next morning. Today Amazon named Behaving Badly the “Top New Release” in Depression History of the U.S. Tiny category, but fitting, I think, for a historian, noir mystery author and publisher with her 1930s drawer novel.
Never give up, fellow writers. Never give up.
About the Book:
In 1932 Los Angeles, crime has no consequences
Recently widowed crime beat reporter Tess Hammond turns grief into purpose when her editor assigns her a seemingly small missing-teen story that balloons into murder, corruption, violence, and white slavery in Depression-wrought, Prohibition-era 1932 Los Angeles. As the search for the young woman leads Tess from an underground speakeasy to a Poverty Row studio, from Hollywood Boulevard nightlife to a gambling ship at sea, she encounters a world of mobsters, corrupt cops and, eerily, the chain of duplicity and corruption that cost her detective husband his life and almost ends her own.
About the Author: Rochelle Staab is a Los Angeles mystery writer, avid hiker, trail blogger, and historian with a deep background in the radio and music industry. She returned to the writing community in 2026 after a seven-year hiatus to earn a BA in history with an emphasis on America and Los Angeles. Using Mother Nature as a tour guide, Rochelle has blogged about over 300 different hikes in the mountains, urbs, and burbs of Los Angeles, exploring L.A. from the ground up. Rochelle’s fourth novel, BEHAVING BADLY, the first Tess Hammond historical noir mystery novel set in 1932 Los Angeles, released in May 2026. ~ https://rochellestaab.com/