Dead, but Not Forgotten

Galvez Hotel

Galvez Hotel

Dead, but Not Forgotten:

Murder at the Galvez

When asked whether I use real people as inspiration for my stories, I tell folks that there are so many imaginary characters in my head vying for my attention that I don’t need inspiration from a real person. Except—there’s always an exception—right?

When I started writing MURDER AT THE GALVEZ, the third mystery in my Sydney Lockhart series set in Galveston, Texas, I used a real person in the first paragraph merely to jump-start the story.

My husband is from Galveston, and his grandfather, PoPo, who was the doorman at the Tremont Hotel, always had a pack of teaberry gum in his pocket. I’d never met him, but I couldn’t help but wonder what life as a doorman at a fancy hotel would be like. (Note: before I chose the Galvez Hotel for the book, I’d planned to set the mystery in the Tremont Hotel until I learned it was temporarily closed during the time the story takes place.) Thus, I gave PoPo the name James Robert Lockhart, made him the doorman at the Galvez Hotel, and Sydney’s grandfather.

As in all my Sydney Lockhart mysteries, Sydney checks into a hotel, someone is murdered, and she’s the primary suspect. I needed a reason for Sydney to be at the hotel, and what better reason than to visit her grandfather? But wait, he’d already passed away, so to bring him into the story, I have Sydney reminisce about the last time she saw him, when she was eleven.

When I was little, I used to run up the hotel’s front steps, and PoPo would say, “Let me get the door for you, ma’am.” He’d bow and open the door with a flourish. As I passed, he’d say, “Welcome to the Galvez, Miss Lockhart. Enjoy your stay.” I would lift my chin like a queen. Then I’d reach into his coat pocket and pull out a pack of Teaberry chewing gum.—Sydney Lockhart

Having Sydney reminisce wasn’t enough, so I had to develop this character and give him more purpose, which led to Sydney’s last visit with him being a traumatic experience.

In the 1940s and 1950s, Galveston was a rough-and-tumble gambling town that earned the title “Sin City of the Southwest.” A few powerful crime families operated illegal casinos, speakeasies, and backroom bookie joints that attracted tourists and celebrities. A hotel doorman would surely have inside information and connections to these establishments and operations. With this in mind, James Robert Lockhart began to develop.

Whenever my family came to the island for a visit, I’d make a beeline to the Galvez Hotel and stand next to Popo while he greeted guests. People who saw us together knew instantly that I was his granddaughter. We were cut from the same mold: tall, thin, and redheaded. I was proud of that fact, for James Robert Lockhart was the most handsome man I’d ever seen. When I found him crumpled on the floor in the hotel foyer, his body riddled with bullet holes, I knew my life would never be the same. Now, as I stepped into the lobby eighteen years later, the memory of that day hit me square in the gut.—Sydney Lockhart

Sydney had no intention of ever setting foot in the hotel again, but when she was assigned to write a news story about a planning conference at the Galvez involving a controversial development project on the island, she had to suck it up and go. As always, someone was murdered, but what if this murder was connected to the murder of James Robert Lockhart? Now I was building him a backstory in which Sydney suspected her grandfather wasn’t who he seemed. Soon she realized that clearing herself of murder charges meant delving deeper into her grandfather’s history.

One thing led to another, and Lockhart skeletons began jumping out of closets too close to home. So, was James Robert Lockhart a notorious con artist or someone who always did the right thing, regardless of the consequences? Either way, Sydney had to find out, and so did I.

Since then, Sydney has shared with me a few survival skills she learned from her grandfather: how to hotwire a car, pick a lock with a bobby pin, and win at five-card draw. Dead, but not forgotten, Popo’s influence and teaching made Sydney who she is.

PoPo had an unquenchable fascination with the wonders of life and had steered me toward more practical directions. He taught me to appreciate the creatures that washed ashore after high tide, the majesty of constellations as they traveled across the sky, and flocks of birds that descended on the beach after fleeing an offshore storm. He even took me on my first Christmas bird count.—Sydney Lockhart/MURDER AT THE MENGER

I’m sure the real PoPo was the benevolent grandfather my husband remembered, and if PoPo is reading this from upstairs, I hope he’s smiling down on me.

Look for my seventh Sydney Lockhart mystery, where PoPo’s lessons save Sydney’s tush once again. It’s scheduled for release in spring 2026. The hotel, and hence the title, remains a secret until pre-lease. Check out my other Sydney mysteries: https://kathleenkaska.com/

What Do the Girls Have to Say About the Guy?

A Guest Post by Author M.E. Proctor

Ten years ago, when the character of Declan Shaw, a Houston PI, popped into my head, I didn’t give a second thought to the fact that I’d just committed myself to write, from a male perspective, what could become a series. It didn’t bother me. I wanted to try my hand at a detective story featuring in the main role a bruised romantic shamus, a classic updated for the 21st century.

I completed a first manuscript (full disclosure: that attempt will never be published; it was a trial run) and gave it to my husband. He’s a brilliant writer and my first beta reader. He said he enjoyed the story and proceeded to criticize it down to the bone. It’s good to have a fierce reviewer at home; once you’ve cleared that hurdle there’s nothing the world can throw at you that’ll make you flinch. He picked up two dialogue excerpts and commented: “A guy would never say that.”

Out of a 300-page story, I thought that was a pretty good score. It also made me aware of the stumbling blocks that our subconscious takes pleasure in throwing in our path. Note to self: Guys don’t giggle, unless they’re Tommy Udo and about to push a lady down the staircase. Not the mood I was going for … I fixed the dialogue and toughened it up.

We’re quite a few years later now. I have a ton of short stories under my belt, a retro-noir novella written in collaboration (Bop City Swing) where I take the part of the hardboiled cop and my writing partner, Russell Thayer, is in the female assassin’s head, and two Declan Shaw novels. Girls or guys, pumps or brogues, I’ll slip into the shoes the story calls for.

Except …

In Catch Me on a Blue Day, Book 2 of the Declan Shaw series, my PI gets very close and very personal with Isabel, a cute art gallery manager.

I’ve written quite a few seduction/sex scenes and I’m not new to the challenge, but the story required this one to jump higher in the temperature range than I’d gone before. I could have written it from Declan’s point of view—there’s another scene with Isabel in the book that gives him quite a kick—but for this particular one, I thought I could do more from the girl’s perspective. It’s a decision that changed the structure of the book.

The Declan stories are mostly told from his standpoint. Secondary points of view come into play, out of narrative necessity (for example, I put him in the ICU in Book 1, Love You Till Tuesday, and the plot couldn’t remain frozen for a week).

In this case, changing the angle to Isabel gave me an opportunity to put a different light on the main character, and reveal things about him that would never have surfaced otherwise. He’s a very controlled guy and she pushes his buttons so hard he loses his footing.

Next to Isabel’s star turn, I also gave voice to two other female characters who play a major role in the story. They form the other points of a triangle with Declan in the middle, in the crossbeams, and they balance the narrative.

The first one is Jean. She’s old enough to be his mother and would love to slip into a protective role. She does it, in a harrowing scene, and Declan accepts her help, but he remains reticent and unwilling to let her in too close. She sees herself as a nest builder, and he is a drifting soul. Their alliance can only be temporary.

The second one is Kate, close in age to Declan and Isabel. Fiercely independent, wary of emotional entanglements, and dealing with a troubled past. Her sister was murdered thirty years ago, a death that destroyed the family. Kate never knew the girl; she was only two at the time. She doesn’t open up to people easily, and her trust is hard to win. She’d like to see Declan as some noble defender, but he’s a bit wobbly.

Seen through the eyes of these three women, Declan’s character gains new dimensions.

I enjoyed trading his cowboy boots for Isabel’s sandals, Jean’s sensible shoes, and Kate’s wellies … for a little while.

Catch Me on a Blue Day
A Declan Shaw Mystery, Book 2

“For Ella and all the innocents slain by soulless men.”

It’s the dedication of the book on the Salvadoran civil war retired reporter Carlton Marsh was writing before he committed suicide.

A shocking death. Marsh had asked Declan Shaw to come to Old Mapleton, Connecticut to help him with research. He looked forward to Declan’s visit: “See you at cocktail time, a fine whiskey’s waiting.” They talked on the phone a few hours before the man put a bullet in his brains.

Now Declan stands in the office of the local police chief. The cop would prefer to see him fly back to Houston. He’s never dealt with a private detective, but everybody knows they are trouble. If only there weren’t so many unanswered questions around Marsh’s death … the haunting first three chapters of his book, and that dedication to Ella, a girl whose murder thirty years ago brought the town to its knees.

In Catch Me on a Blue Day, Declan is far from his regular Texas stomping grounds. He’s off balance in more ways than one, and the crimes he uncovers are of a magnitude he could not foresee.

Between the sins of an old New England town and the violence of 1980s El Salvador. And the links between the two.

Buy links

paperback

ebook

~*~ 

M.E. Proctor was born in Brussels and lives in Texas. She’s the author of the Declan Shaw detective mysteries: Love You Till Tuesday and Catch Me on a Blue Day. She’s also the author of a short story collection, Family and Other Ailments, and the co-author of a retro-noir novella, Bop City Swing. Her fiction has appeared in anthologies and magazines like VautrinToughRock and a Hard PlaceBristol NoirMystery TribuneReckon Review, and Black Cat Weekly among others. She’s a Shamus and Derringer short story nominee.

WHAT DO YOU WRITE?

My new novel, The Underground Murders, was released yesterday, July 1, 2024. Do you write (or read) political novels? Or novels that contain even a bit of a political message? Or novels that address societal concerns? Or novels that are pure entertainment? I chose the subject of my latest novel with the intent of speaking out against the direction in which our country headed and knowing there would be backlash. I’ve already received a tongue lashing from one of my advance readers. I’m hoping she, at least, gave some thought to the issue, that her mind, which probably wouldn’t be opened, would get a small crack. Since the book only arrived on the scene yesterday, I’m waiting to see who else protests.

In some of my novels in the past, I’ve included (in addition to murder) gambling addiction, false allegations of child abuse, child trafficking, greed, adultery, characters with a sense of entitlement, judicial corruption, mental illness, theft—well, basically, my characters breaking all Ten Commandments!

History is replete with nursery rhymes that have been interpreted as political commentary or as a rendering of historical events. At https://englishhistoryauthors.blogspot.com/ many authors give their interpretations of historical pieces. I particularly liked Author Lucinda Brant’s Part Two about nursery rhymes including “Georgy Porgy” and “Jack and Jill.”

Fairy tales were another way authors expressed themselves. A nice piece that discusses how fairy tales can be used as teaching tools today can be found at  https://www.kidsbookhaven.com/article/exploring-relevance-of-fairy-tales-in-todays-world. There is also discussion about how they form the basis for so many current books and movies.

At https://journals.sagepub.com/doi/abs/10.1177/03061973241241877, there is a book review of Buried Treasures: The Political Power of Fairy Tales by Jack Zipes. Zipes discusses social ills, to put it mildly, and who the authors often were.

I’m a fan of John Sandford and his “Prey” novels. I was pleased to find he addressed environmental problems in his latest novel Toxic Prey, where the protagonists hunt down a mad scientist who believes the violent actions he intends to take will save the planet

It’s 2024 in the U.S. So far we still have the right to free speech. For the most part, we have the right to write what we want, unlike authors in some countries and those in history. I believe it’s my duty to address modern society’s ills. Though there is no guarantee what I write will be read, I fully intend to continue to write as my conscience dictates. If only a few readers will have their eyes opened, I will have accomplished my goal.

Susan P. Baker is a retired family court judge from Texas and the author of 15 published books. You may read more about her at https://www.susanpbaker.com.

 

 

NEVER GET DISCOURAGED

Great to be a new member of the Stiletto Gang, the most talented writers I’ve come across in a group, probably ever. As an introduction, I’ll lay out the highlights of my literary journey below.

 

In 1962, my mother registered me for a writing class that was offered in summer school after the eighth grade. Only one other girl signed up, so the class was cancelled.

 

Once in high school, we were assigned a short story. I wasn’t present the day the teacher handed them back—I’d gone to the orthodontist—but when I returned to school, kids congratulated me on my story, saying the teacher read it to the class. The next day when she returned my story, I found she’d give it a B-.

 

My parents told me I couldn’t be a writer because I wouldn’t be able to make a living. I don’t know whether that is what would have happened. You never know what the future holds. But, I was an obedient child, at least for a while, so I said ok.

 

I didn’t know what else I might want to do. Dad wanted my sister and me to be teachers, so if our husbands died or abandoned us, we’d be able to support ourselves. My sister did and ended up as an administrator in a small public school district. Me? I dropped in and out of five colleges/universities until I was finally awarded a B.S. degree in Criminal Justice.

 

I once signed up, as an adult, for a writing class at the community college in our town, excited to finally get something going. When I received my first story back, the instructor had written that I had no talent—give it up.

 

After I began practicing law, I was lying around my living room once night and told my husband that if a writer could make $5,000 a pop for genre romance novels as it stated in the TV Guide article I read, I should try that. I read everything, including romances. I didn’t think it looked that hard. So, I bought some books on writing romances and sent for tip sheets and finally wrote one. I sent it off and waited for a response. The editor said no, she wouldn’t publish my novel, her rejection including some choice insults, and never to send her anything again.

 

I began writing suspense/mysteries in the 80s. My father was a criminal defense lawyer, (and later a judge), so I’d been around the law since I was little. I had been a probation officer and was at that time a criminal and family lawyer. Crime, I knew about. By the way, I heard that not long after the aforementioned editor rejected my novel, she died. Just so you know, I didn’t kill her.

 

When my editor at St. Martin’s Press, Inc. called me about MY FIRST MURDER, (my first published novel) he excitedly asked where I learned to write like that. He loved the book and said my manuscript was one of the best submissions he’d ever seen in terms of preparation, punctuation, etc. He loved it so much, a year later he rejected the sequel.

 

Enough of that. My point is, never give up. I had that first novel sale in 1988. I used the book as a political tool when I was running for office, donating copies across the county. What a great gimmick! I received free publicity and extra attention at every event, in addition to speaking engagements.

 

I was elected to the bench and took office on 1/1/91. My focus turned to being a sitting judge, modernizing practices and procedures in that court, including starting programs to help families and children. I continued to write whenever I could, though I didn’t have any other books published until after I left the bench at the end of 2002. In 2004, Eakin Press (a Texas publisher) released my nonfiction books: Heart of Divorce (which I wrote to help pro se litigants who couldn’t afford lawyers to prosecute their own divorces) and Murdered Judges of the 20th Century, which I researched and wrote over the previous six years, (and which began as evidence for the county commissioners that we needed courthouse security).

 

After that, I started submitting works I’d written while on the bench. I wanted to change my focus from the law to liberal arts. In 2015, I made the decision to self-publish. Though by then I had several mystery/suspense novels under my belt, I had grown tired of the traditional publishing process. I was aging out. The last straw was when an agent told me to cut my manuscript 20,000 words and submit it to her. I did, and never heard from her. That was it.

 

At sixty-five years of age, I was sick of the abuse most authors suffer at the hands of agents and editors. I was writing because I have to, not because I needed to. Or, as I often phrase it, I can’t not write. There was no joy, no pleasure in experiencing what they were dishing out. Where I had hoped for years to have the guidance and support of an agent and/or editor, I realized that would never happen. I have stories to tell. I’m constantly learning craft. I don’t care if I ever have huge sales. I’m having fun doing what I’ve wanted to do since I was a little girl with no pressure, no insults, no rejection. I love it.

 

Now, at 74, I spend a lot of my days writing or reading. I’m having fun living life my way. I never gave up. I suggest if you love to write, don’t let anyone discourage you either.

Susan has published 14 books in the last 30 or so years. Not all of them are mystery/suspense, but all of them have something to do with the law.

Parrott and Tonya Sitting in a Tree by Saralyn Richard

 

 

Literary detectives rarely work alone. Sherlock had Watson. Nero Wolfe had Archie Goodwin. Poirot had Captain Hastings. Then there are Nick and Nora Charles, Tommy and Tuppence Beresford, Lincoln Rhyme and Amelia Sachs, and Lord Peter Wimsey and Harriet Vane.

Authors make good use of the sidekicks throughout the series. The sidekick provides a sounding board for the detective, someone to help with collecting evidence and processing clues. Sometimes the sidekick offers an insight that might turn out to be a red herring—or not. The dialogue and interaction between the detective and his sidekick add interest and humanity to the story.

The Detective Parrott mystery series features Detective Oliver Parrott, a young, smart, organized person who’s well-grounded and dedicated to finding the truth. An outsider in the wealthy community he serves, he has a sixth sense about sniffing through subterfuge and barriers, and he’s undaunted by rich and powerful people. He just wants to do the right thing and make way for justice to be served.

That’s a big job for one guy to do, and the work can become frustrating and lonely. That’s why Parrott has a sidekick—his lovely fiancée (and then wife) Tonya.  College sweethearts, Parrott and Tonya have similar backgrounds. Both come from single parent homes in underprivileged neighborhoods. They had scholarships to Syracuse, where Parrott was a football star. Tonya majored in political science, while Parrott majored in criminal justice.

When the series opens in MURDER IN THE ONE PERCENT, Tonya is on a tour of duty in Afghanistan with the Navy. Parrott visits with her on Skype, and, while she can’t tell him much about her work, and he can’t tell her much about his, they both provide significant encouragement and support for each other.

By the time of the second book, A PALETTE FOR LOVE AND MURDER, the Parrotts are married and living in Parrott’s small house with their pet cockatiel, Horace. They have a loving marriage, but from the start, their lives are complicated by Tonya’s PTSD. Without spoiling the plot of this and subsequent books, I’ll say that Tonya’s story becomes inextricably entwined with Parrott’s investigation, and from then on, the Parrotts’ personal lives and the detective’s professional life cross paths.

The pattern continues in CRYSTAL BLUE MURDER and MURDER OUTSIDE THE BOX. At times the elements of humor and romance tip the plots into scenes unusual for a police procedural. Readers and reviewers apparently enjoy the dynamics between the two characters, and I’ve been present at many book clubs where people remark about it. One reader stopped me at the theater to plead with me never to let Parrott and Tonya divorce.

I doubt that will ever happen, although the Parrotts have to go through rough times, just like the rest of us. Right now, Parrott and his lovely wife are getting ready for the holiday celebration in their home, and they’ve asked me to wish each and every one of you the best of the season, and a happy new year. Let me echo those chirpy good wishes. May you have good health, friendship, love, peace, and happy reading!

 

MURDER OUTSIDE THE BOX will be available January 5. For other books, check out Saralyn Richard’s website here or Amazon page here.

Writing a Series—It’s All in the Protagonist by Saralyn Richard

Writing a Series—It’s All in the Protagonist

by Saralyn Richard

 

A man wearing a hat photo – Free On Image on Unsplash

 

I never planned to write a series. My first mystery novel, MURDER IN THE ONE PERCENT, set in the lush landscape of Brandywine Valley, Pennsylvania, centered around a birthday party where old college buddies were reunited for a weekend retreat. Old flames, old rivalries, old resentments resurfaced, and one of the party-goers ended up dead.

Enter Detective Oliver Parrott, young, ambitious, and Black, an outsider in this ritzy community—the better to see through the closed ranks and subterfuge. Undazzled by materialism, Parrott keeps a dogged focus on the people who have had it in for the victim, and readers have responded to Parrott’s character in ways that surprised me.

“We want more Parrott,” I kept hearing, and I found myself wanting to stay with the well-grounded detective, as well. Since that time, I have written a three more Detective Parrott books. I’ve seen Parrott mature and marry. He’s made a name for himself in Brandywine and beyond. He’s tackled challenging cases, faced dangers, stood up for the innocent, and hounded the guilty.

Parrott and Tonya, his fiancée and then wife, make a remarkable duo. Their relationship isn’t perfect (whose ever is?), but whenever one of them needs support and a listening ear, the other is there to give them.

One of my readers leaned over the space between her seat and mine at the theater and said, “Please, please don’t ever let Parrott and Tonya divorce.” Remarks like that let me know that others are invested in my series characters as much as I am. I love spending time with Parrott and his family, as well as the recurring characters in Brandywine Valley and in the West Brandywine police department. It’s like visiting old friends and catching up on their lives.

I’m pretty sure I’ll never run out of things for them to say or do, experiences they need to have, lessons they need to learn. As in real life, there are always surprises, secrets, challenges, and joys. There are always new issues to be confronted, new insights to be gained.

In the next few months, the fourth Detective Parrott book, MURDER OUTSIDE THE BOX, will launch. Parrott is sharper than ever as he deals with an abandoned baby and the murder of a postpartum woman. Parrott’s relationship with Tonya spills over into his case, and vice versa, until the two bits of life are woven into a single fabric.

After more than seven years and twelve hundred pages spent with Parrott and his wife, I’m not sure what path their lives will take next, but one thing I am sure of—they’ll never be bored. And with so much trouble going on in the world, it’s good to have good people like Detective Parrott around to find the truth and right the wrongs.

Who is your favorite fictional protagonist?

Award-winning author and educator, Saralyn Richard writes about people in settings as diverse as elite country manor houses and disadvantaged urban high schools. She loves beaches, reading, sheepdogs, the arts, libraries, parties, nature, cooking, and connecting with readers. Look for her latest Detective Parrott mystery, MURDER OUTSIDE THE BOX, coming soon.

Visit Saralyn at http://saralynrichard.com

Chasing an Intruder

Bob and I spend the summers in northern New Mexico. We enjoy the idyllic mountain scenery, the wildlife, the enriching tricultural experience in art, food, and the wonderful people who live here. Some are full time residents while others, like us, are only part timers.

After we arrived at our cabin, I was surprised we’d had a visitor who had left his calling card.

Ever the investigator, I wanted to identify our intruder. I asked friends, family, and long-time residents to help me out. Most people offered suggestions like a cougar, a mountain lion, a bobcat. One person thought they were coyote tracks, and another, trying to be funny, thought they were left by aliens!

I compared the paw prints left in the dust on the front deck to online research, and to photos a friend sent me from a wood block she keeps for easy reference in her mountain home.

It was easy to rule out deer, elk, turkey, or badger.

Next, I could rule out a fox, coyote, or bear since our prints did not have evidence of claws. That left the cougar!

Long time-residents claimed they had not seen any cougars in the area, yet my research indicated that New Mexico has a cougar population of 3,494 that are eighteen months of age or older as of 2023¹.

Sadly, my research also revealed that cougars are considered recreational game animals in New Mexico, and at the current rate of hunting and trapping, they will soon be at risk. In 2019, the state did prohibit trapping of cougars in certain areas.

I fully understand that cougars and other wildcats can be dangerous to people, pets, other wildlife, and livestock. Yet, these are beautiful animals that need protection to prevent them from going extinct.

A friend asked me if I’d be putting cougars into a novel in the future. The truth is I don’t know if a cougar will ever appear in a Nikki Garcia mystery or not. The question is valid since I have included dogs, crows, and mules in previous mysteries. Whenever I’m writing a novel, if pets or wild animals add to the story, yes, I love incorporating them into the story. In the meantime, my husband and I will enjoy the deer, elk, coyote, turkey, and birds we see in this mountain retreat.

***

¹New Mexico Mountain Lion Foundation

About Kathryn

Kathryn Lane writes mystery and suspense novels usually set in foreign countries. In her award-winning Nikki Garcia Mystery Series, her protagonist is a private investigator based in Miami. Her latest publication is a coming-of-age novel, Stolen Diary, about a socially awkward math genius.

Kathryn’s early work life started out as a painter in oils. To earn a living, she became a certified public accountant and embarked on a career in international finance with Johnson & Johnson.

Two decades later, she left the corporate world to create mystery and suspense thrillers, drawing inspiration from her travels in over ninety countries as well as her life in Mexico, Australia, Argentina, and the United States.

She also dabbles in poetry, an activity she pursues during snippets of creative renewal. In the summer, Kathryn and her husband, Bob Hurt, escape the Texas heat for the mountains of northern New Mexico.

Photo credits:

Paw Prints in the Dust – photo by Kathryn Lane

Wood Block Paw Prints – photo by Sharon Sorensen

Cougar – CA-Jason-Klassi-08

Next Stop: The Islands

Ahhhh…. The Islands

Sounds so dreamy and vacation-y, doesn’t it? I’m working on book four of my San Juan Islands Mystery series.  A book that I have been swearing that I will get to for about three years. And I’m finally doing it! And good lordy do I hate the islands. It’s not vacation. It’s a slog.  All of which is completely unfair to the islands. It’s not their fault that I’ve been procrastinating.  Or that I named three different people Cooper.  Or that I chucked out at least three different plots before I got to this one.

So Whose Fault is it?

Oh.  Yeah. It’s mine.  But taking responsibility really throws off a good rant. Part of the problem is that past self did not set me up for success. At three books in, you would think that I would do what I usually do with a series – start a spreadsheet.  Keeping a spreadsheet of characters names, a general description, and what books they appear in really cuts back on how many people are named Cooper.  (We’re now down to one.  The other two got magical name changes.) But when I started the series I didn’t intend for it to be a series. It was supposed to be a fun standalone mystery about an ex-actress and her ex-CIA agent grandfather solving mysteries in the islands of Washington State. The problem is that Tish and Tobias Yearly are funny and fun to hang out with.  Also, they just keep finding bodies, so… they keep needing more books.  It is not my fault.  It’s theirs. Blame the Yearlys.

And What Are You Going to do About it?

Keep better notes? I really am trying this time.  I revived the spreadsheet.  Added all those extra people I forgot about.  And I’m swear I’m this close >< to being done with book 4 – An Unfinished Storm.  Tish and Tobias are battling life, love, and Hollywood and trying to keep a police detective from jumping to some very wrong conclusions.

If you’re interested in Tish and Tobias Yearlys journey through the San Juan Islands, you can find out more from all the usual book selling suspects.

***

Bethany Maines is the award-winning author of action-adventure and fantasy tales that focus on women who know when to apply lipstick and when to apply a foot to someone’s hind end. She participates in many activities including swearing, karate, art, and yelling at the news. She can usually be found chasing after her daughter, or glued to the computer working on her next novel (or screenplay). You can also catch up with her on TwitterFacebookInstagram, and BookBub.

Macavity, Shamus, and Silver Falchion Short Story (and Other) Award Nominations

by Paula Gail Benson

The nominations for Macavity Awards, Shamus Awards, and Silver Falchion Awards have been announced for best short story or best short story collection or anthology.

The Macavity Award is named for the “mystery cat” of T.S. Eliot (Old Possum’s Book of Practical Cats). Each year the members of Mystery Readers International nominate and vote for their favorite mysteries in five categories: Best Mystery Novel, Best First Mystery, Best Mystery Short Story, Best Non-Fiction/Critical, and the Sue Feder Memorial Award for Best Historical Mystery. Here are the nominees for best short story:

Best Mystery Short Story:

  • Brendan DuBois: “The Landscaper’s Wife” (Mystery Tribune, Aug/Sep 2022)
  • Barb Goffman: “Beauty and the Beyotch” (Sherlock Holmes Mystery Magazine, Jan 2022)
  • Donna Moore: “First You Dream, Then You Die” (Black is the Night, Titan Books)
  • Anna Scotti: “Schrödinger, Cat” (Ellery Queen’s Mystery Magazine, Mar/Apr 2022)
  • Catherine Steadman: “Stockholm” (Amazon Original Stories)
  • Jess Walter: “The Angel of Rome” (in The Angel of Rome and Other Stories, Harper)
  • Melissa Yi: “My Two-Legs” (Alfred Hitchcock’s Mystery Magazine, Sep/Oct 2022)

Previously, Brendan DuBois’ short stories have won three Shamus awards.

Barb Goffman’s “Beauty and the Beyotch” has been nominated for the Agatha, Anthony, and Macavity. It won the Agatha.

Donna Moore’s “First You Dream, Then You Die” was nominated for an Edgar.

Anna Scotti is a former journalist whose stories regularly appear in Ellery Queen’s Mystery Magazine. “Schrödinger, Cat” received a third place Ellery Queen Readers’ Choice Award.

Catherine Steadman’s “Stockholm” won the Thriller for best short story.

Jess Walter’s “The Angel of Rome” comes from his collection of stories by that title.

Melissa Yi is an emergency room doctor who writes a medical crime series as well as romance and YA.

The Private Eye Writers of America, an association of fans, writers, and publishing professionals, is devoted to elevating the private eye story from a sub-genre of mystery to a genre of its own. It categorizes private eyes as private citizens paid to investigate crimes. Private eyes may include investigators, company employees, and reporters. Each year the Private Eye Writers of America presents Shamus awards in four categories: Best PI Hardcover, Best Original PI Paperback, Best First PI Novel, and Best PI Short Story. Here are the nominees for best short story:

Best PI Short Story:

  • Lori Armstrong: “No Place for a Dame” (Edgar & Shamus Go Golden, Down and Out Books)
  • Libby Cudmore: “Charlie’s Medicine” (Lawyers, Guns, and Money: Crime Fiction Inspired by the Music of Warren Zevon, Down and Out Books)
  • O’Neil DeNoux: “A Jelly of Intrigue” (Edgar & Shamus Go Golden, Down and Out Books)
  • Carolina Garcia-Aguilera: “The Pearl of the Antilles” (Edgar & Shamus Go Golden, Down and Out Books)
  • Elliot Sweeney: “Bad Actor” (Alfred Hitchcock’s Mystery Magazine, Nov/Dec 2022)

Lori Armstrong has won two Shamus awards for her novels.

Libby Cudmore writes the Martin Wade PI series for Ellery Queen’s Mystery Magazine.

O’Neil DeNoux won the 2020 Shamus award for his short story “Sac-a-lait Man” in Ellery Queen’s Mystery Magazine’s Sep/Oct 2019 issue.

Born in Cuba and based in Miami, Carolina Garcia-Aguilera has been a private investigator for twenty-five years. She is known for her Lupe Solano mystery series.

Elliot Sweeney, born in London, had his debut novel The Next to Die published in February 2023.

The Silver Falchion Awards are presented annually at Killer Nashville, which takes place August 17 through 20. (Note: there is still time to register to attend the conference. Also, online voting for the Readers Choice Awards continues until midnight Tuesday, July 25.)

Here are the nominees for best short story collection or anthology:

Best Short Story Collection or Anthology:

  • Chris Chan: Of Course He Pushed Him & Other Sherlock Holmes Stories: the Complete Collection (MX Publishing; 1st edition; September 2, 2022)
  • Marianne Donley, ed.: An Element of Mystery: Sweet, Funny, and Strange Tales of Intrigue (Bethlehem Writers Group; September 27, 2022)
  • Marissa Doyle: Countess of Shadows: The Ladies of Almack’s Omnibus No. 1 (978-1-63632-094-6; November 1, 2022)
  • Catherine Jordan, ed.: That Darkened Doorstep (Hellbender Books; September 21, 2022)
  • Lindy Ryan: Into the Forest: Tales of the Baba Yaga (Black Spot Books; November 8, 2022)
  • J.B. Stevens: A Therapeutic Death: Violent Short Stories (Shotgun Honey Books; February 16, 2022)
  • J.D. Webb: Incredible Witness (Wings ePress, Inc.; June 27, 2022)

I’m very proud to be a member of the Bethlehem Writers Group and to have a story in An Element of Mystery. Debra H. Goldstein has a story in it also. Two of our other members, Dianna Sinovic and Diane Sismour, have stories in An Element of Mystery as well as in That Darkened Doorstep.

While I’m mentioning Silver Falchion nominees, let me brag on several of my Stiletto Gang blogging partners whose books placed in other categories: Debra H. Goldstein’s Five Belles Too Many was nominated for Best Cozy and Saralyn Richard’s Crystal Blue Murder and Joyce Woollcott’s A Nice Place to Die were nominated for Best Investigator.

Many great stories, collections, anthologies, and novels for your reading pleasure. Please enjoy!